Category: Events (page 1 of 4)

City Writes Summer 2021 Writing Competition

City Writes Summer 2021 Competition Opens

City Writes, the showcase for Short Courses creative writing talent, is back on Zoom this Summer with alumna, Alex Morrall as our professional. Alex’s debut, Helen and the Grandbeeswas published by Legend in 2020 to great acclaim.
Described as ‘Uplifting’ by the Daily Mail and ‘Breath taking’ by Awais Khan, Helen and the Grandbees is a mother and daughter reunion exploring identity, race and mental illness. We’re delighted Alex will be sharing the novel with us on Wednesday 7th July.

Alex is a Brummy artist and writer living in southeast London who took a Freelance Writing short course at City. She has had poetry published in several journals and writes food reviews for her local newspaper. You can find out more about her work on her website.

Alex Morall, author of Helen and the Grandbees

For your chance to join Alex on the online stage, all you need to do is send us 1,000 words of your best creative writing (fiction or non-fiction, YA but sadly no poetry or children’s fiction) by Friday 11th June 2021. Full submission details are here.
If you want to register for the event on Wednesday 7th July, you can do so here and if you are keen to catch up on the online events you’ve missed, check out the blog for links to videos and articles.
Don’t forget to send your best 1,000 words by midnight Friday 11th June 2021. Competition winners will be announced in week 9. We can’t wait to read your submissions.

City Writes Spring 2021: an evening of spellbinding stories and creative writing tips

City Writes Spring 2021: another fabulous evening of readings from the writing short courses alumni

by Rebekah Lattin-Rawstrone

City Writes Spring 2021, although held on April 1st, was no joke. With the fabulous Kiare Ladner as our professional writer, reading from her debut Nightshift (Picador, Feb 2021), the event was an evening filled with spellbinding stories and creative writing tips.

 

The event marked the fifth year of City Writes, an event that showcases the best of City’s creative writing short courses. The event is fuelled by a termly creative writing competition open to all current students and alumni of creative writing short courses at City. Five to six pieces of writing, either fiction, nonfiction, complete story or extract, are chosen each term to share their work in front of an audience and alongside a publishing professional from amongst the short courses staff or alumni. Having started with the Visiting Lecturer Emma Claire Sweeney in 2016, it was great to have another Visiting Lecturer, Kiare Ladner, share her work. 

 

Though we’ve moved from in-person events to Zoom, there is something about the intimacy of online readings that mirrors the magic of holding a book in your hands.

 

The night began with the first of our competition winners, K Lockwood Jefford. Alumna of the Novel Writing Summer School, Kate read her haunting and harrowing story, ‘Driver’, about a woman driving to the address of the man who killed her nephew in a car accident. Kate’s reading set our pulses on fire with the pain of grief and the anxiety of what the narrator might do about it.

 

Another car accident was at the heart of the next piece, ‘The Opposite of Grace’, written and read by Sini Downing, alumna of Short Story Writing. If you can capture motion with a machine, can you recreate a better version of them on screen? Sini’s narrator fought to reconcile the elegance of the dancer with her graceless personality and the energy of her performance was breathtaking.

 

Lara Hayworth, Novel Studio alumna, took us across Europe with an extract from her story ‘Monumenta’ next. Which massacre would be remembered in a monument that would take a character’s house? How many histories are buried beneath our pavements and homes? Poignant and political, the extract asked us to imagine many characters and the borders crossed through their connections.

 

Alumnus of City’s former Theatre Writing course, Stephen Jones, read an extract of his story, ‘Pearl’, next. Here windows were reimagined as screens and watching took on a new, unnerving, eerie direction. What story would our windows tell of us?

 

From characters to memoir, Avril Joy, alumna of the Memoir Writing Course, read an extract from ‘Clothes my mother made me – A Memoir’ next. Using the motifs of creative writing suggestions to begin with what you know, to start with something other than death, Avril took us to the deathbed of her narcissistic mother and explored the idea of living on ‘a diet of stones’. A moving reading filled with poetic imagery, it was a taste of the joys the finished memoir will bring.

 

The last of our competition winners to read was Vasundhara Singh, a current Novel Studio student. She read her story ‘Feel, Feeling’ about a pregnant woman at a garden party in India. When confronted with the question, ‘How are you feeling?’ the character longed to answer such a direct and complex question in Hindi rather than English. Exploring the complexities of social interaction, Vasundhara’s performance of the story, her careful rhythms and attention to etymological nuance, was brilliant.

