Tag: writing community (page 1 of 6)

City Writes Spring 2024 Competition Open for Submissions

By Rebekah Lattin-Rawstrone

 

City Writes, the showcase event for all the wonderful writing coming from our Creative Writing Short Courses at City, is only weeks away. This term’s City Writes is Wednesday 27th March at 7pm and we’re delighted to have two Novel Studio alumni, Laurence Kershook and Katharine Light, as our headline double act.

For your chance to join Laurence and Katharine and read your work on the online stage, the City Writes Competition is open for submissions and you need only send your best 1,000 words of creative writing (fiction or non-fiction but no poetry, drama or children’s fiction) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on the 1st March 2024 along with details of your current or previous Creative Writing short course. Full submission details can be found here.

The Broygus by Laurence Kershook came out in March 2022 and is an evocative exploration of the history of a Jewish East End family not to be missed. Katharine Light’s Like Me came out in November 2023. Her novel turns an adult school reunion into a possible rekindling of teenage romance. You can find out more by reading fantastic blog articles for Katharine and Laurence – simply click on their names. This will be a fantastic night full of tantalising tales and excellent writing advice.

Book your ticket here and send us your work. We look forward to your submissions!

Novel Studio alumna Katharine Light’s path to the publication of her debut novel, Like Me

Katharine Light’s debut novel, Like Me

When I was a young girl, my dad used to make me little books of paper and I would love to write in them. In my teens these became stories I wrote for my younger sister about a girl who falls in love with the bass player of a pop group. Absolutely not based on John Taylor from Duran Duran.

Later on I tried my hand at writing a Mills & Boons. At around 50,000 words it was great practice, but not quite the right genre. When my children were small, I did a year long creative writing course with the Open University. Two years later I did the advanced version. Then, working full-time and a busy family life meant I kept writing only sporadically until 2018 when I started The Novel Studio at City, University of London. It was a brilliant year with excellent tutors in Emma Sweeney, Rebekah Lattin-Rawstrone and Kirstan Hawkins. Fourteen of us completed the course, meeting twice a week and sharing our lives through writing. They are a very supportive and talented bunch.

At the end of the year, I had interest from three agents, and signed with one at A M Heath. This is it, I (naively) thought, on my way to publication… Sadly, during lockdown, having worked on this first novel, Like Me, (her suggestions definitely improved it), she said she wasn’t the right person to take it forward. This was followed by a dispiriting lack of response from several agents she recommended as well as the two who had previously shown interest.

Throughout the pandemic, the Novel Studio cohort kept in touch, via a WhatsApp group. Before covid, about half of us carried on meeting in person, and carried over onto zoom. Laurence Kershook published The Broygus to Amazon in March 2022. Fellow alumna Lara Haworth’s book Monumenta will be published by Canongate in 2024.

On publication, I bought Laurence’s book in paperback and was very impressed. It’s a high quality, professionally produced book, as well as a terrific read, and I began to think maybe I could do that too. Independent publishing seeks to emulate the traditional publishing route, with a professional book edit from the wonderfully talented Emily Pedder at The Book Edit, and a great book cover from designer Simon Avery of Nice Graphic Design. Caroline Goldsmith of Goldsmith Publishing Consultancy ensured the manuscript was print and eBook ready, and Philippa Makepeace of Studio Makepeace created the website. My advice is to surround yourself with people who know that they’re doing!

There was one major hiccough. The book has always been on the long side, and when it was first uploaded to KDP Amazon, although author royalties sounded generous, the print costs on the paperback version were so high, they were almost entirely swallowed up. After a drastic re-think, I cut fifty pages of the book, and added those onto the beginning of book two, which has now become two books. The manuscript for book two has just gone to the editor. The hope is to publish both that and book three in 2024.

There was a point at which I began to feel that the traditional publishing route was becoming less and less likely. Now I’m in my 50s, I developed a sense of urgency, fostered by reading Harry Bingham, founder of Jericho Writers, who is enthusiastic about indy publishing. It has been wonderful to hold the actual book in my hand. We held in person launches where I live in London, and in Altrincham, the fictional Millingham of the series. Lots of kind and lovely people came. As the book is about a group of teenage friends who meet up again twenty years later in their late thirties, the events have been the perfect excuse to reconnect with old friends from the past. As we said, life is now imitating art. We’re doing the fictional reunion for real, just many years later…

Katharine Light took City’s Novel Studio course, a year-long programme for aspiring novelists.

