Tag: Rebekah Lattin-Rawstrone (page 1 of 3)

City Writes Creative Writing Spring 2024 Showcase Event Opens for Submissions

City Writes guest and Novel Studio alumna, Lara Haworth.

This term’s City Writes showcase for all the wonderful writing coming from City’s short creative writing courses will feature the fantastically talented artist, debut author and Novel Studio alumna, Lara Haworth, on the 10th July at 7pm over Zoom.

Lara’s novel, Monumenta, will be published by Canongate on the 4th July, less than a week before City Writes. Set in Belgrade, Monumenta follows the fortunes of Olga Pavic and her family as her home is requisitioned for demolition. In place of the house, there will be a monument to a massacre, but with three possible horrors to commemorate, which will be memorialised and what secrets is Olga hiding from her children? You can pre-order your copy here.

To join Lara on the virtual stage, all you need to do is submit your best 1,000 words of creative fiction or non-fiction (we do accept young adult fiction but don’t currently accept children’s fiction) on any subject to rebekah.lattin-rawstrone.2@city.ac.uk with details of the City short course you are taking or have taken by midnight on Friday 14th June. Competition and submission guidelines can be found here.

We can’t wait to read your submissions and if you are keen to secure your place for the night, you can register for the event here. Good luck!

Here’s a Novel Idea

Apply to the Novel Studio and join our growing list of published alumni.

The Novel Studio is City’s flagship novel writing programme which supports 15 selected students to work on their novels for a year.

The course has been the starting point for many successful novelists. From bestselling crime writer Harriet Tyce, whose fourth novel, A Lesson in Cruelty, was published with Wildfire earlier this month—and who generously initiated and funded our Novel Studio scholarship for four years—to debut novelist Lara Haworth, whose first novel, Monumenta, will be published with Canongate this summer, the Novel Studio has become recognised as a place to develop and grow as a writer.

From researching your ideas, plotting and planning to writing, editing and familiarising yourself with the publishing industry, the programme will guide you through the tricky terrain of novel writing.

Taught by established writers and editors, with opportunities to meet literary agents and publishing professionals, if you’re ready to take your novel writing to the next level, this course is for you.

As if that wasn’t enough, we offer a Literary Agent Competition for all successful applicants to the course, run in association with leading agent Lucy Luck at C&W Agency.

And for one talented writer from a low-income household, we have a fully-funded scholarship – The Captain Tasos Politis Scholarship.

Full details on all these opportunities and information on the course are available here.

Or you can apply directly with 2000 words of your fiction and a CV to Emily.Pedder.1@city.ac.uk

Deadline 30th June 5pm.

We look forward to reading your applications!

City Writes Spring 2024 – Celebrating City’s Creative Writing Short Courses

City Writes Spring 2024 Competition Winners Announced

By Rebekah Lattin-Rawstrone

We are delighted to announce the winners of this term’s City Writes competition. City Writes is the showcase event for all the brilliant writing coming from City’s creative writing short courses and we have a fantastic line up for you this term on Wednesday 27th March at 7pm.

Reading at the event alongside published Novel Studio alumni Laurence Kershook and Katharine Light, our competition winners are: Jill Craig, Katie Hunt, Seyi Falodun-Liburd, Tess Pendle and David Strickland. Read on to find out more about our winners.

Current Novel Studio student, Jill Craig is originally from Northern Ireland, but currently lives and works as a secondary teacher in the North-West. She has lived in Greece and France and thinks often of going abroad again. An avid reader, she has published several short stories, with Freckle,  Egg & Frog and Literally Stories, and is working on the first draft of a novel.

Narrative Non-Fiction student Katie Hunt has been a journalist for more than two decades, working for several international news organisations including Reuters and BBC News. She lived in Asia for more than ten years, with stints in China, Hong Kong, Taiwan and Thailand. For the past four years, she has covered science and health for CNN in London. She hopes to write a non-fiction, popular science book about human origins focused on the latest discoveries in Asia.

