Tag: Deepa Anappara

Novel Studio Showcase 2023

July 3, 2023 / / 0 Comments

By Rebekah Lattin-Rawstrone

 

There’s nothing quite like listening to new writing talent and this year’s 2022/23 cohort of Novel Studio students held their own in a fantastic showcase event of their writing, reading their extracts with professional aplomb.

 

The evening began with an overview of the unbelievable list of published alumni including Novel Studio tutor, Kiare Ladner, Deepa Anappara, Hannah Begbie, Harriet Tyce, Elizabeth Chakrabarty, Attiyah Khan, Anna Mazzola and Greg Keen. Next year will also see alumna Lara Haworth’s debut, Monumenta, which will be published in June 2024 and just this week a new announcement about another alumna, Jo Cunningham, whose murder mystery, Death By Numbers, will be out with Constable in August 2024. The Novel Studio is incredibly proud of its alumni and their ongoing successes. You can find out even more about the alumni here.

 

2019 saw the introduction of the Novel Studio scholarship, generously funded by alumna Harriet Tyce. The scholarship provided a fully funded place for one successful applicant to the course from a low-income household. We’re immensely grateful to Harriet for this brilliant scheme which ran for the fourth time this year, and excited that The Book Edit will be continuing the scholarship for a fifth year for the 2023/24 Novel Studio cohort.

 

Alison Halsley

This year was a difficult one emotionally for students and staff. We were all devastated earlier this year when one of our treasured students, Alison Halsley, tragically died. Alison had a darkly comic sense of humour and her lively prose and personality has been missed in class and was missed at the showcase. This year’s showcase anthology is dedicated to her memory. She never failed to make us laugh with her work and we’re very sorry for her loss.

 

In spite of these difficult circumstances, the students managed to remain incredibly focussed and dedicated to their writing as the readings were soon to show.

 

Inspiring them on, we were lucky enough to hear from alumna, Lara Haworth, who joined the event to wish the students well with their ongoing careers, encouraging them to appreciate the nurture and support offered by the Novel Studio during and after the completion of the course. We couldn’t be happier for Lara and we will hold her to the invitation she made to all of the attendees to celebrate at the launch party of her debut in 2024.

Lara Haworth

Filled with Lara’s enthusiasm, the students’ readings kicked off to a fiery start with our first reader, Emily Shamma whose novel The Complicit, moves between London in 2010 and Oxford in the nineties, unravelling a darkly comic tale of love, damage and betrayal. Emily left us reeling from her character’s discovery of his car, burnt and marked by ominous graffiti on the wall behind it. An unnerving but dramatic opening for the talent to come.

 

We left the dodgy North London back street for a tale of two friends in 2000s West England next as author Marc-Anthony Hurr read from his novel, The Millennials. The chat lit up with enthusiasm for Marc-Anthony’s description of childhood friendship and the dizzy descriptions of the onset of epilepsy.

We left love and friendship behind for the acerbic and dangerously anonymous world of social media where a desire for revenge allows an alter ego to take increasing control in the tangible world as Lana Younis read from her novel, Play The Long Game.

 

Lana’s discovery ringing in our ears, we headed to London’s future next, taking a psychic journey into Heidi Ng’s novel, Divination. The idea of a futuristic novel with its roots in the Oracle of Delphi excited us all and we were dazed by our trip into the psychic realm.

Abim Tayo read for us next, sharing an extract from his novel, Dancing in the Snow, set in Lagos. The audience was terrified by the childhood memory of a man shaking a car and smearing it with faeces. It certainly made us all excited to hear what would happen next.

 

Transporting us to the Bucharest Ring Road, we heard from Nico Bechis next as she read from her novel Horse With No Rider, introducing us to casual prostitution and the delights of swearing in Romanian. A haunting and eloquent portrait, we were all hooked.

 

We went from the transactional to the tender mesh of relationships forged in teenage years next as we heard Matthew Triggs read from his novel, ST16. A sentimental kiss in the swirl of light snowfall caught by the soft glow of the street lamps, held us all in unfulfilled longing.

Following the relationship theme, we found ourselves contemplating the possible political complexities of love in Monica Bathiya’s extract from her novel, Middle Ground, next. The subtle shifts of inner thought had us all wondering what would happen to Monica’s characters, whether there was real love between them and even then if it was enough to survive the complexities of post-pandemic Mumbai.

 

Taking us into the glamorous world of the celebrity and business elite next, Gayle Killilea threw us right into the middle of her fast-paced romantic thriller, The Heart Wants What The Heart Wants, as she shared her character Walter’s typical morning routine. The audience chat revealed a rather desperate desire for a night out with Walter, as long as he was paying.

