Tag: fiction (page 1 of 6)

City Writes Summer 2022 Competition Winners Announced

We’re delighted to announce the competition winners for 2022 summer term’s City Writes event showcasing the fabulous talent coming from City’s Short Courses. These wonderful winners will be joining debut writers and alumni of the Novel StudioAttiya Khan and Simon Culleton. You can register for the Zoom event on Thursday 7th July at 7pm here.

Our winners this term are:

Richard Bowyer

Richard Bowyer for his extract, ‘The Manton Ultimatum’.

Richard Bowyer is just completing City University’s Novel Studio course. The characters and setting in ‘The Manton Ultimatum’ are drawn from The White House, his novel in development. He likes to write about the nature of community and belonging, friendship and obligation, everyday heroes, inclusion and exclusion, and how decisions get made. Richard was born and brought up in Essex and now lives in West London with his demanding cat and understanding wife.

Jonathan Gallard

Jonathan Gallard for his story, ‘We Didn’t Start the Fire’.

Alumnus of the Short Story Writing course, Jonathan Gallard is a writer whose style and approach defies categorisation.  Mostly because he hasn’t written much, yet.

 

Orsolya Kiss-Toth for her extract from Nadi Leaves

Originally from Hungary, Orsolya moved to Leeds about 15 years ago where she lives with her partner. She is an HR professional and whilst she loves the challenges of her role, writing is something she’s passionate about.

Orsolya Kiss-Toth

She first joined a writing group in November 2020, is an alumna of the Writers’ Workshop, and her first novel, 24 Windows, was long listed in the Stylist Prize for Feminist Fiction 2021. She’s currently working on her second novel, Nadi Leaves.

Jordan McGarry for her creative piece, ‘The First Spring’.

Jordan McGarry

Jordan McGarry has worked in the screen industries for 20 years, initially as a journalist covering the industry, and then as a programmer, a producer and now as an executive. Jordan is endlessly interested in story, but more used to helping other people write theirs than telling her own. She is trying to be braver in 2022 (though will never be comfortable with writing about herself in the third person). She is just completing the Narrative Non-Fiction course.

Lia Martin for her story, ‘Church Bells’.

Lia Martin

Lia Martin is a Londoner completing her Creative Writing MA at Birkbeck University and was enrolled on City’s Short Story Writing course back in 2014. She started her career in the media but became a secondary teacher in 2015, working in both London and Norfolk-based schools. She now leads on English for a national network of schools and is currently working on a short story collection.

 

Su Yin Yap for her creative piece, ‘Notes on a Pregnancy’.

Su Yin Yap

​​Su Yin Yap is a psychologist and writer. Her work has been published in literary magazines and websites such as Popshot Quarterly and Litro Online, as well as various anthologies of flash fiction and creative non-fiction. She has written for the psychology section of the award winning Arts and Culture website Headstuff.org. She is currently working on a collection of essays. She is an alumna of the Short Story Writing course.

These fantastic authors will be reading online at City Writes alongside Attiya Khan and Simon Culleton on Thursday 7th July at 7pm. From village referendums through lost loves and historical feuds to the anticipation of life to come, City Writes Summer 2022 will be a night of readings to remember. You can register here. We look forward to seeing you there.

Novel Studio to Broygus: a bumpy but worthwhile journey

By Laurence Kershook

 

Thursday 11th October 2018: the first session of City, University of London’s 2018-19 Novel Studio course. Fourteen would-be novelists seated side-by-side around a table back in those distant days when people used to sit side-by-side around tables and not think anything of it: no masks, no social distancing, no worries; just a shared eagerness to take the first tentative steps that would eventually lead to us writing our novels and fulfilling our ambition to see them published.

 

Fast forward to Thursday 24 March 2022. The date when my debut novel, The Broygus, finally went on sale on Amazon in both paperback and e-book formats. Between those two dates there’d been seven re-drafts, three editorial assessments, a global pandemic and around forty submissions to agents.

 

In common with so many people, I’d long thought about writing a novel, and had mulled over various ideas in my head and occasionally on paper about what sort of story I’d like to tell. But it wasn’t until my friend Jane, herself a Novel Studio alumna, told me about her experiences on this course that I thought, maybe this is the time. So, after submitting a sample of my writing and being invited to come along for an interview, I was in.

