Category: Events (page 1 of 9)

City Writes Soars in Spring

March 31, 2025 / / 0 Comments

Guest alumna Han Smith in conversation with Rebekah Lattin-Rawstrone

By Rebekah Lattin-Rawstrone

 

The 26th March marked nine years of the creative writing showcase event, City Writes. In person for the first time since the pandemic, this celebration of the writing coming from City St George’s short courses was a bumper edition with readings from competition winners, tutors and the Goldsmiths Prize shortlisted author, Han Smith. It really was a creative writing extravaganza of a night with drinks, nibbles, book signing, course discounts and lots of networking. Students and alumni met tutors, writers and agents on a balmy Spring night and it was, quite simply, a delight.

 

Hattie Nash

We began the evening with three of our competition winners. Approach to Creative Writing alumna, Hatty Nash made us all laugh (a little nervously) with her story ‘Brainrot’ in which an unsuspecting office worker literally moulders in her ergonomic chair. Aaron Payne, a Short Story Writing alumnus, gave us an extract from his longer short story, ‘Scoop’ next. He dropped us into a graveyard in the drizzle and dazzled with metaphoric and symbolic connections as his character prepared for a funeral. Aaron was then swiftly followed by another Approach to Creative Writing alumna, Mya Shakur, whose story ‘Sandwich Bag’ made us witness to a painful punishment. A mother cuts off her daughter’s hair and puts it in a sandwich bag on a shelf in her daughter’s bedroom. The humiliation of a bad haircut hung over the audience.

Mya Shakur

Aaron Payne

Two of City St George’s short courses tutors took to the stage next. First up was Novel Writing and Longer Works tutor, Martin Ouvry. We were treated to an extract from the opening of his Arts Council funded novel, The Cost of Living. A casual but flashy meeting with an old school friend quivered with a sense of unease. The London of cocktails and globetrotters was quickly changed for the closer quarters of a less-fashionable London bedroom as Crime and Thriller Writing tutor Caroline Green read from her novel, Sleep Tight. The first in a series of DC Rose Gifford thrillers, the audience was very relieved not to be going home after this terrifying invader of rest unfolded.

Jonathan Gibbs of the Creative Writing MA and MFA at City St George’s encouraged us to investigate the higher education on offer here at City St George’s. He’s running a taster session later in April for those keen to find out more.

After a short interval to top up drinks and chat, we were back with two further competition winners. Narrative Non-Fiction alumna, Ellen Bassam, started us off with her story of ghosting in the age of dating apps and mobile phones, ‘Two y’s and no smiley face’.

Judging by the audience’s laughs and groans this was a story that really struck a chord. Ellen was followed by fourth time winner of City Writes, Tunde Oyebode. A Short Story Writing and Writers’ Workshop alumnus, Tunde read his story, ‘Immaculate Education’. An extract from a longer piece, we listened to a dark and uncomfortable tale of sexual and physical abuse in a boarding school in Lagos. There was audible silence as the story ended.

Tunde Oyebode

Ellen Bassam

Following this was Tunde’s former Short Story Writing and Writers’ Workshop tutor, Katy Darby. A writer of historical fiction, Katy gave us a steamy encounter from a work-in-progress set in the closet of a large house in the Victorian era. There were some flushed faces as moved from fiction to fact with our final tutor reading of the evening from Fact-based Storytelling tutor, Jem Batholomew. Jem has just signed a contract with Faber to publish his non-fiction book, Threading the Needle, about poverty in the UK. We were treated to an extract from this work, challenging the comforts of warm seats and free drinks and nibbles. Jem suggested a night of readings to get tutors and students together and his reading lingered as we prepared to hear from Short Story Writing alumna and guest, Han Smith.

Portraits at the Palace of Creativity and Wrecking is Han Smith’s debut novel and was shortlisted for the 2024 Goldsmiths Prize. We were very lucky to hear two extracts from this fragmentary series of portraits that ask us how the past is remembered when the system is forcibly trying to make us forget. It’s a thought-provoking novel written in precise and tender language that speaks directly to our modern ‘post-truth’ age. There’s desire, activism, exploitation and fear. Han read beautifully and answered questions from Novel Studio tutor, Rebekah Lattin-Rawstrone and audience before all the tutors were invited to join Han for a brief, broader Q&A.

