Category: Events (page 1 of 5)

City Writes Deadline Tomorrow 18 November!

Got 1,000 words of fantastic fiction or non-fiction ready to share? This is your chance to join award-winning writer and alumna, Elizabeth Chakrabarty on the online stage of City Writes! Send your 1,000 words (no poetry, scripts or picture books) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on Friday 18th November along with details of your current or past City Short Creative Writing Course.

City Writes is a termly event showcasing the best of City’s Short Courses Creative Writing talent and this term, alongside the readers from the termly competition (this could be you!), we are extremely excited to welcome Elizabeth Chakrabarty as our alumna guest author.

Alumna of the Novel Studio, Elizabeth Chakrabarty is an interdisciplinary writer using creative and critical writing, besides performance, to explore themes of race, gender and sexuality. Her debut novel, Lessons in Love and Other Crimesinspired by experience of race hate crime, was published in 2021 by the Indigo Press, along with her essay, On Closure and Crime. In 2022 Lessons in Love and Other Crimes was longlisted for the Desmond Elliott Prize, and also shortlisted for the Polari First Book Prize.

Portrait of author Elizabeth Chakrabarty by Jason Keith

Author photo of Elizabeth Chakrabarty by Jason Keith

For your chance to read your work alongside this ground-breaking author, you need only send your best 1,000 words of fiction or creative non-fiction (no poetry, scripts or picture books) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on Friday 18th November along with details of your current or past City Short Creative Writing Course.

Registration for City Writes Autumn 2022 event on the 14th of December at 7pm on Zoom is open now. Simply follow this link to sign up to hear Elizabeth Chakrabarty read from her fantastic debut, Lessons in Love and Other Crimes, alongside the competition winners (possibly you?!) to be announced in just a few weeks’ time.

Full submission details can be found here.

 

We can’t wait to read your work – submit now! – and see you on the 14th December.

City Writes Autumn 2022 – Call for Submissions

By Rebekah Lattin-Rawstrone
Portrait of author Elizabeth Chakrabarty by Jason Keith

Author photo of Elizabeth Chakrabarty by Jason Keith

City Writes is a termly event showcasing the best of City’s Short Courses Creative Writing talent and this term, alongside the readers from the termly competition, we are extremely excited to welcome Elizabeth Chakrabarty as our alumna guest author.

Alumna of the Novel Studio, Elizabeth Chakrabarty is an interdisciplinary writer using creative and critical writing, besides performance, to explore themes of race, gender and sexuality. Her debut novel, Lessons in Love and Other Crimesinspired by experience of race hate crime, was published in 2021 by the Indigo Press, along with her essay, On Closure and Crime. In 2022 Lessons in Love and Other Crimes was longlisted for the Desmond Elliott Prize, and also shortlisted for the Polari First Book Prize.

Elizabeth was also shortlisted for the Dinesh Allirajah Prize for Short Fiction 2022, for her story ‘That Last Summer’ published in The Dinesh Allirajah Prize for Short Fiction 2022: Crime Stories by Comma Press. She was shortlisted for the Asian Writer Short Story Prize in 2016 for her story ‘Eurovision’ published in Dividing Lines (Dahlia, 2017).

Her shorter work includes poetry and creative-critical writing, and she has recently been published in Gal-Dem, New Writing DundeeWasafiri, and the anthology Imagined Spaces (Saraband, 2020), and in translation, by Glänta and Deus Ex Machina. She received an Authors’ Foundation Grant from The Society of Authors (UK) in December 2018, to support the writing of Lessons in Love and Other Crimes, and she was chosen as one of the runners up for the inaugural CrimeFest bursary for crime fiction authors of colour in 2022. She lives in London.

For your chance to read your work alongside this ground-breaking author, you need only send your best 1,000 words of fiction or creative non-fiction (no poetry, scripts or picture books) to rebekah.lattin-rawstrone.2@city.ac.uk by by midnight on Friday 18th November along with details of your current or past City Short Creative Writing Course.

Registration for City Writes Autumn 2022 event on the 14th of December at 7pm on Zoom is open now. Simply follow this link to sign up to hear Elizabeth Chakrabarty read from her fantastic debut, Lessons in Love and Other Crimes, alongside the competition winners to be announced later this term.

Full submission details can be found here.
We can’t wait to read your submissions and see you on the 14th December.

