Tag: City Writes (page 3 of 6)

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Spring is coming!

Writing Short Courses Newsletter Spring 2023

March 2, 2023 / / 0 Comments

The bluebells are here and the days are getting just that bit longer. Here to bring even more joy is the latest news from our wonderful writing short course alumni and tutors.

Alumni News

Novel Studio alumni news: Award-winning author Deepa Anappara will publish Letters to a Writer of Colour later this year. Edited with Taymour Soomro, it’s a collection of essays on fiction, race, and culture. Deepa has also recently joined the MA Creative Writing teaching team at City where she teaches Literary Journalism. There will be a launch for the book at City on March 13th. It’s free but you’ll need to register HERE.

Book cover of Letters to a Writer of Colour

Letters to a Writer of Colour, edited by Deepa Anappara

 

Book cover for The House of Whispers

The House of Whispers, Anna Mazzola’s new novel

Anna Mazzola’s new historical thriller, The House of Whispers, will launch in March 2023. Ian Rankin has described Anna’s work as ‘Historical fiction with a fantastical twist, done with verve and skill’.

Janet Philips has published her debut book, Great Literary Friendships, with Bodleian Library, described by Publisher’s Weekly as a ‘fun spin on literary analysis’.

Rachel Mann has published her short story, The Things We Grew, with Passengers Journal. She has also published a column in the Rumpus called Things I Wish I Could Workshop other than my Novel.

Katy Darby’s Writers’ Workshop and Short Story Writing students continue to shine. Emma Guinness (Grae) has won Scots book of the Year 2022 for her novel Be Guid Tae Yer Mammy. Her second novel, The tongue she speaks — 15k of which was workshopped on her City course — was published last year with Luath Press. Sue Hann has a publishing deal with Neem Tree Press for a non-fiction book due out in 2025.  Kate Gilby Smith has published two middle-grade children’s books with Hachette since taking the course in 2017, the first was The Astonishing Future of Alex Nobody and the second is Olive Jones and the Memory Thief, which came out in June 2022.

Book cover for OliverJones and the Memory Thief

Olive Jones and the Memory Thief by Kate Gilby Smith

Joe Gallard has won the Ilkley International 8x8x8 playwriting competition. His play, This is Not a Drill, will be performed at the Ilkley Playhouse this April. Tickets available here. Helen Harjak was shortlisted for the 2022 Willesden Herald Short Story Prize. Former Times literary editor Erica Wagner will publish a new book, The Vocal + Fiction Awards Anthology, with Unbound in February 2023. The anthology is a collection of stories chosen from over 13,000 entries submitted to the Vocal+ Fiction Awards. Roly Grant’s 500 word story ‘Dust’ was the Richmond borough winner in Spread the Word’s ‘City of Stories’ anthology, published in June 2022.

Martin Ouvry’s Novel Writing and Longer Works’ alumnus Conor Sneyd has published his debut novel, Future Fish, with Lightning Books. You can read more about Conor’s path to publication on our blog here. Two of Martin’s other students, Angelita Bradney and Kate Vine, have been taken on by top literaryn agents — Catherine Cho at Paper Literary, and Johnson & Alcock, respectively.

2023 looks like being a great year for Peter Forbes’ Narrative Non Fiction alumni. Dee Peyok brought her pitch for a book about Cambodian rock music in the 1960s to the

Author photo of Aniefiok Ekpoudom

Aniefiok Ekpoudom

course back in 2013. The book, Away from Beloved Lover, was published by Granta in January, to rave reviews. More recent alumni include Claire Martin’s (2021) Heirs of Ambition, a history of the Boleyn family before they became famous, which will be published by The History Press; and Aniefiok Ekpoudom’s (2015) Where We Come From: How Grime and Rap gave voice to a generation is due from Faber in August. In other news, Alice Kent has been longlisted for the Observer/Burgess Prize for Arts Journalism 2023.

Opportunities

The Novel Studio, our flagship year-long course for aspiring novelists, has opened for applications. For more details on the course and how to apply follow the link to our home page. To find out more about our extensive list of published alumni, take a look here.

If you want to talk to me in person about the Novel Studio or any other writing short course, I’ll be at the virtual Open Evening on 28 March. Sign up HERE.

City Writes

Our termly writing competition open to all writing short course students, past and present, is seeking submissions for its spring event. This term’s guest alumna will be award-winning author Hannah Begbie, author of two Mother and Blurred Lines, both published by HarperCollins. For your chance to join Hannah on the virtual stage, you need only send in your best 1,000 words of creative fiction or nonfiction (no young children’s fiction or poetry please) by midnight on March 3rd to rebekah.lattin-rawstrone.2@city.ac.uk . You can find full submission details here.