 

With these wonderful stories to follow on from, Kiare Ladner spoke next. She read from the beginning of her debut, Nightshift, an exploration of obsession amidst London’s night workers. Kiare’s character Meggie introduced us to Sabine, the woman with whom Meggie becomes fascinated to such a degree that their friendship ripples through into Meggie’s more mature adult life. Who is Sabine? Where does she come from? Could Meggie ever emulate such insouciant charm?

 

Following her fantastic reading, Kiare answered questions from Rebekah Lattin-Rawstrone, Visiting Lecturer for the Novel Studio, and also took questions from the audience. The discussion explored the complexities of female friendship, the subtleties of translating in relationships and Kiare’s writing inspirations, methods and tips. She was a fascinating and candid City Writes guest with helpful ideas for all the budding and established authors in the audience.

 

If this sounds too tempting to miss, you can see a video of the whole event here. Click to be transported and do watch out for the City Writes event next term when our professional will be Alex Morrall who’ll be reading from her debut, Helen and the Grandbees (Legend, 2020).

Watch the full event here

Announcing City Writes Competition Winners for Spring 2021

City Writes Competition Winners Spring 2021

What a bumper month of submissions! City Writes, a showcase for City’s short courses creative writing, is certainly going strong. The competition winners should be particularly proud and this term we’ll be

Kiare Ladner

following stalkers, witnessing the seismic shifts of history, rebuilding humans with computers, struggling to find the right words for garden parties and contemplating our mothers, all alongside the fabulous Visiting Lecturer Kiare Ladner whose debut novel, Nightshift, a tale of obsession amid London’s night shift workers, came out just this February. Described as ‘toxic, sexy and pacy’ by Elizabeth Macneal of The Doll Factory fame and ‘A meditation on obsessive female friendship that sinks into the bone’ by Irensosen Okojie acclaimed author of Nudibranch, this is a debut everyone’s talking about.

Sign up for the event on the 1st April here. For more information on our wonderful competition winners, read on.

Sini Downing

Sini Downing  (Short Story Writing) is a creative storyteller who loves to put pen to paper. In her day job, she champions great writing and truthful character performances in video games. Based in London, she needs aworld map to keep track of her friends and family. Having attended various City writing courses, Sini is currently editing her first novel, Where You Left Me, and seeking representation. She’ll be reading ‘The Opposite of Grace’.

Lara Haworth

Novel Studio alumna, Lara Haworth is a writer, visual artist and filmmaker. Her visual work has been exhibited internationally at places including Yokohama, Japan, Toronto, Canada and Chemnitz, Germany. Her writing has been published in magazines such as Visual Verse, Biography, LAKE, ACME and Nōd. Her new film, All the People I Hurt with My Wedding was released on February 12, by Don’t Google It. Her debut novel, The Straits, is represented by Jo Bell at Bell Lomax Moreton.

Stephen Jones

Stephen Jones’ (Writing for Theatre, course no longer running) career has involved various twists and turns between teaching and journalism. Until recently he worked as a columnist for the Times Educational Supplement and he currently teaches literature in a London FE college. He has been writing fiction for twenty years, but – despite attracting interest at times from publishers and agents – publication has so far eluded him. The writing bug though just won’t go away! He’ll be reading an extract from the longer work, ‘Pearl’.

Avril Joy

An alumna of the Memoir writing course, Avril Joy’s short fiction has appeared in literary magazines and anthologies, including Victoria Hislop’s, The Story: Love, Loss & the Lives of Women. Her work has been shortlisted in competitions including, the Bridport, the Manchester Prize for Fiction and Raymond Carver Short Story Prize in the USA. In 2012 she won the inaugural Costa Short Story Award. Her latest novel, Sometimes a River Song, won the 2017 People’s Book Prize.

K. Lockwood Jefford

Originally from Cardiff, K. Lockwood Jefford (Novel Writing Summer School alumna) is based on the Kent coast. She worked in NHS mental health services, took several City short courses and has an MA in Creative Writing from Birkbeck. Her short story, ‘Picasso’s Face’, won the 2020 Royal Society of Literature’s VS Pritchett Prize. Her work appears in several publications including Prospect Magazine online and Brick Lane Bookshop’s 2020 Prize Anthology. She is working on a collection of short fiction and will be reading ‘Driver’.

