Category: Success stories (page 1 of 10)

City Writes Autumn 2024 – A Cracking way to Kick off the Festive Season

December 13, 2024 / / 0 Comments

By Rebekah Lattin-Rawstrone

You know you’re on the way to a great festive season when it begins with a night of stories, and the City Writes Autumn 2024 event on the 11th December was a storytelling extravaganza. We had six brilliant competition winning stories, read by their authors, and a reading and Q&A with the wonderfully funny, Novel Studio alumna and debut author, Jo Cunningham. You can enjoy the whole event here, but do read on for further details.

We kicked off with Joanna Bawa’s ominous story about a death prediction app, ‘DeathDefy’. Joanna is an alumna of the Writing the Memoir course. Her story is a powerful reminder of human greed and laziness in the face of climate change and began a theme around predictions and algorithms that Jo Cunningham’s novel, Death By Numbers, would complete.

Writers’ Workshop alumna, Aditi Parekh, was next, reading from her novel, with the working title The Sabbatical. We were transported to The Netherlands following one woman’s attempts to find friends through a very different app. What she found was not a friend exactly, but the meeting was one that provoked much response from the audience. I think we all know someone who thinks a conversation is great when they’ve done all the talking…

We travelled to Northern Ireland next as Short Story Writing alumnus, Robin Sheeran read his story, ‘Summer Job’. A beautifully observed story set in a cemetery, with some very creative grave-digging, ‘Summer Job’ was a treat to listen to.

From fiction to non-fiction, we were in for another very different treat next as Doug Kessler shared an extract from his book-length project, Adam in 20 Snapshots. An alumnus of Narrative Non-Fiction, Doug’s moving reading about an absent brother with Downs Syndrome really captured the audience. Told, as the title suggests, through descriptions of photographs, the extract moved several listeners to tears. This is a book that has an eager audience awaiting its completion.

We were swept back into the world of fiction next with the surprising, shocking and funny story, ‘To Crazy Shane’ written and read by Tunde Oyebode. Tunde is a Writers’ Workshop alumnus, and veteran City Writes competition winner. This story is a riot of observation and action with incisive social commentary spread throughout.

This brilliant story was followed by our last competition winner, Audrey Madden, another Writers’ Workshop alumna. Audrey read an extract from her novel, Matriarchal Lines, taking us right into the heart of a family reunion with a feisty grandmother winning at cards, and two little toddlers running off with a set of pretty knives. We were gripped. It was a fabulous reading to end a series of incredibly inspired and inspiring writing from the competition winners. They definitely were showcasing the talent of City’s short creative writing courses.

Luckily, we had Jo Cunningham as our published guest to follow these wonderful tales with two brilliant and hilarious readings from her cosy crime novel, Death By Numbers.

Author and guest alumna Jo Cunningham

 

Death By Numbers is a wonderfully funny book about actuary Una whose numbers on predicted deaths in seaside resorts are all wrong. There are some unusual deaths that don’t fit her predictions. Imagine her worry when she discovers they are happening in her mum’s home town and to friends of her mum and her mum’s new boyfriend, soon to be husband… This is a must read for the festive season.

If you haven’t read it already, this is the novel you need to escape into after all that food and drink. Jo generously answered questions from host and audience on her writing journey, how to write comedy, how to research and plan (if not in the way you might expect), and the challenges of writing a series. The next one is out in August of 2025 and is set around the Supreme Cat Show (crufts for cats). I for one, can’t wait!

Thanks to all the readers, our wonderful guest Jo Cunningham and the audience. Click here for a video of the event, here for an interview with Jo, and do look out for further information on next term’s City Writes. City Writes Spring 2025 is going to be special. An in-person event with competition winners, the supremely talented alumna, Han Smith as our author guest, and readings from tutors. Watch this space for more.

Announcing the City Writes Autumn 2024 Competition Winners!

December 3, 2024 / / 0 Comments

 By Rebekah Lattin-Rawstrone

Congratulations to Joanna Bawa, Doug Kessler, Audrey Madden, Tunde Oyebode, Aditi Parekh and Robin Sheeran, this term’s winners of the City Writes competition! From complex family histories, through childhood summer afternoons, airport queues, befriending apps and graveyards all the way to AI envisioned futures, this term’s selection of writing has it all. You can hear these fantastic stories being read by their authors alongside debut crime writer Jo Cunningham, at this term’s City Writes event on the 11th December at 7pm on Zoom. Register here to come along and read on for more information on our wonderful winners.

Joanna Bawa is a professional and creative writer, currently working as a ghostwriter. This complements her work as a cognitive behavioural therapist, combining an appreciation of the power of words and the complexity of human nature. She belongs to a local writing group where her fiction and poetry has won awards, and her first novel was longlisted in the 2019 Mslexia novel competition. She is working on a second novel, and her piece for City Writes, ‘DeathDefy’, may become a third. Joanna is an alumna of the Writing the Memoir course.

Doug Kessler is an expat Yank who’s lived and worked in London for the last 34 years.
He’s a marketing copywriter and agency founder but pretty new to narrative non-fiction, short stories, and poetry. Adam in 20 Snapshots is his first book-length project, of which he will be reading an extract. Doug is a Narrative Non-Fiction alumnus.