Hannah Begbie

Or just come along to hear some fantastic new writing on the night itself, 29th March. It’s all on Zoom and you can register here.

Scholarships

We continue to offer a fully funded place for a young adult (18-25) from an underrepresented background and/or facing financial difficulty on our Writing for Social Impact course. To apply, please contact the tutor Ciaran Thapar explaining why you’d like to attend. This course is now offered monthly to reflect the increased demand.

Please see below for more information on our Novel Studio scholarship.

New Courses

Pete Austin and Anna Tsekouras, aka Anon agency, have hit the ground running on our new Branding 101 course for small businesses, creatives, entrepreneurs or anyone who wants to know more about how to create and foster their own brand. Feedback so far has been very positive with one student describing it as ‘the perfect blend of foundational theory and tangible takeaways.’

Tutor News

Holly Rigby joins the teaching team as Thursday night’s Narrative Non Fiction tutor. A former student on Peter Forbes’ course, she is a passionate advocate for the course and a brilliant writer and teacher in her own right. Holly worked as an English teacher in inner London schools for almost a decade, and is currently working on a book about the UK education system, published by Repeater Books in early 2024. Welcome, Holly!

Writing for Social Impact tutor, author and youth worker Ciaran Thapar has launched his own newsletter, ALL CITY, through Substack. Pitched as the ‘diary of a youth worker, with the pen of an author’, the newsletter will be a weekly dive into the challenges of inner city youth work and education. You can sign up and find out more here.

Anna Wilson is now teaching our Writing the Memoir course. Most of Anna’s books have been for children and teens, but more recently she has turned her hand to writing for adults. Her memoir A Place for Everything – my mother, autism and me has been reviewed as “a seminal work in this area” by the world expert in autism in women, Professor Tony Attwood. Welcome back, Anna!

Paris writing retreat, 12-16 April 2023. Former Novel Studio tutor and award-winning author Dr Emma Claire Sweeney and literary agent Jonathan Ruppin will host five days of mentoring and group writing sessions in a stunning private residence a short walk from the Eiffel Tower. Planning and follow-up sessions on Zoom. Quote CITY10 for 10% discount for bookings made by 13th March 2023.

Paris Writing Retreat

And finally…

We wanted to say a huge thank you to Harriet Tyce. Harriet has funded and supported our Novel Studio scholarship for the past four years. A former barrister and Novel Studio alumna, Harriet is now a Sunday Times best-selling crime novelist. Her three novels, all published by Wildfire, have been runaway successes and her reputation as a leading crime writer is now firmly established. We have been so lucky to have Harriet’s backing for the Novel Studio, not only through the scholarship program — a program she initiated — but also through her ongoing mentoring support for the scholarship recipients and her generous introductions to the annual showcase. We very much hope to keep the scholarship alive — so do watch this space for more on this — but in the meantime, thank you so much, Harriet!

That’s all for this term. Congratulations and thanks to all our wonderful students and tutors.

To find out more about all our creative writing short courses visit our home page HERE.

And for more on all City’s short courses, look HERE.

New Year, New Writing Goals with City Writes – City Writes Competition Open

January 27, 2023 / / 0 Comments

By Rebekah Lattin-Rawstrone

City Writes, the showcase event for new writing coming from City’s Creative Writing Short Courses, is delighted to announce that Hannah Begbie will be its published alumna this term at our City Writes Spring 2023 online event on Wednesday 29th March at 7pm.

 A Novel Studio alumna, Hannah Begbie is the author of two award-winning novels, Mother and Blurred Lines, both published by HarperCollins. For your chance to join Hannah on the virtual stage, you need only send in your best 1,000 words of creative fiction or nonfiction (no young children’s fiction or poetry please) by midnight on March 3rd to rebekah.lattin-rawstrone.2@city.ac.uk . You can find full submission details here.

Photo of author Hannah Begbie

Novel Studio alumna and City Writes guest author Hannah Begbie

There is no theme, just your most sparkling prose, and the competition is open to all current students and alumni of Creative Writing short courses at City. If your piece is chosen, you will be asked to read your work at our City Writes Spring 2023 event at 7pm on Wednesday 29th March on Zoom. You will be reading alongside the fantastic Hannah to a supportive audience of students, alumni, friends and a few industry members. Don’t miss your chance, submit now!

 For those of you keen to sign up in advance, you can register for the event here.

We can’t wait to read your submissions!

Controlling the Narrative Non-Fiction

January 6, 2023 / / 0 Comments

Peter Forbes on the success of City’s Narrative Non-Fiction short course

Author photograph of writer and editor Peter Forbes

Tutor, science writer and editor, Peter Forbes

For over fifteen years, City has run its Narrative Non-Fiction short course. For almost a decade, one tutor has been at the helm.  Peter Forbes is a science writer with a special interest in the relationship between art and science. He initially trained as a chemist and worked in pharmaceutical and popular natural history publishing, whilst writing poems and articles for magazines such as New Scientist and World Medicine.