Katharine’s debut novel, Like Me, is available HERE.

Author Katharine Light, photography by Alexandra Vanotti

For more on all City’s writing short courses, visit HERE.

 

 

How I Navigate Imposter Syndrome as a Non-Native English Writer

Author Dominik Jemec Photo by Marcel Kukovec

By Dominik Jemec

“You’ll never be good enough because you’re not a native writer.” That’s what a professor of translation studies at my university in Austria told me when I said my dream was to be an English writer. That was five years ago.

I’ve had many awful jobs since graduating, from delivering mail in sweltering heat to fielding daily insults while working in a call centre. Then in 2021, I got my first writing job: creating customer care-related content about cryptocurrencies. After a mass layoff in the summer of 2022, I joined a travel company called TourRadar as a content specialist, where I work on creative campaigns.

But I’m not complacent. My impostor syndrome leaks out of me a lot. If you’re a non-native writer like me, you may be fighting the same demons. Here’s how I keep them at bay.

I split up my writing process

You can’t be a writer without writing. But if you’re constantly questioning your skills, how do you actually get down to writing?

First, research. I use AI tools like ChatGPT 4. They’re just much better than looking things up online. I write detailed prompts because the better my input, the better the output.

Then I write, without overthinking. To stay focused, I put on a timer and just hammer out the text. If I have writer’s block, I ask ChatGPT to write a draft based on the research.

Lastly, I edit. It’s a tough process. Sometimes I have to remove parts I really like that just don’t fit. But I never discard them – I put them in a document with other unused content. Editing is ‘magical’. I might go a certain direction when I write, then turn it on its head when I edit.

I seek feedback

I’ve often been scared to send a piece of writing to my manager for proofreading. I would try to make every sentence perfect, thinking I’d be sacked if I didn’t. The pressure I put on myself took more energy than the writing itself, so I eventually learned to let go.

Every time my manager gives me feedback, I go through it carefully, analysing where I need to improve. All my favourite writers – Kurt Vonnegut, Douglas Adams and Hunter S. Thompson – got edited, so why shouldn’t I?

Outside of work, I get writing feedback from the Sunday WritersClub, and do specialised courses, including City, University of London’s Introduction to Copywriting, led by Maggie Richards. Not only did I learn the fundamentals of copywriting, I wrote a lot of copy and received helpful feedback from Maggie.

I connect with other writers

I listen to writing podcasts like the Copywriter Club, and follow creative writers like Drayton Bird, Dan Nelken and Eddie Shleyner on LinkedIn. If, for example, you love advertising like I do, whenever you see an ad you like, find out who produced it and start following them on social media. The knowledge writers share (for free) is staggering.

I embrace my voice

I used to embellish my writing because I really wanted to prove myself. But I’ve found that such texts are mostly unreadable. I’ve learned that simplicity wins.

There is merit in emulating good flow and sentence structure, but at the end of the day, your voice is your USP. Incorporate idioms, metaphors and storytelling elements from your own culture. Your writing will stand out.

I apply for all writing jobs

Many writing jobs ask for a native writer. After I started my current job, I asked our recruiters how many people had applied for the position. Through one job search platform alone there were over 60 applicants. Many were probably native writers with impressive CVs. So why did I get the job? Maybe because of my unwavering passion for writing.

I truly hope my tips help you overcome any self-doubts you may have as a non-native writer – and inspire you to keep on writing well, no matter what lies ahead.

About the author: Dominik Jemec is a Slovenian working in Vienna as a content writer in his third language, English. You can connect with Dominik on LinkedIn.

Dominik took City’s Introduction to Copywriting course taught by Maggie Richards. As part of the course, students can pitch a blog idea. If successful, the post will then be edited and appear on our site. For our full range of courses, visit HERE.

 

 

Announcing New Scholarship for the Novel Studio

Growing Concerns

We are delighted to announce a new scholarship partnership for the Novel Studio, which will be in place for the next five years.

The Captain Tasos Politis Scholarship is a fully funded scholarship offered to support a successful candidate applying for The Novel Studio, City’s popular Short Course on the art of novel writing.

Generously funded by City Alumni Ambassador George Politis, and named after his father, the aim of the scholarship is to support a student of talent and potential from a low-income household who might not otherwise be able to accept an offer of a place on The Novel Studio.