This marked the end of the night, with book signing from Han Smith and thanks yous to Emily Pedder, Robert Lastman and Patsy Collison. Do buy Han Smith’s fantastic novel, Portrait at the Palace of Creativity and Wrecking here. And look out for details of City Writes next term, which will be back online, but we will be joined by Writers’ Workshop alumna and debut novelist, Fiona Keating, whose novel Smoke and Silk (Mountain Leopard Press, 2025) comes out on March 27th. We’ll see you in the summer term!

Announcing City Writes Spring 2025 Competition Winners

March 20, 2025 / / 0 Comments

By Rebekah Lattin-Rawstrone

We’re delighted to announce the winners of the City Writes Spring Competition, all of whom will be reading at our bumper in person City Writes Spring Event 2025, Wednesday, 26th March, 6.30pm in Northampton Square alongside Goldsmiths’ Prize shortlisted author, Han Smith and four of City St George’s Short Course tutors: Jem Bartholomew, Katy Darby, Caroline Green and Martin Ouvry. Register for this wonderful free event now and sit back as we introduce you to our competition winners.

Ellen Bassam is a London-based writer whose work explores the intersections of everyday life, politics, popular culture, and nature. With a background in political campaigning, she brings a sharp, insightful perspective to her writing. Currently, she runs Alternative Route, a zine about walking, with a focus on the experiences and stories of women and girls. Ellen is a Narrative Non-Fiction alumna and will be reading her story, ‘Two y’s and no smiley face’.

Approach to Creative Writing alumna Hatty Nash is a radio producer who writes and reads fiction in her spare time. She joined the BBC on the prestigious Production Trainee Scheme and has since produced programmes for Radio 4, Radio 1, and the World Service, including Woman’s Hour and the Today programme. She grew up in Devon and now lives in East London. Hatty will be reading her story ‘Brainrot’.

Tunde Oyebode is a Nigerian-British architect and writer in London. His fiction, inspired by everyday life, explores themes of relationships, society, and urban environments, reflecting the experiences of the African diaspora. His work has appeared in Stylist Magazine, Obsidian, and Solstice Literary Magazine. Tunde was a finalist for the 2023 London Independent Story Prize and the 2024 Solstice Literary Magazine Prize. He is currently seeking to publish a collection of interconnected short stories and enjoys cycling and photographing architecture. A Short Story Writing and Writers’ Workshop alumnus, Tunde will be reading his story, ‘Immaculate Education’.

Aaron Payne is a Short Story Writing alumnus and unpublished writer who lives in South London. He is working on a story inspired by suburban landmarks: graveyards, allotments, libraries and schools. His reading, ‘Scoop’ is extracted from this story. He is a civil servant.

Mya Shakur is a novice fiction writer with a love for character-driven storytelling. She’s currently working on a collection of memory-inspired pieces, including her winning story ‘Sandwich Bag’, as part of a fictional memoir. After briefly studying Politics and American Studies at university, she took a different path with storytelling remaining a consistent passion throughout. She now writes in her spare time, trying to make sense of it all and has just completed the Approach to Creative Writing course.

For your chance to hear all of these wonderful stories alongside the work of Han Smith and four of our fantastic tutors here at City St George’s register for the City Writes Spring Event 2025, Wednesday, 26th March, 6.30pm in Northampton Square here. We can’t wait to see you there.

City Writes Spring Event 2025: Behind the scenes with our featured tutors series; Introducing Jem Bartholomew

March 13, 2025 / / 0 Comments

Author and Lecturer Jem Bartholomew

By Rebekah Lattin-Rawstrone

This is the last in our series of blog posts exploring the writing and teaching of City St George’s short course tutors reading at The City Writes Spring Event on Wednesday 26th March at 6.30pm, Northampton Square. It’s going to be an unprecedented night of storytelling from tutors, students and alumni followed by a Q&A with Goldsmiths’ Prize shortlisted author, Han Smith, and four of our wonderful writing tutors: Jem Bartholomew, Katy Darby, Caroline Green and Martin Ouvry.

This week we are introducing the fantastic narrative nonfiction writer, Jem Bartholomew. Jem teaches Fact-based Storytelling here at City St George’s and as an award-winning freelance reporter has a wealth of experience to share with students and readers alike.

When asked to introduce his work, Jem launched into a description of his current project. ‘I’m currently writing a narrative nonfiction book about UK poverty, called Threading The Needle. The book follows a year in the life of four communities — a food bank in southern England, courier drivers in London, a former coal-mining village in South Yorkshire, and a young MP’s journey to Westminster — as they battle against the rocketing cost of living, push for change, and strive for meaning in an insecure world. The book is nonfiction, but through immersive reporting in these communities it adopts a novelistic lens to capture where our country is, and where it’s going, following in the footsteps of George Orwell’s The Road To Wigan Pier and Down and Out in Paris and London. My shorter-form freelance reporting can be found in the Guardian.’