 

We went from fast cars to a more sedate 60th in a pub garden next with Ben O’Donnell as he read from his novel, Sweet Caroline. A wonderfully pitched extract that gave us all Caroline was thinking whilst revealing so much more to the audience, we were left eager to find out what would happen to this seemingly happy family, sensing all was not as it seemed.

 

From family celebration to late night clubbing, we hit the dance floor with Marta Ramos next as she read from her novel, Spaghetti Meatballs. Filled with the energy and rush of youth, we couldn’t get enough of Marta’s extract and were sorry to see her character fall into bed, wishing instead we were speeding through the night on the back of a scooter.

 

Novel Studio Scholarship Winner Sonia Hope read next, taking us from the dance floor to the more sedately curated space of the Library, as she read from her novel, The Archivist. What would happen to these two characters whose first meeting was tinged with the awkwardness of intrigue and desire?

 

Taking us from one archive to another, we went headlong into the digital archive next with our final reader, Charles Williams. He read an extract from his novel, The London Project, giving us a filmic view into the first meeting of two lovers-to-be. Voyeuristic? Perhaps. But he reassured us that it was really ok to watch and listen, afterall, we needed to understand that these characters were all dead.

 

It was an enigmatic and poignant ending to a scintillating night of readings from some extremely talented writers. Thanking the students, the tutors Kiare Ladner and Rebekah Lattin-Rawstrone, and the Novel Studio Director, Emily Pedder, we also thanked the staff at City, particularly Josie Gleave and Robert Lastman. The audience was also thanked for their great contribution to the night.

 

What a fantastic showcase for the bestselling and prize-winning writers of the future. Go Novel Studio Cohort 2022/23!

And for anyone who wasn’t able to be there you can now watch a recording from the event HERE.

Blue flower on green stem with blurred background

Spring is coming!

Writing Short Courses Newsletter Spring 2023

March 2, 2023 / / 0 Comments

The bluebells are here and the days are getting just that bit longer. Here to bring even more joy is the latest news from our wonderful writing short course alumni and tutors.

Alumni News

Novel Studio alumni news: Award-winning author Deepa Anappara will publish Letters to a Writer of Colour later this year. Edited with Taymour Soomro, it’s a collection of essays on fiction, race, and culture. Deepa has also recently joined the MA Creative Writing teaching team at City where she teaches Literary Journalism. There will be a launch for the book at City on March 13th. It’s free but you’ll need to register HERE.

Book cover of Letters to a Writer of Colour

Letters to a Writer of Colour, edited by Deepa Anappara

 

Book cover for The House of Whispers

The House of Whispers, Anna Mazzola’s new novel

Anna Mazzola’s new historical thriller, The House of Whispers, will launch in March 2023. Ian Rankin has described Anna’s work as ‘Historical fiction with a fantastical twist, done with verve and skill’.

Janet Philips has published her debut book, Great Literary Friendships, with Bodleian Library, described by Publisher’s Weekly as a ‘fun spin on literary analysis’.

Rachel Mann has published her short story, The Things We Grew, with Passengers Journal. She has also published a column in the Rumpus called Things I Wish I Could Workshop other than my Novel.

Katy Darby’s Writers’ Workshop and Short Story Writing students continue to shine. Emma Guinness (Grae) has won Scots book of the Year 2022 for her novel Be Guid Tae Yer Mammy. Her second novel, The tongue she speaks — 15k of which was workshopped on her City course — was published last year with Luath Press. Sue Hann has a publishing deal with Neem Tree Press for a non-fiction book due out in 2025.  Kate Gilby Smith has published two middle-grade children’s books with Hachette since taking the course in 2017, the first was The Astonishing Future of Alex Nobody and the second is Olive Jones and the Memory Thief, which came out in June 2022.

Book cover for OliverJones and the Memory Thief

Olive Jones and the Memory Thief by Kate Gilby Smith

Joe Gallard has won the Ilkley International 8x8x8 playwriting competition. His play, This is Not a Drill, will be performed at the Ilkley Playhouse this April. Tickets available here. Helen Harjak was shortlisted for the 2022 Willesden Herald Short Story Prize. Former Times literary editor Erica Wagner will publish a new book, The Vocal + Fiction Awards Anthology, with Unbound in February 2023. The anthology is a collection of stories chosen from over 13,000 entries submitted to the Vocal+ Fiction Awards. Roly Grant’s 500 word story ‘Dust’ was the Richmond borough winner in Spread the Word’s ‘City of Stories’ anthology, published in June 2022.