He has written numerous articles and reviews – many specialising in the relationship between the arts and science – for the Guardian, Independent, The Times, Daily Mail, Financial Times, Scientific American, New Scientist, World Medicine, Modern Painters, New Statesman and many others.

Peter is also an editor. As editor of the Poetry Society’s Poetry Review from 1986-2002, he played a major role in the rise of the New Generation Poets. He has edited three anthologies: Scanning the Century: The Penguin Book of the Twentieth Century in Poetry (Viking, 1999), We Have Come Through (Bloodaxe, 2003) and The Picador Book of Wedding Poems (Picador, 2012). His book, The Gecko’s Foot, about the new science of bio-inspired materials, was published by Fourth Estate in 2005 and was long-listed for the Royal Society Prize. Dazzled and Deceived: Mimicry and Camouflage (Yale University Press, 2009) won the 2011 Warwick Prize for Writing. He was Royal Literary Fund Fellow at Queen Mary University of London (2004-7) and at St George’s, University of London (2010-12).

“I loved science as a child,” Peter explains. “But fell out of love with it at university, so poetry took over for a long time. What thrills me about science now is that all of the naive questions I used to ask as a student – about the origin of life; about the development of form in living creatures – are well on the way to being answered, if they haven’t been already. I can’t resist trying to tell the world about all these discoveries.

“I owe my entree into teaching to the Royal Literary Fund (RLF). The RLF scheme involves one-to-one tutoring of university students and I discovered that I enjoyed this very much. It was through the RLF that I came to City. I then discovered that I enjoy teaching a class even more than one-to-one.

“Teaching is an animated, sociable activity, unlike the solitariness of a writer’s work. I enjoy seeing people grow in confidence. As everyone gets to know each other, our classes develop into a lively discussion group from which everyone learns from each other.

“The standard at City is high and many of the students have the potential to publish successfully. Success, though, requires more than talent and I try to inculcate the attitude necessary to cope with the frustrations and setbacks that dog any published writer’s life.”

Cover picture of Dee Peyok's book Away from Beloved Lover

Away from Beloved Lover by Dee Peyok

It would seem Peter’s advice has paid off. Alumni from the course have been phenomenally successful. This year alone sees the publication of three alumni books: Dee Peyok’s Away From Beloved Lover (Granta); Claire Martin’s Heirs of Ambition (The History Press); and Aniefiok Ekpoudom’s Where We Come From (Faber). (As Dee herself tweeted recently in response to Peter’s message of congratulation on her book: “Your class really set me on my path. I can’t recommend Peter and the course enough to anyone considering it.”) Other notable alumni successes include Ciaran Thapar’s acclaimed Cut Short (Penguin) (Ciaran now teaches his own course for City: Writing for Social Impact); Deidre Finnerty’s book Bessborough (Hachette); and Jack Price’s book on Stem Cell Therapy, The Future of Brain Repair (MIT).

Cover picture of Deidre Finnerty's book

Bessborough by Deidre Finnerty

So what’s the key to the course’s success? Peter explains: “In the first half of the course we work mainly with set topics and in the second half with the students’ own work. Besides the class sessions, every student gets individual written feedback on several assignments during the course. This is professional, hands-on editing that is hard to come by elsewhere.

“The 10-week course is an ideal format in which to develop your writing skills. The friendly, enabling environment of the class takes the sting out of the anxiety of offering up your thoughts for scrutiny. It is, in fact, a milieu that many writers, at a computer or alone in a library, pine for.”

Since the pandemic the course has been delivered online and can be joined remotely from anywhere in the world. Students have been known to log in from the UK, USA, India, Germany, France, Spain, Italy, Ethiopia, Haiti, Uganda, and Malaysia. And from this term City are offering the course on two nights – Tuesdays with Peter and Thursdays with acclaimed writer and teacher Holly Rigby.

For more on the course visit the home page.

For more on our other writing short courses visit our page here.

The next course starts on 17 or 19 January.

City Writes Autumn 2022 Competition Winners Announced

December 2, 2022 / / 0 Comments

By Rebekah Lattin-Rawstrone

We’re delighted to introduce our fabulous City Writes Autumn 2022 Competition Winners, who will be reading their work alongside renowned author and alumna, Elizabeth Chakrabarty, on Wednesday 14th December at 7pm. Register to join us here.