Vasundhara Singh

Vasundhara Singh lives in Bhopal, India and is a graduate of Journalism from Delhi University. Enrolled on City’s Novel Studio, she aims to write a novel about people she has known, loved and sometimes, hated. She is a photography nerd and an occasional poet. She’ll be reading ‘Feel, feeling’.

After hearing from these astoundingly accomplished winners, Kiare Ladner will be reading from her debut Nightshift (Picador 2021) and taking part in a short question and answer session with Rebekah Lattin-Rawstrone. As a child, Kiare Ladner wanted to live on a farm, run an orphanage and be on stage. As an adult, she found herself working for academics, with prisoners and on nightshifts. Her short stories have been published in South Africa, where she grew up, and the UK, where she lives now. Nightshift is a debut whose depth of theme matches its searing plot.

This Spring City Writes 2021 on Thursday April 1st at 7pm is not one to miss. Sign up for free here. We look forward to seeing you there.

Interview with Novel Studio alumna, Kiare Ladner

Kiare Ladner’s debut novel, Nightshift

Novel Studio alumna and tutor, Kiare Ladner, published her brilliant debut novel, Nightshift, in February 2021. Novel Studio Course Director, Emily Pedder, caught up with her to find out more about the book and her path to publication.

EP: ‘Your debut novel is set in a pre-pandemic London, in the nineties. Reading it now feels like entering a different country. How do you imagine London will recover in the years to come?’

KL: ‘London has so much kinetic urban energy. At its best, it’s a place where a person can have the freedom to be whoever they want to be (or are), and find others who are like them.  What I hope change will bring is a city with more realistic rents for its workers. With affordable space for creative endeavours. With the arts right there, accessible, at the heart of it. A city revitalised by new ways of thinking in culture, economics and politics. An urban landscape that holds the thrill of the avant-garde alongside home gardens created to give nature refuge. A place that builds on the sense of community some have felt more keenly recently. And that always welcomes the immigrants we rely on.  Even now, there’s a lot to appreciate about being here. The parks, the free art galleries, the brilliant hospitals, the possibilities for anonymity, the joys of simply wandering. . . When asked if I feel British or South African, my gut response is that I feel most like a Londoner.’

EP: ‘Meggie is a fascinating character, full of contradictions. She could so easily have been a passive character, with Sabine taking all the decisions, but it feels as if you’re showing us it’s Meggie who chooses what happens to her, and Meggie who has to deal with the consequences. Was this a deliberate choice from the beginning or did you need to consciously make her decisions more active?’

KL: ‘From the start, I was curious about the idea of wanting to escape the self, wanting to be other, and how far you can push it. During the writing process, I felt that Meggie was driven by this desire rather than acted upon. As a writer, I inhabited her in the way that an actor inhabits a character, and from there her decisions came intuitively. However there is one scene in the book in which she is less passive than I’d initially written her, thanks to an inspired suggestion from a beta reader. The changes were subtle but kept my narrative more in line with my vision for it. Beta readers are invaluable!’

Novel Studio alumna and tutor, Kiare Ladner

 

EP: ‘Sabine is one of those characters I feel everyone will recognise. That sophisticated, aloof person we all secretly aspire to be. How important was it to you to interrogate the personas people create and what lies beneath?’

KL: ‘This disparity is perhaps what first drew me to writing. Fiction allows us to investigate and express a less commonly portrayed sense of what lies beneath exteriors and dominant narratives. So I’ll probably be interrogating it forever…’

EP: ‘Where does a story usually start for you? With a character? A line of dialogue? A ‘what if’ plot question? A feeling?’

KL: ‘For me, it tends to start with a conundrum. Something that causes an itch in my brain, some question or situation I keep fiddling with. So the beginning is fairly abstract. Then if I give it time and space, scribbling and thinking, it tends to attach itself to a voice, and from there the story builds.’

EP: ‘I love how your novel taps into that complicated question of identity, particularly for those who live far from their native country. As a South African whose made London your home, is that an experience you relate to?

KL: ‘Definitely. I have gained a lot from being a stranger in a country, and the freedom to find my own tribe. But there are also aspects to leaving your country of origin that are painful, complex and irresolvable. Much to keep grappling with, in part through writing, I guess.’