Two Published Alumni Usher City Writes Summer 2022 into the Heatwave 

By Rebekah Lattin-Rawstrone

City Writes Summer 2022

Running since April 2016, it is a huge privilege to be involved in the fantastic showcase event for City’s Short Creative Writing Courses, City Writes. This term’s event was no exception. Held over Zoom on Thursday 7th July (our ears tuned briefly away from the politics of the day), City Writes Summer 2022 not only had two brilliant published alumni from the same Novel Studio cohort, Attiya Khan and Simon Culleton, it also made space for some wonderful new writing coming from the competition winners made up of current students and alumni. What a talented bunch!

 

We began with the competition winners. Jordan McGarry, Narrative Non-Fiction student kicked things off with a fantastic piece, ‘The First Spring’, about her recently deceased mother. The chat was filled with responses to her careful observations of grief and insightful turns of phrase. Her biography had told us she was planning to be braver with her work in 2022 and we hope this will mark the beginning of a habit as we all want to hear more of Jordan’s writing.

 

We headed in an entirely different direction next with a witty piece on community division, ‘We Didn’t Start the Fire’, written and read by Short Story Writing alumnus, Jonathan Gallard. Giving us two perspectives and navigating the complex origins of divisive tradition, this was a wonderful piece of writing.

 

We returned to grief with the next reader, Orsolya Kiss-Toth. A Writers’ Workshop alumna, Orsolya read an extract of her second novel, Nadi Leaves, in which the main character confronts the studio of her recently deceased father and ends up painting her grief into a self-portrait in a way that mimics her father’s artistic process to moving affect.

 

Three times winner of the City Writes competition and another Short Story Writing alumna, Su Yin Yap read for us next. She gave us a non-fiction piece, ‘Notes on Pregnancy’ the form of which was much appreciated in the chat. Moving from facts about pregnancy to a personal account of their emotional and physical effects, the piece viscerally remembered what it feels like to be pregnant.

 

Recent Novel Studio graduate Richard Bowyer then took us into the world of satire with an extract from his novel, The White House. A hilarious letter to the prime minister called ‘The Manton Ultimatum’ had us all giggling as we contemplated the idea of one village in Essex forming an independent state. Roger Rowntree was a favourite character of the Novel Studio 2021/2022 cohort and he proved a hit with this City Writes audience too.

 

Following Richard, we listened to our last competition winner and Short Story Writing alumna, Lia Martin read her story about lost love, ‘Church Bells’. Such a sharp, witty, and painfully moving account of trying to process the end of a relationship. We can’t wait to read what Lia writes next.

 

The end of Lia’s piece marked a move into the second half of the City Writes event as we heard from alumni Attiya Khan and Simon Culleton. Both writers published their debuts in 2021 with exciting independent publishers. We heard two short readings and then moved into a Q&A.

 

Attiya Khan’s debut novel Ten Steps To Us

Attiya’s debut, Ten Steps to Us, is a Young Adult novel that readers have described as ‘the perfect teen romance that covers religion, romance and diversity’. She read the scene in which devout, hijab wearing, Aisha is saved from Islamophobic bullying at a bus stop by the handsome non-Muslim, Darren. Where would this encounter lead? Published by Hashtag Blak, this is a story you’re going to need to buy to get the whole story.

 

Simon Culleton’s debut novel Shadows of Fathers

Simon Culleton then read from his debut, Shadows of Fathers, published by Stairwell Books, about one father’s fight to stay close to his children in a journey across geographical, cultural and emotional borders. He took us into a difficult conversation with his children about where he had been and why he didn’t live with Mummy anymore. Had the children missed him? Why didn’t Mummy and Daddy get on anymore? When he said Mummy and Daddy got on the way that a cat and a dog did, things got complicated… Funny, poignant and moving, it was a great introduction to the complexities of the novel.

 

The Q&A explored inspirations, from Attiya’s desire to see Muslim young women represented in fiction in realistic, non-Islamophobic ways, to Simon’s need to show the father’s perspective in divorce proceedings. We looked at their publishing journeys from the courses they took to the agents that rejected them to the publishers that championed them. We explored what they had enjoyed most about getting their work into the public domain, what they were working on now and what their writing routines were like. Both Attiya and Simon had some fantastic tips for writers and spoke of how important it was to follow your passion in your work.

 

You can hear the full Q&A and all of the readings by watching a recording of the event here.

It was an inspiring night and I can’t wait for the next City Writes when we’ll be joined by the amazing writer and another Novel Studio alumna, Elizabeth Chakrabarty whose debut novel, Lessons in Love and Other Crimes, published by The Indigo Press in 2021, was longlisted for the Desmond Elliott Prize 2022. Look out for competition and event dates coming soon to this blog.