Applicants to the scholarship will go through the same process as all other applicants but will need to include a personal statement and provide evidence of financial need.

The top three applications will be shortlisted, and a final winner chosen by a panel, including the course director, and course tutors.

The Novel Studio has been very lucky with its generous funders. For four years, alumna and best-selling crime author Harriet Tyce funded and supported the scholarship. Now with The Captain Tasos Politis Scholarship, we are thrilled to be able to continue this vital support and to help nurture more talented writers of the future.

For further details about the scholarship and how to apply, visit our page HERE. Or email the Course Director: Emily.Pedder.1@city.ac.uk

City Writes Autumn 2023 Winners Announced

By Rebekah Lattin-Rawstrone

As the showcase creative writing short courses event approaches, we’re delighted to announce the competition winners who will be reading their work at 7pm on the 13th December with the brilliant tutor and author, Caroline Green. With stories of mystery, murder, mayhem, the complexities of identity and the disappearance of all women, this will be a night you won’t want to miss. You can register for the event here.

This term’s winners are: Mike Clarke, Martin Corteel, Cathie Mullen, Emma O’Driscoll, Tunde Oyebode and Vasundhara Singh. Read on to find out more about these brilliant short creative writing class alumni.

Mike Clarke studied the Novel Studio (when it was the Certificate in Novel Writing), Writers’ Workshop and Caroline Green’s Crime and Thriller Writing Course at City University. He also has an MA in Creative Writing from Manchester Metropolitan University. Several of his short stories have been read in different parts of the world by the renowned Liars League. His non-fiction writing on pubs is regularly featured in the national press. He also dabbles in performing stand-up comedy and is just finishing a novel.

Martin Corteel worked as an editor in London book publishing houses for more years than he would care to mention, and during this time he wrote and anonymously had published a number of books of very little substance. The novel he’s writing, entitled Dover Souls, recounts apocryphal family tales of skullduggery set amongst battling publicans at the outset of the First World War. He recently completed several creative writing courses at City University, including the Writers’ Workshop, and lives in North West London.

Cathie Mullen is from Ireland but has lived in Germany for many years. Until recently she was head of an international school. Her writing has been published by The Educational Company of IrelandWriter’s Forum and The Mersey Review. She’s currently working on a memoir. Authors whose work has recently inspired her include Octavia Bright, Claire Keegan and Sinéad Gleeson. Her passions include theatre and swimming (in all seasons). Cathie is an alumna of the Approach to Creative Writing course.

Originally from Dorset, Emma O’Driscoll lives in Brussels where she works as a press officer for the EU. She is currently writing a crime novel inspired by her love of golden-age detective fiction from the 1920s and 1930s. Emma is an alumna of the Crime and Thriller Writing Summer School and a student on the Novel Writing and Longer Works course. Aside from writing, she enjoys running, painting, and walking her border terrier, Karenin.

Writers’ Workshop alumnus Tunde Oyebode is a London-based architect and writer who explores the intricacies of everyday societal dynamics and relationships in his fiction. His work has appeared in Stylist Magazine, Obsidian Issue 48.1 and the 2021 Michael Terrence Anthology and also pending publication in LISP Anthology 2023. Some of his other stories have been shortlisted and longlisted in competitions like Chester B Himes Memorial Fiction Contest, Exeter Short Story Prize and the Bristol Short Story Prize. He aspires to publish a collection of his short stories.

Vasundhara Singh is a graduate of Journalism from Kamala Nehru college, Delhi University. Alumina of City University of London’s Novel Studio programme, she is one of the winners of City Writes Spring 2021.

With writers of this quality reading alongside tutor and writer extraordinaire, Caroline Green, City Writes Autumn 2023 promises to be an evening you won’t want to miss. Register for the event at 7pm on the 13th December on Zoom here. See you there!

Final Call for Submissions to City Writes Autumn 2023 – DEADLINE THIS FRIDAY, 17th NOVEMBER

Deadline 17 November 2023
Want to join brilliant author and tutor, Caroline Green on the virtual stage of City Writes, the showcase for the best creative writing coming from City’s Short Creative Writing Courses, on Wednesday 13th December? All you need to do is submit your best 1,000 words of fiction or creative non-fiction (we accept YA but sadly NOT poetry, drama or children’s fiction) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on Friday 17th November. Please check the full submission details here. That’s just 5 days away!

