Author: Josie Gleave (page 4 of 4)

Criminal Justice Lawyer secures debut historical novel deal after her creative writing course

By Anna Mazzola

Human rights and criminal justice solicitor, Anna Mazzola, studied English Literature at City and has always loved reading.

“Four years ago I began writing fiction; first short stories and then a novel. I wanted some assistance with the novel, especially in terms of structure, as well as support. So I researched the various novel-writing courses available.

“The tutorials and group sessions offered by The Novel Studio at City, University of London particularly appealed to me and I knew after my interview that I had found the right course.

“The Novel Studio lived up to its high reputation. I had some fantastic tutors and their input in my novel has been invaluable. By working with them on my synopsis in the early part of the course, I developed a clear structure for my novel together along with the tools for writing it. I then used the structure of the course itself to ensure that I finished my first draft by the end of the summer term.

“The group sessions are great for getting you accustomed to the criticism necessary during the editing process and provide a useful sounding board for your ideas and work. I continue to meet with the friends I made on the course and I know the same is true of many previous years’ students. Writing can be a lonely business and finding people who will give candid but constructive feedback was, for me, a highlight of the course.

“Another useful aspect of the course was the section on publishing, which gets you thinking about your novel’s possible place in the commercial world and how to go about seeking a literary agent.

“At the end of the course, we hosted an event for literary agents showcasing our work, and sent out an anthology subsequently. It was on the back of this that I signed with my wonderful agent. I know that many other of my colleagues on the course were also contacted by agents who heard them speak at the end of term event, or saw their written work in the anthology – work that they had honed during the course.

“I still have a long way to go, but I feel that the Novel Studio gave me a very firm start in novel writing. The fictional techniques that I picked up have been valuable not just for novel-writing, but for my short story writing and for the children’s fiction that I have begun to work on. The course also introduced me to a talented bunch of authors with whom I continue to share my work. I will certainly be back for more creative writing courses.”

Not long after finishing her City writing course, Anna’s agent, Juliet Mushens, sold her debut novel, The Unseeing, developed while on the course, to Tinder Press. Due out in 2016, Mushens said “The Unseeing is a wonderfully gripping and atmospheric crime novel.”

2016 City Novel Studio competition winners announced

We are delighted to announce the winners of 2016’s City Novel Studio Competition.

In association with Christine Green Author’s Agency, the competition was open to unpublished novelists writing in any fictional genre for adults, but not non-fiction or fiction for children. Course Director, Emily Pedder, and Novel Studio Tutor, Emily Midorikawa, sifted through the numerous entries and have now made their final decisions. The winners are:

  • Dinea Smith
  • Lucy Smith
  • Lucy Underhill

The course director said the standard of entries for this year’s Novel Studio competition was very high. “It’s always difficult to choose winners in a competition like this, but our finalists all had very fresh, distinctive voices and each piece made us hungry to read more.”

Find out more about The Novel Studio on the City website.

The Novel Studio’s end of year showcase 2016

The Novel Studio’s End of Year show is a hotly anticipated event.

This year was no exception. From eighteenth century Spitalfields to the mean streets of nineties Moscow, the students electrified an audience of friends, agents and publishers as they read work from their novels-in-progress.

After the readings students mingled with their guests amongst much industry interest. With diverse genres spanning everything from sci-fi to historical fiction, it’s surely a matter of time before these talented students celebrate publication success of their own. Congratulations to the Novel Studio teaching team and the class of 2015/16.

To read their extracts and novel outlines visit: The Novel Studio 2016.

Digital training and the digital skills gap

by Dionisios Dimakopoulos

City Short Courses, part of City, University of London, worked with London digital agency MintTwist to create a study analysing the digital skills gap.

The study surveyed over 100 professionals who studied a digital marketing related short course with a goal to understanding:

  • Why they are seeking additional digital marketing training
  • Issues they are currently facing
  • What they hope to attain from studying a digital marketing short course at City, University of London.

We surveyed City Short Course students from 2007 – 2015. The group consisted of marketing professionals within SEO, content, social, advertising, web design and development.

“The biggest challenge in my industry is hitting the right digital marketing channels and maintaining our individuality against our competitors”

Edward Carter, SEO Manager, industry: Engineering and Manufacturing

The survey identified three key elements professionals listed as instrumental in them completing a digital marketing short course.

  • Digital’s constant state of change and evolution
  • The online competition
  • Training required to upskill internal resource on digital

Biggest issues for your company:

  • 15% – competitors
  • 19% – digital change
  • 26% – training, skills and internal resources

Biggest issues for your industry:

  • 16% – competitors
  • 16% – digital change
  • 6% – training, skills and internal resources

Find out more about short courses in digital marketing at City, University of London.