Novel Studio 2022 Showcase: A Night to Remember

by Rebekah Lattin-Rawstrone

What a pleasure to be writing once again about another fantastic Novel Studio Showcase event, this time for the cohort of 2021/2022. The reading event marks the end of a year of hard and creative work for students who have been planning, writing, workshopping and editing their novels throughout the course. Finally they get a chance to show off all that hard work to an audience of industry, friends and family guests. This year’s event was no exception in its display of exciting new writing in a wide range of literary styles and genres.

Our third year of hosting the event on Zoom, we had 50 attendees in our rapt audience. It’s amazing what the online space can offer as a meeting point of people from diverse geographical locations and this being the second year of the Novel Studio being fully delivered online, it was a fitting end to a year that showed just how supportive online writing communities can be. For those of you there, the chat really testified to this year group’s investment in their cohort’s writing journeys.

As host for the evening, I began by outlining the fantastic history of the Novel Studio course which, having developed from the Certificate in Novel Writing, has been going in its current format since 2012. The course allows students to focus solely on developing their novels for a year. You can find out more about the course here.

I went on to explore just some of the publishing successes of our amazing Novel Studio alumni (click here for more details) and we were very lucky to have present Novel Studio alumna, sponsor of the Novel Studio Scholarship (now in its fourth year!) and Sunday Times and Kindle #1 Bestseller, Harriet Tyce. Harriet offered a few words of wisdom and inspiration for the students as they embarked on their readings and looked forward to writing beyond the course. She shared her memories of reading at her Showcase event and wished the students luck.

Encouraging the audience to develop an atmosphere in the chat, the readings from the students began and what a set of readings they were.

We started with Darren Pininski and an extract from his novel, Forgive Me Father, set across London and South Africa. The extract offered an atmospheric description of a small South African town and the first meeting between two men who will go on to change each other’s lives. Forgive Me Father follows the lives of Kenneth, Nico and Dominee Paul as they navigate love, loss, forgiveness and the bizarre and dangerous world of high end sneaker crime. We were left wondering what this meeting of Kenneth and Dominee Paul would lead to.

 

We jumped onto a plane next with Clare Bunning who read from the opening of her novel, Work Trip. Fast-paced, funny and acutely observed, we followed Franny Phillips as she walked into her initial experience of first class. Who should follow her? Only the A-list celebrity and sex-god, Leo Rossi. Titillating in more than one way, the audience was left wondering how this fortuitous meeting might develop.

 

England of the noughties was waiting to greet us next as we listened to Miranda Weindling read an extract from her novel, Love + Strife. We were treated to the first real contact between two ten-year-old girls, Phoebe and Gemma. A master of the eloquent long sentence with deft descriptions of the turns of consciousness, Miranda dropped us right back into those awkward pre-teen years.

 

We headed for the Essex coast next and struggled to contain wry smiles and giggles as we listened to Richard Bowyer read from his satirical novel, The White House. With some hilarious one-liners and sharp dialogue, this is one of those timely novels that really has something to say about modern Britain. One of the main character’s Roger Rowntree was proposed for Prime Minister in the chat. We were definitely left wanting more.

 

Ammarah Ahmad took us back to early adolescence next as we listened to her read an excerpt from her novel, The Nightfall Gatherings. We joined her main character, Zara, as she experienced her first ever cult gathering. It was a very unnerving experience of darkness and chanting that young Zara could not easily navigate. We could see some difficult but fascinating times ahead for Zara.

 

Zeke McLeod read next, sharing an extract from the opening of his novel, Poseable, in which his narrator describes breaking up with his girlfriend. Painfully honest and read from the heart the novel goes on to explore the complex world of online pornographic role play. The audience was visibly attentive and left eager for more.

 

We went from the end of a relationship to the tantalising beginnings of another next with Natalie Bray as she read from her novel, Sexy Witch. Natalie took us on a whirlwind, motorcycle date with first name, surname guy, Adam Dale. Enraptured by her cutting observation and crisp dialogue and text talk, we were completely taken into her protagonist’s world.

 

Staying on a relationship run, we were treated to another remembered teenage entanglement next as Dominic Hayes read from his novel, Mean Time. With some great observations and hilarious Freudian slips, we were offered the beginnings of a multiple perspective novel of epic proportions.

 

Galaxy O’Sullivan took us into unchartered territory next as we headed for a wild science-fiction, fantasy ride through the virtual world of Galaxy’s novel, The Poltergeist Aquarium. We listened as Bishop Crowther attempted to shove souls into the unwilling bodies of one of the main characters and her colleagues. Galaxy gave us a fantastically voiced and dramatic reading with a heady mix of profanity and philosophy.

