Tag: caroline green

Interview with City short course alumna and debut novelist Tania Tay

Tania Tay is the debut author of The Other Woman, published in May 2024 with Headline Accent.

Tania first wrote stories and plays on her mum’s old typewriter in the school holidays. She worked as an advertising copywriter in agencies from Singapore to London – which was great training in writing commercial fiction. One day at a job interview, she was asked if she was a “brave writer”. It triggered her join a short story class at the City Lit, with Leone Ross where she wrote a few weird, dark tales. Her writing explores female friendship, and the relationship between mothers and daughters. Occasionally there’s a supernatural twist. Tania is the author of the Spellcasters middle grade series, in collaboration with Storymix Studio. She has written a screenplay, developed with BBC Writersroom London Voices. Tania is second generation British Malaysian Chinese. She studied History of Art at the University of Edinburgh and lives with her family in East London.

  1. What inspired you to write your novel and how did the idea for the story come about?

 

The idea came from a writing exercise where I had to imagine if I lost everything in my life. At the time, my children were younger and I was a stay-at-home mum. I imagined what would have to happen for me to lose my husband and children.

 

  1. Why did you choose to write in the thriller genre? What is it about this genre that interests you most?

 

I’ve always enjoyed reading psychological thrillers where the suspense is more in the mind than in spilling blood and guts. The threat of danger to ordinary people going about their everyday lives is terrifying, as what if…. these things happened to me?

 

  1. When did you first think you wanted to be a writer?

 

I’m first and foremost a reader. I’ve always been a book worm and started writing plays as a child, inspired by fairy tales and stories I loved. I worked as a copywriter in advertising, but I never thought I could be a proper writer of fiction until I did a short story writing class at the City Lit.

 

  1. You took our Crime Writing short course at City, how helpful was it in the development of your debut thriller?

 

The course was invaluable. At the time I’d mainly been writing for children. Caroline Green was so inspiring with her personal journey about how she’d made the change from writing YA to writing adult crime. She introduced us to some brilliant crime fiction excerpts, many of which I’d never read. She set short writing exercises, and we teamed up with people in the class to discuss ideas. The course really got my imagination going. Soon after taking the course, I started writing the novel that’s now my debut.

 

  1. How important do you think feedback from writing groups and creative writing courses is?

 

Trusted feedback has been really important for me. I’ve been a member of various critique groups over the years. But I’m very careful about who I choose to trust to give me feedback. I only work with creative writing tutors and peers who enjoy reading and writing similar genres to my own. I don’t see my work as literary, but commercial so I surround myself by other writers who enjoy reading and writing commercial fiction. Before I signed up for Caroline Green’s course, I’d read her books and knew that I enjoyed her work and that she would be a great teacher for me.

 

  1. What were some of the biggest challenges you faced while writing your novel?

 

To keep going, even when I got stuck. I knew I needed some big twists but I didn’t know what they could be. I had to draft and redraft until I found them.

 

  1. What has the route to publication been like for you?

 

It’s taken me a LONG time… years! I had short stories published in 2002 but could never finish a whole novel. I kept trying different genres including children’s and YA. I queried my first YA novel in 2018 and had some nice rejections. My debut adult suspense novel was started in 2018. I worked on it for over a year with the help of a tutor. Then I re-drafted it again. In April 2022 I was shortlisted for an open submissions competition with Headline and had to finish another draft by August. In September, I won a publishing contract, and it was finally published May 2024.

 

  1. Which writers inspired you as a younger author, and who inspires you now?

 

I’ve always loved mysteries – As a child and teenager, I read Agatha Christie, Daphne Du Maurier, Georgette Heyer. I’ve always enjoyed psychological thrillers, like Zoe Heller’s Notes on a Scandal, Gillian Flynn’s Gone Girl, Damage by Josephine Hart, Ian McEwan and Margaret Atwood. Currently, my favourite authors are Lisa Jewell, Louise Candlish, Lucy Foley, Ellery Lloyd, Sabine Durrant, Lucie Whitehouse, Araminta Hall, Lauren North, BP Walter.

 

  1. What advice would you give to other aspiring writers who are thinking about publishing a novel?

 

Read a lot in the genre you enjoy, and analyse your favourites. Take a short course or do some writing workshops to inspire you. Surround yourself with writers and get involved in the writing community, whether on social media – Instagram and twitter – or by going to festivals. Be nice to people and tell other authors when you enjoy their work. Write them nice reviews! It’s a long and can be lonely path to publication, so you need to find your writing tribe to share the ups and downs with. When you’re finally agented and have a publishing deal, these will be the people who will happily give you endorsements, reviews and shout about your books to everyone.

 

  1. What are you working on now?

 

A destination thriller set on a luxury resort on a Malaysian island. A group of colleagues from an advertising agency re-unite for a party, but there are secrets from the past casting a toxic shade over the festivities. And then a dead body is found.

Thank you so much, Tania! We wish you every success with your debut novel and all the many novels to come. We can’t wait to read the book!

To order Tania’s novel, visit HERE.

For more information about Tania and her writing, visit HERE.

To sign up to an intensive week-long summer school version of the course Tania took at City, visit HERE.

For all information on our writing short courses, visit HERE. Or for all our other short courses, please visit HERE.