Martin Ouvry’s Novel Writing and Longer Works’ alumnus Conor Sneyd has published his debut novel, Future Fish, with Lightning Books. You can read more about Conor’s path to publication on our blog here. Two of Martin’s other students, Angelita Bradney and Kate Vine, have been taken on by top literaryn agents — Catherine Cho at Paper Literary, and Johnson & Alcock, respectively.

2023 looks like being a great year for Peter Forbes’ Narrative Non Fiction alumni. Dee Peyok brought her pitch for a book about Cambodian rock music in the 1960s to the

Author photo of Aniefiok Ekpoudom

Aniefiok Ekpoudom

course back in 2013. The book, Away from Beloved Lover, was published by Granta in January, to rave reviews. More recent alumni include Claire Martin’s (2021) Heirs of Ambition, a history of the Boleyn family before they became famous, which will be published by The History Press; and Aniefiok Ekpoudom’s (2015) Where We Come From: How Grime and Rap gave voice to a generation is due from Faber in August. In other news, Alice Kent has been longlisted for the Observer/Burgess Prize for Arts Journalism 2023.

Opportunities

The Novel Studio, our flagship year-long course for aspiring novelists, has opened for applications. For more details on the course and how to apply follow the link to our home page. To find out more about our extensive list of published alumni, take a look here.

If you want to talk to me in person about the Novel Studio or any other writing short course, I’ll be at the virtual Open Evening on 28 March. Sign up HERE.

City Writes

Our termly writing competition open to all writing short course students, past and present, is seeking submissions for its spring event. This term’s guest alumna will be award-winning author Hannah Begbie, author of two Mother and Blurred Lines, both published by HarperCollins. For your chance to join Hannah on the virtual stage, you need only send in your best 1,000 words of creative fiction or nonfiction (no young children’s fiction or poetry please) by midnight on March 3rd to rebekah.lattin-rawstrone.2@city.ac.uk . You can find full submission details here.

Hannah Begbie

Or just come along to hear some fantastic new writing on the night itself, 29th March. It’s all on Zoom and you can register here.

Scholarships

We continue to offer a fully funded place for a young adult (18-25) from an underrepresented background and/or facing financial difficulty on our Writing for Social Impact course. To apply, please contact the tutor Ciaran Thapar explaining why you’d like to attend. This course is now offered monthly to reflect the increased demand.

Please see below for more information on our Novel Studio scholarship.

New Courses

Pete Austin and Anna Tsekouras, aka Anon agency, have hit the ground running on our new Branding 101 course for small businesses, creatives, entrepreneurs or anyone who wants to know more about how to create and foster their own brand. Feedback so far has been very positive with one student describing it as ‘the perfect blend of foundational theory and tangible takeaways.’

Tutor News

Holly Rigby joins the teaching team as Thursday night’s Narrative Non Fiction tutor. A former student on Peter Forbes’ course, she is a passionate advocate for the course and a brilliant writer and teacher in her own right. Holly worked as an English teacher in inner London schools for almost a decade, and is currently working on a book about the UK education system, published by Repeater Books in early 2024. Welcome, Holly!

Writing for Social Impact tutor, author and youth worker Ciaran Thapar has launched his own newsletter, ALL CITY, through Substack. Pitched as the ‘diary of a youth worker, with the pen of an author’, the newsletter will be a weekly dive into the challenges of inner city youth work and education. You can sign up and find out more here.

Anna Wilson is now teaching our Writing the Memoir course. Most of Anna’s books have been for children and teens, but more recently she has turned her hand to writing for adults. Her memoir A Place for Everything – my mother, autism and me has been reviewed as “a seminal work in this area” by the world expert in autism in women, Professor Tony Attwood. Welcome back, Anna!

Paris writing retreat, 12-16 April 2023. Former Novel Studio tutor and award-winning author Dr Emma Claire Sweeney and literary agent Jonathan Ruppin will host five days of mentoring and group writing sessions in a stunning private residence a short walk from the Eiffel Tower. Planning and follow-up sessions on Zoom. Quote CITY10 for 10% discount for bookings made by 13th March 2023.

Paris Writing Retreat

And finally…

We wanted to say a huge thank you to Harriet Tyce. Harriet has funded and supported our Novel Studio scholarship for the past four years. A former barrister and Novel Studio alumna, Harriet is now a Sunday Times best-selling crime novelist. Her three novels, all published by Wildfire, have been runaway successes and her reputation as a leading crime writer is now firmly established. We have been so lucky to have Harriet’s backing for the Novel Studio, not only through the scholarship program — a program she initiated — but also through her ongoing mentoring support for the scholarship recipients and her generous introductions to the annual showcase. We very much hope to keep the scholarship alive — so do watch this space for more on this — but in the meantime, thank you so much, Harriet!