 

The things I learned in that year were a total revelation to me: the three-act structure, the character arc, the inciting incident… plot, sub-plot, synopsis … a whole new language to learn, and most importantly a powerful set of tools to acquire. I’m happy to say that ours was a friendly, supportive group; we all felt that we could safely share our writing efforts with each other in the workshop sessions, and give and receive feedback with openness and confidence.

 

What I remember most vividly is the week when it was the moment for our newly-developed plot synopses to be evaluated in one-to-one tutorials. When it came to my turn, my tutor Emma Claire Sweeney amazed and impressed me by going straight to the heart of my plot, putting her finger decisively on its weakest point and offering me an inspired suggestion that gave me the key to making the whole thing work. True, it meant I’d have to demolish the entire structure and start all over again, but she’d given me such a good idea that I was only too happy to take that on. And looking back, if I hadn’t been on that course, if Emma hadn’t made that suggestion, The Broygus simply wouldn’t have come to life.

 

By the end of the course my novel had pretty well taken shape, and after a second re-draft prompted by a meticulous line-by-line edit from Rebekah Lattin-Rawstrone an optional extra and totally worthwhile I prepared my introductory letter and sent out the first of my forty submissions to agents.

 

Here’s where I have to admit that not one of my submissions was successful. There eventually came a point where I had to come to terms with the fact that, whatever its reasons, the publishing industry simply didn’t seem to want The Broygus. But after going through the stage, well-known to writers, where I thought about throwing my manuscript into the trash and taking up pottery or knitting, I regained my belief in The Broygus, together with a renewed determination to see it published.

 

In the third term of the course, the one that focused on the business aspects of the writer’s journey, I’d learned some facts about the publishing industry that had left me, frankly, uncomfortable. Top of the list: your novel must fit into an identifiable genre category. Is it a romance? A thriller? A family history? Is it YA, or speculative, or maybe post-apocalyptic? I learned that you need this clear genre identity so that an agent will consider taking you on, a publisher will know how to market your book and a bookseller will know which shelf to put it on. And then, publishers want readers to be able to identify your book with recent successful ones they may have read. Example:  “A love story for the young and free –– think Eleanor Olliphant crossed with Where the Crawdads Sing.”

 

None of this sat comfortably with me, and I found myself, whether rightly or wrongly, coming more and more to think of agents and publishers as the unassailable gatekeepers and arbiters of readers’ tastes. And I could see that my novel was doomed to failure because I was incapable of fitting it into any of those required categories. Or maybe there was another reason: maybe I should accept that it just wasn’t good enough. But that wasn’t the message I was getting back from the few carefully chosen, plain-speaking people I’d invited to read it.

 

What finally got me where I wanted to be was my introduction to self-publishing. Once considered very much the poor relation of the publishing industry and sadly it hasn’t altogether shaken off that stigma  it’s now accounting for a steadily-growing segment of the industry’s output. Acting on the advice of other writers who’d successfully gone down that path, I did some research and met with some industry people who had the necessary know-how. It’s via that route that The Broygus was eventually published, and so far it’s working out very well.

 

Of course, self-publishing isn’t entirely straightforward; in fact, there are definite drawbacks in contrast to the conventional agent-publisher route. But counter-balancing all of those is the very liberating feeling you get of being in the driver’s seat and in control of your own destiny –– and above all, knowing that it’s only on the judgement of readers that your novel will stand or fall. All I can say is, it’s working for me. And thanks, Novel Studio, for the essential part you played in enabling me to bring The Broygus to life.

 

 

About the author

Previously a teacher, education consultant and gigging jazz musician, Laurence  Kershook grew up and went to school in Hackney, East London. He completed his first novel, The Broygus, after graduating from City’s  Novel Studio.

Charting the history of a Jewish East End family torn apart by events spanning three-quarters of the twentieth century, his novel follows one family member’s determination to see the hurts healed and the conflicts laid to rest.

You can buy The Broygus in paperback or e-book.

If you are interested in applying to the Novel Studio, applications are now open for 2022/23 with a deadline of 29th April 2022.

 

Spring 2022 City Writes Journeys Into The Clouds with Author, Michael Mann

by Rebekah Lattin-Rawstrone

City Writes is the showcase event for all the wonderful creative writing coming from City’s Creative Writing Short Courses. Combining the new voices of students and alumni with the work of published alumni, the event always brings excitement and intrigue and this term’s event had everything from healers through dealers, to feminist and Polish heroes, fabulous chickens, hallucinogenic frogs and of course a twelve-year-old boy working to escape a Victorian style workhouse in an alternative smog-filled London, the protagonist of published guest, Michael Mann’s middle grade debut, Ghostcloud.