EP: ‘You’ve studied creative writing at many levels, from short courses at City right up to PhD at Aberystwyth. What’s been the most important thing you’ve gained from that study?’

KL: ‘I’ve had some excellent tuition over the years. But I’ve also learned so much through other student writers. Not only from their brilliant and inspiring work – which has shown me the range and versatility of fictional prose – but also from their work ethic: their perseverance, resilience and determination.’

EP:  ‘Do you think creative writing can be taught?’

KL: ‘It certainly involves craft, and learning. And a course environment makes space for a particular quality of attention to the work. I like how George Saunders puts it when he says that even for those, “who don’t get something out there, the process is still a noble one – the process of trying to say something, of working through craft issues and the worldview issues and the ego issues – all of this is character-building and, God forbid, everything we do should have concrete career results. I’ve seen time and time again the way that the process of trying to say something dignifies and improves a person.”’

EP: ‘How are you finding teaching on the Novel Studio, a programme you took yourself?’

KL: ‘Years ago this course gave me an inroads to the nuts and bolts of writing a novel. Its structure was invaluable in maintaining momentum and providing a sense of progression. And some of the other writers’ novels had me in awe! Now, what I find most exciting is to see the growth of the students’ writing over the course of a year. How hard some of them work, and how much they can do and learn and change. Also, the ways they engage with each other’s texts, their generosity in terms of time, attention and encouragement, is very heartening.’

EP: ‘What are you reading right now?’

KL: ‘I always have lots on the go in different genres (poetry, short stories, biography, comfort-for-the-middle-of-the-night etc). I’ve just excitedly added Mary Ruefle’s lectures Madness, Rack and Honey to my pile. And the novel I’m reading is This Mournable Body by the wonderful Tsitsi Dangarembga.

EP: ‘What are you working on now?’

KL: ‘A new novel called Skylight. I dare say no more!’

 

Kiare Ladner

Kiare’s short stories have been published in anthologies, journals, commissioned for radio and shortlisted in competitions, including the BBC National Short Story Award 2018. She won funding from David Higham towards an MA (Prose Writing) at the University of East Anglia, and then received further funding for a PhD (Creative Writing) at Aberystwyth University. She was given Curtis Brown’s HW Fisher Scholarship in 2018. Her debut novel, Nightshift, was published by Picador last month and is available to buy now.

For information on the Novel Studio and how to apply, visit City’s website.

For those who want to hear Kiare read from her novel, she will be the guest at our next City Writes on 1 April.

Register for free attendance here.

Celebrate with City Writes this December! Competition Winners Announced

City Writes Winter 2020 Competition Winners Announced

by Rebekah Lattin-Rawstrone

Temper those party blues by joining us on Zoom this Wednesday 9th December at 7pm for a fabulous evening of readings from competition winners and the brilliant Novel Studio alumna, Deepa Anappara whose debut novel, Djinn Patrol on the Purple Line, was a New York Times Editors’ Choice, a New York Times Notable Book, one of Washington Post’s Best Thrillers and Mystery Books, and one of Timemagazine’s 2020 must-reads. It won the Tata Literature Live! First Book Award for Fiction and was shortlisted for the JCB Prize for Literature 2020 and longlisted for the Women’s Prize and the Booker Prize.

You won’t want to miss out and can register here

Deepa Anappara's debut novel

Deepa Anappara’s debut novel

Deepa will be joined by the following fantastic competition winners: 

Lucy Blincoe, a Novel Studio student, was born in Rochdale. She has an MA in Screenwriting, has written for EastEnders, and has had feature films, sitcoms and series in development. She currently works on the Guardian and Observer and teaches French. She lives in London. Her story, ‘Lessons in Aïoli’, is an extract from her novel, We Are Young.
Richard Bowyer studied An Approach to Creative Writing at City this term. His story ‘Return of Service’ – his first short story – was written in response to a task set by the tutor. In 1983, his poem ‘Likes and Dislikes’ was highly commended by the Chelmsford Weekly News, so he is delighted to have built on that success so quickly. Richard works in the fundraising sector and lives in Twickenham with his demanding cat and understanding girlfriend.
Emma Dooley began writing during lockdown earlier this year, beginning with journaling, essays and then, most recently, short stories as part of Cherry Potts’ Approach to Creative Writing class. Her style of writing is of the descriptive
Deepa Anappara

Deepa Anappara

kind, delving intricately into the bliss and anxiety of being human. When she’s not writing she works in recruitment with a tech company, reads about social science and gender studies, cooks, walks in Victoria Park and plays piano. She’ll be reading her story ‘Fine.’