Audrey Madden is currently writing her first book while working in the not for profit arts and culture sector. She has a degree in English & Comparative Literature from Goldsmiths University. Her work is inspired by nature and the different environments that exist across the United States and the UK. A Writers’ Workshop alumna, Audrey will be reading an extract from her novel, Matriarchal Lines.

Aditi Parekh is an aspiring writer and student of Writers’ Workshop. She is interested in human psychology, particularly the dark triads and group dynamics. She is currently working on a novel, with the working title The Sabbatical, which describes a woman’s struggle with drug addiction and her descent into madness. She will be reading an extract from the novel.

Tunde Oyebode is a Nigerian-British architect and writer based in East London. Drawing inspiration from everyday life, his fiction explores human relationships and African diaspora experiences. His work has been featured in Stylist Magazine, Obsidian, and Solstice Literary Magazine. A finalist for the 2023 London Independent Story Prize and the 2024 Solstice Literary Magazine Prize, he was also nominated for Best of the Net. Tunde is currently looking to publish a collection of interconnected short stories. Outside writing, he enjoys cycling and photographing architecture. A Writers’ Workshop alumnus, Tunde will be reading ‘To Crazy Shane’.

Robin Sheeran is a native of Belfast. He studied Film and Literature at Warwick University and is a former BBC journalist. Robin is interested in producing stonking characters and crackling dialogue. His work uses dark humour to examine how we relate to each other. Robin is the current holder of the international Piazza Grande Religion Journalism Award for his writing for New Humanist. He ghostwrote Going the Distance, the autobiography of endurance cyclist Joe Barr, published by Gill Books in 2021. A Short Story Writing alumnus, Robin will be reading his story, ‘Summer Job’.

Just from reading their biographies you get a sense of the night of stories that awaits on Wednesday 11th December at 7pm over Zoom. Alongside these wonderful competition winners will be our cosy crime author and Novel Studio alumna, Jo Cunningham, whose novel Death By Numbers came out earlier this year. Register here to listen to all these authors on 11th December at 7pm. Can’t wait to see you there!

Guest alumna Jo Cunningham, author of Death by Numbers

Announcing 2024’s Novel Studio Literary Agent Competition Winners!

November 22, 2024 / / 0 Comments

We are delighted to announce the winners of the 2024/2025 Novel Studio Literary Agent Competition: Merveille Ondekane, Connor Maxwell, and Madison Silverman.

The Novel Studio is City St George’s flagship short course for aspiring novelists, offering 15 writers dedicated time and support to hone their craft. The competition is a rare opportunity for students to bypass the typical manuscript submission process and connect directly with literary agent Lucy Luck, agent at C&W Agency.

Merveille Ondekane, Connor Maxwell, and Maddie Silvs were chosen from a pool of exceptionally strong entries. Course Director Emily Pedder noted, “We’re very excited by these three writers and can’t wait to see their novels progress this coming year.”

 

Winner Merveille Ondekane

Merveille Ondekane’s journey as an aspiring novelist began with City University’s An Approach to Creative Writing course, where she discovered her passion for bringing the worlds and characters in her imagination to life. In her own words:  “As a newcomer to the literary world, I wanted to deepen my understanding of novel crafting, which led me to the intensive Novel Studio course—a year-long experience I was fortunate to join after being awarded a scholarship. Winning the Novel Studio Literary Agent competition, especially among such a talented group of writers, is an incredible honour, and I’m looking forward to connecting with Lucy Luck at C&W Agency as I continue to develop my novel.”

Winner Connor Maxwell

Connor Maxwell is a Program Officer at the Bill & Melinda Gates Foundation, where he is working to advance a $460 million initiative to increase upward economic mobility and opportunity in the United States. He has served as a Senior Policy Advisor at the White House, an Economic Policy Advisor on the Biden-Harris Transition Team, a Policy Analyst on the Biden-Harris Presidential Campaign, and as a Senior Policy Analyst at the Center for American Progress. Born and raised in the District of Columbia, he received his Bachelor of Arts and Master of Public Policy from the University of Virginia. Currently living and working in London, he enjoys reading and writing fiction that sheds light on lesser-known historical events and perspectives. He completed the City, University of London Novel Writing and Longer Works short course before joining the Novel Studio.

Maddie Silvs is a debut novelist with her coming-of-age novel, Stardust. She is a Penn State graduate with a bachelor’s degree in public relations. A Philly girl at heart, she currently resides in the sunshine state in Delray Beach, Florida. Working as an Events Manager for Cambridge University Press, the written word has always been her safe space. She googled funny author bios, but really couldn’t come up with much to say about herself other than, “go birdz baby.”

Winner Maddie SIlvs

The Novel Studio has a strong track record of published alumni, including recent bestsellers and award winners such as Deepa Anappara’s Djinn Patrol on the Purple Line, Anna Mazzola’s  The Unseeing, The Story Keeper, The Clockwork Girl,  and The House of Whispers, and Harriet Tyce’s Blood Orange, The Lies You Told, It Ends At Midnight and A Lesson in Cruelty.

Congratulations to Merveille, Connor, and Madison! We look forward to supporting them and their fellow students as they develop their novels over the next year.