We began the night with James Baxter reading an extract from his story, ‘The Drop’. James is an alumnus of the Short Story Writing course at City and he took us into the busy, chaotic streets of a foreign city alongside his English protagonist whose bag was filled with cocaine, wrapped in coffee paste to hide the smell. Leaving us tense and anxious, we were eager to find out what would happen next. It didn’t feel like it would be anything good.

Emma Bielecki, alumna of the fantastic Narrative Non-Fiction course, read next, remaking the familiar Ealing, into her father’s Polish ‘Eh-ALL-ing’. She tantalised our taste buds with Polish cuisine, giving us a picture of her father most at ease peeling a sausage, before expertly navigating us away from food towards the histories of her father and his Polish friends who had fled to London years before. The most topical piece of the night, Emma’s creative non-fiction was a brilliant example of how to take listeners and readers on a sensory and emotional journey to highlight different perspectives of the past that go on to alter our understanding in the present.

We took a fictional turn next, diving into the world of a young girl making money with her friend, in Sini Downing’s extract, ‘The Stink of Money’, taken from her novel. A Short Story Writing and Towards Publication alumna, Sini’s reading was an engrossing immersion into her character. We began by wondering how young girls could make so much money, and feared something darker than the unusual turn Sini introduced. Her protagonist is exhausted from healing people, her sister included. We were all hooked by the end of Sini’s reading.

Following on from Sini was Adam Zunker, another reader who, like Sini, was making his second appearance at City Writes. Adam has taken several short courses in creative writing at City University and he read another extract from his wonderful novel – just completed this week! – in which a young boy attempts to step into the Afterworld using the pus from the back of a sacred frog, a special stone, a fire and two circles. Revolting and transporting, Adam’s reading left us wanting to find out if his young character would be successful.

From frogs to chickens, we joined Alison Halsey next as she read from her novel, Minta Gets Everything Wrong.  Alison has just completed An approach to Creative Writing and she took us to the funeral of her character’s sister, to which the bereaved daughter with disabilities insisted upon bringing her chicken and slapping her half-brother round the head. A black comedy with a warm and informal narrative voice, Alison’s story had us all giggling and looking forward to hearing more.

Our final competition winner, Stephanie Donowho, alumna of Novel Writing and Longer Works, read us her story ‘Once a daughter of Eve’ next. Stephanie’s story took us into the mind of a child growing up in a Christian household, surrounded by Bible geeks, whose self-motivated exploration into less well read parts of the Bible led to finding two stories of women called Tamar, one of whom had to cheat a man into bed. A fascinating story of growing feminist awakening, Stephanie’s piece was a fabulous segue from competition winner to published author.

Our headline act, Michael Mann, read next. Michael is an alumnus of the Writers’ Workshop at City and began his debut, Ghostcloud, in that very class. A winner of Undiscovered Voices 2020 and the 2019 London Writers Award, Michael’s middle grade novel is set in the smoky, dark underworld of Battersea Power Station in an alternative smog-filled London. Michael read the opening of the book in which we met twelve-year-old Luke, struggling to shovel coal, trying to work hard enough to earn his escape back into the light of London and his family from which he was kidnapped. We met his kidnapper, Tabitha, and two of the other children suffering under her regime. You’ll have to read the book to find out what happens next. Click here to get your copy.

Michael then took part in a Q&A with Novel Studio tutor and City Writes host, Rebekah Lattin-Rawstrone, followed by questions from the audience. Michael helped us understand his inspirations, the development of the novel and how publication and the expectations of publishers has changed his writing practice. Generous in his sharing of tips and ideas for budding children’s authors, you can follow the whole discussion and catch up with our competition winners’ readings, by watching the recording of the event here. Michael was keen to remind the audience that he loves visiting schools. If you do have connections to a Primary School near you, you can contact Michael on mbmann@gmail.com

City Writes is a great space for sharing the creative writing talent that abounds from City’s short creative writing courses. Look out for the Summer event and if you are an alumni or current student, don’t forget to enter next term’s competition. We have two published alumni reading for us next term: Simon Culleton and Attiya Khan, both Novel Studio alumni, whose novels respectively are, Shadows of Fathers about a father’s battle for child custody across national borders and Ten Steps to Us that follows a young Muslim girl’s struggle to maintain her faith in her quest for love. Watch this space for further details of the event and the competition.