Nola d’Enis lives and works in Bordeaux and manages a jazz band in her free time. Enrolled on City’s Novel Studio, she’s currently writing a novel about a trio of femmes fatales in a small French town, inspired by real events. Originally from Zimbabwe, she enjoys writing about food and wine and is constantly looking for ways of incorporating both in her books. She’ll be reading an extract from her novel, Uhtcaere.
Suzanne Farg has enjoyed developing her skills on Cherry Potts’ Approach to Creative Writing course.  She is particularly interested in fiction as a means of cultivating empathy and exploring characters’ motivation for puzzling behaviour. Suzanne lives in East London with three cats, two of whom don’t really like her. But that’s another story. She’ll be reading ‘Ruby’.
Marta Michalowska, an alumna of the Novel Studio, is a curator and artist based in London. She is currently putting the final touches to her debut novel, Sketching in Ashes, and writing her second one, A Tram to the Beach, both exploring contested territories. Marta is Associate Director of Theatrum Mundi, where she is co-editing two collections of commissioned writing to be published in 2021, as well as Director of London-based arts organisation The Wapping Project.
There’ll be laughter, thrills, loss, longing, an exploration of social justice and the nastier sides of desire before we’re lucky enough to listen to Deepa.
Register now for an inspired and inspiring evening of writing and discussion. Doors will open at 6.45pm, but the event will start at 7pm. We can’t wait to see you there.

City Writes Winter 2020 Competition Deadline

By Rebekah Lattin-Rawstrone

The event that showcases City’s Short Course Creative Writing talent is back on Zoom. After our successful virtual City Writes in the Summer Term, we are delighted to be returning with another City Writes via Zoom this term on:

Wednesday 9th December 6.45-8pm.

Our professional writer this term will be the fabulous Novel Studio and Short Courses alumna Deepa Anappara, whose debut, Djinn Patrol on the Purple Line, was longlisted for the Booker Prize earlier this year. A wonderful novel about child disappearances from the outskirts of a large Indian city, Deepa will be reading a short extract and answering questions from host, Rebekah Lattin-Rawstrone and audience.

Guest author Deepa Anappara
For your chance to read alongside Deepa, you need only send your best 1,000 words of fiction or creative non-fiction by:
Friday 13th November.

Competition and submission guidelines can be found here.

If you’re keen to get ahead do register for the event on the 9th here.

Competition winners will be announced in week 9.

We look forward to receiving your submissions and seeing you in December!

City Writes Takes to Zoom with Magical Effect

By Rebekah Lattin-Rawstrone

What a delight to be able to share our fabulous City Writes competition winners alongside alumna, author, screenwriter and folklorist Shahrukh Husain, with a Zoom audience on Wednesday the 8th July 2020. After delaying the Spring event due to the pandemic, it was brilliant to be back online.

Competition winners, Alexandra McDermott, Marina Nenadic, Mike Clarke, AS Renard and Linda Fripps all shared their stories, taking us from Kansas, to a fish market in Gothenburg, then to a comedy club in Hackney, a horse ride through Mexico and finally to a treatment room in a Children’s A&E department. The authors all read brilliantly. Something about Zoom really lends an intimacy to readings that creates a plus side to missing out on seeing people in the flesh. It’s great to be spellbound by voices that transport us with their stories.

Following the readings, I was lucky enough to have a conversation with Shahrukh Husain. A former student on the Certificate in Novel Writing (the Novel Studio as was), Shahrukh is an incredibly experienced and talented writer with a love and enthusiasm for storytelling that is infectious. Focused around the recent republication of The Virago Book of Witches, which she edited and wrote a new forward for, our conversation explored the witch across cultures and through history. 

For those of you wanting a more in-depth experience, a video of the event is available to watch here. I thoroughly recommend it. The readings and conversation were inspiring. I left wanting to get reading and writing as well as feeling filled with enthusiasm for next term’s City Writes (also to be held on Zoom) that will host the wonderful Deepa Anappara, whose novel, Djinn Patrol on the Purple Line, was longlisted for the Booker Prize earlier this year. Watch this space for announcements of competition deadlines and event dates.