Seyi Falodun-Liburd is a Nigerian campaigner and organiser from London. She is currently co-director of Level Up, a feminist campaigning community working towards a world where people of all genders are loved and liberated from bodily and systemic violence. She is also a member of Project Tallawah, a community resource for Black and Global Majority women and gender-expansive people in the UK. Seyi is a fledgling writer and Narrative Non-Fiction student who has written about gender-based violence for iNews, gal-dem and Refinery29.

Tess Pendle is a Narrative Non-Fiction student. After working for many years as a broker at Lloyd’s of London, Tess decided to contribute to a social project. She moved to Burkina Faso, where she worked for three years with a local women’s organisation to develop a microfinance programme supporting female entrepreneurs. On her return to the UK, she set up and managed both a national not-for-profit credit business and a £100 million government fund to invest in social enterprises. Tess is currently self employed and lives in Chelmsford with her partner.

An alumnus of the old Towards Publication course, now called Writers’ Workshop, D.P. Strickland is a neurodivergent writer with an MA in Creative Writing from UEA, whose work has previously appeared in anthologies and journals. He is particularly interested in underrepresented perspectives in fiction and recently completed a novel about a fundamental religion based on his own childhood experience. He lives in London and can be found on Instagram.

Now you know more about our winners, don’t forget to sign up for the event on Wednesday 27th March at 7.30pm on Zoom. You’ll be treated to stories of sticky summer heat, discoveries of ancient jaw bones, the disappointment of a young boy never quite right for the popular crowd and an exploration of the politics of our daily choices. All this alongside readings from our published authors, Laurence Kershook and Katherine Light. It’s going to be brilliant.

Register for tickets here and see you there.

And if anyone wants to come along and find out more about our writing courses, we are running a free taster session and open evening the night before City Writes. See here for more information about how to register.

Novel Studio alumna Katharine Light shortlisted for 2024 Selfies Book Awards

We were delighted to discover that Novel Studio alumna Katharine Light has been shortlisted for the 2024 Selfies Book Awards for her debut novel, Like Me.

Launched by BookBrunch in 2018 to recognise excellence in the self-publishing market, the awards are sponsored by Ingram’s self-publishing platform, IngramSpark®, and are run in association with the London Book Fair and Nielsen BookData.

The winners will be announced at this year’s London Book Fair on Tuesday 12 March.

Also on the adult fiction shortlist with Katharine are Shooters by Julia Boggio, Ostler by Susan Grossey, Hidden Depths by Jason Mann, Darcy: A Pride and Prejudice Variation by Alice McVeigh, The Eagle and The Cockerel by Alan Rhode and Artificial Wisdom by Thomas R Weaver.

Katharine will be one of our guests at the spring term City Writes on 27 March, so if you want to hear her read and talk about her path to publication, do register here.

And if you want to find out more about the Novel Studio, the course Katharine took at City, come and meet one of our tutors, Rebekah Lattin-Rawstrone, who will be manning the Novel Studio enquiry desk at our free short course taster event on March 26.

Congratulations to Katharine and all the shortlisted writers. We look forward to hearing more next week!

Novel Studio alumna Katharine Light’s path to the publication of her debut novel, Like Me

Katharine Light’s debut novel, Like Me

When I was a young girl, my dad used to make me little books of paper and I would love to write in them. In my teens these became stories I wrote for my younger sister about a girl who falls in love with the bass player of a pop group. Absolutely not based on John Taylor from Duran Duran.

Later on I tried my hand at writing a Mills & Boons. At around 50,000 words it was great practice, but not quite the right genre. When my children were small, I did a year long creative writing course with the Open University. Two years later I did the advanced version. Then, working full-time and a busy family life meant I kept writing only sporadically until 2018 when I started The Novel Studio at City, University of London. It was a brilliant year with excellent tutors in Emma Sweeney, Rebekah Lattin-Rawstrone and Kirstan Hawkins. Fourteen of us completed the course, meeting twice a week and sharing our lives through writing. They are a very supportive and talented bunch.

At the end of the year, I had interest from three agents, and signed with one at A M Heath. This is it, I (naively) thought, on my way to publication… Sadly, during lockdown, having worked on this first novel, Like Me, (her suggestions definitely improved it), she said she wasn’t the right person to take it forward. This was followed by a dispiriting lack of response from several agents she recommended as well as the two who had previously shown interest.