Watch the full event here.

City Writes Spring 2022 Competition Winners Announced

By Rebekah Lattin-Rawstrone

We’re delighted to announce the winners of this term’s competition who will be reading their winning entries alongside debut author, Michael Mann at this term’s virtual event on Wednesday, March 30th at 7pm. Register now to join them

Spring 2022 winners

This term’s winners (in alphabetical order) are:

James Baxter

James Baxter is a long-term resident of Hackney and has been London-based since graduating from the LSE in the early 90s’. His career has been spent in the media and film sectors, including a 15-year stint as a journalist and magazine editor. James founded the PR consultancy JBM in 2010 and the film production company Mean Time Films in 2012. He is currently writing his debut short story collection. He is an alumnus of the Short Story Writing course. He will be reading an extract from ‘The Drop’.

 

Emma Bielecki

Emma Bielecki, a Narrative Non-Fiction student, is a cultural historian who splits her time between London and nineteenth-century France. She has written about things that interest her (Bob Dylan, French Belle Epoque crimes serials, pet cemeteries) for outlets such as The Junket and The Conversation, as well as in fanzine form (at www.misfitsisters.com). Emma will be reading her nonfiction short, ‘Eh-ALL-ing’.

 

Stephanie Donowho

A student of Novel Writing and Longer Works, Stephanie Donowho is from Austin, Texas, where she worked as a video editor before moving to London in 2017 to pursue a Masters in Shakespeare Studies at the Globe theatre. She has acted in over a dozen plays, co-founded a theatre company, and currently works in financial services in London. Her work was published in Mslexia‘s 2021 anthology Best Women’s Short Fiction as a runner-up in the Flash Fiction competition. She will be reading ‘Once a daughter of Eve’.

 

Sini Downing

Sini Downing (Short Story Writing and Writers’ Workshop alumna) often finds her international experiences worming their way into her creative writing. The novel, from which her excerpt, ‘The Stink of Money’ is taken, and from which she will read at City Writes, was inspired by an intense 19 months living in downtown Baltimore. Now based in London, she is Head of Studio at a production company specialising in character performances for video games. She is currently seeking representation.

 

Alison Halsey

Alison Halsey is a fiction writer and a former financial services professional, with a career lasting over 40 years. She has also served in many roles supporting charities with a focus on young people with learning disabilities. A student of An Approach to Creative Writing, Alison is currently editing her first novel Minta Gets Everything Wrong, for which she feels she has far too much personal research material, resulting in an elongated editing process. She will be reading an extract from this novel.

 

Adam Zunker

Adam Zunker has taken several short courses in creative writing at City University and is working on his first novel, a fantasy story about death, faith and hallucinogenic frogs from which he will be reading an extract for City Writes. He has spent far too many years working in politics and journalism, though both have probably provided some grounding in creative writing. He lives in London with his wife and daughter.

 

These fantastic authors will take you on a journey of frog-licking, London exploring, drug dealing, funeral attending (with chicken), feminist Bible reading, healing wonder. Reading alongside debut author, Michael Mann whose middle grade novel, Ghostcloud, set in the smoky underworld beneath Battersea Power Station, is causing quite a stir, this will be an unmissable event. Sign up here now! We’ll look forward to seeing you there!

 

Lessons in Love and Other Crimes – Elizabeth Chakrabarty on the writing of her debut novel

Novel Studio alumna Elizabeth Chakrabarty published her brilliant debut novel Lessons in Love and Other Crimes with Indigo Press  in 2021. She took time out of her busy schedule to answer some questions from Novel Studio course director Emily Pedder about her writing life.

Have you always written?

 

Yes, I can’t remember not writing — stories, poems, a journal.

 

Which book was the first to have a real impact on you as a reader, and which as a writer?

 

I remember reading Villette, at a really young age; I was about nine. I’d got through my library books one evening, and took it down from my mother’s bookshelves. I was aware of reading it, and not understanding it exactly, and yet at the same time it interested me as a reader, this literature for adults; it intrigued me more than books for children. As a writer, so many books over the years, it’s difficult to think of a first, unless it’s that dual creative experience of reading as a writer, being really aware of the writing. Anna Karenina is one particular novel I’ve returned to as an adult, and reread sections very much as a writer, looking at its construction and language.

 

If you could tell your younger writing self anything, what would it be?

 

Just to do what you’re doing: to live and to read, and then to write, and not to listen to anyone at all who tells you you can’t be a writer.