With such an impressive resume I wanted to find out what Jem found exciting about teaching at City St George’s. He said it was ‘the capacity to be constantly surprised by the writers who take my class. Short courses attract people at all different stages of their lives and writing journeys — I’ve had cohorts in which retired people and teenagers are swapping notes, reading each other’s work. It’s this multiplicity in class that fuels surprise, innovation and freshness on the page. When teaching, as well as outlining some of the techniques I feel are worth knowing, I strive for my classes to resemble a seminar rather than a lecture. Participants have just as much to teach me, and teach each other, than vice versa, and active, constructive discussion is central.’ No wonder former students speak of Jem’s ability to facilitate discussions and grow writers.

So, what one piece of advice would Jem give to aspiring writers? His answer is wonderfully practical: ‘Details are important. The small details are what brings a scene to life, what tells the reader who a character is, what sticks in the audience’s mind after they’ve put your story down. Don’t forget to capture the particulars: What’s the dog’s name? What kind of shoes was that man wearing? Did that person thank the waiter? And people love to read dialogue. Getting your characters talking to each other is a surefire way to inject some energy into your scenes. But above all, don’t wait for someone to ask you to write, or wait until you’re in the right job to start telling stories — you don’t need permission, just make writing a part of your life, start producing quality work, and people will want to read it.’

To hear more of Jem’s advice and listen to a passage of his work-in-progress, don’t forget to register for the The City Writes Spring Event on Wednesday 26th March at 6.30pm, Northampton Square. There will be refreshments, a chance to hear more about the short creative writing courses at City St George’s and a special 10% discount for all attendees who sign up for a creative writing course.

We can’t wait to see you on the 26th of March, in person, with refreshments in hand and mind sparking with new ideas.

 

City Writes Spring Event 2025: 3rd in the ‘Behind the scenes with our featured tutors series’; Introducing Katy Darby

February 27, 2025 / / 0 Comments
by Rebekah Lattin-Rawstrone

The City Writes Spring Event on Wednesday 26th March at 6.30pm in Northampton Square is going to be a bumper evening of storytelling and creative writing insights. Alongside Goldsmiths’ Prize shortlisted author, Han Smith, there will be readings from four of City St. George’s Short Course tutors: Jem Bartholomew, Katy Darby, Caroline Green and Martin Ouvry. Joining them on stage will be this term’s competition winners, taken from students and alumni of City St. George’s short courses. You can find out more about the competition here.

In this blog, we are very excited about introducing Short Story Writing and Writers’ Workshop tutor, Katy Darby. As with the other tutors, I had three questions to ask Katy who, alongside her writing, is co-founder and Director of the brilliant live fiction event, Liars’ League. It will be a treat when Katy steps up to the microphone on the 26th March! She is also a much loved tutor, whose students have gone on to write some truly magical things—Han Smith is one of her former students, as is Imogen Hermes-Gowar, author of The Mermaid and Mrs Hancock.

Author and Lecturer Katy Darby

I began by asking Katy to introduce us to her work: ‘I mostly write historical fiction, and my novel The Unpierced Heart, a Victorian Gothic tale of love and betrayal, is available in Penguin paperback. Some of my contemporary short stories appear in the anthology Five by Five from Arachne Press, or are linked from my website katydarby.co.uk. Most recently, I’ve had several new Sherlock Holmes stories published in anthologies from Belanger Books, mostly in the Year of Mystery series (covering the years 1881-1888 so far): there are three more forthcoming this year, including Into the Fire, edited by Margie Deck.’

With her clear passion for teaching, I was intrigued to find out what excited Katy most about teaching. ‘It’s the sheer variety and originality of the stories people tell: whether they are drawing on their own personal experience or just on pure imagination, I am always amazed by how you can give the same prompt to a class of 15 writers and get 15 completely unique and totally different responses to it. I also love introducing short stories I love (for example, Tobias Wolff’s “Bullet in the Brain”) to students who’ve never read them before and hearing their fresh takes on the characters, the writing and the meaning of the piece. Watching people encountering new possibilities in fiction, whether reading it or writing it, is a thrill that never gets old.’

