We can’t have a crime list without Sherlock Holmes, perhaps the most enduring character in crime fiction. His deerstalker, pipe, and ‘elementary’ deductions have spawned plays, films, TV series, musicals, and more. In recent years they’ve been revamped with spin-off novels. What’s the speckled band? What is the Musgrave ritual? And why did the King of Bohemia need Holmes’s help? These mysteries and more are solved in the four novels and 56 short stories that make up the collection.

You should read it – for enjoyment! To remember why people love crime fiction’s puzzles and solutions. To see how to create an enduring character that is so beloved you have to bring them back after you’ve killed them off, due to popular demand (see also Misery…).

David Peace’s quartet of books are set in Yorkshire in the seventies and eighties. The books – 1974, 1977, 1980 and 1983- deal with different aspects of the hunt for the Yorkshire Ripper, which Peace has described as an obsession and key influence for him from childhood. Following corrupt cops, disillusioned journalists, and beleagured lawyers, the books chart a dark period in the history of the north. Peace’s other books, notably The Damned United, have skipped between fiction and non-fiction, and likewise the quartet skirts real-life darkness in a chilling and captivating way.

You should read it because: of the dazzling use of language; the pared-down characterisation, dialogue and description; the sheer darkness within; to see how to handle grim material with a masterful literary touch.

The basis for two films, a radio adaptation, and a stage play, Patricia Highsmith’s 1955 bestseller has become the blueprint for the ‘sympathetic anti-hero’ novel. Tom Ripley is dissatisfied with his life, scraping by in New York. When he gets the chance to visit Italy he jumps at it, pretending to a rich man that he’s friends with his playboy son, Dickie Greenleaf. Tom is soon charmed by Dickie’s sybaritic life and beautiful girlfriend Marge – but when he realises his new friend is tiring of him, he kills him with an oar then sinks the boat they’re on. From then on he takes over Dickie’s life.

You should read it because: it inverts the traditional format where we follow the detective character and root for the killer to be caught; it helped to forge the modern psychological thriller; it’s a masterclass in how to work with anti-heroes.

One of Stephen King’s rare straight novels – not an alien or monster in sight – Misery has a special place in the heart of every King fan, partly due to the chilling film with Kathy Burke. Paul Sheldon is a popular romantic novelist – only trouble is, he’s sick of ‘Misery’, his lead character. After a car accident he’s taken in by his biggest fan. Unable to move, at first he’s well cared for, until his nurse/captor discovers he has killed off Misery. Now Paul has to write a whole new book, with his biggest fan looking over his shoulder – and she’s got a big hammer….

You should read it because: every writer secretly wants to have a fan so devoted they might keep you prisoner until you write the book they want; it’s a brilliant thriller; it makes excellent use of a small, restricted location – Paul is bedbound for most of it; and it’s by turns terrifying and funny.

A slightly overlooked literary thriller, David Guterson’s award-winning 1994 novel is a thoughtful look at a community torn apart by the legacy of the second world war. Set on a small island off North America in 1954, the novel is part courtroom drama, part intimate portrait of a small town. A German-American fisherman’s boat is found with the owner dead, and a Japanese-American islander is accused of his murder. The two have an uneasy history due to both the war and disputes over land ownership. With a host of wonderful characters, including Ishmael, the editor of the local paper, who lost an arm in the war and is in love with the accused’s wife, the crime is eventually solved in a surprising way.

You should read it: in case you need to refute the oft-made statement that crime can’t be literary; to see how to use flashbacks to help the denouement unfold; to learn about combining beautiful prose with a breathless narrative; and finally to remind yourself what crime writing is really about – loss, and history, and the truth.