City Writes launch

by Novel Studio alumnus, Arun Das

The inaugural City Writes event was held on 29th March 2016. Along with author of Owl Song at Dawn, Emma Claire Sweeney, four writers, alumni and students from City’s creative writing short courses read out their work. Each writer was chosen through a competition run by creative writing tutor Rebekah Lattin-Rawstrone.

First to read her story was Evleen Mann, with a piece developed as part of the Novel Studio course. Titled Elvis and the Bear, Evleen fictionalised a humorous but poignant conversation between Rock ‘n’ Roll star Elvis Presley and a bear. Evleen is working on a novel as part of the Novel Studio programme.

Eileen Church Riley, a 2010 graduate of the Novel Studio read an extract from her novel The Tumbledown. Set in Western Nevada, United States, The Tumbledown follows Screeching Eagle and Delicate Bird, members of the Paiute-Shoshone Native American Indian tribe.

Lesley Jones, presented an extract The Worst Day, from a supernatural YA novel. Lesley is also working on a fantasy adventure novel for 9 to 12 year-olds and is a current student of the Novel Studio.

C. G. Menon, who’s pursuing an MA in Creative Writing at City, University of London read the short story I see you in Triplicate. Menon has been published in two short story anthologies, Fugue Press’ Siren II and Dahlia Publishing’s Love Across A Broken Map. Menon has also won the Bare Fiction short story prize, the Asian Writer prize, The Short Story award and the Winchester Writers Festival short story prize. She’s been shortlisted for a number of others, including the Fish short story award, the Short Fiction Journal prize, the Willesden Herald prize and two Words and Women awards.

Emma Claire Sweeney read extracts from her novel Owl Song at Dawn. Published by Legend Press in 2016, Owl Song at Dawn, her debut novel, was inspired by her sister who has cerebral palsy and autism.

Emma is a Novel Studio tutor. Her forthcoming book, A Secret Sisterhood: The Hidden Literary Friendships of Jane Austen, Charlotte Bronte, George Eliot and Virginia Woolf, is a non-fiction book, which she has co-written with her friend and Novel Studio colleague, Emily Midorikawa. With a foreword by Margaret Atwood, the book will come out in June 2017 with Aurum Press in the UK and Houghton Mifflin Harcourt in the USA.

City Writes will run every term and will return in the summer on Wednesday 12th July to showcase more of City’s short courses creative writing talent. The deadline for submissions for the summer term is Friday 16th June and readers will be joined by Novel Studio alumna Luiza Sauma who will be reading from her novel Flesh and Bone and Water published by Viking in February 2017.

Arun Das spent ten years working as a journalist and television producer. He moved to England to join his wife and is currently working on a novel as part of the Novel Studio programme.

Winners of City Novel Studio competition 2015 announced

We are delighted to announce the winners of 2015’s City Novel Studio Competition.

In association with Christine Green Author’s Agency, the competition was open to unpublished novelists writing in any fictional genre for adults, but not non-fiction or fiction for children. Course Director, Rebekah Lattin-Rawstrone, and Novel Studio Tutor, Kirstan Hawkins, sifted through the numerous entries and have now made their final decisions. The winners are:

  • Hannah Begbie
  • Louise Beere
  • Jen Glyn

“There were some very strong contenders for the Novel Studio Competition this year,” said Rebekah. “Each of the finalists produced writing with a skill and authority that left me eager to read more. I have high expectations of what this year’s Novel Studio students will go on to achieve in the future.”

Commenting on the finalists, top literary agent Christine Green said: “I enjoyed each one of them hugely – they are very different pieces but each has a strong voice and each one left me wanting more. Without hesitation I can say that I’d love to see more from each of them…Three very talented women.”

Congratulations to Hannah, Louise and Jen.  A terrific start to their Novel Studio year!

The Novel Studio end-of-year student showcase

by Rebekah Latin-Rawstrone

This annual event is the culmination of a year-long course for budding novelists studying on The Novel Studio programme. Twelve students read extracts from their debut novels to a packed audience of family, friends and publishing industry guests.

The work spanned a huge range of genres and themes encompassing satire, crime, young adult and historical fiction, amongst many others, and exploring such diverse worlds as the Arab Spring and the murky dealings of Global Finance. Fresh, contemporary and resonant, the work drew admiration from attendees at the Performance Space, with Course Director Emily Pedder commenting on this year’s talent as ‘exceptional’.

Since the event several students have been approached by agents wanting to see more of their work. Watch this space for further news!