Finally I asked Katy for that all important ‘one piece of advice’ she would offer to aspiring writers and her answer was an inspiring one. ‘OK, everyone will say “read widely” and of course that’s true—but I’d also say “write widely”. Don’t restrict the genres, styles or stories you explore in your writing any more than you do when it comes to reading books. If you’ve never read sci-fi before, pick it up—equally, if you have an idea for a sci-fi story, write it down! It may not be perfect (spoiler: no first draft is) but if the idea excites you and you have fun writing it, that’s an immense reward. Having fun and experimenting with voice, structure, subject, anything, should be the whole of the law when it comes to writers just setting out, especially short story writers.’

If that’s not encouragement enough to pick up your pen and give it a go, I don’t know what is. For more of this great advice and to hear Katy read from her work in person alongside the other tutors, Han Smith and the competition winners, don’t forget to book your seat for the The City Writes Spring Event on Wednesday 26th March at 6.30pm, Northampton Square. There will be refreshments, a chance to hear more about the short creative writing courses at City St George’s and a special 10% discount for all attendees who sign up for a creative writing course.

Keep an eye on this space for the fourth and final post in the ‘Behind the scenes’ series with our final tutor, Jem Bartholomew. Looking forward to seeing you at the The City Writes Spring Event on Wednesday 26th March at 6.30pm, Northampton Square.

 

 

City Writes Spring Event 2025: 2nd in the ‘Behind the scenes with our featured tutors series’; Introducing Caroline Green

February 21, 2025 / / 0 Comments
By Rebekah Lattin-Rawstrone

As the days tick by towards the deadline for submitting to the City Writes Competition (the deadline is Friday 28th February!), we’re delighted to introduce you to another of our tutors reading at the City Writes Spring Event 2025, Wednesday, 26th March, 6.30pm in Northampton Square. Alongside, Goldsmiths’ Prize shortlisted author, Han Smith, there will be readings from four of City St. George’s Short Course tutors: Jem Bartholomew, Katy Darby, Caroline Green and Martin Ouvry. Joining them on stage will be the competition winners. Find out more about the competition here.

Having started this series looking at the work and advice of Martin Ouvry, we’re now turning to Crime and Thriller Writing tutor, Caroline Green. Caroline is a wonderfully prolific writer, charming and unnerving readers from children to adults, and teaching with a care and consideration that has nurtured a number of publications from her students. When I asked her to introduce her work, her enthusiasm was catching.

‘I’ve been lucky enough to write thirteen books (so far!) for both young people and adults. My latest book for 7-9 year olds is called There’s A Dog in My Brain, which is about a boy and a dog who swap bodies for the day. But I mainly write dark, gothic thrillers for adults under the names Cass Green and CS Green. My latest series as CS Green is about a branch of the Met Police that solves supernatural crime. I’ve loved writing them and you should be able to find them via the usual booksellers and libraries.’

Writing with such a range of readers in mind, and with a broad knowledge of thriller, crime and comedy, Caroline offers a wealth of experience to students. I asked her what excited her most about her teaching and her answer began with a love of the broad range of students taking her courses at City St. George’s. ‘I really love teaching writing to a broad range of experiences and ages too. It connects me with the aspects of the writing process that I find exciting, such as plotting and crafting a story, but also helps me “up my game” in the parts I find harder, like writing description. Seeing students have a breakthrough moment in their own work is always such a wonderful moment for me. I’ve now had quite a few students from various courses who have gone onto publication (two in the recent Observer Debuts of the Year list) and to have even played a tiny role in that is an absolute privilege.’

Finally I asked Caroline to offer one piece of advice to aspiring writers and her answer was a very delightful one for the bibliophiles among us. ‘My one piece of advice is one you hear a lot, but I think people tell themselves sometimes that it isn’t as important as it really is. You have to find time to read widely within the genre you are trying to write. I think some sort of osmosis can take place, where you absorb some of that good stuff along the way.’

For your chance to absorb some good stuff through listening to readings from Caroline Green, fellow tutors, alumna Han Smith and competition winners, don’t forget to book your tickets for the City Writes Spring Event 2025, Wednesday, 26th March, 6.30pm in Northampton Square. If you’d like to join these wonderful authors on stage, all current students and alumni of City St. George’s Short Creative Writing Courses can enter the City Writes Competition for which the submission details are here. Don’t forget to enter before the deadline of midnight on the 28th February!

 

Looking forward to seeing you at the event and reading your submissions and keep an eye out for the next in the series of posts about the tutors featured at the City Writes Spring Event in March.