 

We went from the virtual to the very real next with a story about the vibrant hidden UK community circumscribed by immigration, patriarchy and faith as Novel Studio Scholarship winner, Hawa Maua, read an extract from her novel, The Church for Disciplined Women. Tasting just two of the novel’s engrossing four main characters, the audience got a sense of the richness of voice Hawa delivers in the novel. We left the characters in their deportation van on the way to Heathrow and headed back into fantasy with our next reader, Angus Cameron.

 

Angus delivered us into the distant country of Kizna with an extract from the first novel in his epic fantasy trilogy, A Broken Web. We listened aghast as two young men – one still a boy – were forced to watch their fathers’ executed and then kneel in the blood of their fathers and swear an oath of allegiance to the conquering empire. Read with the professional delivery of an audiobook, we were hooked into the complex politics of this distant land.

 

We stayed with the bloody mess families can be as our next writer, Sam Miller read an extract from her novel, The Last Weekend. Thinking we were in the happy domestic sphere of a mother-daughter reunion, we soon had our assumptions upturned as the narrator’s mother takes a knife to one of the chickens. Both funny and horrific, Sam plunged us into the depth and psychological complexity of mother-daughter relations. As the last reader of the evening, a dead, bloody chicken presented for dinner was a dramatic way to end the night.

 

Wrapping up with congratulations and thanks all round. Particular mention was given to the sterling work of the Novel Studio director, Emily Pedder, as well as tutors Kiare Ladner and me, and the Short Courses staff at City University, especially Josie Gleave, Sathya Narayanan and Robert Lastman. It only remained to thank the hard work of the students, to congratulate them on a highly enjoyable and productive year, and to thank the audience for their avid participation in the chat. What a fantastic night with some truly mind-blowing readings. Congratulations Novel Studio cohort 2021/2022! We feel sure we’ll soon be adding you to the list of published alumni. What a talented group.

 

For those of you who missed the night, you can watch the recordings here, or download a copy of the Novel Studio Anthology here. You won’t regret it.

 

 

 

City Writes Summer 2022 Competition Winners Announced

We’re delighted to announce the competition winners for 2022 summer term’s City Writes event showcasing the fabulous talent coming from City’s Short Courses. These wonderful winners will be joining debut writers and alumni of the Novel StudioAttiya Khan and Simon Culleton. You can register for the Zoom event on Thursday 7th July at 7pm here.

Our winners this term are:

Richard Bowyer

Richard Bowyer for his extract, ‘The Manton Ultimatum’.

Richard Bowyer is just completing City University’s Novel Studio course. The characters and setting in ‘The Manton Ultimatum’ are drawn from The White House, his novel in development. He likes to write about the nature of community and belonging, friendship and obligation, everyday heroes, inclusion and exclusion, and how decisions get made. Richard was born and brought up in Essex and now lives in West London with his demanding cat and understanding wife.

Jonathan Gallard

Jonathan Gallard for his story, ‘We Didn’t Start the Fire’.

Alumnus of the Short Story Writing course, Jonathan Gallard is a writer whose style and approach defies categorisation.  Mostly because he hasn’t written much, yet.

 

Orsolya Kiss-Toth for her extract from Nadi Leaves

Originally from Hungary, Orsolya moved to Leeds about 15 years ago where she lives with her partner. She is an HR professional and whilst she loves the challenges of her role, writing is something she’s passionate about.

Orsolya Kiss-Toth

She first joined a writing group in November 2020, is an alumna of the Writers’ Workshop, and her first novel, 24 Windows, was long listed in the Stylist Prize for Feminist Fiction 2021. She’s currently working on her second novel, Nadi Leaves.

Jordan McGarry for her creative piece, ‘The First Spring’.

Jordan McGarry

Jordan McGarry has worked in the screen industries for 20 years, initially as a journalist covering the industry, and then as a programmer, a producer and now as an executive. Jordan is endlessly interested in story, but more used to helping other people write theirs than telling her own. She is trying to be braver in 2022 (though will never be comfortable with writing about herself in the third person). She is just completing the Narrative Non-Fiction course.

Lia Martin for her story, ‘Church Bells’.

Lia Martin

Lia Martin is a Londoner completing her Creative Writing MA at Birkbeck University and was enrolled on City’s Short Story Writing course back in 2014. She started her career in the media but became a secondary teacher in 2015, working in both London and Norfolk-based schools. She now leads on English for a national network of schools and is currently working on a short story collection.

 

Su Yin Yap for her creative piece, ‘Notes on a Pregnancy’.