 

Why do you write and what makes it so vital for you?

 

I can’t imagine not writing, it’s what I do every day in some way; it’s like exercise, something I have to do, going for a walk in my mind, taking the characters somewhere interesting to discover things about them and their world.

 

We worked together many years ago on the Novel Studio (then called the Cert in Novel Writing). What do you think of the view that creative writing can’t be taught?

 

Techniques and discipline can be taught and encouraged, and particularly in a group, it is a great way of learning from peers, as other readers and writers. After that though, it’s up to the individual, whether they have something to say in writing, and whether they feel pushed to write — that they have to do it — and if they have the endurance to work at it, despite the immense odds.

 

Can you tell us a bit about your experience of being published? Has anything been surprising, in a good or bad way?!

 

It has taken a long time to get small pieces, and then a novel published. I was first published in translation in Swedish years ago, then in French, and finally in English. I met my agent, and gradually we’ve worked together, and she’s stuck with me, and now my debut novel has been published in the UK, EU, Australia and the US in 2021. What’s surprising has been how many stages there are of the publishing process, after your book has been accepted, such as all the levels of editing, the marketing — all the care and attention. What’s been less surprising is just how non-diverse the publishing industry is in the UK, although that seems to be changing.

 

Which fiction writers inspire you at the moment?

 

Carmen Maria Machado, Sarah Hall, Jeanette Winterson, Bernardine Evaristo.

 

Do you have a particular writing process? Favourite place or time of day to write? Favourite pen or notebook?

 

No, I’ve learnt to write wherever I am, with whatever I have with me. I feel like having things that you have to do, to make writing right, are counter-productive.

 

At what point in the writing of the book did you decide to structure it in the way you have? And what impact did that have on the structure as a whole?

 

I started by writing the novel, that is the fiction, but then gradually realised I wanted to add elements of creative non-fiction, to make clear that I had experienced the specifics of the hate crime I was writing about; that the racism is not fiction. That led to writing about how I thought through how to write about crime and racism in fiction, and became the essays bookending Lessons in Love and Other Crimes. As the book became hybrid, a novel with creative non-fiction essays bookending the fiction, that in turn impacted the fiction, and so I then also intercut the fiction with metafictional author’s notes.

 

What are you working on now?

 

I’m now working on the second draft of a new novel, which I’ve been working on during, and since we’ve come out of lockdown. I’ll be sending it to my agent soon — she is always my first reader — so other than that, I won’t say more, but as they say, watch this space. In the meanwhile, thank you for reading my work!

 

Thank you so much, Elizabeth, and huge congratulations on your fabulous debut. We are really looking forward to welcoming you as our guest alumna at next term’s City Writes.

 

Lessons in Love and Other Crimes is available now. Elizabeth was also recently shortlisted for the Dinesh Allirajah Prize for Short Fiction, for which her story will be published in an e-anthology by Comma Press. Her story ‘Eurovision’ was shortlisted for the Asian Writer Short Story Prize in 2016 and published in Dividing Lines (Dahlia Publishing, 2017). Her poetry has been published by Visual Verse, and her short creative-critical work includes writing published in Glänta, Gal-Dem and New Writing Dundee, and more recently in Wasafiri, and the anthology Imagined Spaces (Saraband, 2020). She received an Authors’ Foundation Grant from The Society of Authors (UK) in December 2018, to support the writing of Lessons in Love and Other Crimes, and was chosen as one of the runners up for the inaugural CrimeFest bursary for crime fiction authors of colour in 2022.

 

The Novel Studio is now open for applications for 2022/23 with a deadline of 29th April 2022. To find out more about the course register for our virtual open evening on March 31st 2022 6-7.30pm. For more on all our writing short courses visit our website.

City Writes Spring 2022 Competition Opens

By Rebekah Lattin-Rawstrone

City Writes is the showcase event for all the fantastic writing coming from City’s Creative Writing Short Courses and this term’s competition is now officially open. Winners get to read a 1,000 word extract or story alongside a published alumni or tutor.

Michael Mann’s debut novel Ghostcloud

This term’s guest reader is the wonderful debut author, Michael Mann whose middle grade novel, Ghostcloud, set in the smoky underworld beneath Battersea Power Station, is causing quite a stir. He’ll be reading alongside the competition winners at our Spring event on Wednesday, March 30th 2022 at 7pm on Zoom. Register now to join us.