Throughout the pandemic, the Novel Studio cohort kept in touch, via a WhatsApp group. Before covid, about half of us carried on meeting in person, and carried over onto zoom. Laurence Kershook published The Broygus to Amazon in March 2022. Fellow alumna Lara Haworth’s book Monumenta will be published by Canongate in 2024.

On publication, I bought Laurence’s book in paperback and was very impressed. It’s a high quality, professionally produced book, as well as a terrific read, and I began to think maybe I could do that too. Independent publishing seeks to emulate the traditional publishing route, with a professional book edit from the wonderfully talented Emily Pedder at The Book Edit, and a great book cover from designer Simon Avery of Nice Graphic Design. Caroline Goldsmith of Goldsmith Publishing Consultancy ensured the manuscript was print and eBook ready, and Philippa Makepeace of Studio Makepeace created the website. My advice is to surround yourself with people who know that they’re doing!

There was one major hiccough. The book has always been on the long side, and when it was first uploaded to KDP Amazon, although author royalties sounded generous, the print costs on the paperback version were so high, they were almost entirely swallowed up. After a drastic re-think, I cut fifty pages of the book, and added those onto the beginning of book two, which has now become two books. The manuscript for book two has just gone to the editor. The hope is to publish both that and book three in 2024.

There was a point at which I began to feel that the traditional publishing route was becoming less and less likely. Now I’m in my 50s, I developed a sense of urgency, fostered by reading Harry Bingham, founder of Jericho Writers, who is enthusiastic about indy publishing. It has been wonderful to hold the actual book in my hand. We held in person launches where I live in London, and in Altrincham, the fictional Millingham of the series. Lots of kind and lovely people came. As the book is about a group of teenage friends who meet up again twenty years later in their late thirties, the events have been the perfect excuse to reconnect with old friends from the past. As we said, life is now imitating art. We’re doing the fictional reunion for real, just many years later…

Katharine Light took City’s Novel Studio course, a year-long programme for aspiring novelists.

Katharine’s debut novel, Like Me, is available HERE.

Author Katharine Light, photography by Alexandra Vanotti

For more on all City’s writing short courses, visit HERE.

 

 

City Writes Autumn 2023 Winners Announced

By Rebekah Lattin-Rawstrone

As the showcase creative writing short courses event approaches, we’re delighted to announce the competition winners who will be reading their work at 7pm on the 13th December with the brilliant tutor and author, Caroline Green. With stories of mystery, murder, mayhem, the complexities of identity and the disappearance of all women, this will be a night you won’t want to miss. You can register for the event here.

This term’s winners are: Mike Clarke, Martin Corteel, Cathie Mullen, Emma O’Driscoll, Tunde Oyebode and Vasundhara Singh. Read on to find out more about these brilliant short creative writing class alumni.

Mike Clarke studied the Novel Studio (when it was the Certificate in Novel Writing), Writers’ Workshop and Caroline Green’s Crime and Thriller Writing Course at City University. He also has an MA in Creative Writing from Manchester Metropolitan University. Several of his short stories have been read in different parts of the world by the renowned Liars League. His non-fiction writing on pubs is regularly featured in the national press. He also dabbles in performing stand-up comedy and is just finishing a novel.

Martin Corteel worked as an editor in London book publishing houses for more years than he would care to mention, and during this time he wrote and anonymously had published a number of books of very little substance. The novel he’s writing, entitled Dover Souls, recounts apocryphal family tales of skullduggery set amongst battling publicans at the outset of the First World War. He recently completed several creative writing courses at City University, including the Writers’ Workshop, and lives in North West London.

Cathie Mullen is from Ireland but has lived in Germany for many years. Until recently she was head of an international school. Her writing has been published by The Educational Company of IrelandWriter’s Forum and The Mersey Review. She’s currently working on a memoir. Authors whose work has recently inspired her include Octavia Bright, Claire Keegan and Sinéad Gleeson. Her passions include theatre and swimming (in all seasons). Cathie is an alumna of the Approach to Creative Writing course.