That’s all for this term. Congratulations and thanks to all our wonderful students and tutors.

To find out more about all our creative writing short courses visit our home page HERE.

And for more on all City’s short courses, look HERE.

City Writes Autumn 2020 Transports the Zoom-bound!

December 17, 2020 / / 0 Comments
By Rebekah Lattin-Rawstrone
The sun is shining less hours in the day, we’re all straining under the impact of the pandemic, but City Writes Autumn 2020 was a perfect tonic for the blues. Held on Zoom, five fantastic competition winners joined prize-winning author and alumna, Deepa Anappara who read from her debut, Djinn Patrol on the Purple Line and discussed her work with City Writes host and Novel Studio Visiting Lecturer, Rebekah Lattin-Rawstrone.
We began in France with the opening of Nola d’Enis’s novel, Uhtcaere, a work-in-progress currently being written whilst Nola studies on the Novel Studio. Treated to the lingerie draw of a femme fatale, Nola enthralled us with her eloquent delivery and her sensory and sensual detail.
Emma Dooley, a recent alumna of Cherry Pott’s Approach to Creative Writing class, read next, giving us a terse, poignant account of two ex-lovers meeting outside Lidl during the lockdown with her story ‘Fine.’. The economy of her writing really plumbed the emotional depths and awkwardness of a chance encounter.
Novel Studio alumna, Marta Michalowska read her story ‘Grey Curtain’ next, immersing us in the muted tones of loss and longing, a sea landscape where water and sky blend and walking provides the only cure for despair. Such delicate and specific descriptions transported us into the world of her character.
Back to the pandemic, Richard Bowyer, an Approach to Creative Writing alumnus, was the next to read his story. ‘Return of Service’ is his first ever short story and what promise it shows. A hilarious account of a golf sale sign holder needing a new job, this gem of a story gets better with reacquaintance, and got the audience giggling.
We returned to France next with Novel Studio student, Lucy Blincoe, who read an extract from her first novel, We Are Young, called ‘Lessons in Aioli’. In France to improve her French, the main character visits an acquaintance to cheer her up after a break-up, and ends up being forced into an uncomfortable situation with her father. Filled with tension and sexual menace, this minutely observed story was painfully familiar for many.
Suzanne Farg, another alumna of Approach to Creative Writing, read her tense and complex story ‘Ruby’ next. Beginning in a courtroom, we follow Ruby’s perspective as she reveals what really happened to that boy her husband was accused of killing. That should be enough to whet your appetite!
With these wonderful readings from competition winners over, it was time to hear from our professional Deepa Anappara. Her novel Djinn Patrol on the Purple Line, set in a Basti – an overcrowded area on the outskirts of a big Indian city – explores child disappearances through the children’s perspectives, with a brilliantly buoyant and upbeat main narrator, Jai, whose positive exploration of difficult subjects lifts the dark subject matter and gives us an account of a marginalised community who lives are rich with hope and ambition despite their circumstances. It’s an overwhelming generous and thoughtful novel and if you haven’t read it yet, get a copy now.
After a reading from the novel, discussing the significance and power of the djinn, Deepa answered questions from Rebekah Lattin-Rawstrone and audience, contemplating the power and difficulties of the novel to speak from diverse voices and offering wonderful advice to budding writers. She suggested writers’ practice persistence, meticulous research and listen carefully to feedback.
The full interview can be viewed in the recording of the event with all the fabulous readings too. If you missed it, you don’t need to miss out!

Celebrate with City Writes this December! Competition Winners Announced

November 30, 2020 / / 0 Comments

City Writes Winter 2020 Competition Winners Announced

by Rebekah Lattin-Rawstrone

Temper those party blues by joining us on Zoom this Wednesday 9th December at 7pm for a fabulous evening of readings from competition winners and the brilliant Novel Studio alumna, Deepa Anappara whose debut novel, Djinn Patrol on the Purple Line, was a New York Times Editors’ Choice, a New York Times Notable Book, one of Washington Post’s Best Thrillers and Mystery Books, and one of Timemagazine’s 2020 must-reads. It won the Tata Literature Live! First Book Award for Fiction and was shortlisted for the JCB Prize for Literature 2020 and longlisted for the Women’s Prize and the Booker Prize.

You won’t want to miss out and can register here. 