For more information on the course and its growing list of published alumni, visit The Novel Studio.

Getting your book noticed online

by Emily Pedder

Last month short courses took part in a panel event on marketing your book online as part of 2014’s Inside Out Festival. Novel Studio Course Director Emily Pedder chaired a lively panel discussion to a sell out crowd.

The panel experts included Polly Courtney, author of six novels and a regular commentator on TV and radio. Polly is famous for walking out on Harper Collins in protest at the chick lit branding assigned to her books and has been successfully self-publishing ever since.

Also on the panel were Chris McCrudden, Head of Technology and New Media at Midas PR and author of the Guardian book Digital and Social Media for Authors; and City’s very own Novel Studio alumna Justine Solomons, founder of Byte the Book, CCO at Autharium and Publisher in Residence at Kingston University.

Tips for authors trying to market their book online included the following:

  • Make sure your cover design, title and blurb all reflect your book’s genre.
  • Target your readers: find out what readers of your particular kind of book listen to, like, follow online and start communicating with that audience.
  • Develop your author brand – talk about the issues you cover in your book, or whatever it is that makes you unique, and make it newsworthy so that journalists have an angle to write about.
  • Don’t write a press release about your book. The book’s publication is the least interesting thing about your book: find a particular peg to hang it on.
  • Use social media to be a reflection of yourself and your book.
  • Build your platform BEFORE you publish.
  • Set up your own website.
  • Curate yourself – readers don’t need to know everything about you, just the bits that are relevant to your author profile.
  • Write a blog. Keep it current. Follow up quickly and courteously on comments.
  • Keep a database of contacts. Add to it whenever you meet someone new. Follow up within 24 hours.
  • Hand out business cards: professionalize yourself as a writer.
  • Use marketing in its truest and most resonant form, i.e. sharing something you’re passionate about with other people who are passionate about the same thing

Afterwards several members of the audience expressed their gratitude for the event, while one tweeted ‘brilliantly useful panel discussion’. For more events like these don’t forget to follow our updates on twitter.

Winners of City Novel Studio competition 2014 announced

We are delighted to announce the winners of our inaugural City Novel Studio Competition 2014.

In a rare opportunity to bypass the slush pile, all applications to the Novel Studio this year were automatically considered for our City Novel Studio Competition, in association with Christine Greene Author’s Agency. The competition was open to unpublished novelists writing in any fictional genre for adults, including literary fiction, women’s fiction, science fiction, young adult fiction, chick-lit, fantasy, crime fiction, thriller, historical fiction, but not non-fiction or fiction for children. Course Director, Emily Pedder, and Novel Studio Tutor, Emily Midorikawa, sifted through the numerous entries have now made their final decisions. The winners are:

  • Giles Anderson
  • Tara Basi
  • Meera Betab

The judges commented on the ‘high standard’ of the applications this year and the difficulty in choosing the top three. However, the best three entries stood out for their ‘originality, style and distinctive voice’. They have now been passed on to Natalie Butlin, a top agent at Christine Green Authors’ Agency, with a view to representation. Congratulations to Giles, Tara and Meera!

City hosts inaugural CPD Forum Conference

City, University of London hosted the CPD Forum Conference ‘Professional Best Practice: Past, Present and Future’ on 20th June, in partnership with Central Saint Martins, King’s College London and Imperial College London.

The event was a great success, with an unprecedented attendance rate of 96% and delegates coming from as far afield as Cork to listen to keynote speakers and take part in group workshops.

Speakers included Professor Stephanie Marshall, Chief Executive of the Higher Education Academy; Dr JoEllyn Prouty McLaren, Director of Cass Executive Education; and Professor Yvonne Hillier, Professor of Education at the University of Brighton, covering topics such as development of executive education and the future of lifelong learning.

The afternoon workshops, hosted by the conference organisers, received fantastic delegate participation, and revealed common issues faced with CPD programmes in various institutions, including marketing, administration and international CPD. The workshops aimed to find solutions to challenges highlighted by delegates, but the recurring themes illustrated the need for future CPD conferences.

The conference was “very useful from both a professional knowledge-enhancing perspective, as well as from a networking perspective,” said one delegate.

Bill Richardson, Manager of CPD Programmes at City, University of London, and one of the CPD Forum organisers, said “the forum materialised initially through a need for London higher education institutions (HEIs) to engage and share experiences and best practice for delivering CPD and short course programmes. We are delighted that our mutual interests now extend beyond London and we were extremely please to welcome a wide variety of institutions from across the UK.

“We hope that this is the start of an annual event, bringing all professionals together to transform the future delivery of CPD programmes.”

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