Category Archives: Concerts

City University Chamber Orchestra Performs at St Clement’s

The City University Chamber Orchestra gave their first concert of 2018 at St Clement’s Church, close to City, on the evening of Friday 25th January.

Conducted by Tim Hooper, the orchestra performed Bela Bartok’s Romanian Folk Dances (1917), the beautiful Pavane by Gabriel Faure (1887) and ended with Haydn’s Symphony no 101 in D Major, also known as the ‘Clock Symphony’ (1793/4).

Many thanks to Tim Hooper and to Leo Chadburn for his concert organisation, to St Clement’s for hosting the concert, and of course to everyone who played!

The orchestra’s next concert will be part of the Department’s Summer Sounds Festival in June.

City Chamber Choir Performs in Trafalgar Square!

The City University Chamber Choir has had a busy end of term with three performances in just over a week. The first was its annual Christmas Concert at St Clement’s Church, King Square, on Wednesday 6th December, with a seasonal mix of carols and a complete performance of Bob Chilcot’s ‘A Little Jazz Mass’.

The following week, on 13th December, the choir gave a lunchtime performance of carols at the main university entrance, in conjunction with the University Chaplaincy.

The choir finished its trio of performances with singing under the christmas tree in Trafalgar Square on the evening of 13th December. Despite the damp weather and competition from the bells of St Martin the Fields (!), much fun was had by all, fuelled by plenty of mince pies! We raised £170 in aid of Mind and the Islington Law Centre.

The City Chamber Choir is conducted by Tim Hooper and is open to anyone in the university. Just email if you’d like to find out more about singing with us.  


Tullis Rennie releases new record ‘Muscle Memory’

Muscle Memory is a new record by composer Tullis Rennie, featuring two recently composed sound pieces made in collaboration with Matthew Bourne and Graham South.

The new release was recently described by The Wire Magazine as “a piece of meta art; an album about listening to music”.

The record is part autobiographic docu-music, part jazz-inspired dreamscape. It is available as a limited numbered vinyl only release from November 2017.

Each recording begins on the sofa in the house of a collaborator. Tullis joins Matthew in his idyllic Yorkshire hilltop live-in studio, and  Graham in his Manchester red-brick front room. From ‘listening-in’ to chat in these domestic spaces, we then float into abstract realms of electronic textures and improvised musical conversations between each pair.

The release was recently celebrated with a series of intimate listening parties held in living rooms in London, Hasting, Brighton and Manchester.

Dr Simon Waters, in a Contemporary Music Review article discussing the work, writing:

“Muscle Memory begins to answer questions about how one work can comment on and analyse or critique another through its own agency as music. It also demonstrates how a work can marshal autobiography and ethnography to illuminate the human capacity to manipulate and be manipulated by musical activity. It explicitly engages multiple modes of listening and points of view: documentary ‘field’ recordist; participant observer; soundscape composer; ‘amateur’ musicologist and music lover; DJ and remix artist; spectromorphological composer—and allows the listener to explore different modes of listening through these multiple and nested points of view such that this becomes the primary formal concern. The listening home (the point of view) is contingent and transitory as we move through the scant twelve and a half minutes of the piece, so the listener is constantly becoming re-involved with, and made conscious of, the act of listening”

Waters, S. (2015) ‘Tullis Rennie’s Muscle Memory : Listening to the Act of Listening’ Contemporary Music Review 34(1), pp.22–32.


Drs Lingas and Antonopoulos in Romania at the Iași Byzantine Music Festival

“Vasile Alecsandri” National Theatre

During the last weekend of September 2017 Alexander Lingas and Spyridon Antonopoulos joined their colleagues in the vocal ensemble Cappella Romana for the inaugural Iași Byzantine Music Festival. The group was invited to Romania to perform its new programme of chant for the Exaltation of the Holy Cross as celebrated in the medieval rite of Hagia Sophia, a product of its participation in the research project Icons of Sound based at Stanford University.  Held before a capacity audience in the “Vasile Alecsandri” National Theatre, the concert began with hymns in Arabic and Greek sung by the choir of the Hamatoura Monastery in Lebanon. Dr Lingas also joining esteemed colleagues in the field of Byzantine music as a member of the festival’s Scientific Committee, an academic and artistic advisory board.