Deepa Anappara's debut novel

Deepa Anappara’s debut novel

Deepa will be joined by the following fantastic competition winners: 

Lucy Blincoe, a Novel Studio student, was born in Rochdale. She has an MA in Screenwriting, has written for EastEnders, and has had feature films, sitcoms and series in development. She currently works on the Guardian and Observer and teaches French. She lives in London. Her story, ‘Lessons in Aïoli’, is an extract from her novel, We Are Young.
Richard Bowyer studied An Approach to Creative Writing at City this term. His story ‘Return of Service’ – his first short story – was written in response to a task set by the tutor. In 1983, his poem ‘Likes and Dislikes’ was highly commended by the Chelmsford Weekly News, so he is delighted to have built on that success so quickly. Richard works in the fundraising sector and lives in Twickenham with his demanding cat and understanding girlfriend.
Emma Dooley began writing during lockdown earlier this year, beginning with journaling, essays and then, most recently, short stories as part of Cherry Potts’ Approach to Creative Writing class. Her style of writing is of the descriptive
Deepa Anappara

Deepa Anappara

kind, delving intricately into the bliss and anxiety of being human. When she’s not writing she works in recruitment with a tech company, reads about social science and gender studies, cooks, walks in Victoria Park and plays piano. She’ll be reading her story ‘Fine.’

Nola d’Enis lives and works in Bordeaux and manages a jazz band in her free time. Enrolled on City’s Novel Studio, she’s currently writing a novel about a trio of femmes fatales in a small French town, inspired by real events. Originally from Zimbabwe, she enjoys writing about food and wine and is constantly looking for ways of incorporating both in her books. She’ll be reading an extract from her novel, Uhtcaere.
Suzanne Farg has enjoyed developing her skills on Cherry Potts’ Approach to Creative Writing course.  She is particularly interested in fiction as a means of cultivating empathy and exploring characters’ motivation for puzzling behaviour. Suzanne lives in East London with three cats, two of whom don’t really like her. But that’s another story. She’ll be reading ‘Ruby’.
Marta Michalowska, an alumna of the Novel Studio, is a curator and artist based in London. She is currently putting the final touches to her debut novel, Sketching in Ashes, and writing her second one, A Tram to the Beach, both exploring contested territories. Marta is Associate Director of Theatrum Mundi, where she is co-editing two collections of commissioned writing to be published in 2021, as well as Director of London-based arts organisation The Wapping Project.
There’ll be laughter, thrills, loss, longing, an exploration of social justice and the nastier sides of desire before we’re lucky enough to listen to Deepa.
Register now for an inspired and inspiring evening of writing and discussion. Doors will open at 6.45pm, but the event will start at 7pm. We can’t wait to see you there.
November 5, 2020

City Writes Winter 2020 Competition Deadline

By Rebekah Lattin-Rawstrone

The event that showcases City’s Short Course Creative Writing talent is back on Zoom. After our successful virtual City Writes in the Summer Term, we are delighted to be returning with another City Writes via Zoom this term on:

Wednesday 9th December 6.45-8pm.

Our professional writer this term will be the fabulous Novel Studio and Short Courses alumna Deepa Anappara, whose debut, Djinn Patrol on the Purple Line, was longlisted for the Booker Prize earlier this year. A wonderful novel about child disappearances from the outskirts of a large Indian city, Deepa will be reading a short extract and answering questions from host, Rebekah Lattin-Rawstrone and audience.

Guest author Deepa Anappara
For your chance to read alongside Deepa, you need only send your best 1,000 words of fiction or creative non-fiction by:
Friday 13th November.

Competition and submission guidelines can be found here.

If you’re keen to get ahead do register for the event on the 9th here.

Competition winners will be announced in week 9.

We look forward to receiving your submissions and seeing you in December!

City Novel Studio Agent Competition Winners

October 13, 2020 / / 0 Comments

By Emily Pedder

We are  delighted to announce the winners of City’s Novel Studio Agent Competition 2020. In a rare opportunity to bypass the slush pile, all applications to the Novel Studio are automatically considered for our literary agent competition, run in conjunction with Christine Green Authors’ Agency.

Competition winner Nana Wereko-Brobby

This year’s winners are Janice Okoh, Freya Sanders and Nana Wereko-Brobby.

Novel Studio tutor Rebekah Lattin-Rawstrone said ‘The standard of submissions this year was really high and these three winners are writers with some serious promise. Alongside depth of character and enticing plot, their writing shines with eloquence. This is a group of writers to watch!’

Competition winner Janice Okoh

The Novel Studio is City’s flagship year-long course for aspiring novelists. Established for over a decade, the course has a strong track record of published alumni including bestselling authors Harriet Tyce and Hannah Begbie, and debut novelist Deepa Anappara.