This term’s winners, chosen from our usual weight of entries are:
Author photo of Nathaniel Ashley

Nathaniel Ashley

Short Story Writing alumnus, Nathaniel Ashley is an author and freelance journalist who has written for Neon Books Literary Magazine, The Skinny and Massive Cinema. He runs the film and television blog Natflix and you can find him on Twitter @NateAshley10. Nathaniel will be reading his story ‘Captain Proton vs. the Deviator’.

Author photo of Hugo Cox

Hugo Cox

Hugo Cox. For fifteen years Hugo has been a freelance journalist covering property, housing and investment, mainly for the Financial Times; before that he was a mediocre actor. Encouraged by the Narrative Non-Fiction course, which he has just completed, he hopes to continue bumbling around after interesting topics beyond his day job, as well as kookier ways (or outlets) in which to tell his property stories. He is fairly useless without a looming deadline and very keen for tips on writing groups or classes to help maintain his newfound momentum. Hugo will be reading his piece, ‘Half Over’.

Author phot of Alison Halsey

Alison Halsey

Alison Halsey is a fiction writer and a former financial services professional, with a career lasting over 45 years. She has also served in many roles supporting charities with a focus on young people with disabilities. A student of The Novel Studio, Alison is currently writing her second novel, Agnes Gets a Lift, from which she will be reading the first chapter. She is currently also still editing her first novel, Minta Gets Everything Wrong, for which process The Novel Studio course is proving invaluable.

Author photo of Katharine Light

Katharine Light

Katharine Light. During her year on The Novel Studio at City, University of London, Katharine worked on her novel Like Me, which she plans to publish in 2023. It is the first of a series of novels about a group of teenage friends who meet up again in their late thirties. The short story ‘My arms are empty’, to be read at City Writes, is based on an episode in the sequel, Me Too. Katharine lives in London and fits writing around a full-time job and busy family life.

An Approach to Creative Writing alumna, Isabelle Mouttet. Isabelle was born and raised in Trinidad & Tobago and has been living in London getting her Master’s in Entrepreneurship. She is an avid reader and a hopeful writer who plans to pursue a career in book publishing. Isabelle will be reading ‘The Myth Finder’.

Author photo of Tunde Oyobode

Tunde Oyebode

Writers’ Workshop alumnus, Tunde Oyebode is a London-born Nigerian, based in East London. Working primarily as an Architect in North London, he is committed to delivering inclusive projects with high social and aesthetic value. Writing is a passion that he has developed in parallel with Architecture. His creative and essay writings explore human relationships and society and have been published in anthologies and magazines. Some of these writings include ‘Explosions,’ which was published in print in the 2021 Michael Terrence Anthology, ‘Wants’ published online in Stylist Magazine and ‘Riot,’ which is pending print publication in Obsidian Magazine in December 2022. Tunde will be reading his story, ‘Wants’.

After listening to tales of magic, wonder, romance, desire, film, work, running and death, you’ll be thoroughly warmed up to hear from our guest author, the wonderful Elizabeth Chakrabarty whose novel Lessons in Love and Other Crimes is a gripping and vital novel.

Don’t miss your chance to hear all of these authors and get in the mood for the festive season. Register here for City Writes Autumn 2022 at 7pm on Zoom. See you there!

Portrait of author Elizabeth Chakrabarty by Jason Keith

Guest alumna Elizabeth Chakrabarty, photo by Jason Keith

City Writes Deadline Tomorrow 18 November!

November 17, 2022 / / 0 Comments

Got 1,000 words of fantastic fiction or non-fiction ready to share? This is your chance to join award-winning writer and alumna, Elizabeth Chakrabarty on the online stage of City Writes! Send your 1,000 words (no poetry, scripts or picture books) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on Friday 18th November along with details of your current or past City Short Creative Writing Course.

City Writes is a termly event showcasing the best of City’s Short Courses Creative Writing talent and this term, alongside the readers from the termly competition (this could be you!), we are extremely excited to welcome Elizabeth Chakrabarty as our alumna guest author.

Alumna of the Novel Studio, Elizabeth Chakrabarty is an interdisciplinary writer using creative and critical writing, besides performance, to explore themes of race, gender and sexuality. Her debut novel, Lessons in Love and Other Crimes, inspired by experience of race hate crime, was published in 2021 by the Indigo Press, along with her essay, On Closure and Crime. In 2022 Lessons in Love and Other Crimes was longlisted for the Desmond Elliott Prize, and also shortlisted for the Polari First Book Prize.

Portrait of author Elizabeth Chakrabarty by Jason Keith

Author photo of Elizabeth Chakrabarty by Jason Keith

For your chance to read your work alongside this ground-breaking author, you need only send your best 1,000 words of fiction or creative non-fiction (no poetry, scripts or picture books) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on Friday 18th November along with details of your current or past City Short Creative Writing Course.

Registration for City Writes Autumn 2022 event on the 14th of December at 7pm on Zoom is open now. Simply follow this link to sign up to hear Elizabeth Chakrabarty read from her fantastic debut, Lessons in Love and Other Crimes, alongside the competition winners (possibly you?!) to be announced in just a few weeks’ time.

Full submission details can be found here.

 

We can’t wait to read your work – submit now! – and see you on the 14th December.

City Writes Autumn 2022 – Call for Submissions

September 14, 2022 / / 0 Comments
By Rebekah Lattin-Rawstrone
Portrait of author Elizabeth Chakrabarty by Jason Keith

Author photo of Elizabeth Chakrabarty by Jason Keith

City Writes is a termly event showcasing the best of City’s Short Courses Creative Writing talent and this term, alongside the readers from the termly competition, we are extremely excited to welcome Elizabeth Chakrabarty as our alumna guest author.

Alumna of the Novel Studio, Elizabeth Chakrabarty is an interdisciplinary writer using creative and critical writing, besides performance, to explore themes of race, gender and sexuality. Her debut novel, Lessons in Love and Other Crimes, inspired by experience of race hate crime, was published in 2021 by the Indigo Press, along with her essay, On Closure and Crime. In 2022 Lessons in Love and Other Crimes was longlisted for the Desmond Elliott Prize, and also shortlisted for the Polari First Book Prize.

Elizabeth was also shortlisted for the Dinesh Allirajah Prize for Short Fiction 2022, for her story ‘That Last Summer’ published in The Dinesh Allirajah Prize for Short Fiction 2022: Crime Stories by Comma Press. She was shortlisted for the Asian Writer Short Story Prize in 2016 for her story ‘Eurovision’ published in Dividing Lines (Dahlia, 2017).

Her shorter work includes poetry and creative-critical writing, and she has recently been published in Gal-Dem, New Writing Dundee, Wasafiri, and the anthology Imagined Spaces (Saraband, 2020), and in translation, by Glänta and Deus Ex Machina. She received an Authors’ Foundation Grant from The Society of Authors (UK) in December 2018, to support the writing of Lessons in Love and Other Crimes, and she was chosen as one of the runners up for the inaugural CrimeFest bursary for crime fiction authors of colour in 2022. She lives in London.

For your chance to read your work alongside this ground-breaking author, you need only send your best 1,000 words of fiction or creative non-fiction (no poetry, scripts or picture books) to rebekah.lattin-rawstrone.2@city.ac.uk by by midnight on Friday 18th November along with details of your current or past City Short Creative Writing Course.

Registration for City Writes Autumn 2022 event on the 14th of December at 7pm on Zoom is open now. Simply follow this link to sign up to hear Elizabeth Chakrabarty read from her fantastic debut, Lessons in Love and Other Crimes, alongside the competition winners to be announced later this term.

Full submission details can be found here.
We can’t wait to read your submissions and see you on the 14th December.

Writing Short Courses News Summer 2022

August 31, 2022 / / 0 Comments

We’re incredibly proud of our writing short course alumni and tutors. Here’s the latest on their writing journeys.

Novel Studio Alumni

Following a six-figure pre-emptive bid, Bloomsbury will publish a new fantasy series by Emma Norry, The Fable House, in April 2023. Emma is the author of Amber Undercover for OUP and Son of the Circus, part of Scholastic’s Voices series. Fablehouse draws on her personal experiences as a mixed-race child and teenager growing up in the care system in Cardiff.

Elizabeth Chakrabarty’s debut novel Lessons in Love and other Crimes has been longlisted for the Desmond Elliott Prize and shortlisted for the Polari First Book Prize.  She was also shortlisted for the Dinesh Allirajah Prize for Short Fiction 2022, and her story ‘That Last Summer’ was published in The Dinesh Allirajah Prize for Short Fiction 2022: Crime Stories by Comma Press. More recently she was a runner up for the inaugural 2022 CrimeFest bursary for crime fiction authors of colour.

Marissa Henderson has been awarded the prestigious Stuart Hall Foundation CHASE AHRC studentship for BAME Arts and Humanities Researchers for her PHD which will see the completion of her novel, Sugar Water, an exploration of a Caribbean-British family’s individual and collective.

Vasundhara Singh has published her debut novel, Mistress, Mother with Ukiyoto Publishers.

Author photo of Pauline Walker

Novel Studio alumna Pauline Walker

During the Pandemic, Pauline Walker set up The Amplify Project with fellow writer Patricia Crumper, a podcast which invites black writers for the stage, page and screen to talk about ‘themselves, their work, what inspires them and why they write.’ You can listen here. Pauline was also recently asked by The Guardian Saturday magazine to write a feature on the new era of Black British theatre.

Peter Forbes’ Narrative Non Fiction alumna Emma Bielecki’s piece ‘Eh-ALL-ing: Finding Poland in London’ (a former City Writes winner) has been published in Elsewhere. This is the third piece from Narrative Non-Fiction alumni to appear in the journal.

Cover picture of Cut Short by Ciaran Thapar

Writing for Social Impact tutor Ciaran Thapar’s book, Cut Short

Following rave reviews for his debut non-fiction book, Cut Short – including this from Nikesh Shukla: “An incredibly important look at the plight of Britain’s youth, delivered with clarity, honesty and an open heart” –  Ciaran Thapar (now a City tutor, see below) released his book in paperback in June.

Cover picture of The Tongue she Speaks by Emma Grae

Writers’ Workshop alumna Emma Grae’s novel The Tongue She Speaks

Cover picture of Natasha Brown's Assembly

Writers’ Workshop alumna Natasha Brown’s debut novel, Assembly

Katy Darby’s Short Story Writing and Writers’ Workshop students have been incredibly successful. Natasha Brown was shortlisted for the Orwell Political Book Fiction Prize 2022 for her debut novel Assembly, early drafts of which were workshopped in Katy’s class. Michael Mann, who published his debut Ghostcloud in 2021, has a story in The Faber Book of Bedtime Stories, due out in October. Ghostcloud will be published in the US this September with Peachtree Publishing. Helga Viegas’ novel The Arctic was “Highly Commended” by the Bridport Prize, one of five books selected from over 2,000 submissions. Emma Grae’s second novel, The Tongue She Speaks, will be published by Luath Press in October. Fiona Keating has been signed by prestigious literary agents Greene and Heaton to represent her debut novel Peking Pear.

 

 

Karl King published his debut novel A Spell of Murders in June this year. Roly Grant’s story ‘Dust’ was the Richmond borough winner in Spread the Word’s City of Stories anthology, published in June. Robin Vicary’s novel An Adoration of Beauty (2021) has been selling well. His new novel, How the Light Shines, also a historical thriller/romance, is being published later this month by The Conrad Press. Jonathan Evans published his novel The Revisionist in July this year. He has also written a free novella – Origins – which reached No. 1 in its Amazon categories in the US and UK and is currently No. 2 in Teen & Young Adult Historical Romance eBooks in the UK. Jonathan also published Queen of Mirrors, a book for teenagers about a girl who finds a magical Goblin in her schoolbag, and has relaunched his Epic Fantasy novel The Master of Carn.

Theadora Broyd was longlisted for her story ‘Her Perfect’ in the Liars’ League July competition. Theodora is now enrolled to do a PhD with King’s College London on immigrant identity in Franco-Algerians. Anna Dempsey’s story was commended by the judge in the Bath Short Story Award. Andrew Simmons got an honourable mention in the second round of the nycmidnight 100-word microfiction challenge. And last but not least, Erica Buist has been hired as one of six writers in Stockroom Theatre’s Writers Room. The first play she co-wrote, ‘How a City Can Save the World’, was recently performed in Sheffield and noted as “shockingly brilliant” in this review. Erica is starting the Cambridge Creative Writing MSt in September.

New Courses

Our new interactive Introduction to Branding, held over three consecutive Monday evenings, will explore a full introduction to making your brand a success – from identifying your audience to how to write ‘on-brand’ for press releases, social media and digital marketing. You’ll also learn the basics of how to brief designers to create ‘on-brand’ visual assets and logos. Run by Anna Tsekouras and Pete Austin from Anon Agency this promises to be a turbo-charged Brand Copywriting 101!

We’re delighted to continue to offer our new Writing for Social Impact course, taught by Narrative Non-Fiction alumnus Ciaran Thapar. Aimed at anyone who wants to learn strategic and creative ways of achieving real-world social impact through their writing, the course will explore how to conduct interviews, execute ethical and impactful storytelling, and provide a call-to-action for readers. See below for more details on the scholarship available for this course.

There are plenty of other options for anyone keen on one-day writing courses: our ever-popular Introduction to Copywriting with Maggie Richards is available monthly; while our Writing the Memoir course will be taught by the brilliant Anna Wilson next term, and our Writing for the Web and Digital Media continues to be run by the expert broadcast journalist Holly Powell-Jones.

Tutor News

Novel Writing and Longer Works tutor Martin Ouvry’s article ‘How creative writing courses benefit a writer’ is in the 2023 edition of The Writers’ & Artists’ Yearbook.