Su Yin Yap

​​Su Yin Yap is a psychologist and writer. Her work has been published in literary magazines and websites such as Popshot Quarterly and Litro Online, as well as various anthologies of flash fiction and creative non-fiction. She has written for the psychology section of the award winning Arts and Culture website Headstuff.org. She is currently working on a collection of essays. She is an alumna of the Short Story Writing course.

These fantastic authors will be reading online at City Writes alongside Attiya Khan and Simon Culleton on Thursday 7th July at 7pm. From village referendums through lost loves and historical feuds to the anticipation of life to come, City Writes Summer 2022 will be a night of readings to remember. You can register here. We look forward to seeing you there.

Spring 2022 City Writes Journeys Into The Clouds with Author, Michael Mann

by Rebekah Lattin-Rawstrone

City Writes is the showcase event for all the wonderful creative writing coming from City’s Creative Writing Short Courses. Combining the new voices of students and alumni with the work of published alumni, the event always brings excitement and intrigue and this term’s event had everything from healers through dealers, to feminist and Polish heroes, fabulous chickens, hallucinogenic frogs and of course a twelve-year-old boy working to escape a Victorian style workhouse in an alternative smog-filled London, the protagonist of published guest, Michael Mann’s middle grade debut, Ghostcloud.

We began the night with James Baxter reading an extract from his story, ‘The Drop’. James is an alumnus of the Short Story Writing course at City and he took us into the busy, chaotic streets of a foreign city alongside his English protagonist whose bag was filled with cocaine, wrapped in coffee paste to hide the smell. Leaving us tense and anxious, we were eager to find out what would happen next. It didn’t feel like it would be anything good.

Emma Bielecki, alumna of the fantastic Narrative Non-Fiction course, read next, remaking the familiar Ealing, into her father’s Polish ‘Eh-ALL-ing’. She tantalised our taste buds with Polish cuisine, giving us a picture of her father most at ease peeling a sausage, before expertly navigating us away from food towards the histories of her father and his Polish friends who had fled to London years before. The most topical piece of the night, Emma’s creative non-fiction was a brilliant example of how to take listeners and readers on a sensory and emotional journey to highlight different perspectives of the past that go on to alter our understanding in the present.

We took a fictional turn next, diving into the world of a young girl making money with her friend, in Sini Downing’s extract, ‘The Stink of Money’, taken from her novel. A Short Story Writing and Towards Publication alumna, Sini’s reading was an engrossing immersion into her character. We began by wondering how young girls could make so much money, and feared something darker than the unusual turn Sini introduced. Her protagonist is exhausted from healing people, her sister included. We were all hooked by the end of Sini’s reading.

Following on from Sini was Adam Zunker, another reader who, like Sini, was making his second appearance at City Writes. Adam has taken several short courses in creative writing at City University and he read another extract from his wonderful novel – just completed this week! – in which a young boy attempts to step into the Afterworld using the pus from the back of a sacred frog, a special stone, a fire and two circles. Revolting and transporting, Adam’s reading left us wanting to find out if his young character would be successful.

From frogs to chickens, we joined Alison Halsey next as she read from her novel, Minta Gets Everything Wrong.  Alison has just completed An approach to Creative Writing and she took us to the funeral of her character’s sister, to which the bereaved daughter with disabilities insisted upon bringing her chicken and slapping her half-brother round the head. A black comedy with a warm and informal narrative voice, Alison’s story had us all giggling and looking forward to hearing more.

Our final competition winner, Stephanie Donowho, alumna of Novel Writing and Longer Works, read us her story ‘Once a daughter of Eve’ next. Stephanie’s story took us into the mind of a child growing up in a Christian household, surrounded by Bible geeks, whose self-motivated exploration into less well read parts of the Bible led to finding two stories of women called Tamar, one of whom had to cheat a man into bed. A fascinating story of growing feminist awakening, Stephanie’s piece was a fabulous segue from competition winner to published author.

Our headline act, Michael Mann, read next. Michael is an alumnus of the Writers’ Workshop at City and began his debut, Ghostcloud, in that very class. A winner of Undiscovered Voices 2020 and the 2019 London Writers Award, Michael’s middle grade novel is set in the smoky, dark underworld of Battersea Power Station in an alternative smog-filled London. Michael read the opening of the book in which we met twelve-year-old Luke, struggling to shovel coal, trying to work hard enough to earn his escape back into the light of London and his family from which he was kidnapped. We met his kidnapper, Tabitha, and two of the other children suffering under her regime. You’ll have to read the book to find out what happens next. Click here to get your copy.