Competition winner Freya Sanders

An early winner of the agent competition, Hannah Begbie has gone on to publish two award-winning novels, Mother and Blurred Lines. Another winner, Louise Beere, was shortlisted for the 2019 Lucy Cavendish Fiction Prize.

Congratulations to Janice, Freya and Nana! We can’t wait to see your writing careers develop over the coming months and years.

All you need is love

February 14, 2020 / / 0 Comments

By Emily Pedder

From Jane Austen’s Pride and Prejudice to Haruki Murakami’s Norwegian Wood, the question of love has long fascinated writers and readers across the world.

The American editor Shawn Coyne has a theory about this: ‘Love stories are so popular because people not only go to them for the entertainment value but subconsciously they’re watching a love story and they’re trying to track ways that they can become more lovable and form bonds and relationships…People don’t want to be alone.” Love stories, Coyne argues, like all stories, are ‘metaphors that help us know how to behave.’

Our creative writing short course alumni are no slouches in this ‘story’ department and also happen to know a thing or two about love. In celebration of Valentine’s Day this year, we pay tribute to some of their novels which explore the eternal quest for love.

Rachael’s Gift by Alexandra Cameron

A skillfully plotted, continent-crossing literary thriller which explores a mother’s love for her troubled daughter and the lengths she will go to protect her.

Dona Nicanora’s Hat Shop by Kirstan Hawkins

Doña Nicanora has her heart set on turning Don Bosco’s barbers into a hat shop, but Don Bosco has his heart set on her. A wonderfully warm-hearted comedy of errors set in a backwoods South American town.

Foolish Lessons in Life and Love by Penny Rudge

Join Taras, the hapless hero stuck in a futile job and still living with his overbearing mother, as he tries to win back the enchanting Katya. Brilliantly observed and very funny.

Butterfly Ranch by Remy Salters

In a remote jungle lodge in Southern Belize, a local policeman investigates the mysterious disappearance of a world-famous reclusive author. A masterful tale of obsessive love, self-destruction and unexpected redemption.

Flesh and Bone and Water by Luiza Sauma

A letter delivered to Dr Andre Cabal in London catapults him back to his 17 year-old self in 1980s Brazil and begins the devastating and mesmerizing story of one man’s secret infatuation for the daughter of his family’s maid.

Creative Writing short courses at City

City runs short courses on everything from novel writing to writing for children.

Many of our students have gone on to publish books after completing one of our creative writing short courses. Deepa Anappara published her debut novel, Djinn Patrol on the Purple Line, last month after completing our one-year course, The Novel Studio.

 

Harriet Tyce

Novel Studio alumna and bestselling crime writer Harriet Tyce supports second year of Novel Studio Scholarship

January 30, 2020 / / 0 Comments

By Emily Pedder

We are delighted to announce a second year of sponsorship for the Novel Studio scholarship, generously supported by Novel Studio alumna and bestselling crime author Harriet Tyce.

Lola Okolosie

The scholarship provides a fully-funded place for one successful applicant to the course from a low-income household and aims to support a student of talent and potential who might not otherwise be able to accept an offer of a place on The Novel Studio.

Last year’s winner, Lola Okolosie, said she was ‘deeply honoured… to receive The Novel Studio Scholarship from City.  It is a huge help; without the financial assistance, I would be unable to embark on a course that I know will develop my skills as a fiction writer.’

Applicants to the scholarship go through the same process as all other applicants but will need to also include a personal statement and provide evidence of financial need. The top three applications will be shortlisted and a final winner chosen by a panel, including the course director, course tutors and Harriet Tyce. For more information on our critieria, please visit the Novel Studio scholarship page.

General applications to the Novel Studio will also open on 1st February 2020. For anyone interested in applying, please see our submissions process here.

It’s been a phenomenal start to the year for graduates of the Novel Studio. Scholarship sponsor Harriet Tyce published her debut crime novel Blood Orange in 2019 to critical acclaim, with The Observer calling it ‘Complex and menacing…a very impressive debut.’

Blood Orange was shortlisted for the Dead Good Reader’s Award and selected for Richard and Judy’s bookclub choice in December 2019. Her second novel, Lies You Told – think Motherland meets noir – is due out in July 2020.

Kiare Ladner

Kiare Ladner, also a Novel Studio alumna, will publish her debut novel, Nightshift, in July 2020 with Picador. Associate publisher Ravi Mirchandani described the novel as “an immensely exciting debut.”