Writing Short Course News Roundup 2024

October 8, 2024 / / 0 Comments

Whether you’re taking a course with us this term or were a student in the past, we want to inspire your writing with the latest news from our short course alumni and tutors.

The Novel Studio 

Alan Gray (also alumnus of WW and SS) has been awarded the Sonny and Gita UK Scholarship to complete his MA in creative writing at UEA.

Kathrine Bancroft has had one of her poems longlisted for the 2024 Aurora Prize. She is also a London Independent Story Prize Poetry Finalist.

Katy Darby’s Writers’ Workshop and Short Story Writing alumna Isabel Blake has been accepted on the Creative Writing MA at UEA, while Erica Buist has just completed her Cambridge MSt in Creative Writing, has been longlisted for the BBC’s annual callout for scripts and is now teaching Creative Writing at City Lit.

Peter Forbes’ Narrative Non Fiction alumna Melissa Cornet has had her firstEnglish piece published in July in the London Review of Books, about her work in Afghanistan on Gender apartheid. She is also confirmed to publish a piece in the Guardian this month.

Tutor News

Anna Wilson has two books out this autumn: Be Back Soon is a picture book about swallow migration, illustrated by Jenny Bloomfield and published by Andersen Press and A Story of the Seasons, a large-format non-fiction picture book about seven habitats throughout the seasons, illustrated by Carolina Rabei and published by Nosy Crow and the National Trust. Both books have been translated into other European languages including French, German and Danish.

One-day Courses

There are plenty of options for anyone keen on one-day writing courses: our ever-popular Introduction to Copywriting with Maggie Richards is available monthly; while our Writing the Memoir course is now taught by the brilliant Anna Wilson (see above). And the dynamic duo of Anna Tsekouras and Pete Austin, aka Anon Agency, run our Intro to Branding course. This term we are also introducing a brand new course, Content Writing, taught by the fabulous Tamsin Mackay.

Opportunities

City Writes

City Writes is City, University of London’s termly writing event, showcasing the best of City Short Courses writing talent.

Hosted by longstanding short courses tutor, Rebekah Lattin-Rawstrone, and into its seventh year, City Writes provides an opportunity for the best new writers from the City Short Courses community to read an extract of their work, sharing the stage with one of our published alumni or tutors reading from their new or award-winning publication.

This term’s guest alumna will be debut cosy crime author and Novel Studio alumna, Jo Cunningham. Jo’s novel, Death by Numbers, was published by Constable in August this year. This delicious crime has had rave reviews and who could resist a novel about an actuary investigating a spate of deaths in Eastbourne? Hilarious and gripping, this is the perfect novel to see you through the cold winter nights. Buy your copy ahead of the event here.

To join Jo on the virtual stage, all you need to do is submit your best 1,000 words of creative fiction or non-fiction (we do accept young adult fiction but don’t currently accept children’s fiction) on any subject to rebekah.lattin-rawstrone.2@city.ac.uk with details of the City short course you are taking or have taken by midnight on Friday 15th November. Competition and submission guidelines can be found here. 

We can’t wait to read your submissions and if you are keen to secure your place for the night, you can register for the event here. Good luck!

Key Dates:

Our Writing for Social Impact course continues to offer a scholarship for one young student (18-25) from an underrepresented background and/or facing financial difficulty. Please contact the tutor, Ciaran Thapar, for more information on this opportunity.

All current students of Introduction to Copywriting, Writing for Business and Narrative Non-Fiction courses are eligible to submit an idea for a blog post for short courses. If the idea is accepted, and the written piece meets our standards, it will be professionally edited and published on our blog.

The annual Book Edit Writers’ Prize is open for submissions until 15 October 2024. Judged this year by Novel Studio alumna Lara Haworth and run in association with Legend Press, this is a fantastic (and free) opportunity for any unpublished novelist from a community currently underrepresented in UK publishing. What’s up for grabs? Chance to share your work with top agents. A mentoring session with a Legend Press Commissioning Editor. A supportive community of talented writers and tailored advice from industry experts. For more details please click HERE.

Open Evening

And finally, we are running an open evening with taster sessions on 11th December. Details will be available soon but watch this space or check the website for links to registration.

That’s all for now. Keep on writing and keep your stories coming into us. And huge congratulations to all our alumni and tutors.

Celebrating Literary Dreams: The Captain Tasos Politis Scholarship Empowers Aspiring Novelist

September 3, 2024 / / 0 Comments

Scholarship Winner Merveille Faila

We are thrilled to announce that Merveille Faila will be 2024’s recipient of the Captain Tasos Politis Scholarship. This generous scholarship, supported by City Alumni Ambassador George Politis, provides a fully funded place on our prestigious year-long Novel Studio programme, aiming to provide opportunities for talented, aspiring novelists from low-income households.

The Novel Studio offers a structured and supportive environment for writers to learn about the craft of novel writing and to develop their own novels over the course of a year.  The course has built a reputation for spotting and nurturing emerging novelists and has a very strong track record of published alumni. Through the Captain Tasos Politis Scholarship, we are able to open doors for talented individuals who might otherwise face financial barriers to pursuing their writing ambitions.