You will get to read your work in front of a supportive audience alongside Caroline who writes wonderful fiction for young people and adults and is the fantastically acclaimed teacher of the Crime and Thriller Writing short course and Crime and Thriller Writing Summer School here at City. From YA, through psychological thriller, to supernatural detective fiction, Caroline Green is an inspirational powerhouse. Register here now to save your spot for the night.

City Writes guest, author and tutor Caroline Green

To share the virtual stage with Caroline on the 13th December, don’t for get to submit your best 1,000 words of fiction or creative non-fiction to rebekah.lattin-rawstrone.2@city.ac.uk  Please check the full submission details here.

Don’t forget to sign up for the event on the 13th December here.

Get submitting and good luck!

Novel Studio Literary Agent Competition Winners 2023/24

Jill Craig

We are delighted to announce the winners of 2023/4’s Novel Studio Literary Agent Competition are Jill Craig, Shere Ross and Linda Wystemp.

The competition is a key feature of City’s flagship short course the Novel Studio, which offers a select group of 15 aspiring novelists the dedicated time and support to hone their craft. The competition is a rare opportunity to bypass the slush pile of manuscript submissions to literary agents, and is run in  conjunction with Lucy Luck, literary agent at C&W Agency.

Jill Craig works as a secondary English teacher in the North West where literature is a constant presence. She loves fiction which investigates and reflects dynamics which are often the foundation of our lives: romantic, friendship, familial. Although she’s studied and now teaches literature, actually writing it is a relatively new – daunting, but exciting- experience. 

Shere Ross is a writer of short stories and other works of fiction. Her work has been shortlisted for several prizes including the Wasafiri New Writing Prize. She is a winner of the BlackInk New Writing Prize.

Linda Wystemp was born and raised in the heart of Germany’s Black Forest before crossing the Channel to study in Oxford and London. She enjoys writing screenplays and short stories and has dabbled in fencing and the violin. Linda is currently working on her contemporary literary fiction novel which explores the moral complexities of parent-child relationships.

Emily Pedder, Course Director of the Novel Studio said: “We were very excited by these three writers; their submissions were strong and distinctive, and we can’t wait to see their novels progress over this coming year. ”

The Novel Studio was established over a decade ago and has a very strong track record of published alumni. Recent bestselling and award-winning novels include Deepa Anappara’s Djinn Patrol on the Purple Line, Anna Mazzola’s  The Unseeing, The Story Keeper, The Clockwork Girl,  and The House of Whispers, and Harriet Tyce’s Blood Orange, The Lies You Told and It Ends At Midnight.

 

Congratulations to Jill, Shere and Linda! We can’t wait to see their novels develop over the coming year!

Autumn 2023 News from our Writing Community

Happy Autumn! Here’s the latest news from our fantastic writing short course alumni and tutors…

 

Alumni News

Author and City short course alumna Deepa Anappara

Oneworld have acquired The Last of Earth, the second novel by Novel Studio alumna Deepa Anappara. The novel will be published in hardback as a lead title in March 2025. An historical novel set in mid-19th century Tibet, Juliet Mabey at Oneworld said ‘I’m delighted to be working with such a bold and unique storyteller.’

 

Katy Darby’s Writers’ Workshop and Short Story Writing students have had more astonishing success. Rupert Dastur has sold his debut novel Cloudless to Penguin. Richie Jones was shortlisted for the London Magazine Short Story Prize. Sean Hannaway, as S. P. Hannaway, recently had a short story published in Stand (‘This or That or Any Other Thing’) and one is forthcoming in The Pomegranate (‘Exit Pye, with Cushion’). Sean was also shortlisted for the Bristol Prize in 2021 for his short story ‘Love, Hunger’.

Peter Forbes’ Narrative Non Fiction alumni have been as busy as ever!

Narrative Non Fiction Alumna Claire Martin’s debut, Heirs of Ambition

NNF alumna Claire Martin published her debut book Heirs of Ambition: The Making of the Boleyns in September with History Press. Ed O’Brien’s article ‘Hardcore Landscaping: how to grow a garden on sand, gravel and concrete’ was published in The Guardian on 28 July 2023; and Alice Kent’s memoir  ‘And Those are Stars’ was published in Hinterland, Issue 13, 2023.

