Mark Porter, who completed his doctorate at City in 2014, has been awarded postdoctoral funding to pursue research at the Max Weber Center for Advanced Cultural and Social Studies in Erfurt, Germany. His project, entitled “Axes of Resonance in Christian Congregational Music”, builds on the work of Hartmut Rosa, Jean-Luc Nancy and Veit Erlmann, among others, in order to explore sonic and social concepts of resonance in relation to congregational singing. Mark is interested, in particular, in the potential for concepts of resonance to supplement ideas of authenticity, which has become an increasingly stretched analytical category in recent writing, and for research on congregational music to help to explore conceptual travelling between metaphorical and literal usages of ‘resonance’ in the literature. He is the first musicologist to be accepted at Max Weber, and whilst there he will engage in interdisciplinary dialogue with scholars from a wide range of contemporary and historical areas of social and cultural enquiry.
Since graduating, Mark has obtained a book contract with Ashgate publishing in order to publish his doctoral research in monograph format. The book, entitled “Contemporary Worship Music and Everyday Musical Lives” is due out in 2016 and will appear in Ashgate’s Congregational Music Studies series. An article focusing on Mark’s investigation of marginal musical spaces at St Aldates, Oxford, meanwhile, has also been accepted for publication in the Journal of Contemporary Religion. His previous article “The Developing Field of Christian Congregational Music Studies”, published in the journal Ecclesial Practices, has proved remarkably popular and, since publication has received over 1,500 downloads.
Mark has continued to be active in organising the biennial Christian congregational music: local and global perspectives conference at Cuddesdon, outside Oxford (http://congregationalmusic.org). The conference, which met for the third time over the summer, has now become an established institution, and has even received its own entry in the Canterbury Dictionary of Hymnology. Earlier in the year Mark also received an invitation to speak at Oxford University’s Music and Theology seminar on the relationship between ethnomusicology and theology – a paper he hopes to work up for publication over the course of the next year.