Kiare’s short stories have been published in anthologies, journals, commissioned for radio and shortlisted in competitions, including the BBC National Short Story Award 2018. She won funding from David Higham towards an MA (Prose Writing) at the University of East Anglia, and then received further funding for a PhD (Creative Writing) at Aberystwyth University. She was given Curtis Brown’s HW Fisher Scholarship in 2018.

Kiare recently joined The Novel Studio teaching team, bringing a unique blend of experience as a student of the course and as a published writer of serious talent.

Deepa Anappara

Another Novel Studio alumna, Deepa Anappara, will also publish this year. Her debut novel, Djinn Patrol on the Purple Line, has won the Lucy Cavendish Fiction Prize, the Deborah Rogers Foundation Writers Award, and the Bridport/Peggy Chapman-Andrews Award for a First Novel.  It is now being translated into 17 languages.

Deepa’s short fiction has won the Dastaan Award, the Asian Writer Short Story Prize, the second prize in the Bristol Short Story awards, the third prize in the Asham awards, and has been broadcast on BBC Radio 4. She has an MA in Creative Writing from the University of East Anglia, Norwich, where she is currently studying for a Creative-Critical Writing PhD on a CHASE doctoral fellowship.

Last but not least, Novel Studio alumna Hannah Begbie will publish her second novel, Blurred Lines, in June 2020. Hannah developed her debut novel, Mother, on the Novel Studio and won that year’s prize for new writing.

Hannah Begbie

Published by HarperCollins in 2018, Mother went on to win the Romantic Novelists’ Association Joan Hessayon Award for new writing and was made Book of the Month on Mumsnet and a pick for Fern Britton’s inaugural Book Club for Tesco. Mother has since been optioned by the BAFTA-winning Clerkenwell Films for adaptation into a television drama.

Ready to join them? Find out more about our The Novel Studio Submissions process. Applications open on 1st February 2020.

Deepa Anappara's debut novel

An interview with Deepa Anappara

January 23, 2020 / / 0 Comments

Ahead of the publication of her much-anticipated debut novel, Djinn Patrol on the Purple Line, Novel Studio alumna Deepa Anappara took time out of her busy schedule to talk to Novel Studio Course Director Emily Pedder about the inspiration behind the book.

Emily Pedder: Can you tell me a bit about the process of writing Djinn Patrol on the Purple Line? When did you know this was a story you wanted to tell? And how long did it take for you to feel you had the voice of the characters, particularly nine-year-old Jai?

Deepa Anappara

Deepa Anappara: The spark for the novel came from a spate of real-life disappearances of children in India, where I worked as a journalist for over eleven years. I used to write on education and human rights, as part of which I interviewed people who lived in impoverished neighbourhoods like the one in my novel. During that time, I used to hear stories of areas where as many as twenty or thirty children had disappeared over a span of two or three years; no effort had been made to find them because they were from poor families that had no voice or political power. I used to wonder what it was like for children to live in such neighbourhoods, knowing that they themselves could be snatched at any moment. How did they deal with that fear and uncertainty? How did they understand the unfairness and injustice they encountered in the world around them every day? Djinn Patrol on the Purple Line is an attempt to answer those questions through fiction.

The children in my novel were very much inspired by the children I had interviewed as a reporter. Many of them were working, or weren’t able to study, because of their difficult financial or domestic circumstances. Despite this, they were often cheeky and witty, if not downright sarcastic. I drew from the memories of those interviews, and from the children I know in my life, to create the voices of my characters.

I first tried writing this novel in 2009, but set it aside, unsure whether I had the authority to write about a marginalised, neglected community. I returned to it in 2016. I had written several short stories by then with child narrators; I had also read a number of books and watched films with child narrators. Added to this were my own personal experiences of loss and uncertainty, and the greater understanding of mortality that perhaps comes with age – all these factors in some way gave me the permission to write Djinn Patrol on the Purple Line, and shaped its narrative.

EP: Jai watches lots of reality TV cop shows and adopts the role of a detective in trying to find his missing classmate. This feels like a brilliant way in to telling this story. How did the cop show/detective strand come about?

Deepa: Jai’s interest in catching the criminal stems primarily from his own fears. He understands at some level, correctly, that as a child, he is in great danger. By constructing a story about being a detective, he is attempting to reclaim the agency he lacks in real life. It is also his way of dealing with a difficult situation.

Reality shows on TV are popular in India as it is elsewhere across the world, and the one about cops that Jai watches called Police Patrol is based on a similar, long-running TV show in India. It seemed natural that Jai would be inspired by what he watches on TV; popular culture in the form of TV and Hindi films do exert an influence on daily lives.