Amal Abdi, graduate of Holly Rigby’s Narrative Non Fiction course, has been commissioned to write a new play for London’s Rich Mix theatre venue. The play will run for two dates on Tuesday 24th and Wednesday 25th October and can be booked here.

Susan Grossman’s Travel Writing Student, Yvette Cook, has had successful travel journalism commissions from The Independent, The Slovenia Tourist Board and BBC Sky at Night.

Competitions

City Writes, City’s termly writing competition for all past and present City short course writing students, is open for submissions. This term’s event is on Wednesday 13th December at 7pm on Zoom and the published guest author will be writer and City tutor, Caroline Green. Not only does Caroline write fiction for young people and adults, she is also the much valued and acclaimed teacher of the Crime and Thriller Writing short course here at City. From YA, through psychological thriller, to supernatural detective fiction, Caroline Green is an inspirational powerhouse. Register here now to save your spot for the night.

If you would like to read your work in front of a supportive audience and share the virtual stage with Caroline on the 13th December, all you need to do is submit your best 1,000 words of fiction or creative non-fiction (we accept YA but sadly NOT poetry, drama or children’s fiction) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on Friday 10th November. Please check the full submission details here.

 The Book Edit Writers’ Prize 2023 is open for submissions. Judged this year by Deepa Anappara, and in association with Legend Press, the prize is free to enter and open to all British or UK-based unpublished, unagented novelists from communities currently underrepresented in UK publishing. For more details visit the prize page here. Deadline 23 October.

 Scholarships

We offer a fully-funded place for a young adult (18-25) from an underrepresented background and/or facing financial difficulty on our Writing for Social Impact course. To apply, please contact the tutor Ciaran Thapar explaining why you’d like to attend. This course is now offered monthly to reflect the increased demand.

 Tutor News

Author and Short Course Tutor Katy Darby

Short Story and Writers’ Workshop tutor Katy Darby has three new historical short stories coming out in anthologies in November, with Belanger Books.

Writing for Children tutor Bryony Pearce’s new Mid-grade novel, Hannah Messenger and the Gods of Hockwold, was published in June, and her short story is in a new sci fi anthology Parsec in Print.

Writing the Memoir tutor Anna Wilson’s picture book Grandpa and the Kingfisher was shortlisted for the Wainwright Nature Prize, illustrated by Sarah Massini.

And finally, we have a new Writing for Business tutor on Monday evenings, Tamsin Mackay. Welcome, Tamsin! And huge thanks to Jenny Stallard, who Tamsin is replacing, for her brilliant teaching the past few years.

Happy Writing Everyone. and congrats to all our brilliant alumni and tutors.

Novel Studio 2022/3 Literary Agent Competition Winners Announced

We are delighted to announce the winners of 2022/3’s Novel Studio Literary Agent Competition are Sonia Hope, Marc-Anthony Hurr and Charles Williams.

The competition is a key feature of City’s flagship short course the Novel Studio, which offers a select group of 15 aspiring novelists the dedicated time and support to hone their craft. The competition is a rare opportunity to bypass the slush pile of manuscript submissions to literary agents, and is run this year in  conjunction with Lucy Luck, literary agent at C&W Agency.

Sonia Hope’s stories have appeared in magazines, including Ambit and Ellipsis Zine, and in anthologies: Best British Short Stories 2020, and The Untangling: Jerwood/Arvon Anthology Volume Nine. She was a Jerwood/Arvon mentee (fiction) for 2019/20 and shortlisted for The Guardian 4th Estate Prize 2019. In 2022 she was the recipient of the Novel Studio scholarship. Sonia is an Art Librarian working on her first novel, The Archivist.

Born in New Zealand to a British father and French mother, Marc-Anthony Hurr has dedicated his professional career to assembling from scratch a large international financial services startup in white knuckle fashion. He was shortlisted in December 2022 by Liar’s League, and in May 2023 won their Heroes & Villains competition. Marc is developing his debut novel, The Millennials.

Charles Williams has been a professional writer for twenty years, covering every topic under the sun, from policing and international aid to body image and mental health. He’s published obituaries in The Times, written and directed a play about world mythology at the Edinburgh Fringe, and contributed a story to a Doctor Who audiobook. He lives in south London.

Emily Pedder, Course Director of the Novel Studio said: “The three winners are all writers with strong, distinctive voices and we’re incredibly excited to see how their writing careers progress from here.”

