Monthly Archives: May 2017

Miguel Mera Publishes New Book

Reader in the Department of Music, Dr Miguel Mera, has published a new book, The Routledge Companion to Screen Music and Sound. Co-edited with Ronald Sadoff and Ben Winters this  volume provides a detailed and comprehensive examination of screen music and sound studies, addressing the ways in which music and sound interact with forms of narrative media such as television, videogames, and film.

Reviewers comments:  

“It would be difficult to imagine a more wide-ranging or more skilfully assembled collection of essays on the richly varied subject of screen music and sound than this magnificent book.”

“It heralds a re-thinking of what is studied and how: a must-have collection for aficionados of music and sound on screen.”

 

City students perform at London venue IKLECTIK

City University Experimental Ensemble (CUEE) – an 18-piece student ensemble directed by Tullis Rennie –  recently performed a public concert of freely improvised music at central London venue IKLECTIK. The programme included works of graphic notation, animated scores and brand new pieces composed especially for the ensemble.

CUEE at IKLECTIK Ryan Ross Smith

CUEE play Ryan Ross Smith’s animated score ‘Study no. 40.3 [pulseven]’

Composer and baritone saxophonist Cath Roberts featured as a guest artist , while MA composer Leon Lewington premiered his new work aMass.

CUEE at IKLECTIK Cath Roberts

Cath Roberts introduces ‘March of the Egos’, written for CUEE

Anna Vaughan and Jamie Turner – two final-year undergraduate members of the group – wrote about their experiences of playing at one of London’s most respected venues for improvised music.

Anna: “I am a a third year student who played the electric violin in CUEE. One of the best gigs in my uni experience was on April 5th when CUEE got to play at IKLECTIK right in the heart of London. We played pieces that had been written specifically for the ensemble which was such an incredible feeling. Having a London composer work with us gave it an immense professional presence. The outcome of the gig was an incredible feeling. A general public audience who came to enjoy young artists perform new experimental music gave it such an incredible atmosphere. Like I said before, one of the best gigs I’ve played at thanks to the effort that has been put into this ensemble.”

Jamie:  “I was ecstatic after CUEE’s IKLEKTIK gig, it’s the furtherest the ensemble has traveled from the university grounds and the experience was invaluable for us performers. The venue was well sourced for our brand of contemporary music, all members of the ensemble engaged passionately and professionally throughout the evening, and the public turn out helped to reassure us that there is still an audience for this style of music. Over the past year the transition from a student led independent group to a fully accredited ensemble has been seamless and I am confident that CUEE will continue to develop and expand its reach exponentially in the years to come.”

CUEE at IKLECTIK Anna Vaughan Jamie Turner Cath Roberts

Anna Vaughan (violin, centre) and Jamie Turner (guitar, right) perform Cath Robert’s ‘Wasps/Wolves’ with Leo Bennett (piano, left)

City Summer Sounds: 2017 Festival

It’s now ten days before the start of our annual music festival, City Summer Sounds. We have three weeks of events, including jazz, world, experimental, electronic and classical chamber music, reflecting the diverse interests of the Department of Music. Everything is open to the public and free to attend.

City Summer Sounds Logo

You may wish to look over the complete listings here and sign up for tickets: http://www.city.ac.uk/city-summer-sounds

City Summer Sounds is an opportunity to showcase our students’ work, with performances by all our instrumentalists, and premieres by our composers. Immersive, multichannel electronic music is also a major part of the programme, studio work being a proud and significant part of the department’s legacy.

Maya Youssef

Maya Youssef (22nd May). Photo by Sarah Ginn

We’re also joined by internationally acclaimed guests and friends of the department, including Syrian kanun virtuoso Maya Youssef (22nd May), Australian pianist Zubin Kanga (5th June), jazz bassists Tom Herbert and Ruth Goller (7th June) and award winning Irish composer Ailís Ní Ríain (8th June).

Zubin Kanga (5th June). Photo by Richard Hedger.

On the 6th June, we launch a new group, the City Pierrot Ensemble, who will be performing Schoenberg’s expressionist masterpiece Pierrot Lunaire, Michael Finnissy’s wild, rarely-performed music theatre piece, Mr Punch, and Roger Redgate’s mercurial Pierrot On The Stage Of Desire. The vocalists will be two astonishing performers, Adam de la Cour and Alwynne Pritchard.

Alwynne Pritchard

Alwynne Pritchard (6th June)

 

Reserve tickets now – and see you there!