EP: You were previously an award-winning journalist in India. How difficult was it to make the leap from writing as a journalist to writing fiction?

Deepa: I didn’t have any formal grounding in either literature of writing, so I found it quite difficult to make that transition. I had to essentially learn how to write fiction, and I also had to learn how to read fiction much more closely. As a journalist, I had to be impartial and objective and relay opposing points of view to offer a balanced perspective. To write fiction, I had to teach myself how to write from a subjective point of view, to see the world only as a character sees it. But my experiences as a journalist were integral to writing Djinn Patrol on the Purple Line. I often visited neighbourhoods like the one I have written about, and I am indebted to the people who lived there, who invited me to their homes and offered me tea and chatted with me. If not for the generosity they had shown me, there is no way I could have written this book.

EP: You’ve written lots of award-winning short fiction. What do you think are the main differences, apart from length, in writing novels as opposed to short stories? And which do you prefer?

Deepa: I love both forms; I love short stories for how they can distil an entire life into a few pages, for their focus, and I love novels for their expansiveness. There are writers who have experimented with both forms, who challenge what each form can do, and make it much more difficult to describe the differences. In writing a short story, I can often see its shape in its entirety, but this is much more difficult with a novel.

EP: What’s been the most useful thing about studying creative writing?

Deepa: I learnt everything about the craft through these courses. It also gave me a community; I met fellow students whose critiques I trusted, and whose writing I admired. I found critiquing their work, and listening to their feedback, incredibly useful. It also gave me the permission to write.

EP: Do you have an imagined reader in mind when you write?

Deepa: When I am writing, the attempt is to fully inhabit the character and their perspective. The question of readership is something to be considered during the editing stage, but the reader in my head even at that point is amorphous, or perhaps a version of myself.

EP: What are you working on now?

Deepa: I am studying for a Creative-Critical Writing PhD at the moment, as part of which I am working on a historical novel.

EP: Thank you so much, Deepa! We wish you every success with your novel.

Deepa’s novel, Djinn Patrol on the Purple Line, will be published by Chatto & Windus on January 30, 2020.

A partial of her novel won the Lucy Cavendish Fiction Prize, the Deborah Rogers Foundation Writers Award, and the Bridport/Peggy Chapman-Andrews Award for a First Novel.  It is now being translated into 17 languages. Deepa’s short fiction has won the Dastaan Award, the Asian Writer Short Story Prize, the second prize in the Bristol Short Story awards, the third prize in the Asham awards, and has been broadcast on BBC Radio 4. She has an MA in Creative Writing from the University of East Anglia, Norwich, where she is currently studying for a Creative-Critical Writing PhD on a CHASE doctoral fellowship.

Deepa is also a graduate of City’s Novel Studio programme, of which Emily Pedder is Course Director.

Applications for 2020 Novel Studio students will open on February 1st with a deadline of 24th April 2020.

Deepa Anappara, author of Djinn Patrol on the Purple Line

Deepa Anappara, author of Djinn Patrol on the Purple Line

The Novel Studio alumna, Deepa Anappara, set to release debut book, Djinn Patrol on the Purple Line

October 22, 2018 / / 0 Comments

By Emily Pedder

Deepa Anappara’s debut Djinn Patrol on the Purple Line has become one of the most highly prized sales at this year’s Frankfurt Book Fair.

In a joint acquisition with Penguin Random House India, Chatto & Windus won the UK and Commonwealth rights after a hard-fought auction with eight other publishers. The novel will be published in the US by Random House.

Deepa has had an astonishing twelve months, winning the Bridport/Peggy Chapman-Andrews Award for First Novel, the £10,000 Deborah Rogers Foundation Writer’s Award and the Lucy Cavendish College Fiction Prize.

Novelist and judge of the Deborah Rogers Award, Anne Enright commented on Deepa’s debut:

‘This is storytelling at its best – not just sympathetic, vivid, and beautifully detailed, but also completely assured and deft…Not many writers can make it look this easy. What a privilege to be one of Deepa Anappara’s early readers. There are many more to come.’

Deepa took The Novel Studio programme in 2010. She says the course gave her “permission to write” and the support of tutors and fellow writers:

‘Reading the works of fellow students closely helped me approach my own writing in a more objective fashion. It was useful to listen to the ways in which others had resolved a particular writing dilemma, be it about finding the time or the discipline to write, pushing past the self-critical voices in your head, or a plot problem.

The sessions with tutors were helpful and inspiring – their feedback was exhaustive, constructive, and never hurtful. I always came away encouraged to try harder.’

For more information visit our short writing courses or have a look through our blog for more writing success stories.

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