Alumna Hannah Begbie, an early winner of the agent competition, published award-winning novels Mother and Blurred Lines following her graduation, and fellow winner Louise Beere was shortlisted for the Lucy Cavendish Fiction Prize.

The Novel Studio was established over a decade ago and has a very strong track record of published alumni. Recent bestselling and award-winning novels include Deepa Anappara’s Djinn Patrol on the Purple Line, Anna Mazzola’s  The Unseeing, The Story Keeper, The Clockwork Girl,  and The House of Whispers, and Harriet Tyce’s Blood Orange, The Lies You Told and It Ends At Midnight.

Sonia Hope

Marc-Anthony Hurr

Charles Williams

 

City Writes Summer 2023 Event: A Braw Night to Remember

By Rebekah Lattin-Rawstrone

There’s nothing like an evening of readings from brilliant writers to make a summer evening special and this term’s City Writes on the 5th July was a festival of writing filled with moments of tension, terror and tenderness.

 

We kicked off the evening with the first of our competition winners, Novel Writing and Longer Works alumnus, Richard Hastings, who read from his novel-in-progress. The extract, ‘Jumble’, took us into old boxes in his character’s mother’s cupboard where it turns out she’d kept the right half of several pairs of his old childhood shoes, right down to one tiny little wellington boot. The whole audience were drawn into that moment of connection between mother and son.

 

From the importance of one set of objects to the embodied resonance of a piano, we took a step into memoir and the importance of the matrilineal connection of music next with Novel Studio alumna, Helen Ferguson, who read from her memoir-in-progress. We were lucky enough to see, in the background of Helen’s screen, the very piano her extract, ‘My Grandmother’s Piano’, spoke so eloquently about. The words were music to our ears and we look forward to hearing more about this project.

 

We took a step into the dark and unpredictable world of the social media alias next, in an extract from another Novel Studio alumna, Lana Younis, reading from her revenge comedy, Play The Long Game. The chat buzzed with delight at the northern, scathing voice of the protagonist as she went over her day and discovered some salacious news in her evening bath with her glass of merlot. This is another novel-in-progress we’re eager to read more of.

 

We stepped away from the horrors in one mind, to the dangers of airport security next with an emotionally taut and affecting short story by Introduction to Copywriting alumna Camille Poole, ‘Brown Male’. Along with Camille the whole audience were moved by sharing the character’s experience of watching her brave, young superhero son face the humiliation of institutional racism, whilst shaming herself for daring to call it out. Such a powerful story that there was a real sense of pause before we could move on.

 

Novel Studio alumna, Emily Shamma had the difficult task of following Camille, but she took us on her own emotional journey in her piece, ‘Kate’, an extract from her novel-in-progress, The Complicit. The extract followed Kate as she navigated the complexities of a miscarriage that was initially an unintended pregnancy turned from happy uncertainty to grief.

 

Our audience were certainly on a rollercoaster of feeling that our final competition winner and Novel Studio alumna, Kate Henderson, refused to let us get off. She read her short story, ‘What Happened at Judith’s’, a masterful account of a young girl’s afternoon play date that ended with a painful revelation and a broken arm. Told in spars

e and meticulously navigated prose, it was a fabulous way to end the readers from this extremely talented bunch of City’s Creative Writing short course alumni.

 

Luckily, we had the joy of hearing from Writers’ Workshop alumna and prize-winning writer, Emma Grae next. Emma read short extracts from both her novels: her Scots Book of the Year 2022 debut, Be Guid tae yer Mammy, published by Unbound in 2021 and her second novel, The Tongue She Speaks published by Luath Press in October 2022.

 

Emma’s writing is rich with Scots and it was brilliant to get the chance to hear the writing come alive in her voice. Following these extracts, we were treated to a Q&A in which Emma explored not only the inspirations behind her work, but also her publishing journey. Teasing out the importance of valuing all voices and entering into the publishing industry with one’s eyes wide open, Emma gave us much to think about. She also shared great news about her new works, a book in Scots for children and a third novel. We can’t wait to read them.

 

City Writes Summer 2023 Event was a braw night indeed. If you missed it, you can watch the event HERE. And don’t forget City Writes is a termly event. Find out more and watch out for competition dates on this blog. If this term is anything to go by, the work at City Writes goes from strength to strength.

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