Michael Mann is an alumnus of the Short Story Writing and Writers’ Workshop short courses. Winner of Undiscovered Voices 2020 and a London Writers Award in 2019, Michael is a teacher and author living in East London whose first creative writing success was for a poem about potatoes. Lindsay Littleson, Carnegie Medal Nominee, called Ghostcloud, ‘an utterly brilliant debut children’s novel’.

All you need to do to join Michael on the virtual stage is to submit 1,000 words of your best creative writing, be it fiction or non-fiction, an extract or a complete piece, to Rebekah.Lattin-Rawstrone.2@city.ac.uk along with details of your City Short Course. Though we’re happy to read Middle Grade and YA, we don’t accept children’s picture books, poetry or drama, but… anything else goes! The full submission guidelines are here.

The deadline to submit is midnight, Friday 4th March 2022. Good luck!

There will be a short Q&A with Michael Mann about his debut, so don’t forget to buy your copy beforehand here and do register for the event, on March 30th at 7pm here.

If you simply can’t wait, you can read about last term’s event with Ciaran Thapar, our first creative non-fiction reader, and even see the event video here.

We can’t wait to read the submissions and see you in March!

My Short Course Experience : Gillian Belchetz

Gillian Belchetz

Gillian Belchetz

We spoke to Gillian Belchetz who completed the Writing for Children 10-week course last year, to understand what she learnt from the course and has been up to since.

Tell us a bit about yourself.

I am from Lancaster but have lived in Leeds for 40 yrs. I was a nurse for 37 years but also love writing, so undertook and MA in Writing for Performance and Publication at Leeds Uni as a mature student. My first book, ‘A Game of Consequences’ was published in 2015 by Fisher King Publishing, and raised money for The Alzheimers. In lockdown, and inspired by my grandchildren, I started writing for children and my first kids book was published at the end of 2021. I volunteer one day a week at a homeless charity in Leeds, St George’s Crypt, and wanted to write something that was both engaging and would raise the issue of homelessness with children. I have sold almost 1000 copies and raised over £3,500 for St Georges. Supporters have bought 350 of these books to be donated to local schools, and this year I will be visiting schools, giving them copies of the book, doing a reading and talking to the children. I love walking our dog Winnie, and am learning to play bridge – badly!

Why did you choose to take this course at City?

The Writing for Children course was well structured and specifically aimed at learning the craft of writing for children, which is similar to writing for adults, but also different.

What did you learn on the course?

Each week introduced a different aspect of writing so that we discussed how to open a book, plot, character, endings, editing etc. It was thorough and a lot was crammed into ten weeks. The different requirements for picture books up to Teen literature. Brilliant.

How did you find the virtual classes?

Excellent. A great mix of information delivery and participation.

What are the key things you have taken away from the course?

Great examples of books for different age groups were used which I find a useful reference. Writing exercises to inspire and motivate. Information on structure and how to keep a child’s attention.

What have you achieved since completion? 

I wrote and had published ‘Clara’s Geni-Ous Plan – To help a lady who is homeless,’ and experienced working with an illustrator for the first time.

I liaised with Booths Supermarkets, (Waitrose of the North) who have been selling it and donating their profits to the homeless charity I am supporting. It has been a roller coaster and a real thrill to see it on a supermarket shelf.  You can order the book now through this online form.

To find out more about the course Gillian took visit our Writing for Children webpage and for more about our other writing courses browse our course finder tool.

 

City Writes celebrates its first non-fiction guest: Ciaran Thapar

by Rebekah Lattin-Rawstrone

City Writes is such a brilliant showcase for all the fabulous writing talent coming from City’s Creative Writing Short Courses and this Autumn’s Event was no different. There are always fascinating submissions from the Narrative Non-Fiction course run by Peter Forbes and this term we were able to celebrate some of the fruit of his teaching labours by sharing the work of Narrative Non-Fiction alumnus Ciaran Thapar whose book Cut Short: Youth Violence, Loss and Hope in the City is an insightful, honest and eye-opening exploration of knife crime and youth violence in London.

As always we began with the competition winners. We went from an exploration of infidelity and class in ‘Salesman of the Year’ by Laurence Kershook all the way to a drunken groom in Grayson Anderson-Brown’s ‘Mum’s Yard’.

Laurence is an alumnus of The Novel Studio and his story set a sinister tone for the evening. As is often the case, a theme seemed to emerge across the winners’ pieces and this time it was an exploration of relationships from people at the end of their relationship journey, through those at the start, towards those whose more intimate relationships are with their art.