Originally from Dorset, Emma O’Driscoll lives in Brussels where she works as a press officer for the EU. She is currently writing a crime novel inspired by her love of golden-age detective fiction from the 1920s and 1930s. Emma is an alumna of the Crime and Thriller Writing Summer School and a student on the Novel Writing and Longer Works course. Aside from writing, she enjoys running, painting, and walking her border terrier, Karenin.

Writers’ Workshop alumnus Tunde Oyebode is a London-based architect and writer who explores the intricacies of everyday societal dynamics and relationships in his fiction. His work has appeared in Stylist Magazine, Obsidian Issue 48.1 and the 2021 Michael Terrence Anthology and also pending publication in LISP Anthology 2023. Some of his other stories have been shortlisted and longlisted in competitions like Chester B Himes Memorial Fiction Contest, Exeter Short Story Prize and the Bristol Short Story Prize. He aspires to publish a collection of his short stories.

Vasundhara Singh is a graduate of Journalism from Kamala Nehru college, Delhi University. Alumina of City University of London’s Novel Studio programme, she is one of the winners of City Writes Spring 2021.

With writers of this quality reading alongside tutor and writer extraordinaire, Caroline Green, City Writes Autumn 2023 promises to be an evening you won’t want to miss. Register for the event at 7pm on the 13th December on Zoom here. See you there!

City Writes Autumn 2023 Open for Submissions

City Writes Autumn Deadline 10 November 2023

By Rebekah Lattin-Rawstrone

With a new academic year comes more fantastic writing from the short courses at City with our showcase event, City Writes, this term on Wednesday 13th December at 7pm on Zoom. We are delighted to announce that our published author this time is the brilliant writer and tutor, Caroline Green. Not only does Caroline write fiction for young people and adults, she is also the much valued and acclaimed teacher of the Crime and Thriller Writing short course and Crime and Thriller Writing Summer School here at City. From YA, through psychological thriller, to supernatural detective fiction, Caroline Green is an inspirational powerhouse. Register here to save your spot for the night.

Crime writer and City Writes Autumn 2023 guest, Caroline Green

If you would like to read your work in front of a supportive audience and share the virtual stage with Caroline on the 13th December, all you need to do is submit your best 1,000 words of fiction or creative non-fiction (we accept YA but sadly NOT poetry, drama or children’s fiction) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on Friday 17th November. Please check the full submission details here.

 

Don’t forget to sign up for the event on the 13th December here.

 

We can’t wait to read your submissions! Good luck.

City Writes Summer 2023 Event: A Braw Night to Remember

By Rebekah Lattin-Rawstrone

There’s nothing like an evening of readings from brilliant writers to make a summer evening special and this term’s City Writes on the 5th July was a festival of writing filled with moments of tension, terror and tenderness.

 

We kicked off the evening with the first of our competition winners, Novel Writing and Longer Works alumnus, Richard Hastings, who read from his novel-in-progress. The extract, ‘Jumble’, took us into old boxes in his character’s mother’s cupboard where it turns out she’d kept the right half of several pairs of his old childhood shoes, right down to one tiny little wellington boot. The whole audience were drawn into that moment of connection between mother and son.

 

From the importance of one set of objects to the embodied resonance of a piano, we took a step into memoir and the importance of the matrilineal connection of music next with Novel Studio alumna, Helen Ferguson, who read from her memoir-in-progress. We were lucky enough to see, in the background of Helen’s screen, the very piano her extract, ‘My Grandmother’s Piano’, spoke so eloquently about. The words were music to our ears and we look forward to hearing more about this project.

 

We took a step into the dark and unpredictable world of the social media alias next, in an extract from another Novel Studio alumna, Lana Younis, reading from her revenge comedy, Play The Long Game. The chat buzzed with delight at the northern, scathing voice of the protagonist as she went over her day and discovered some salacious news in her evening bath with her glass of merlot. This is another novel-in-progress we’re eager to read more of.

 

We stepped away from the horrors in one mind, to the dangers of airport security next with an emotionally taut and affecting short story by Introduction to Copywriting alumna Camille Poole, ‘Brown Male’. Along with Camille the whole audience were moved by sharing the character’s experience of watching her brave, young superhero son face the humiliation of institutional racism, whilst shaming herself for daring to call it out. Such a powerful story that there was a real sense of pause before we could move on.