This year’s scholarship recipient, Merveille Faila, has said:

“It is a great honour to be the recipient of the Captain Tasos Politis Scholarship. As someone aspiring to develop my voice as an emerging writer, the scholarship provides the resources to do so in a structured and supportive environment. I’m incredibly grateful for the opportunity to gain greater exposure to the literary world, and to learn and grow in my experience of crafting a novel.”

This sentiment embodies the very essence of what the scholarship and the Novel Studio programme aim to achieve – fostering new voices, building confidence, and providing the tools and connections necessary for success in the literary world.

George Politis has said:

“It is such a great honour to support literature and talent.  I try to follow in my dad’s footsteps, always curious.  That’s why we launched the FinTech. Lab at Bayes, all about innovations and technology.  Progress requires creativity and imagination.  The Novel Studio is all about that, training our future inspiring novelists. Congratulations to Merveille, eager to hear your voice!”

We are hugely grateful to George Politis for his visionary support. By funding this scholarship in honour of his late father, Captain Tasos Politis, George is investing in the future of literature.

The Captain Tasos Politis Scholarship also represents City’s commitment to diversity in literature and our belief in the power of storytelling to shape our understanding of the world. We look forward to being part of Merveille’s writing journey as she embarks on her Novel Studio year.

For anyone interested in City’s writing short courses, join us for our online open evening on Wednesday September 11 where you will have a chance to try one of our free taster sessions. Full details avaiable here.

Interview with Jo Cunningham, author of debut novel Death by Numbers

July 29, 2024 / / 0 Comments

Next week sees the launch of debut cosy crime novel, Death By Numbers, written by City Novel Studio alumna Jo Cunningham. Jo took time out of her busy schedule to answer our questions ahead of publication day. Read on for her answers and for more details about the book.

 

  1. When did you first realise you wanted to be a writer?

Glossing over my dubious childhood poetry and notebooks full of random jottings, I didn’t start writing ‘seriously’ until my early thirties. I went on a beginners Arvon course for a week, with no expectations, and by the end of the course I was hooked. One of the tutors on the course recommended the courses at City University for novice writers and…

 

  1. Who are you currently reading?

I have just finished reading The Misadventures of Margaret Finch by Claire McGlasson which is a beautifully written novel about a young woman in 1930s Blackpool who questions how she observes others, and herself. Next up, is Kala by Colin Walsh – I’m going to hear him speak about the book soon, so that’s exciting. And after that on my TBR pile is Monumenta by Lara Haworth – after hearing Lara’s amazing talk at the recent City Writes event, I had to get her book!

 

  1. You’ve studied creative writing and also worked hard at the craft of writing on your own. What’s been the most useful thing you’ve learned about writing a novel?

Yikes – just one thing? At the moment, I’m in an editing phase, and as I re-read each scene, I ask myself ‘Does this scene earn its keep?’ – is there enough happening to keep it – does it push the story and the characters forward? If the answer is ‘No’ then I either need to rework the scene or ditch it.

 

  1. What kind of qualities does a writer need?

Persistence and resilience.  It took me many years from starting to write novels to reach the publication stage. The main thing you must do is finish the novel. I know that sounds glib, but not everyone does. The next thing is dealing with rejection. I wish had some words of wisdom on that. Rejection hurts, but you somehow have to get over it and keep going. Even now I’m at the publication stage, I know there will be more of that to face in the future but… you only need that one person to say ‘yes’!

 

  1. What made you write a cosy crime novel? What is it about the genre that appeals to you?

Back in 2017, I’d just put another novel in the ‘bottom drawer’ and wanted to start something new. I’d been reading Douglas Adam’s Dirk Gently detective novels and was inspired to start on a humorous detective book. I read and watch a lot of cosy crime – there’s something oddly comforting about knowing everything will be resolved and usually there’s a good dose of humour included.

Author Jo Cunningham

  1. Can you tell us about your path to publication?

I’d describe it more as an obstacle course where I created some of the obstacles. For my first three novels, I didn’t bother with looking for an agent or publisher – I didn’t think they were of a good enough standard and perhaps I was trying to put off being rejected… they went straight in the bottom drawer. But the fourth novel I did send round to five or six agents. I got a couple of personal replies in amongst standard rejections and tumbleweed. I think I should have been a bit more persistent at this stage – please see my own advice about writer qualities above. Anyhow… when it came to the fifth novel, Death by Numbers, I decided I would really go for it. I sent the novel out in small batches to agents. I started to get full-read requests which boosted my confidence – this is when the agent has enjoyed the excerpt that you’ve sent and now wants to read the whole manuscript. Eventually I got an offer from my amazing agent Marina de Pass at The Soho Agency – from sending in a submission to the ‘slushpile’ – so yes, it can happen.

 

  1. What advice would you have for someone starting out writing a novel?

I’ve benefitted enormously from taking courses, getting feedback at workshops, and reading books to help improve different writing skills – structure, character, productivity. But there were times when I had step back and work out what was going to work for me. I guess my advice is that you have figure it out so that you create your own advice for yourself.

 

  1. What are you working on now?

I’m currently finishing off a batch of edits on the second book in the cosy crime series featuring Una, an actuary and a detective. It’s called Pet Hates and is due to come out in August 2025. Writing the next book in series has been a learning curve, as it has to be standalone but still have some touches that make it feel there’s some continuity for anyone who’s read the first one.

Thanks so much, Jo! We can’t wait to read the novel!