We hope Laurence will come back and share his novel, The Broygus, which is due out in mid-2022.

From a jail cell (you read correctly) to a house call, we heard from Pasca Lane next as she read her story, ‘Creature of Habit’. Her main character was desperate to get rid of a fox, to rid his home of the remnants of his ex-wife. A hilariously unself-aware character, Pasca delivered his perspective with aplomb.

Alan Gray, alumnus of the Short Story Writing course, took us on a first date, expertly navigating us through the complications of desire and that human need for connection in his story ‘Nice Meeting You’. There were some great moments of dialogue and a weighty, uncertain end on a sofa.

Another Short Story Writing alumnus, Stephen Kehoe, chilled us with the opening of his novel-in-progress, Defence Mechanism next. A speculative near-future in which the protagonist exploits public officials for some unspecified end, left us all reeling and eager to find out more.

Emily Shammar took us into the world of a blind woman at a picnic next. An alumna of An Approach to Creative Writing this extract from her longer work, ‘The Complicit’ was a thrilling and unnerving ride into uncertainty.

Novel Studio alumnus, Grayson Anderson-Brown gave us some sharply drawn characters next, in his extract ‘Mum’s Yard’ in which two brothers and a cousin try to salvage a wedding day currently not going to plan. They fail to keep the groom’s hung-over dishelvement from Mum, all summoned to her flat for a dressing down.

Mike Clarke was the last of the competition winners to read. A self-confessed City writing course junkie, he read ‘Spray Can Angel’, an extract from his novel-in-progress, Burnt Fingers, in which a female graffiti artist risked serious injury dangling from a fire escape to repair her artwork. Left dangling alongside the protagonist, the audience were hoping to see that novel in print soon.

The evening then took a turn towards non-fiction and the brilliant blend of narrative and sharp political commentary in Ciaran Thapar’s work, Cut Short: Youth Violence, Loss and Hope in the City which was published by Viking UK (Penguin) in June 2021. Told through a mixture of character journeys based on real people and considered research and argument, the book draws a reader into the lives of those living with youth violence, gaining their empathy and understanding in order to help them see a path towards change.

Ciaran gave a short reading from Chapter Five in which Carl, a young school boy, is sitting in an isolation session at school and feeling worthless and depressed. In a Q&A with host, Rebekah Lattin-Rawstrone, Ciaran then spoke further about the themes of the book and his hopes for building more supportive communities for young people. He was an inspirational guest and speaker, providing much food for thought among the audience who were also keen to ask questions. If you haven’t read it, buy it here. Ciaran will also be running a short course at City on Writing for Social Impact, which if his book is anything to go by, will instigate further fascinating and thought-provoking writing.

To experience the event for yourself, watch the full recording now. What a great way to start the festive season with fabulous fireside stories and provocation to think of others.

Novel Studio Scholarship Winner 2021

Winner of 2021 Novel Studio Scholarship Announced

by Emily Pedder

The third  Novel Studio scholarship, set up to support a talented writer from a low-income household, has been awarded to Hawa Maua.

Hawa is now part of  The Novel Studio 2021/22, alongside 14 other selected writers. Speaking of Hawa’s application,  Novel Studio course director Emily Pedder said: “This was an outstanding piece of writing. Distinctive and energetic, there was an urgency to the voice which was compelling.”

 

On winning the scholarship, Hawa said: “For a long time, I dreamt of being heard, giving voice to my thoughts, my hopes, my experiences and the things that I observed. I was dreaming of being a writer and thought someone like me could never get a chance. Now I have a chance to make something more concrete.”

Harriet’s new novel out in 2022.

 

Novel Studio alumna and crime writer Harriet Tyce set up the scholarship in 2019 as a way to help talented writers who might not otherwise be able to take up a place on the course. Lola Okolosie, the inaugural recipient of the scholarship, has said the opportunity was “life changing” while last year’s winner, Janice Okoh, said that without the scholarship she would not have been able to take the course.

Harriet was a student on the Novel Studio in 2009/10 and went on to gain a place on the MA Crime Fiction at UEA, where she received a distinction. In 2017 Wildfire pre-empted her debut psychological thriller, Blood Orange. It was subsequently sold in 19 territories worldwide and became a Sunday Time bestseller. Her second novel, The Lies You Told, described by Sophie Hannah as ‘totally addictive’, was published in August 2020 to rave reviews. Her third, It Ends At Midnight, will be published in 2022.