City Writes Spring Event 2025: Behind the scenes with our featured tutors

February 12, 2025 / / 0 Comments

By Rebekah Lattin-Rawstrone

This is the first in a series of blog posts looking into the writing and teaching lives of the tutors reading at the City Writes Spring Event 2025, Wednesday, 26th March, 6.30pm in Northampton Square. I’ll be asking each featured tutor the same three questions about their work and their teaching, hoping to entice you to sign up for the event and submit your own work to the City Writes Competition and be able to join them, Han Smith, and the other competition winners, on stage in March.

What a joy to start off this series promoting City Writes Spring Event 2025 by introducing Visiting Lecturer and writer, Martin Ouvry who teaches the Novel Writing and Longer Works course here at City St George’s. Not only do the course reviews rave about Martin’s teaching as ‘first rate’ and ‘excellent’, his answers to my questions reveal a teacher and practitioner firmly grounded in his practice as well as diligent and generous in his approach to his own and others’ work.

I began by asking Martin where readers could find his work and what they might expect to read. ‘Expect the unexpected,’ he replied. ‘My novels and short stories are psychological dramas with mysteries at their heart and, often, a touch of the surreal. I’m proud to have been published in a range of anthologies – e.g. New Writing (Picador) and A Little Nest of Pedagogues (British Council) – and magazines including the globally-renowned Esquire and the world’s oldest literary journal, The London Magazine. My article ‘How creative writing courses benefit a writer’ first appeared in the Writers’ & Artists’ Yearbook 2023 and has been reprinted in the 2024 and 2025 editions. My novel The Cost of Loving was completed with the support of a grant from those lovely, lovely people at Arts Council England. More information, and audio extracts, can be found on the Writing page of my website.’

City Novel Writing tutor and author, Martin Ouvry

I went on to ask Martin what excited him most about teaching. ‘I love the sheer diversity of both new and practising writers who beat a path to my door at City St George’s, and the range of their projects, whether already begun when they come to me or existing – at that stage – purely in the realm of ideas. I love witnessing twelve individuals coming together as a group. I’m also excited by the ever growing number of success stories – with agents and publishers, or in writing competitions – from those who have come to Novel Writing and Longer Works – although I’m equally moved by the successes of those who have simply made strong progress and feel proud of the work they have produced.’

Having gleaned Martin’s inclusive approach to the rigours of the writing life, my final question sought one piece of advice he thought most important for aspiring writers. His response was invaluable: ‘Learn from others but be yourself. Individual talent is a precious and often delicate thing. Every writer, whatever their level of experience, has the opportunity to bring something different and valuable into the world.’

For your chance to hear Martin read a passage of his work and engage in debate about writing with the other tutors and Han Smith, do sign up for City Writes Spring Event, 6.30pm on Wednesday 26th March, 2025. This term the event will be in person for the first time in many years and promises to be a bumper celebration of City St George’s literary talent. Book your tickets here.

You can also enter the competition to share the stage with Martin and others. The competition is open to all current students and alumni of City St George’s short creative writing courses. You need only send your best 1,000 words of creative fiction or non-fiction to rebekah.lattin-rawstrone.1@city.ac.uk with details of your name and the short course you took, or are taking, by Friday 28th February. Full details and submission guidelines are here. Whilst we accept YA, we don’t currently accept children’s fiction, poetry or scripts. There will be five competition winning slots available and we can’t wait to read your submissions.

Book tickets here, check out the City Writes Competition submission guidelines here, and watch this space for the next in the series of ‘City Writes Spring Event 2025: Behind the scenes with our featured tutors’.

 

City Writes Springs into 2025 with an Exciting in-person Literary Extravaganza

January 17, 2025 / / 0 Comments

City Writes Springs into 2025 with an exciting in-person literary extravaganza and submissions are open.

City Writes, the showcase for all the creative writing talent coming from the short creative writing courses here at City St. George’s, is back and supercharged for Spring. We will be holding the event in person in Northampton Square, 7pm 26th March, and we have a bumper line up.

Not only do we have the amazing Short Story Writing alumna Han Smith, a 2024 Goldsmiths Prize shortlisted author coming to read from her debut novel, Portraits at the Palace of Creativity and Wrecking, we also have readings from some of our incredibly talented tutors: Jem Bartholomew, Caroline Green, Katy Darby and Martin Ouvry. More details of all four tutors will be forthcoming over the next few weeks, so do keep an eye on your inbox.