Death by Numbers will be published on 1 August and you can order a copy here.

Jo will also be our guest at next term’s City Writes. Full information on how to enter the competition or how to come along and listen to Jo read from her novel will be available on the website soon.

For more information about our writing short courses, visit our website here, or come along to the virtual open evening in September. Full information on the free taster sessions available and how to register can be found here.

Writing Short Courses Summer News Roundup 2024

July 23, 2024 / / 0 Comments

We hope you’re all having a great summer and continuing to write and create wonderful stories. Here’s our latest short writing course alumni and tutor news to spur you on…

The Novel Studio

Lara Haworth’s debut novel Monumenta was published earlier this month with Canongate and is already receiving rave reviews. You can read an interview with Lara on our blog here.

Jo Cunningham’s debut cosy crime novel Death by Numbers will be published in early August with Hachette. You can pre-order here.

Anna Mazzola’s latest novel, The Book of Secrets, was a Times Historical Novel of the Month in March. Anna’s previous novel, The House of Whispers, won the Historical Novel of the Year at the Fingerprint Awards 2024.

Marta Michalowska has a piece published in Strings Mag.

Darren Wimhurst, who has just graduated from The Novel Studio, was shortlisted for the Writers Rebel Flash Fiction competition 2024.

 

Other Writing Short Course Alumni

Caroline Green’s Crime Writing alumna Tania Tay has published her debut thriller, The Other Woman, with Headline Accent. You can buy a copy here.

Author Tania Tay

Tania is also the author of the Spellcasters middle grade series, in collaboration with Storymix Studio and has written a screenplay, developed with BBC Writersroom London Voices. You can read an interview with her on our blog here. And find out about the festival she’s organising in our opportunities section.

Katy Darby’s WW and SS writing alumni have been as prolific as ever. Bestselling alumna Natasha Brown’s second novel, Universality, has been sold to Faber in a six-way auction. The book will be published in 2025.

Peng Shepherd has published her fourth novel, All This And More, and has been on a whistle-stop book tour in the US appearing on national television. You can follow her travels here, and buy her book here.

Author Peng Shepherd

Fiona Keating’s debut Smoke and Silk has been sold to Mountain Leopard Press, an imprint of Headline Hachette. The hardback is scheduled for March 2025

 Han Smith published her debut novel Portraits at the Palace of Creativity & Wrecking with John Murray Originals this month. Richie Jones’s short story “Curriculum Vitae” was shortlisted and published in the Scratch Books Summer ’24 A4 Competition for 1000-word stories. Hugh Todd published his first book, a novel-in-stories/linked short story collection called It Happened in Clissold Park, in June 2024.

Peter Forbes’ Narrative Non Fiction alumnus Ed Morgan has sold his book: Chasing Mallory’s Dream – How 1930s British and German climbers competed to overcome the Himalayan Giants to Bodleian Library Publishing, due out in 2025. In a rather lovely virtuous circle, Ed’s editor will be Janet Phillips who was one of our Novel Studio graduates several years back. Another alumna Susanna Morton has been longlisted for the Observer/Burgess prize.

Holly Rigby’s Narrative Non Fiction  alumna Nicole Gleeson has had an article published in Shado Mag on the back of doing the course.

 

Martin Ouvry’s Novel Writing and Longer Works alumna Philippa Dunn has just signed a deal with children’s/YA super-agency Darley Anderson.

 

Jem Bartholomew’s Fact Based Storytelling student Pamela Welsh, was one of the winners of City Writes for a piece she wrote for the class.

 

Tutor News

Narrative Non Fiction  tutor Peter Forbes has a new book coming out in May called Thinking Small and Large: How Microbes Made and can Save our World, due to be published with Icon Books in May 2025.

Martin Ouvry’s article ‘How creative writing courses benefit a writer’ has been reprinted for a second time in the 2025 edition of the Writers’ & Artists’ Yearbook. (WAYB 2023, 2024, 2025)

 

One-day Courses

There are plenty of options for anyone keen on one-day writing courses: our ever-popular Introduction to Copywriting with Maggie Richards is available monthly; while our Writing the Memoir course is now taught by the brilliant Anna Wilson. And the dynamic duo of Anna Tsekouras and Pete Austin, aka Anon Agency, run our Intro to Branding course. Next term we will also introduce a brand new course, Content Writing, taught by the fabulous Tamsin Mackay.

 

Opportunities

Novel Studio alumna Flora Tonking has shared this opportunity for a writing residency in Paris which sounds amazing!

Our Writing for Social Impact course continues to offer a scholarship for one young student (18-25) from an underrepresented background and/or facing financial difficulty. Please contact the tutor, Ciaran Thapar, for more information on this opportunity.

All current students of Introduction to Copywriting, Writing for Business and Narrative Non-Fiction courses are eligible to submit an idea for a blog post for short courses. If the idea is accepted, and the written piece meets our standards, it will be professionally edited and published on our blog.

Crime writing alumna Tania Tay is running an East and SE Asian author literature festival at SOAS on 14th September with some mentoring sessions and feedback sessions from agents and an editor. There is also a crowdfunding page for the festival for anyone who would like to support this great initiative.

Holly Rigby is running a writing retreat here with a 50% bursary for low income writers.