 

Novel Studio alumna, Emily Shamma had the difficult task of following Camille, but she took us on her own emotional journey in her piece, ‘Kate’, an extract from her novel-in-progress, The Complicit. The extract followed Kate as she navigated the complexities of a miscarriage that was initially an unintended pregnancy turned from happy uncertainty to grief.

 

Our audience were certainly on a rollercoaster of feeling that our final competition winner and Novel Studio alumna, Kate Henderson, refused to let us get off. She read her short story, ‘What Happened at Judith’s’, a masterful account of a young girl’s afternoon play date that ended with a painful revelation and a broken arm. Told in spars

e and meticulously navigated prose, it was a fabulous way to end the readers from this extremely talented bunch of City’s Creative Writing short course alumni.

 

Luckily, we had the joy of hearing from Writers’ Workshop alumna and prize-winning writer, Emma Grae next. Emma read short extracts from both her novels: her Scots Book of the Year 2022 debut, Be Guid tae yer Mammy, published by Unbound in 2021 and her second novel, The Tongue She Speaks published by Luath Press in October 2022.

 

Emma’s writing is rich with Scots and it was brilliant to get the chance to hear the writing come alive in her voice. Following these extracts, we were treated to a Q&A in which Emma explored not only the inspirations behind her work, but also her publishing journey. Teasing out the importance of valuing all voices and entering into the publishing industry with one’s eyes wide open, Emma gave us much to think about. She also shared great news about her new works, a book in Scots for children and a third novel. We can’t wait to read them.

 

City Writes Summer 2023 Event was a braw night indeed. If you missed it, you can watch the event HERE. And don’t forget City Writes is a termly event. Find out more and watch out for competition dates on this blog. If this term is anything to go by, the work at City Writes goes from strength to strength.

Novel Studio Showcase 2023

By Rebekah Lattin-Rawstrone

 

There’s nothing quite like listening to new writing talent and this year’s 2022/23 cohort of Novel Studio students held their own in a fantastic showcase event of their writing, reading their extracts with professional aplomb.

 

The evening began with an overview of the unbelievable list of published alumni including Novel Studio tutor, Kiare Ladner, Deepa Anappara, Hannah Begbie, Harriet Tyce, Elizabeth Chakrabarty, Attiyah Khan, Anna Mazzola and Greg Keen. Next year will also see alumna Lara Haworth’s debut, Monumenta, which will be published in June 2024 and just this week a new announcement about another alumna, Jo Cunningham, whose murder mystery, Death By Numbers, will be out with Constable in August 2024. The Novel Studio is incredibly proud of its alumni and their ongoing successes. You can find out even more about the alumni here.

 

2019 saw the introduction of the Novel Studio scholarship, generously funded by alumna Harriet Tyce. The scholarship provided a fully funded place for one successful applicant to the course from a low-income household. We’re immensely grateful to Harriet for this brilliant scheme which ran for the fourth time this year, and excited that The Book Edit will be continuing the scholarship for a fifth year for the 2023/24 Novel Studio cohort.

 

Alison Halsley

This year was a difficult one emotionally for students and staff. We were all devastated earlier this year when one of our treasured students, Alison Halsley, tragically died. Alison had a darkly comic sense of humour and her lively prose and personality has been missed in class and was missed at the showcase. This year’s showcase anthology is dedicated to her memory. She never failed to make us laugh with her work and we’re very sorry for her loss.

 

In spite of these difficult circumstances, the students managed to remain incredibly focussed and dedicated to their writing as the readings were soon to show.

 

Inspiring them on, we were lucky enough to hear from alumna, Lara Haworth, who joined the event to wish the students well with their ongoing careers, encouraging them to appreciate the nurture and support offered by the Novel Studio during and after the completion of the course. We couldn’t be happier for Lara and we will hold her to the invitation she made to all of the attendees to celebrate at the launch party of her debut in 2024.