City Writes Autumn 2023 Open for Submissions

City Writes Autumn Deadline 10 November 2023

By Rebekah Lattin-Rawstrone

With a new academic year comes more fantastic writing from the short courses at City with our showcase event, City Writes, this term on Wednesday 13th December at 7pm on Zoom. We are delighted to announce that our published author this time is the brilliant writer and tutor, Caroline Green. Not only does Caroline write fiction for young people and adults, she is also the much valued and acclaimed teacher of the Crime and Thriller Writing short course and Crime and Thriller Writing Summer School here at City. From YA, through psychological thriller, to supernatural detective fiction, Caroline Green is an inspirational powerhouse. Register here to save your spot for the night.

Crime writer and City Writes Autumn 2023 guest, Caroline Green

If you would like to read your work in front of a supportive audience and share the virtual stage with Caroline on the 13th December, all you need to do is submit your best 1,000 words of fiction or creative non-fiction (we accept YA but sadly NOT poetry, drama or children’s fiction) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on Friday 17th November. Please check the full submission details here.

 

Don’t forget to sign up for the event on the 13th December here.

 

We can’t wait to read your submissions! Good luck.

Top Ten Tips for Writing Crime Fiction

By Caroline Green

Crime fiction is booming right now. If you have ever wondered if you could write for this thriving, thrilling genre, here are ten things you should know:

  1. Understand who you are writing for. Read widely within the genre and decide what type of crime fiction you love to read. (Frankly, if you don’t get excited about reading it, why do you want to write it?)
  2. But after you’ve read all those lovely books, don’t try and second guess the market. No one saw the likes of Girl On The Train. The most important thing is to know the genre but write what you want to write.
  3. Watch quality drama as well as reading books. Programmes such as Happy Valley or Line of Duty can teach budding crime writers a lot, despite being delivered via a different medium.
  4. Aim for living, breathing, characters, not cardboard cut-outs. If you are writing another alcoholic PI or police investigator make sure they are so well-rounded they could step right off the page. What is their back story? What made them who they are?
  5. Don’t be afraid to delve into your dark side. Your own imagination is more powerful – and has more twists – than all the CGI in the world. Tap into it and never shy away from those big, bold ideas that make you think, ‘Dare I…?’.
  6. The best twists don’t come hurtling out of nowhere. The really satisfying ones make such perfect sense, you can’t believe you didn’t see them coming.
  7. Remember that conflict is the engine of story-telling. Try to weave some form of conflict into every single scene, every conversation, every plot line.
  8. Think about the ‘why-dunnit’ and not just the ‘who’. The reason psychological thrillers have taken off so much – and helped cause that boom in sales – is that the psychology behind dark deeds makes for a gripping read.
  9. Vary your pace. Sometimes readers need space to breathe, and others they need to be sent hurtling towards the thrilling climax of your story.
  10. Let your setting do some of the heavy lifting when it comes to creating atmosphere. A creepy atmospheric setting can really help rachet up tension.

 

Caroline Green writes best-selling thrillers as Cass Green and teaches City’s Crime and Thriller Writing Short Course.

Book now for the autumn term, starting 3rd October 2023.

5 reasons why now is a good time to learn how to write crime fiction

Crime fiction is having a boom time, spurred on by the phenomenal success of books like Richard Orsman’s Thursday Murder Club series. Read on for more on why now is a great time to learn how to write crime fiction.

 

 

  1. Crime fiction is an incredibly popular genre

Crime is one of the fastest growing genres in UK fiction book sales, with Nielsen’s reporting a 19% volume growth in UK book sales for crime and thrillers in 2020.

 

  1. Crime fiction translates

Write a successful crime novel and the chances are it will be adapted into a film or onto the small screen or stage. From TV staples such as Midsomer Murders and Wallander to box office hits like Murder on the Orient Express and The Talented Mr Ripley, all began life as crime novels.

 

  1. Crime fiction has some of the most loyal fans

From Hercule Poirot to Philip Marlowe, from Inspector Morse to John Rebus, at the heart of the best crime fiction is an unforgettable detective. Create a detective your readers love and you’ll have them clamouring for the next book in the series.

 

  1. Crime fiction: a genre for our times?

From climate change to global pandemics, we live in increasingly uncertain times. While crime fiction delves into the darker side of life, ultimately justice prevails – the criminal is caught, the mystery is solved – and readers are left with the, however temporary, relief that order has been restored.

 

  1. Crime fiction is versatile

Study crime fiction and you’ll discover plenty of sub-genres to sink your teeth into (no pun intended). From cosy crime – currently having a moment due to the incredible success of Richard Orsman’s Thursday Murder Club series – to psychological thrillers epitomised by City Novel Studio alumna and Sunday Times bestselling crime writer Harriet Tyce, to hardboiled fiction, courtroom dramas and legal thrillers, there’s a sub-genre for everyone!

 

 

City’s Short Courses offer a ten-week Crime and Thriller Writing course taught by Sunday Times bestselling thriller author Caroline Green. Read here for her top tips on how to write crime fiction. Or click here to book her next course starting in January 2023.

 

And don’t just take our word for it: in the words of former student Darah O’Reilly, it’s ‘an outstandingly well put together course from a leading crime writer.’

 

For more on City’s Writing Short Courses visit our home page and keep an eye out on this blog for more updates on our growing list of published alumni.

 

© 2024 City Short Courses

Theme by Anders NorenUp ↑

Skip to toolbar