A video of the complete performance is available here:

Alexander Lingas directs Cappella Romana in Iasi

Spyridon Antonopoulos chants with Mark Powell and David Stutz

Dr Spyridon Antonopoulos leads Psaltikon ensemble on Scandinavian tour

Psaltikon in Copenhagen

Dr Spyridon Antonopoulos, Honorary Research Fellow at City, recently led the vocal ensemble Psaltikon on a three-concert tour in Scandinavia. Psaltikon, founded by Antonopoulos in 2010, is a Boston-based vocal ensemble specializing in Byzantine chant and the music of the Eastern Mediterranean. For this tour, Psaltikon was joined by City University Reader in Music, Dr Alexander Lingas, along with Antonopoulos and six other singers. Prior to the tour, Dr Antonopoulos and Dr Lingas each gave papers at a Symposium on Religious Poetry and Performance at Uppsala University.

The tour program, entitled “Evenings Lights in Miklagård”, refers to the Scandinavian Viking name for Constantinople, the center of the world in the ninth century, when Halfdan the Viking carved his name into the parapet of the upper floor in Hagia Sophia’s southern gallery. The program explored chants which Halfdan might have heard while he inscribed his runes into Hagia Sophia’s marble. Central to the program were two kontakia, melismatic chants (whose text was originally composed in the sixth or seventh century), inscribed in the Psaltikon, the Constantinopolitan chant book for virtuoso soloists (the complementary Asmatikon contained the choral repertories). The kontakia were transcribed from a fourteenth century by the renowned musicologist Dr Ioannis Arvanitis, while the rest of the program editions were prepared by Dr Antonopoulos.

The tour’s first venue was the famous anatomical theater of the Museum Gustavianum. The ensemble then sang a concert for an audience of over 100 at Sofia Kyrka in Stockholm, before embarking on a five hour train through the Swedish woodlands to Copenhagen, where they were treated to a tour of the collections at the Monumenta Musicae Byzantinae, led by Dr Christian Troeslgård.


The MMB, founded in the 1930s at the University of Copenhagen, is one of the most important research institutes for Byzantine musicology. The tour closed with a concert in the beautiful acoustic of St. Thomas in the Frederiksburg neighborhood of Copenhagen.

City University Chamber Orchestra Summer Term Concert

by Carlota Rodriguez Ruiz-Healy, MA Music Student

The City University Chamber Orchestra gave its final concert of the year on May 19th, kicking off the City Summer Sounds festival, a three-week music festival in the Music Department at City, University of London.

Conducted by Tim Hooper, the orchestra performed at the atmospheric St. Clements Church, close to the university. The concert featured Franz Schubert’s Symphony No. 5, Charles Gounod’s Petite Symphonie and Edward Elgar’s Chanson de Nuit and Chanson de Matin, Op. 15, No. 1 and 2. 

These works exhibited the versatile talent of City’s Music students. The Schubert, which began the concert, was played by the entire orchestra and gave an invigorating start to the evening. This was followed by the Gounod, a lovely work which showcased the orchestra’s wind players. The evening concluded with the orchestra re-joining to play two beautiful short pieces by Elgar, featuring Andrew Losq on piano. A great way to start our Summer Sounds Festival!

Middle Eastern Music Events at City

The Department of Music recently hosted a series of events focused on the musics of the Middle East, North Africa and Central Asia as part of the City Summer Sounds festival.

The latest instalment of the bi-annual Middle East and Central Asia Music Forum, convened by Head of Department Dr Laudan Nooshin and Dr Rachel Harris (SOAS, University of London), took place on Monday 22 May. Alongside scholars from institutions within the UK, the day included speakers from as far afield as Israel and the United States. Laudan was part of a roundtable discussion in the afternoon, with Tom Parkinson (Royal Holloway, University of London) and Dr Abigail Wood (University of Haifa), which focussed upon ‘The Ethics and Aesthetics of Studying Music in Situations of Conflict and Violence: Perspectives from the Middle East’. Also presenting her research was City PhD student Gabrielle Messeder, whose paper explored competing political narratives from the Syrian Civil War through musical examples shared and circulated on YouTube.

PhD Music student Gabrielle Messeder

In the evening of 22 May, the Performance Space hosted a performance by Syrian Kanun player Maya Youssef and her Trio. Performing pieces from her recently-recorded debut album, the evocative Syrian Dreams was a particularly moving highlight of the evening.

Posted by Aghsan Kh on Monday, May 22, 2017


On Tuesday 23 May, a one-day conference convened by Visiting Lecturer and department alumnus Dr Stephen Wilford focussed upon Music, Technology and Digital Cultures in the Middle East and North Africa. The event brought together scholars, filmmakers, musicians and industry professionals to consider the role of technology and digital culture in the Middle East and North Africa, in both historical and contemporary contexts. The final session of the day included a presentation by Dr Cristina Moreno Almeida (King’s College London) and Moroccan rapper Omar Souhaili (aka Dizzy DROS), and a discussion between Nathan Comer (Masåfåt Festival, London and Cairo) and City PhD student Sam Mackay. The conference was part of the Music and Digital Cultures in the Middle East and North Africa project, and was supported by both City, University of London and the Institute of Musical Research.