 

The Novel Studio has been running as part of City’s short courses programme since 2004 and has been instrumental in providing a foundation for emerging writers to go on to successful publishing careers. Taught by professional writers and editors, 15 selected students develop their novels over a year. The course has a  strong publication record, with many alumni publishing novels with major publishing houses, including, most recently, Deepa Anappara, Hannah Begbie and Harriet.

 

Congratulations, Hawa! We can’t wait to see your novel develop over the year.

For more on all our writing short courses, including The Novel Studio, visit.

City Writes Competition Winners Autumn 2021 Announced!

By Rebekah Lattin-Rawstrone

You may have already booked your tickets to hear Ciaran Thapar read from his critically acclaimed book, Cut Short: Youth Violence, Loss and Hope in the City at City Writes on the 15th December 2021, if not you can register for the zoom event here. Now you have even more reasons to come to the event as we announce our wonderful creative writing student and alumni competition winners for autumn 2021. This term’s winners are:

Grayson Anderson

Grayson Anderson-Brown is a British born Jamaican author and poet. Raised in South London, he has spent most of his life writing. His catalogue of work contains songs, poetry, a science fiction trilogy, and an opinion-based non-fiction book relating to the idiosyncrasies of gender in society. He considers himself a student of humanity, culture, and nature. An alumnus of the Novel Studio, he’ll be reading ‘Mum’s Yard’.

 

Mike Clarke

Mike Clarke is a City writing course junkie, having studied on several, including the Novel Studio (when it was the Certificate in Novel Writing) and Writers’ Workshop and also graduated with an MA in Creative Writing from Manchester Metropolitan University. Mike’s short stories have been performed by the renowned Liars League. He occasionally dabbles in stand-up and BBC Radio 4 has broadcast some of his allegedly amusing material. He’s been making final edits to two novels for far longer than he’d like to remember. He’ll be reading ‘Spray Can Angel’.

Alan Gray

 

Alan Gray is a writer/psychologist born in Horden, County Durham. He holds an MSc in experimental psychology from the University of Oxford and lives in London. A Short Story Writing alumnus, he’ll be reading ‘Nice Meeting You’.

 

Stephen Kehoe

Stephen Kehoe is a recovered drug addict from Preston and splits his time between London and the Northwest. His degree in English is from Goldsmiths and he studied creative writing at City, University of London. His work has been performed live at Liars’ League. Defence Mechanism, his novel-in-progress, from which he’ll be reading, is a dystopian thriller and the opening scene is the first thing he ever wrote. He’s an alumnus of the City Short Story Writing course.

 

Laurence Kershook

Laurence Kershook is based in Hackney, East London. He’s been a teacher of languages and a jazz musician, but now he devotes most of his time to writing. While attending the Novel Studio course in 2018-19 he started working on his novel The Broygus, a mystery story set in the 1970’s that chronicles a young man’s quest to find meaning in his life by unearthing the long-buried secrets of his East End Jewish family. The Broygus will be self-published in mid-2022. He’ll be reading his story ‘Salesman of the Year’.

Pasca Lane

Pasca Lane is a professional storyteller working in the not-for-profit sector. She has won numerous awards for her work – bringing stories to life through compelling words and creative multimedia content – and currently heads up the Media team at the British Red Cross. She loves to travel, and has contributed to a number of travel publications including Lonely Planet. Pasca lives in North London and is proud of her family’s long-standing roots in the capital. She hopes one day to tell the story of previous generations on her mother’s side, who served as Thames Watermen in the East End. Pasca is an alumna of our Feature Writing course ( which no longer runs but we hope to bring it back soon!) She’ll be reading ‘Creature of Habit’.

 

Emily Shamma

Emily Shamma is a City periodical journalism graduate. She started her career as a fashion journalist, before moving into business journalism. Emma then spent time as a retail analyst in the City, before working as a Director at Tesco for 17 years. She lives in Islington with her husband and 11-year-old daughter Estella. Emma now writes creatively for pleasure, and her other interests include modern art, cookery and the theatre. An Approach to Creative Writingalumna, she’ll be reading her story ‘The Complicit’.

As you can tell, City Writes Autumn 2021 is going to be a fantastic showcase of the creative writing talent coming from City’s creative writing short courses, with readings and a Q&A with Ciaran Thapar. Don’t miss out and register now for your link to the zoom event on the 15th December at 7pm. We look forward to seeing you there!

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