Michael then took part in a Q&A with Novel Studio tutor and City Writes host, Rebekah Lattin-Rawstrone, followed by questions from the audience. Michael helped us understand his inspirations, the development of the novel and how publication and the expectations of publishers has changed his writing practice. Generous in his sharing of tips and ideas for budding children’s authors, you can follow the whole discussion and catch up with our competition winners’ readings, by watching the recording of the event here. Michael was keen to remind the audience that he loves visiting schools. If you do have connections to a Primary School near you, you can contact Michael on mbmann@gmail.com

City Writes is a great space for sharing the creative writing talent that abounds from City’s short creative writing courses. Look out for the Summer event and if you are an alumni or current student, don’t forget to enter next term’s competition. We have two published alumni reading for us next term: Simon Culleton and Attiya Khan, both Novel Studio alumni, whose novels respectively are, Shadows of Fathers about a father’s battle for child custody across national borders and Ten Steps to Us that follows a young Muslim girl’s struggle to maintain her faith in her quest for love. Watch this space for further details of the event and the competition.

Watch the full event here.

City Writes Spring 2022 Competition Winners Announced

By Rebekah Lattin-Rawstrone

We’re delighted to announce the winners of this term’s competition who will be reading their winning entries alongside debut author, Michael Mann at this term’s virtual event on Wednesday, March 30th at 7pm. Register now to join them

Spring 2022 winners

This term’s winners (in alphabetical order) are:

James Baxter

James Baxter is a long-term resident of Hackney and has been London-based since graduating from the LSE in the early 90s’. His career has been spent in the media and film sectors, including a 15-year stint as a journalist and magazine editor. James founded the PR consultancy JBM in 2010 and the film production company Mean Time Films in 2012. He is currently writing his debut short story collection. He is an alumnus of the Short Story Writing course. He will be reading an extract from ‘The Drop’.

 

Emma Bielecki

Emma Bielecki, a Narrative Non-Fiction student, is a cultural historian who splits her time between London and nineteenth-century France. She has written about things that interest her (Bob Dylan, French Belle Epoque crimes serials, pet cemeteries) for outlets such as The Junket and The Conversation, as well as in fanzine form (at www.misfitsisters.com). Emma will be reading her nonfiction short, ‘Eh-ALL-ing’.

 

Stephanie Donowho

A student of Novel Writing and Longer Works, Stephanie Donowho is from Austin, Texas, where she worked as a video editor before moving to London in 2017 to pursue a Masters in Shakespeare Studies at the Globe theatre. She has acted in over a dozen plays, co-founded a theatre company, and currently works in financial services in London. Her work was published in Mslexia‘s 2021 anthology Best Women’s Short Fiction as a runner-up in the Flash Fiction competition. She will be reading ‘Once a daughter of Eve’.

 

Sini Downing

Sini Downing (Short Story Writing and Writers’ Workshop alumna) often finds her international experiences worming their way into her creative writing. The novel, from which her excerpt, ‘The Stink of Money’ is taken, and from which she will read at City Writes, was inspired by an intense 19 months living in downtown Baltimore. Now based in London, she is Head of Studio at a production company specialising in character performances for video games. She is currently seeking representation.

 

Alison Halsey

Alison Halsey is a fiction writer and a former financial services professional, with a career lasting over 40 years. She has also served in many roles supporting charities with a focus on young people with learning disabilities. A student of An Approach to Creative Writing, Alison is currently editing her first novel Minta Gets Everything Wrong, for which she feels she has far too much personal research material, resulting in an elongated editing process. She will be reading an extract from this novel.

 

Adam Zunker

Adam Zunker has taken several short courses in creative writing at City University and is working on his first novel, a fantasy story about death, faith and hallucinogenic frogs from which he will be reading an extract for City Writes. He has spent far too many years working in politics and journalism, though both have probably provided some grounding in creative writing. He lives in London with his wife and daughter.

 

These fantastic authors will take you on a journey of frog-licking, London exploring, drug dealing, funeral attending (with chicken), feminist Bible reading, healing wonder. Reading alongside debut author, Michael Mann whose middle grade novel, Ghostcloud, set in the smoky underworld beneath Battersea Power Station, is causing quite a stir, this will be an unmissable event. Sign up here now! We’ll look forward to seeing you there!

 

City Writes Spring 2022 Competition Opens

By Rebekah Lattin-Rawstrone

City Writes is the showcase event for all the fantastic writing coming from City’s Creative Writing Short Courses and this term’s competition is now officially open. Winners get to read a 1,000 word extract or story alongside a published alumni or tutor.