Lara Haworth

Filled with Lara’s enthusiasm, the students’ readings kicked off to a fiery start with our first reader, Emily Shamma whose novel The Complicit, moves between London in 2010 and Oxford in the nineties, unravelling a darkly comic tale of love, damage and betrayal. Emily left us reeling from her character’s discovery of his car, burnt and marked by ominous graffiti on the wall behind it. An unnerving but dramatic opening for the talent to come.

 

We left the dodgy North London back street for a tale of two friends in 2000s West England next as author Marc-Anthony Hurr read from his novel, The Millennials. The chat lit up with enthusiasm for Marc-Anthony’s description of childhood friendship and the dizzy descriptions of the onset of epilepsy.

We left love and friendship behind for the acerbic and dangerously anonymous world of social media where a desire for revenge allows an alter ego to take increasing control in the tangible world as Lana Younis read from her novel, Play The Long Game.

 

Lana’s discovery ringing in our ears, we headed to London’s future next, taking a psychic journey into Heidi Ng’s novel, Divination. The idea of a futuristic novel with its roots in the Oracle of Delphi excited us all and we were dazed by our trip into the psychic realm.

Abim Tayo read for us next, sharing an extract from his novel, Dancing in the Snow, set in Lagos. The audience was terrified by the childhood memory of a man shaking a car and smearing it with faeces. It certainly made us all excited to hear what would happen next.

 

Transporting us to the Bucharest Ring Road, we heard from Nico Bechis next as she read from her novel Horse With No Rider, introducing us to casual prostitution and the delights of swearing in Romanian. A haunting and eloquent portrait, we were all hooked.

 

We went from the transactional to the tender mesh of relationships forged in teenage years next as we heard Matthew Triggs read from his novel, ST16. A sentimental kiss in the swirl of light snowfall caught by the soft glow of the street lamps, held us all in unfulfilled longing.

Following the relationship theme, we found ourselves contemplating the possible political complexities of love in Monica Bathiya’s extract from her novel, Middle Ground, next. The subtle shifts of inner thought had us all wondering what would happen to Monica’s characters, whether there was real love between them and even then if it was enough to survive the complexities of post-pandemic Mumbai.

 

Taking us into the glamorous world of the celebrity and business elite next, Gayle Killilea threw us right into the middle of her fast-paced romantic thriller, The Heart Wants What The Heart Wants, as she shared her character Walter’s typical morning routine. The audience chat revealed a rather desperate desire for a night out with Walter, as long as he was paying.

 

We went from fast cars to a more sedate 60th in a pub garden next with Ben O’Donnell as he read from his novel, Sweet Caroline. A wonderfully pitched extract that gave us all Caroline was thinking whilst revealing so much more to the audience, we were left eager to find out what would happen to this seemingly happy family, sensing all was not as it seemed.

 

From family celebration to late night clubbing, we hit the dance floor with Marta Ramos next as she read from her novel, Spaghetti Meatballs. Filled with the energy and rush of youth, we couldn’t get enough of Marta’s extract and were sorry to see her character fall into bed, wishing instead we were speeding through the night on the back of a scooter.

 

Novel Studio Scholarship Winner Sonia Hope read next, taking us from the dance floor to the more sedately curated space of the Library, as she read from her novel, The Archivist. What would happen to these two characters whose first meeting was tinged with the awkwardness of intrigue and desire?

 

Taking us from one archive to another, we went headlong into the digital archive next with our final reader, Charles Williams. He read an extract from his novel, The London Project, giving us a filmic view into the first meeting of two lovers-to-be. Voyeuristic? Perhaps. But he reassured us that it was really ok to watch and listen, afterall, we needed to understand that these characters were all dead.

 

It was an enigmatic and poignant ending to a scintillating night of readings from some extremely talented writers. Thanking the students, the tutors Kiare Ladner and Rebekah Lattin-Rawstrone, and the Novel Studio Director, Emily Pedder, we also thanked the staff at City, particularly Josie Gleave and Robert Lastman. The audience was also thanked for their great contribution to the night.

 

What a fantastic showcase for the bestselling and prize-winning writers of the future. Go Novel Studio Cohort 2022/23!

And for anyone who wasn’t able to be there you can now watch a recording from the event HERE.

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