Open Evening

And finally, we are hosting a virtual open evening on Wednesday 11 September, 18:00 – 19:30 (BST) giving you the opportunity to take part in free taster sessions in writing courses such as:

Along with other sessions in other subject areas from business to computing, to graphic design and languages. You can register for the event here.

 

That’s all for now. Keep on writing and keep your stories coming into us. And huge congratulations to all our alumni and tutors.

 

City Writes Summer 2024: A Monumental Event

July 12, 2024 / / 0 Comments

By Rebekah Lattin-Rawstrone

While half the country were on the edges of their seats watching football, us lucky few were treated to a night of storytelling, imagination and the excitement of hearing the inner world of consciousness burst out from the page.

 

City Writes is a termly event set up to showcase the best talent from City’s creative writing Short Courses. It’s a game of two halves (I couldn’t resist): readings from competition winners, students and alumni of City’s creative writing short courses who enter their best 1,000 words of fiction or creative non-fiction into the termly competition; and a visit from a published alumni or tutor and this term we managed to score the wonderful Lara Haworth, whose debut Monumenta came out with Canongate on the 4th July.

 

We began the night with the competition winners and Dee Miller, recent Novel Studio alumna, kicked things off with an extract from her Middle Grade novel, Between Wind and Water. We were enthralled as Geal, guardian of Spring, discovers all the people and animals of their local village are gone, leaving only footprints, paw marks and hoof prints behind. It was easy to imagine a young audience being gripped by this fantastical and energetic tale.

 

We heard from An Approach to Creative Writing alumna, Emily Edwards next as she read her multi-perspective story, ‘Laurie’. Who was this rather wild woman and what happened that night? A story that leaves the central character absent but all over the text, it was a thrilling and eerie listen. The audience were left wanting more in all the right ways.

 

Moving from one dark scenario to another, Flora Tonking read her story, ‘The Playing Field’ next. Another recent Novel Studio graduate, Flora’s story was inspired by events in her mystery novel, Chosen Family, and certainly proved her expert turn of phrase and her ability to leave bodies bleeding in the dark. A very haunting and moving story. Bring on the novel!

 

From fiction to creative non-fiction, we were treated to a wonderful portrait of Constance Markiewicz next as Fact-Based Storytelling alumna, Pamela Welsh, read her piece, ‘A Countess in Combat’. Constance’s life from riches to revolution was inspiring and a wonderful advertisement for Pamela’s book project on women in conflict. That’s a book I think we’ll all be eager to pick up.

 

Another Novel Studio alumna and City Writes veteran, Jill Craig read next. Her story, ‘Estrangement’, took us onto a boat ride with her main character, on her way to see her estranged mother with a new boyfriend, desperate to reach out to her sister, the one who remained her touchstone of safety. So full of emotional turmoil and laced with lyrical writing, the audience were putty in Jill’s hands.

 

Next, we heard from Margaret Rogerson, our final competition winner and another recent Novel Studio graduate. Margaret read an extract from her novel, I Was, Once. She transported us into those delicate teenage years, fourteen and eager to find excitement in life. Her character found herself on holiday in a campsite surrounded by an aunt preoccupied with ‘that stupid baby’ and a whole host of men hungry to watch her cartwheel. Let’s hope Margaret publishes soon so that we can read the rest of this story with such a compelling and funny voice at its heart.

 

After such a stellar set of competition winning readers, it was a good thing we had multi-talented artist, filmmaker and now writer, Lara Haworth as our guest speaker. A Novel Studio alumna who read an early extract from Monumenta at City Writes back in 2021, Lara is a phenomenal writer dear to our hearts. Her debut, Monumenta is a book that examines how we remember collectively and in private. The Guardian says it  ‘fizzes with ideas’ and Bookmunch say it ‘Deserves a place on awards shortlists’ and the City Writes audience couldn’t agree more. Over the next half an hour or so Lara introduced us to the book through her answers to my questions and some wonderful short readings from a small novel that really packs a punch.

Author and City alumna Lara Haworth

Set in Belgrade, the novel opens with Olga Pavić receiving a letter from the government. It tells her that her house is being requisitioned in order to turn it into a monument for a massacre. But which one? No one seems to know. It’s a novel that explores memory in all its present, personal and civic interpretations. It was such a delight to speak with Lara and you can hear her readings, our conversation and all of the competition winners by clicking on this link to the video of the night. It really was a monumental night. Buy your copy of Monumenta here.

 

Thank you, Lara, thank you competition winners, thank you audience members and Emily Pedder for supporting this event. It truly is a showcase for the talent coming from the short creative writing courses at City and what talent there is. Next term, City Writes returns with alumna Jo Cunningham as our guest. Jo’s debut, Death by Numbers comes out with Hachette this August. It’s a seaside comedy crime that will have us burning on our beach towels. Listen to the event HERE and watch this space for details of City Writes Autumn 2024.

Starry Night: The Novel Studio Showcase 2024

July 9, 2024 / / 0 Comments

 

 

Alumna Anna Mazzola introducing the evening of readings

By Rebekah Lattin-Rawstrone

There’s nothing like a Showcase reading event filled to the brim with new creative writing talent and this year’s Novel Studio 2024 Showcase was a scintillating night to remember. Who needs the excitement of the election when you can listen to fourteen authors, just graduated from the year-long Novel Studio course, reading from their novels-in-progress? What a treat.