City Writes Returns on Zoom!

By Rebekah Lattin-Rawstrone

We’re delighted to announce that last term’s postponed City Writes event with the fabulous Shahrukh Husain will now be running virtually on Wednesday 8th July 6.45-8pm through Zoom.

With a brilliant set of competition winners raring to share their work, we will not only be hearing from Shahrukh Husain whose stellar career includes screenplays, plays, fiction and non-fiction, we will also be listening to stories from Novel Studio alumnus Mike Clarke, current Novel Studio students Linda Fripps and Alexandra McDermott, and short course alumni Marina Nenadic and A S Renard.

 

 

Come on a journey with us as we breakdown in Kansas, horse ride across Mexico, reminisce about our Swedish grandmother, try out stand up in Hackney and contemplate the mindset of a woman who smacks her child. Different places, different emotions, in our current climate this is where you need to be on the 8th July.

After we hear the competition winners’ stories, we’ll be talking to Shahrukh Husain about the ongoing relevance of witches, myth and the fairytale in general as we celebrate the reissue of Virago’s The Book of Witches, edited by Shahrukh.

This event will be free to attend. But you do need to register for the event in advance. 

Please use this link to register.

We look forward to seeing you there!

Writing Deadlines

Two deadlines are fast approaching for all you brilliant writers out there.

City Writes: Deadline for submissions 6th March

This term’s City Writes, an event showcasing the best writing from City’s Creative Writing Short Courses, will feature the fabulous Shahrukh Husain. Editor of The Book of Witches, as well as screenwriter, playwright, fiction and non-fiction writer, Shahrukh will be sharing this wonderful collection and exploring the ongoing relevance of myth and fairytale.

shahrukh husain

For your chance to share the stage with Shahrukh, enter your best 1,000 words of fiction or creative non-fiction by midnight Friday 6th March. You can find all the submission details here.

The event will take place on Wednesday April 1st in City’s 125 Suite at 6.30pm and you can buy tickets to hear Shahrukh and the competition winners here. Details of the competition winners will be announced in week 9.

Already excited? Prepare for the event by reading Emily Pedder’s interview with Shahrukh Husain here.

 

Ruppin Agency Full Mentoring & Editing Scheme: Deadline 9th March

If you’ve made good progress with your book, fiction or non-fiction, and are looking for a breakthrough that will make your writing stand out to agents and publishers, apply for the Ruppin Agency’s Full Mentoring & Editing scheme.

The scheme consists of six monthly sessions with a mentor and a full developmental edit by  The Book Edit.

An additional session with a literary agent will give you some invaluable DOS and DON’TS specific to your book.

You can choose from their team of over 30 mentors, all published writers and experienced creative writing teachers, based across the UK, meeting up in person or via videocall. For more information contact: studio@ruppinagency.com.

 

Fabulous Fantasia of Flash Fiction at City Writes

By Rebekah Lattin-Rawstrone

Celebrating the flash fiction anthology, Story Cities: A City Guide for the Imagination (Arachne Press 2019), this term’s City Writes was a flash fiction extravaganza held on Wednesday 11th December. The City Writes competition accepted submissions of 500 words or under, just like the anthology which was the brainchild of Novel Studio alumna Rosamund Davies, who edited the collection alongside Kam Rehal and our very own Cherry Potts of Arachne Press who is a tutor for the Approach to Creative Writing course.

The shorter word count allowed for a greater host of competition winners whose stories were diverse in content, style and genre, but equally excellent. We really were flooded with talent this term and competition was tough.

First up was Shibani Lal’s story ‘What She Knows’ about a girl whose knowledge is of the hardest and darkest kind. What she knows gives us a sense of everything she doesn’t know, of everything we are lucky enough to know, giving the event a difficult but breathtaking beginning. Sadly, Shibani, an alumna of Katy Darby’s Short Story Writing course, couldn’t be with us but I was delighted to be able to read this heart-breaking story for her.

We moved to a reinterpreted bonfire night next with Natasha Mirzoian’s story, ‘The Ritual’. Seeing the bonfire and fireworks from a new perspective gave an interesting insight into this part of the English calendar that we take part in without question. An alumna of Novel Studio, Natasha is embracing the flash fiction form at the moment and we look forward to hearing more from her in future.