Music PhD student Sam MacKay in discussion with Nathan Comer (Masåfåt Festival, London and Cairo)

Stephen Wilford, City Visiting Lecturer and PhD Music alumnus

City Summer Sounds: 2017 Festival

It’s now ten days before the start of our annual music festival, City Summer Sounds. We have three weeks of events, including jazz, world, experimental, electronic and classical chamber music, reflecting the diverse interests of the Department of Music. Everything is open to the public and free to attend.

City Summer Sounds Logo

You may wish to look over the complete listings here and sign up for tickets:

City Summer Sounds is an opportunity to showcase our students’ work, with performances by all our instrumentalists, and premieres by our composers. Immersive, multichannel electronic music is also a major part of the programme, studio work being a proud and significant part of the department’s legacy.

Maya Youssef

Maya Youssef (22nd May). Photo by Sarah Ginn

We’re also joined by internationally acclaimed guests and friends of the department, including Syrian kanun virtuoso Maya Youssef (22nd May), Australian pianist Zubin Kanga (5th June), jazz bassists Tom Herbert and Ruth Goller (7th June) and award winning Irish composer Ailís Ní Ríain (8th June).

Zubin Kanga (5th June). Photo by Richard Hedger.

On the 6th June, we launch a new group, the City Pierrot Ensemble, who will be performing Schoenberg’s expressionist masterpiece Pierrot Lunaire, Michael Finnissy’s wild, rarely-performed music theatre piece, Mr Punch, and Roger Redgate’s mercurial Pierrot On The Stage Of Desire. The vocalists will be two astonishing performers, Adam de la Cour and Alwynne Pritchard.

Alwynne Pritchard

Alwynne Pritchard (6th June)


Reserve tickets now – and see you there!


Cappella Romana, the vocal ensemble founded and directed by City Reader in Music Alexander Lingas, offered the first North American festival dedicated to Estonian composer Arvo Pärt between 5 and 12 February, 2017 in Portland, Oregon, USA.  Dr Lingas himself presented a lecture and directed four events, two of which featured instrumentalists of Portland’s Third Angle New Music ensemble: ‘Odes of Repentance’, a programme of a cappella sacred works; the   Passio Domini nostril Jesu Christi secundum Ioannem by candlelight (with the participation of the choir of Lewis and Clark College); the Missa Syllabica sung within the context of a Roman Catholic mass; and a gala finale concert at Reed College featuring Pärt’s Te Deum alongside works by Sir James MacMillan, the late Sir John Tavener, and Thanos Mikroutsikos. The full programme book including essays by Dr Lingas is available here:

Many of the concerts were sold out and the festival generated considerable interest in the media. Here is a review from the Huffington Post:ärt-festival-in-portland-oregon-exceeds-expectations_us_58a7712fe4b026a89a7a2ae2

City Balkan Ensemble Lunchtime Concert, Friday 17th March 2017

The City Balkan Ensemble presented its first official concert at City on Friday 17th March. Established and led by MA Ethnomusicology student Gundula Gruen, the ensemble presented its debut performance at the department’s Christmas Cabaret in December, since when its membership has doubled!

The performance on Friday featured a selection of vocal and instrumental pieces from Romania, Bulgaria, Macedonia and other parts of the Balkans, as well as songs from further afield such as Georgia. Pieces ranged from lively dances (including audience participation for the song ‘Jovano Jovanke’, a 7-time dance from Macedonia) to more contemplative songs.

Ensemble members are: Gundula Gruen (violin), William Brown (voice), Nia Rees (voice), Carolina Herrera (voice), Antonis Rousounelos (bouzouki), Kaz Levell (accordion), Ruth Kay (recorder), Anna Vaughan (violin), Serena Cassini (clarinet), Laudan Nooshin (clarinet), Fotis Begkli (clarinet and percussion), Emily Eaton (flute), Jamie Turner (guitar), Robbie Josephs (electric bass), Hannah Chow (cello) and Harriet McBurnie (cello).

The ensemble is great fun to play with and we are always looking for new players. We can accommodated most instruments or voices. Rehearsals are on Wednesday evenings from 7pm in the Ensemble Room. If you’re interested in joining, email Gundula: <>

You can watch 8 of the pieces performed below: