By Rebekah Lattin-Rawstrone
While half the country were on the edges of their seats watching football, us lucky few were treated to a night of storytelling, imagination and the excitement of hearing the inner world of consciousness burst out from the page.
City Writes is a termly event set up to showcase the best talent from City’s creative writing Short Courses. It’s a game of two halves (I couldn’t resist): readings from competition winners, students and alumni of City’s creative writing short courses who enter their best 1,000 words of fiction or creative non-fiction into the termly competition; and a visit from a published alumni or tutor and this term we managed to score the wonderful Lara Haworth, whose debut Monumenta came out with Canongate on the 4th July.
We began the night with the competition winners and Dee Miller, recent Novel Studio alumna, kicked things off with an extract from her Middle Grade novel, Between Wind and Water. We were enthralled as Geal, guardian of Spring, discovers all the people and animals of their local village are gone, leaving only footprints, paw marks and hoof prints behind. It was easy to imagine a young audience being gripped by this fantastical and energetic tale.
We heard from An Approach to Creative Writing alumna, Emily Edwards next as she read her multi-perspective story, ‘Laurie’. Who was this rather wild woman and what happened that night? A story that leaves the central character absent but all over the text, it was a thrilling and eerie listen. The audience were left wanting more in all the right ways.
Moving from one dark scenario to another, Flora Tonking read her story, ‘The Playing Field’ next. Another recent Novel Studio graduate, Flora’s story was inspired by events in her mystery novel, Chosen Family, and certainly proved her expert turn of phrase and her ability to leave bodies bleeding in the dark. A very haunting and moving story. Bring on the novel!
From fiction to creative non-fiction, we were treated to a wonderful portrait of Constance Markiewicz next as Fact-Based Storytelling alumna, Pamela Welsh, read her piece, ‘A Countess in Combat’. Constance’s life from riches to revolution was inspiring and a wonderful advertisement for Pamela’s book project on women in conflict. That’s a book I think we’ll all be eager to pick up.
Another Novel Studio alumna and City Writes veteran, Jill Craig read next. Her story, ‘Estrangement’, took us onto a boat ride with her main character, on her way to see her estranged mother with a new boyfriend, desperate to reach out to her sister, the one who remained her touchstone of safety. So full of emotional turmoil and laced with lyrical writing, the audience were putty in Jill’s hands.
Next, we heard from Margaret Rogerson, our final competition winner and another recent Novel Studio graduate. Margaret read an extract from her novel, I Was, Once. She transported us into those delicate teenage years, fourteen and eager to find excitement in life. Her character found herself on holiday in a campsite surrounded by an aunt preoccupied with ‘that stupid baby’ and a whole host of men hungry to watch her cartwheel. Let’s hope Margaret publishes soon so that we can read the rest of this story with such a compelling and funny voice at its heart.
After such a stellar set of competition winning readers, it was a good thing we had multi-talented artist, filmmaker and now writer, Lara Haworth as our guest speaker. A Novel Studio alumna who read an early extract from Monumenta at City Writes back in 2021, Lara is a phenomenal writer dear to our hearts. Her debut, Monumenta is a book that examines how we remember collectively and in private. The Guardian says it ‘fizzes with ideas’ and Bookmunch say it ‘Deserves a place on awards shortlists’ and the City Writes audience couldn’t agree more. Over the next half an hour or so Lara introduced us to the book through her answers to my questions and some wonderful short readings from a small novel that really packs a punch.
Author and City alumna Lara Haworth
Set in Belgrade, the novel opens with Olga Pavić receiving a letter from the government. It tells her that her house is being requisitioned in order to turn it into a monument for a massacre. But which one? No one seems to know. It’s a novel that explores memory in all its present, personal and civic interpretations. It was such a delight to speak with Lara and you can hear her readings, our conversation and all of the competition winners by clicking on this link to the video of the night. It really was a monumental night. Buy your copy of Monumenta here.
Thank you, Lara, thank you competition winners, thank you audience members and Emily Pedder for supporting this event. It truly is a showcase for the talent coming from the short creative writing courses at City and what talent there is. Next term, City Writes returns with alumna Jo Cunningham as our guest. Jo’s debut, Death by Numbers comes out with Hachette this August. It’s a seaside comedy crime that will have us burning on our beach towels. Listen to the event HERE and watch this space for details of City Writes Autumn 2024.
New Year’s resolutions often feel like a list of restrictions: exercise more, cut out chocolate, reduce alcohol intake. But what if we reframed our approach? Instead of focusing on what we can’t do, let’s concentrate on what we can learn.
By Rebekah Lattin-Rawstrone
habitats throughout the seasons, illustrated by Carolina Rabei and published by Nosy Crow and the National Trust. Both books have been translated into other European languages including French, German and Danish.
Diverse Course Offerings
As the new term approaches, we’re excited to offer a selection of taster events at our free online event next month. Whether you’re considering taking another course with us or joining for the first time, these events provide an opportunity to sample our courses and engage with our expert 
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