Writing for Children tutor Bryony Pearce was shortlisted for a CWA Dagger Award for a short story she wrote for an anthology called Criminal Pursuits. This anthology was written to raise money for the charity POhWER. She also has a book out on submission

Opportunities

Ciaran Thapar has initiated a scholarship for one young student (18-25) from a disadvantaged background to participate on his Writing for Social Impact course. Please contact the short courses team for more information on this opportunity.

All current students of Introduction to Copywriting, Writing for Business and Narrative Non-Fiction courses are eligible to submit an idea for a blog post for short courses. If the idea is accepted, and the written piece meets our standards, it will be professionally edited and published on the blog.

That’s all for now. Keep on writing and keep your stories coming into us. We love to hear what you’ve been up to. And huge congratulations to all our alumni and tutors. We’re so proud of you all!

For more on our writing courses, visit our home page here.

For more on all our short courses, visit our main page here.

Two Published Alumni Usher City Writes Summer 2022 into the Heatwave 

July 12, 2022 / / 0 Comments

By Rebekah Lattin-Rawstrone

City Writes Summer 2022

Running since April 2016, it is a huge privilege to be involved in the fantastic showcase event for City’s Short Creative Writing Courses, City Writes. This term’s event was no exception. Held over Zoom on Thursday 7th July (our ears tuned briefly away from the politics of the day), City Writes Summer 2022 not only had two brilliant published alumni from the same Novel Studio cohort, Attiya Khan and Simon Culleton, it also made space for some wonderful new writing coming from the competition winners made up of current students and alumni. What a talented bunch!

 

We began with the competition winners. Jordan McGarry, Narrative Non-Fiction student kicked things off with a fantastic piece, ‘The First Spring’, about her recently deceased mother. The chat was filled with responses to her careful observations of grief and insightful turns of phrase. Her biography had told us she was planning to be braver with her work in 2022 and we hope this will mark the beginning of a habit as we all want to hear more of Jordan’s writing.

 

We headed in an entirely different direction next with a witty piece on community division, ‘We Didn’t Start the Fire’, written and read by Short Story Writing alumnus, Jonathan Gallard. Giving us two perspectives and navigating the complex origins of divisive tradition, this was a wonderful piece of writing.

 

We returned to grief with the next reader, Orsolya Kiss-Toth. A Writers’ Workshop alumna, Orsolya read an extract of her second novel, Nadi Leaves, in which the main character confronts the studio of her recently deceased father and ends up painting her grief into a self-portrait in a way that mimics her father’s artistic process to moving affect.

 

Three times winner of the City Writes competition and another Short Story Writing alumna, Su Yin Yap read for us next. She gave us a non-fiction piece, ‘Notes on Pregnancy’ the form of which was much appreciated in the chat. Moving from facts about pregnancy to a personal account of their emotional and physical effects, the piece viscerally remembered what it feels like to be pregnant.

 

Recent Novel Studio graduate Richard Bowyer then took us into the world of satire with an extract from his novel, The White House. A hilarious letter to the prime minister called ‘The Manton Ultimatum’ had us all giggling as we contemplated the idea of one village in Essex forming an independent state. Roger Rowntree was a favourite character of the Novel Studio 2021/2022 cohort and he proved a hit with this City Writes audience too.

 

Following Richard, we listened to our last competition winner and Short Story Writing alumna, Lia Martin read her story about lost love, ‘Church Bells’. Such a sharp, witty, and painfully moving account of trying to process the end of a relationship. We can’t wait to read what Lia writes next.

 

The end of Lia’s piece marked a move into the second half of the City Writes event as we heard from alumni Attiya Khan and Simon Culleton. Both writers published their debuts in 2021 with exciting independent publishers. We heard two short readings and then moved into a Q&A.

 

Attiya Khan’s debut novel Ten Steps To Us

Attiya’s debut, Ten Steps to Us, is a Young Adult novel that readers have described as ‘the perfect teen romance that covers religion, romance and diversity’. She read the scene in which devout, hijab wearing, Aisha is saved from Islamophobic bullying at a bus stop by the handsome non-Muslim, Darren. Where would this encounter lead? Published by Hashtag Blak, this is a story you’re going to need to buy to get the whole story.

 

Simon Culleton’s debut novel Shadows of Fathers

Simon Culleton then read from his debut, Shadows of Fathers, published by Stairwell Books, about one father’s fight to stay close to his children in a journey across geographical, cultural and emotional borders. He took us into a difficult conversation with his children about where he had been and why he didn’t live with Mummy anymore. Had the children missed him? Why didn’t Mummy and Daddy get on anymore? When he said Mummy and Daddy got on the way that a cat and a dog did, things got complicated… Funny, poignant and moving, it was a great introduction to the complexities of the novel.