Michael Mann’s debut novel Ghostcloud

This term’s guest reader is the wonderful debut author, Michael Mann whose middle grade novel, Ghostcloud, set in the smoky underworld beneath Battersea Power Station, is causing quite a stir. He’ll be reading alongside the competition winners at our Spring event on Wednesday, March 30th 2022 at 7pm on Zoom. Register now to join us.

Michael Mann is an alumnus of the Short Story Writing and Writers’ Workshop short courses. Winner of Undiscovered Voices 2020 and a London Writers Award in 2019, Michael is a teacher and author living in East London whose first creative writing success was for a poem about potatoes. Lindsay Littleson, Carnegie Medal Nominee, called Ghostcloud, ‘an utterly brilliant debut children’s novel’.

All you need to do to join Michael on the virtual stage is to submit 1,000 words of your best creative writing, be it fiction or non-fiction, an extract or a complete piece, to Rebekah.Lattin-Rawstrone.2@city.ac.uk along with details of your City Short Course. Though we’re happy to read Middle Grade and YA, we don’t accept children’s picture books, poetry or drama, but… anything else goes! The full submission guidelines are here.

The deadline to submit is midnight, Friday 4th March 2022. Good luck!

There will be a short Q&A with Michael Mann about his debut, so don’t forget to buy your copy beforehand here and do register for the event, on March 30th at 7pm here.

If you simply can’t wait, you can read about last term’s event with Ciaran Thapar, our first creative non-fiction reader, and even see the event video here.

We can’t wait to read the submissions and see you in March!

City Writes celebrates its first non-fiction guest: Ciaran Thapar

by Rebekah Lattin-Rawstrone

City Writes is such a brilliant showcase for all the fabulous writing talent coming from City’s Creative Writing Short Courses and this Autumn’s Event was no different. There are always fascinating submissions from the Narrative Non-Fiction course run by Peter Forbes and this term we were able to celebrate some of the fruit of his teaching labours by sharing the work of Narrative Non-Fiction alumnus Ciaran Thapar whose book Cut Short: Youth Violence, Loss and Hope in the City is an insightful, honest and eye-opening exploration of knife crime and youth violence in London.

As always we began with the competition winners. We went from an exploration of infidelity and class in ‘Salesman of the Year’ by Laurence Kershook all the way to a drunken groom in Grayson Anderson-Brown’s ‘Mum’s Yard’.

Laurence is an alumnus of The Novel Studio and his story set a sinister tone for the evening. As is often the case, a theme seemed to emerge across the winners’ pieces and this time it was an exploration of relationships from people at the end of their relationship journey, through those at the start, towards those whose more intimate relationships are with their art.

We hope Laurence will come back and share his novel, The Broygus, which is due out in mid-2022.

From a jail cell (you read correctly) to a house call, we heard from Pasca Lane next as she read her story, ‘Creature of Habit’. Her main character was desperate to get rid of a fox, to rid his home of the remnants of his ex-wife. A hilariously unself-aware character, Pasca delivered his perspective with aplomb.

Alan Gray, alumnus of the Short Story Writing course, took us on a first date, expertly navigating us through the complications of desire and that human need for connection in his story ‘Nice Meeting You’. There were some great moments of dialogue and a weighty, uncertain end on a sofa.

Another Short Story Writing alumnus, Stephen Kehoe, chilled us with the opening of his novel-in-progress, Defence Mechanism next. A speculative near-future in which the protagonist exploits public officials for some unspecified end, left us all reeling and eager to find out more.

Emily Shammar took us into the world of a blind woman at a picnic next. An alumna of An Approach to Creative Writing this extract from her longer work, ‘The Complicit’ was a thrilling and unnerving ride into uncertainty.

Novel Studio alumnus, Grayson Anderson-Brown gave us some sharply drawn characters next, in his extract ‘Mum’s Yard’ in which two brothers and a cousin try to salvage a wedding day currently not going to plan. They fail to keep the groom’s hung-over dishelvement from Mum, all summoned to her flat for a dressing down.

Mike Clarke was the last of the competition winners to read. A self-confessed City writing course junkie, he read ‘Spray Can Angel’, an extract from his novel-in-progress, Burnt Fingers, in which a female graffiti artist risked serious injury dangling from a fire escape to repair her artwork. Left dangling alongside the protagonist, the audience were hoping to see that novel in print soon.

The evening then took a turn towards non-fiction and the brilliant blend of narrative and sharp political commentary in Ciaran Thapar’s work, Cut Short: Youth Violence, Loss and Hope in the City which was published by Viking UK (Penguin) in June 2021. Told through a mixture of character journeys based on real people and considered research and argument, the book draws a reader into the lives of those living with youth violence, gaining their empathy and understanding in order to help them see a path towards change.