Shabnam Grewal, an Approach to Creative Writing alumna, took us into the world of work next, with her story, ‘The Ghost’. Her protagonist finds himself lost between departments, employed without a role, going into the office simply to keep himself from the couch and the call of the chocolate biscuit. The ideal job for a writer, but watch out, at the end someone was watching…

Revati Kumar

Revati Kumar, another Approach to Creative Writing alumna, read next, transporting us into a new world and the beginnings of love in her story ‘The First’. Her main character describes arriving in a new country and staying in alone all day as the light fades until her love buys her a coat and shares the snow with her for the first time.

Next up, Bren Gosling, who has read three times at City Writes now and who has taken many courses at City, including the Short Story Writing Course and the Novel Studio, took us into the countryside in his story, ‘Where we were happiest’. A story of nostalgia for the lost days of youth, Bren is building up a huge collection of prize-winning stories we hope he’ll find a publisher for soon.

Current Novel Studio student, Helen Ferguson, read her story ‘Mother’s Kefir’ next, describing her protagonist’s struggle to keep her mother’s kefir alive, different jars of fermenting milk moving around the kitchen and fridge amid the jossle of family life, and the potential date with a vegan who might not be so excited by the kefir that soon turns rotten.

Andrea Holk

Short Story Writing alumna, Andrea Holck read her emotive story ‘Birth Story’ next. A devastating and funny story about birth, death, grief and unexpected discoveries, we all needed a breath before we were ready for the next flash. Luckily Angus Whitty was able to lighten the mood with his hilarious and satirical story, ‘Mattress’ about all the mattresses his character has loved.Another current student on the Novel Studio, Kathrine Bancroft, read next, taking us back to WWI with her story, ‘A Fish Called Fred’. A young boy shows us the blossoming love between his Uncle Fred and his mum through the story of his fish, named Fred after his Uncle.

The last of our competition winners, Harriet Atkinson, an alumna of Peter Forbes’ Narrative Non-Fiction course, took us into memoir next with her flash, ‘Marginalia’. How do you learn about a father who died when you were a baby? You find him in the margins of his library, in the words he underlined, in the pages he marked, in the curve of his handwriting. Thoughtful and tender, the audience were left with a whole host of thoughts and impressions from this stellar bunch of alumni and students.

Rosamund Davies and Cherry Potts

Moving into the next part of the City Writes remit, we turned to our published professionals whose work appears in the Story Cities anthology. Novel Studio alumna, Rosamund Davies and Publisher and City Visiting Lecturer, Cherry Potts, introduced the anthology, explaining how it came about, how they were hoping to create a city guide with a difference, one in which story could connect and interweave city experience across the world.

We were then lucky enough to hear four of the pieces in the anthology, from City Short Courses alumni and tutor, Cherry Potts. Evleen Mann, another Novel Studio alumna, took us from the village to the city where her character grew into a woman amidst the buzz and culture. She then read Maire Malone’s piece that explored the darker histories of cities scarred by bullet holes. Sadly, Maire couldn’t be with us as she was promoting her novel, The Dream Circle on Irish Radio. Jayne Buxton showed us the softer side of the city next, those relationships built upon proximity and neighbourhood kindness as her character watched an old lady being served in a restaurant. Finally, Cherry Potts read her story that took us back to the very beginnings of all cities, that first person who looked upon the lay of that piece of land and decided to stay, to take my place to our place, to a place that should open it arms any traveller who decides, just as they did, to stay.

With book buying, book signing, wine and mince pies to end the evening, the City Writes Autumn Event really was a flash fiction extravaganza showing not only the talent coming from our wonderful students, but the diversity and power of the flash fiction form itself. Hooray for the short story!

Next term’s City Writes will host the fabulous Shahrukh Husain whose stella career includes screenplays, plays, fiction and non-fiction. Editor of The Book of Witches, reissued by Virago in October of this year, Shahrukh Husain with be exploring the ongoing relevance of the witch and myth and fairytale in general. Watch this space for details of next term’s competition deadlines (we’ll be moving back to 1,000 words) and booking details. You can read Emily Pedder’s interview with Shahrukh Husain here.

Thanks to everyone who helps to keep City Writes going. We’re building a community for our fabulous students, tutors and alumni to share work and grow together.

 

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