By Rebekah Lattin-Rawstrone
The City Writes Summer event of 2019 was a glorious July evening with a number of exciting firsts: our first reading from a Novel Studio Scholarship winner; two readers who had already shared work at previous City Writes events; and a visit from the wonderful Novel Studio alumna Anna Mazzola whose energy and storytelling charm are a delight to share.
We started the evening with a very funny short story about a dreadful first date, ‘Bird’s Nest’, written and read by Su Yin Yap. If you can picture a presumptuous, entitled man biting into the wicker basket his Chinese meal was delivered in, you’ve got an idea of the kind of laughter the story invoked in the audience. This was Su Yin Yap’s second story to be chosen for City Writes and it was great to have her back.
Next Ruth Thorlby, who is currently completing an MA focussing on short stories, but whose journey began on a short course at City, read her poignant and rather haunting story, ‘Passing’, about a young person returning home to try and see her Grandmother before she dies and being unable to make it over the threshold. To say more would spoil it. With beautiful descriptions and a contemplative air, there’s a lot going on under the surface of this story that left the audience with much to think about.
Lola OkolosieOur Novel Studio Scholarship winner, Lola Okolosie, was next. The inaugural winner of the schola rship sponsored by Novel Studio alumna Harriet Tyce, who read from her novel Blood Orange at our Spring City Writes, Lola’s extract ‘Seun’, from a novel-in-progress, took us into the heart of a traffic jam in Lagos where Seun struggles to make sense of his itinerant identity. The audience were entranced. What a start to Lola’s Novel Studio career.
Bren Gosling read his story ‘Let Me Pay’ next. Another author returning to grace the City Writes stage, Bren’s tale brought an ex-soldier and a refugee together around a cafe table, their mutual romantic interest fraught with old, unspoken tensions. A taut story exploring the fall out of war on the individual even in peacetime.
Finally, we were delighted to hear from author and Novel Studio alumna, Anna Mazzola who shared some of her latest work-in-progress set in Paris in the 1700s. Not only were we transported to 18th Century France, we were also swept up in Anna’s enthusiasm for storytelling.
Her question and answer session gave us plenty of tips and food for thought – Anna’s productivity is very impressive – about how to write and work and look after children, as well as how to think about writing historical fiction as well as crime fiction. A truly enlightening reading and talk that inspired much interest in Anna’s published and prize-winning novels, The Unseeing and The Story Keeper.
City Writes ended with a little more wine, some networking, some book signing and a general sense of writing camaraderie.
For those of you who don’t know about City Writes, it is an exciting event that showcases the best of City’s Short Courses Creative Writing talent. Held once a term at the University, City Writes hosts readings from alumni, students and tutors. One reader offers a professional perspective, reading from a new or award-winning publication, and the other readers are selected on the basis of a 1,000 word submission to a termly fiction writing competition open to all current and previous students of a City Creative Writing Short Course.
We are doing something a little different with our 2019 Winter City Writes event: our guest readers are all in the wonderful Story Cities anthology edited by Rosamund Davies (Novel Studio alumna), Cherry Potts (City Visiting Lecturer) and Kam Rehal, published by Arachne Press. We will have several shorts read by alumni who have been published in the anthology and will be seeking flash fiction submissions of 500 words or less, meaning we will have a bumper number of readers in December. It’s going to be a flash fiction extravaganza! Do check the website for further details.
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