Ciaran gave a short reading from Chapter Five in which Carl, a young school boy, is sitting in an isolation session at school and feeling worthless and depressed. In a Q&A with host, Rebekah Lattin-Rawstrone, Ciaran then spoke further about the themes of the book and his hopes for building more supportive communities for young people. He was an inspirational guest and speaker, providing much food for thought among the audience who were also keen to ask questions. If you haven’t read it, buy it here. Ciaran will also be running a short course at City on Writing for Social Impact, which if his book is anything to go by, will instigate further fascinating and thought-provoking writing.

To experience the event for yourself, watch the full recording now. What a great way to start the festive season with fabulous fireside stories and provocation to think of others.

City Writes Competition Winners Autumn 2021 Announced!

By Rebekah Lattin-Rawstrone

You may have already booked your tickets to hear Ciaran Thapar read from his critically acclaimed book, Cut Short: Youth Violence, Loss and Hope in the City at City Writes on the 15th December 2021, if not you can register for the zoom event here. Now you have even more reasons to come to the event as we announce our wonderful creative writing student and alumni competition winners for autumn 2021. This term’s winners are:

Grayson Anderson

Grayson Anderson-Brown is a British born Jamaican author and poet. Raised in South London, he has spent most of his life writing. His catalogue of work contains songs, poetry, a science fiction trilogy, and an opinion-based non-fiction book relating to the idiosyncrasies of gender in society. He considers himself a student of humanity, culture, and nature. An alumnus of the Novel Studio, he’ll be reading ‘Mum’s Yard’.

 

Mike Clarke

Mike Clarke is a City writing course junkie, having studied on several, including the Novel Studio (when it was the Certificate in Novel Writing) and Writers’ Workshop and also graduated with an MA in Creative Writing from Manchester Metropolitan University. Mike’s short stories have been performed by the renowned Liars League. He occasionally dabbles in stand-up and BBC Radio 4 has broadcast some of his allegedly amusing material. He’s been making final edits to two novels for far longer than he’d like to remember. He’ll be reading ‘Spray Can Angel’.

Alan Gray

 

Alan Gray is a writer/psychologist born in Horden, County Durham. He holds an MSc in experimental psychology from the University of Oxford and lives in London. A Short Story Writing alumnus, he’ll be reading ‘Nice Meeting You’.

 

Stephen Kehoe

Stephen Kehoe is a recovered drug addict from Preston and splits his time between London and the Northwest. His degree in English is from Goldsmiths and he studied creative writing at City, University of London. His work has been performed live at Liars’ League. Defence Mechanism, his novel-in-progress, from which he’ll be reading, is a dystopian thriller and the opening scene is the first thing he ever wrote. He’s an alumnus of the City Short Story Writing course.

 

Laurence Kershook

Laurence Kershook is based in Hackney, East London. He’s been a teacher of languages and a jazz musician, but now he devotes most of his time to writing. While attending the Novel Studio course in 2018-19 he started working on his novel The Broygus, a mystery story set in the 1970’s that chronicles a young man’s quest to find meaning in his life by unearthing the long-buried secrets of his East End Jewish family. The Broygus will be self-published in mid-2022. He’ll be reading his story ‘Salesman of the Year’.

Pasca Lane

Pasca Lane is a professional storyteller working in the not-for-profit sector. She has won numerous awards for her work – bringing stories to life through compelling words and creative multimedia content – and currently heads up the Media team at the British Red Cross. She loves to travel, and has contributed to a number of travel publications including Lonely Planet. Pasca lives in North London and is proud of her family’s long-standing roots in the capital. She hopes one day to tell the story of previous generations on her mother’s side, who served as Thames Watermen in the East End. Pasca is an alumna of our Feature Writing course ( which no longer runs but we hope to bring it back soon!) She’ll be reading ‘Creature of Habit’.

 

Emily Shamma

Emily Shamma is a City periodical journalism graduate. She started her career as a fashion journalist, before moving into business journalism. Emma then spent time as a retail analyst in the City, before working as a Director at Tesco for 17 years. She lives in Islington with her husband and 11-year-old daughter Estella. Emma now writes creatively for pleasure, and her other interests include modern art, cookery and the theatre. An Approach to Creative Writingalumna, she’ll be reading her story ‘The Complicit’.

As you can tell, City Writes Autumn 2021 is going to be a fantastic showcase of the creative writing talent coming from City’s creative writing short courses, with readings and a Q&A with Ciaran Thapar. Don’t miss out and register now for your link to the zoom event on the 15th December at 7pm. We look forward to seeing you there!

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