Han Smith grew up in Japan, Russia, the UK and elsewhere. A queer writer, translator and adult literacy teacher, Han is the recipient of a 2019/2020 London Writers Award, and has been shortlisted/longlisted for the 2019 Mslexia Novella Award, the Bridport Prize, the Desperate Literature short story prize, and the Brick Lane short story prize. She has also been published by Lunate, Five Dials, Cipher Press, Versopolis, Litro, The Interpreter’s House and the European Poetry Festival. She lives in London. Portraits at the Palace of Creativity and Wrecking is her debut novel and was shortlisted for the 2024 Goldsmiths Prize.

We couldn’t be more delighted by her visit to City Writes. She’ll be reading from Portraits at the Palace of Creativity and Wrecking and taking part in a Q&A with tutor and City Writes host, Rebekah Lattin-Rawstrone. We’ll then be asking our tutors to join us on stage for a broader Q&A with the audience.

Joining this stellar line up will be our competition winners. This could be you!

For your chance to read your work on stage, in person, with Han Smith, Jem Bartholomew, Katy Darby, Caroline Green and Martin Ouvry, all you need to do is send the best 1,000 words of creative fiction or non-fiction to rebekah.lattin-rawstrone.1@city.ac.uk with details of your name and the short course you took, or are taking, by Friday 28th February. Full details and submission guidelines are here. Whilst we accept YA, we don’t currently accept children’s fiction, poetry or scripts. There will be five competition winning slots available and we can’t wait to read your submissions.

In the meantime, don’t forget to save the date for the event. It is free and doors open at 6.30pm for drinks and nibbles. Book your place for City Writes Spring 2025 at Northampton Square, 7pm, 26th March. The booking link is here. And as an extra bonus, all attendees get 10% off their next Creative Writing Short Course, as long as you book by 30th March.

City Writes Spring 2025 needs to be in your diary now!

City Writes Autumn 2024 – A Cracking way to Kick off the Festive Season

December 13, 2024 / / 0 Comments

By Rebekah Lattin-Rawstrone

You know you’re on the way to a great festive season when it begins with a night of stories, and the City Writes Autumn 2024 event on the 11th December was a storytelling extravaganza. We had six brilliant competition winning stories, read by their authors, and a reading and Q&A with the wonderfully funny, Novel Studio alumna and debut author, Jo Cunningham. You can enjoy the whole event here, but do read on for further details.

We kicked off with Joanna Bawa’s ominous story about a death prediction app, ‘DeathDefy’. Joanna is an alumna of the Writing the Memoir course. Her story is a powerful reminder of human greed and laziness in the face of climate change and began a theme around predictions and algorithms that Jo Cunningham’s novel, Death By Numbers, would complete.

Writers’ Workshop alumna, Aditi Parekh, was next, reading from her novel, with the working title The Sabbatical. We were transported to The Netherlands following one woman’s attempts to find friends through a very different app. What she found was not a friend exactly, but the meeting was one that provoked much response from the audience. I think we all know someone who thinks a conversation is great when they’ve done all the talking…

We travelled to Northern Ireland next as Short Story Writing alumnus, Robin Sheeran read his story, ‘Summer Job’. A beautifully observed story set in a cemetery, with some very creative grave-digging, ‘Summer Job’ was a treat to listen to.

From fiction to non-fiction, we were in for another very different treat next as Doug Kessler shared an extract from his book-length project, Adam in 20 Snapshots. An alumnus of Narrative Non-Fiction, Doug’s moving reading about an absent brother with Downs Syndrome really captured the audience. Told, as the title suggests, through descriptions of photographs, the extract moved several listeners to tears. This is a book that has an eager audience awaiting its completion.

We were swept back into the world of fiction next with the surprising, shocking and funny story, ‘To Crazy Shane’ written and read by Tunde Oyebode. Tunde is a Writers’ Workshop alumnus, and veteran City Writes competition winner. This story is a riot of observation and action with incisive social commentary spread throughout.

This brilliant story was followed by our last competition winner, Audrey Madden, another Writers’ Workshop alumna. Audrey read an extract from her novel, Matriarchal Lines, taking us right into the heart of a family reunion with a feisty grandmother winning at cards, and two little toddlers running off with a set of pretty knives. We were gripped. It was a fabulous reading to end a series of incredibly inspired and inspiring writing from the competition winners. They definitely were showcasing the talent of City’s short creative writing courses.

Luckily, we had Jo Cunningham as our published guest to follow these wonderful tales with two brilliant and hilarious readings from her cosy crime novel, Death By Numbers.