We began by celebrating the fabulous talent of the Novel Studio’s alumni. From long-term course supporter and founder of the Novel Studio Scholarship, Harriet Tyce, through Novel Studio tutor, Karia Ladner, Deepa Anappara, Elizabeth Chakrabarty, Hannah Begbie, Attiya Khan, Katharine Light, Greg Keen, all the way to Lara Haworth whose debut, Monumenta, came out the same night as the Showcase and Jo Cunningham whose debut, Death By Numbers, comes out next month. This wonderful list keeps growing and we were lucky enough to hear from another alumna, Anna Mazzola next. Having published her fifth historical thriller, The Book of Secrets, earlier this year, Anna has her first legal thriller, Notes on a Drowning, out next year with Orion. She gave a wonderful endorsement for the course, not only for the craft skills it nurtures but for the importance of creating links with other writers who can share your journey and for the connections to the industry that events like the Showcase and the Anthology can bring. Anna always lights up a room, virtual or in-person, with her vibrant energy. It was a great message of realistic but enthusiastic well-wishing to the students in the early days of their writing careers.

Before we heard from the students, we wanted to thank City academic George Politis for taking on the Novel Studio Scholarship scheme for the next five years. Now known as The Captain Tasos Politis Scholarship after George’s late father who was a passionate supporter of education, the scholarship provides a fully funded place for one successful applicant to the course from a low-income household. Thank you, George!

With all this good will behind them, we began the readings with Darinka Aleksic who read from the opening of her novel, Afterglow, as her protagonist Kay, a forty-something mother of three, takes her first exploratory trip with psychedelic drugs in an effort to cure her depression. The wry voice of Kay with its compelling dark humour left us all eager to find out what would happen next.

NOVEL STUDIO CLASS OF 2024

We went from Islington to Notting Hill next, dabbling our toes into the romance of MJ Hershaw’s novel, Terms of Agreement. Sitting with Charlotte in her flat, we were stunned to hear her grouchy neighbour Aiden ring her bell and ask a very unexpected favour. Would she be his girlfriend? It was hard to pick up our jaws and move on but we went from one surprise request to a futuristic hook up next with Darren Wimhurst, reading to us from his novel, Business as Usual.

Darren took us into the not-so-distant future of a sexercise class with haptic suits and sex bots. The awkwardness of the encounter for his character, Kurt, wasn’t virtual at all. What a sharply affecting and darkly funny extract from a spell-binding and politically sharp speculative novel.

From the near future to an alternative present, we delved into Ani Bazil’s Young Adult novel, Unravelling Reality, next where humans are not quite what they seem. Ani tantalised us with a prologue in which a body is left for dead – though we see their finger twitch – and an opening chapter in which some kind of trick is about to take place, putting a group of letchy, rowdy men in their place.

Left wondering what was about to happen, we went from a London pub to a charity piano recital next as Amanda Bolt read from her novel, A Life in the Past Tense. We listened as Caroline’s dreams of restarting her pianist career were interrupted by the news of the death of her parents in a car crash.

From the hush of loss, to the excitement of a teenage girl released into the world after lockdown, we were taken to Harrogate next as Margaret Rogerson read from her novel, I Came of Age, Twice. Margaret took us into the heat and confusion of those early days when lockdown was lifted. Her protagonist Charlotte made it halfway down the road with her dad, waylaid by a neighbour cleaning his car, his family visible behind him lounging in a large paddling pool and passing round a spliff. Eventually, Charlotte manages to march on to the park, her dad stumbling back to the house, defeated by it all.

We took a turn back to Surrey in 1995 next with Lesley-Jane Easles-Reynolds who read from her novel, It Could Happen to You. We listened in on a conversation between Sam and her brother as they discussed the strangeness of their small inheritance from recently deceased cousins who had promised to leave them all their wealth. Burdened by debt, Sam is both desperate for the money and desperately upset at the deaths of her cousins. What has gone on?

From fishy, underhand, financial dealings to a ship on the Nile, we jetted off to Egypt next with S Ross and a moment of shipbound contemplation as she read from her novel, Emmy. Such a lyrical piece, her character Emmy sits listening to the call to prayer and contemplating her late marriage, suddenly ended when Emmy discovered John had been cheating on her for years. Could she still pray after all that had happened?

Taking a moment to soak up the emotional complexity, we went from the Nile to Reading with Joe Gallard as he read from his comic novel, Alan and the AI. Alan is late for work and despite being disarmed by the charm of his new neighbour Nat, who had inspired him to write poetry it was probably best he never shared, he struggles to say anything meaningful and heads out into the rain.

Giggling away, we were transported to fantasy land of magic and mayhem next with Deliliah Miller’s middle grade fantasy novel, Between Wind and Water. We listened as Atha’s magic was somehow released and enhanced to devastating effect by a book that falls from the shelf of a wonderful library in the land of Draoidheil. What evil has Atha unwittingly released?

Caught in the drama, we had to tear ourselves away from the magic of fantasy to a child’s fantastic interpretation of a nighttime car journey next as W H Marie read from his novel, My Shadow, My Brother. The motorway drive turns lamplight into starlight and the car into a rocket hurtling through space. Will’s reading was tender and heartfelt, the mother of the story a figure whose eyes flash different colours to reflect her mood.