Author and guest alumna Jo Cunningham

 

Death By Numbers is a wonderfully funny book about actuary Una whose numbers on predicted deaths in seaside resorts are all wrong. There are some unusual deaths that don’t fit her predictions. Imagine her worry when she discovers they are happening in her mum’s home town and to friends of her mum and her mum’s new boyfriend, soon to be husband… This is a must read for the festive season.

If you haven’t read it already, this is the novel you need to escape into after all that food and drink. Jo generously answered questions from host and audience on her writing journey, how to write comedy, how to research and plan (if not in the way you might expect), and the challenges of writing a series. The next one is out in August of 2025 and is set around the Supreme Cat Show (crufts for cats). I for one, can’t wait!

Thanks to all the readers, our wonderful guest Jo Cunningham and the audience. Click here for a video of the event, here for an interview with Jo, and do look out for further information on next term’s City Writes. City Writes Spring 2025 is going to be special. An in-person event with competition winners, the supremely talented alumna, Han Smith as our author guest, and readings from tutors. Watch this space for more.

Announcing the City Writes Autumn 2024 Competition Winners!

December 3, 2024 / / 0 Comments

 By Rebekah Lattin-Rawstrone

Congratulations to Joanna Bawa, Doug Kessler, Audrey Madden, Tunde Oyebode, Aditi Parekh and Robin Sheeran, this term’s winners of the City Writes competition! From complex family histories, through childhood summer afternoons, airport queues, befriending apps and graveyards all the way to AI envisioned futures, this term’s selection of writing has it all. You can hear these fantastic stories being read by their authors alongside debut crime writer Jo Cunningham, at this term’s City Writes event on the 11th December at 7pm on Zoom. Register here to come along and read on for more information on our wonderful winners.

Joanna Bawa is a professional and creative writer, currently working as a ghostwriter. This complements her work as a cognitive behavioural therapist, combining an appreciation of the power of words and the complexity of human nature. She belongs to a local writing group where her fiction and poetry has won awards, and her first novel was longlisted in the 2019 Mslexia novel competition. She is working on a second novel, and her piece for City Writes, ‘DeathDefy’, may become a third. Joanna is an alumna of the Writing the Memoir course.

Doug Kessler is an expat Yank who’s lived and worked in London for the last 34 years.
He’s a marketing copywriter and agency founder but pretty new to narrative non-fiction, short stories, and poetry. Adam in 20 Snapshots is his first book-length project, of which he will be reading an extract. Doug is a Narrative Non-Fiction alumnus.

Audrey Madden is currently writing her first book while working in the not for profit arts and culture sector. She has a degree in English & Comparative Literature from Goldsmiths University. Her work is inspired by nature and the different environments that exist across the United States and the UK. A Writers’ Workshop alumna, Audrey will be reading an extract from her novel, Matriarchal Lines.

Aditi Parekh is an aspiring writer and student of Writers’ Workshop. She is interested in human psychology, particularly the dark triads and group dynamics. She is currently working on a novel, with the working title The Sabbatical, which describes a woman’s struggle with drug addiction and her descent into madness. She will be reading an extract from the novel.

Tunde Oyebode is a Nigerian-British architect and writer based in East London. Drawing inspiration from everyday life, his fiction explores human relationships and African diaspora experiences. His work has been featured in Stylist Magazine, Obsidian, and Solstice Literary Magazine. A finalist for the 2023 London Independent Story Prize and the 2024 Solstice Literary Magazine Prize, he was also nominated for Best of the Net. Tunde is currently looking to publish a collection of interconnected short stories. Outside writing, he enjoys cycling and photographing architecture. A Writers’ Workshop alumnus, Tunde will be reading ‘To Crazy Shane’.

Robin Sheeran is a native of Belfast. He studied Film and Literature at Warwick University and is a former BBC journalist. Robin is interested in producing stonking characters and crackling dialogue. His work uses dark humour to examine how we relate to each other. Robin is the current holder of the international Piazza Grande Religion Journalism Award for his writing for New Humanist. He ghostwrote Going the Distance, the autobiography of endurance cyclist Joe Barr, published by Gill Books in 2021. A Short Story Writing alumnus, Robin will be reading his story, ‘Summer Job’.

Just from reading their biographies you get a sense of the night of stories that awaits on Wednesday 11th December at 7pm over Zoom. Alongside these wonderful competition winners will be our cosy crime author and Novel Studio alumna, Jo Cunningham, whose novel Death By Numbers came out earlier this year. Register here to listen to all these authors on 11th December at 7pm. Can’t wait to see you there!

Guest alumna Jo Cunningham, author of Death by Numbers

Advancing your Career with Coding: Learn Programming with Python

October 30, 2024 / / 0 Comments

In today’s digital-first economy, programming skills have become increasingly valuable across virtually every industry. Whether you’re looking to switch careers, advance in your current role, or simply future-proof your skillset, learning Python could be your stepping stone to new opportunities.

Why Python?
Python has emerged as one of the most in-demand, high-level programming languages globally, and for good reason. Its clear, readable syntax makes it very easy to learn in comparison to other programming languages (like C/C++, JAVA, JavaScript, etc.) and therefore ideal for beginners, while its powerful capabilities support everything from automation and scripting to data analysis and artificial intelligence. Companies like the BBC, NASA, and Google rely on Python, and it’s the backbone of innovations in fields ranging from healthcare to financial services.

Python in the Age of AI
The rise of AI and developer copilots has transformed the programming landscape, making now an ideal time to learn Python. Far from replacing developers, AI tools are empowering them to be more productive and creative than ever.

AI-Enhanced Development
Modern Python developers work alongside AI tools that:
• Autocomplete code and suggest solutions
• Catch potential bugs before they occur
• Generate code snippets from natural language descriptions
• Explain complex code and suggest improvements
• Automate routine programming tasks

This means that even as a beginner, you can now have powerful AI assistants helping you learn and code more efficiently.

Future-Proof Skills
While AI tools can now handle routine coding tasks, they’ve increased demand for developers who are able to:
• Architect complex systems
• Review and validate AI-generated code
• Write precise prompts for AI tools
• Integrate AI capabilities into applications
• Understand the limitations of AI assistants

Transform Your Career Prospects
The UK tech sector is experiencing unprecedented growth, with programming skills commanding competitive salaries and offering flexible career paths. Recent studies show that Python developers in the UK earn an average of £57,000 per year.

But Python isn’t just for software developers. Knowledge of Python can enhance your value in roles such as:
• Data Analyst
• Business Intelligence Specialist
• Marketing Analyst
• Financial Modeller
• Research Scientist
• Project Manager

Hear from Our Alumni
“Philip is a fantastic tutor who has a dynamic approach to teaching the basics in Python programming. I really appreciated the way that we could always ask for help during exercises and also that we could send me him requests for materials to be treated during class.” Anne Marie Muller, former student

“This course is ideal for anyone wanting to start the thrilling journey of implementing AI. It effectively combines hands on practical skills with clear, fun explanations of the underlying theory – not easy with a subject that combines partial differentiation and a jumble of confusing terms and emerging ideas. I would strongly recommend you sign up.” Peter Bradley, former student

“Genuinely one of the best tutors I’ve ever had – both at undergraduate & post graduate level. I’ve tried to learn how to code dozens of times and it’s never stuck. Philip was excellent at judging the level of the class and guiding us through the slides carefully. He went above and beyond, and made me feel extremely well supported. 10/10 will be recommending to my colleagues! Thank you, Philip!” James Donovan, former student

Why Choose Our Python Programming Courses?
At City St George’s we run a range of python courses from an Introduction to Python Programming to Data Analytics and Machine Learning. Our intensive short computing courses are designed for busy professionals looking to acquire practical programming skills. Over five-ten weekly evenings, you’ll progress from basic concepts to creating real-world applications. Here’s what makes our python courses unique:

Practical, Industry-Focused Learning
• Taught by Industry Professionals
• Industry-standard tools and best practices
• Flexible evening and weekend schedules

  • Comprehensive Curriculum – subjects covered include:
  •  Python fundamentals and programming concepts
  •  Working with databases
  • Data analysis and visualisation
  • Building basic applications
  • Working with HTML pages
  • File manipulation: Reading and Writing Files
  • Conversational AI Use

Expert Instruction
Our instructors bring years of industry experience, combining theoretical knowledge with practical insights from their work at leading tech companies.

Your Learning Journey
The courses are structured to ensure steady progression while accommodating work commitments. Each week builds on previous knowledge through:
• Interactive live sessions
• Guided practical exercises
• Real-world project work
• Peer learning opportunities

Next Steps
Join the thousands of professionals who have transformed their careers through coding. Our next introductory python programming course begins in January online.

Ready to take your career to the next level? Why not attend our free online open evening session on December 12 to learn more about how Python programming could transform your career prospects.

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