We went up to Scotland next for some timely comedic relief with Emma Warrick’s novel, The Husband Freezer. Emma showed us a typical morning at the charity as her protagonist, Margaret went about cleaning the loos and contemplating the sorry state of her sex life. She couldn’t even find the time or place for a fiddle with her rampant rabbit.

Next up, Jill Craig took us to Northern Ireland with a reading from her novel, The Weight of the World. We were gripped by a painfully raw and intimate scene in which Jill’s characters, Rory and Camille argue over implications of bringing children into a flooding, burning world. Desire and anger, exhaustion and bitterness left both the characters and the audience in a state of longing.

Our emotions heightened we were off to France next with our last reader, Flora Tonking, reading from her mystery novel, Chosen Family. Set in a beautiful countryside chateau, Alex is woken on Christmas morning by a shriek coming from the bathroom. What has happened? Who is on the bathroom floor? As with all the wonderful novels of the evening, you’ll have to wait for the novel to be published to find out!

Ending on a hook was the perfect conclusion to an evening of fantastic readings. With some further words of thanks to the Novel Studio team, Emily Pedder and Kiare Ladner; to the wider City University staff, particularly Robert Lastman and Laura Bushell; to George Politis again for his support of the Captain Tasos Politis Scholarship; to brilliant Novel Studio students; and to the audience, we ended on a note of congratulation. Go Novel Studio 2024, we can’t wait to hear of your future success.

These students are writers to watch, but don’t just take my word for it, you can watch a recording of the night, here, and read the wonderful extracts in the Novel Studio Anthology 2024. Congratulations Novel Studio 2024 cohort on a wonderful evening!

Winners of 2024 City Writes Summer Event Announced

July 3, 2024 / / 0 Comments
By Rebekah Lattin-Rawstrone

We’re delighted to announce the six winning authors of our City Writes Summer 2024 competition who are now due to join Novel Studio alumna and published author, Lara Haworth on the 10th July at 7pm over Zoom. Read on to find out more about these wonderful winners.

Jill Craig for her story ‘Estrangement’.

Originally from Northern Ireland, Jill now lives and works as a secondary school teacher in the North-West. Before that, she lived and worked in London, Paris and a tiny town in Greece. She has had stories published on LiterallyStories, Egg + Frog, Freckle Ltd. and this is her second reading at CityWrites. Fresh from the Novel Studio, she is currently working on a novel about how climate change affects a couple’s plans to have a family.

Emily Edwards, An Approach to Creative Writing alumna, for her story, ‘Laurie’.

Emily Edwards is from North Wales but now resides in London after spending seven years living in Paris. She currently works in finance but also has a background in voluntary work in Asia. She has been an avid reader from an early age, when she started many stories that all remained unfinished. She had to drop out of her course in 2015 due to emergency surgery but picked up her pen again this year. This is the first short story that she has ever completed.

Dee Miller for an extract from her novel, Between Wind and Water.

Dee Miller is a recent graduate of the Novel Studio. Originally from the enchanting Highlands of Scotland, she now calls Hertfordshire her home, where she works as a consultant. A keen storyteller and a reader of maps, Dee’s heart beats for children’s literature. Her imaginative world will win the hearts of young readers, and she is now engrossed in the creation of her second novel.

Margaret Rogerson, Novel Studio alumna, for her extract from her novel, I Was, Once.

Margaret is originally from Leeds and now lives with three time thieves in South East London. A feature film she co wrote and directed is currently playing on Amazon Prime (Soundproof – shameless plug) and she intends to turn her first book ‘I Was, Once’ into a screenplay. She is interested in fiction that is unafraid to tackle thorny subjects.

Flora Tonking, Novel Studio alumna, for her story, ‘The Playing Field’.

Originally from the U.K., Flora now lives in Paris, where she manages the English-language bookshop, Shakespeare and Company. A bookseller by trade, she is passionate about introducing readers to powerful stories that have the possibility to transport, delight and remind us of our shared human experience. Mystery and crime novels are her lifelong love, and she is currently working on her own first book (a mystery, of course) having just completed the Novel Studio.

Pamela Welsh, Fact-Based Storytelling alumna, for her non-fiction piece, ‘A Countess in Combat’.

Pamela Welsh is a recovering journalist who used to work for the Manchester Evening News. She now works in marketing and communications for a national education charity. Originally from Northern Ireland, Pamela’s now made Manchester her home, and was heavily involved in the response to the 2017 Manchester Arena terrorist attack. Pamela has long been fascinated by women’s history, and is working on a book project on women in conflict.

With a diverse range of stories from activists to accounts of accidental murder all the way through to the complexities of intimate family reconnections, the prize-winners alone promise a wonderful night on Wednesday 10th July. To top off their fantastic pieces, we will hear from debut novelist, Lara Haworth, barely a week after the publication of her novel, Monumenta, already bringing in fantastic reviews. The Observer called it ‘a deeply political work’ that ‘fizzes with ideas’. Sign up to hear from Lara and our competition winners here. We’ll see you there on Wednesday 10th July at 7pm on Zoom. We can’t wait!

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