 

The Q&A explored inspirations, from Attiya’s desire to see Muslim young women represented in fiction in realistic, non-Islamophobic ways, to Simon’s need to show the father’s perspective in divorce proceedings. We looked at their publishing journeys from the courses they took to the agents that rejected them to the publishers that championed them. We explored what they had enjoyed most about getting their work into the public domain, what they were working on now and what their writing routines were like. Both Attiya and Simon had some fantastic tips for writers and spoke of how important it was to follow your passion in your work.

 

You can hear the full Q&A and all of the readings by watching a recording of the event here.

It was an inspiring night and I can’t wait for the next City Writes when we’ll be joined by the amazing writer and another Novel Studio alumna, Elizabeth Chakrabarty whose debut novel, Lessons in Love and Other Crimes, published by The Indigo Press in 2021, was longlisted for the Desmond Elliott Prize 2022. Look out for competition and event dates coming soon to this blog.

City Writes Summer 2022 Competition Winners Announced

June 22, 2022 / / 0 Comments

We’re delighted to announce the competition winners for 2022 summer term’s City Writes event showcasing the fabulous talent coming from City’s Short Courses. These wonderful winners will be joining debut writers and alumni of the Novel Studio, Attiya Khan and Simon Culleton. You can register for the Zoom event on Thursday 7th July at 7pm here.

Our winners this term are:

Richard Bowyer

Richard Bowyer for his extract, ‘The Manton Ultimatum’.

Richard Bowyer is just completing City University’s Novel Studio course. The characters and setting in ‘The Manton Ultimatum’ are drawn from The White House, his novel in development. He likes to write about the nature of community and belonging, friendship and obligation, everyday heroes, inclusion and exclusion, and how decisions get made. Richard was born and brought up in Essex and now lives in West London with his demanding cat and understanding wife.

Jonathan Gallard

Jonathan Gallard for his story, ‘We Didn’t Start the Fire’.

Alumnus of the Short Story Writing course, Jonathan Gallard is a writer whose style and approach defies categorisation.  Mostly because he hasn’t written much, yet.

 

Orsolya Kiss-Toth for her extract from Nadi Leaves. 

Originally from Hungary, Orsolya moved to Leeds about 15 years ago where she lives with her partner. She is an HR professional and whilst she loves the challenges of her role, writing is something she’s passionate about.

Orsolya Kiss-Toth

She first joined a writing group in November 2020, is an alumna of the Writers’ Workshop, and her first novel, 24 Windows, was long listed in the Stylist Prize for Feminist Fiction 2021. She’s currently working on her second novel, Nadi Leaves.

Jordan McGarry for her creative piece, ‘The First Spring’.

Jordan McGarry

Jordan McGarry has worked in the screen industries for 20 years, initially as a journalist covering the industry, and then as a programmer, a producer and now as an executive. Jordan is endlessly interested in story, but more used to helping other people write theirs than telling her own. She is trying to be braver in 2022 (though will never be comfortable with writing about herself in the third person). She is just completing the Narrative Non-Fiction course.

Lia Martin for her story, ‘Church Bells’.

Lia Martin

Lia Martin is a Londoner completing her Creative Writing MA at Birkbeck University and was enrolled on City’s Short Story Writing course back in 2014. She started her career in the media but became a secondary teacher in 2015, working in both London and Norfolk-based schools. She now leads on English for a national network of schools and is currently working on a short story collection.

 

Su Yin Yap for her creative piece, ‘Notes on a Pregnancy’.

Su Yin Yap

​​Su Yin Yap is a psychologist and writer. Her work has been published in literary magazines and websites such as Popshot Quarterly and Litro Online, as well as various anthologies of flash fiction and creative non-fiction. She has written for the psychology section of the award winning Arts and Culture website Headstuff.org. She is currently working on a collection of essays. She is an alumna of the Short Story Writing course.

These fantastic authors will be reading online at City Writes alongside Attiya Khan and Simon Culleton on Thursday 7th July at 7pm. From village referendums through lost loves and historical feuds to the anticipation of life to come, City Writes Summer 2022 will be a night of readings to remember. You can register here. We look forward to seeing you there.

Spring 2022 City Writes Journeys Into The Clouds with Author, Michael Mann

March 31, 2022 / / 0 Comments

by Rebekah Lattin-Rawstrone

City Writes is the showcase event for all the wonderful creative writing coming from City’s Creative Writing Short Courses. Combining the new voices of students and alumni with the work of published alumni, the event always brings excitement and intrigue and this term’s event had everything from healers through dealers, to feminist and Polish heroes, fabulous chickens, hallucinogenic frogs and of course a twelve-year-old boy working to escape a Victorian style workhouse in an alternative smog-filled London, the protagonist of published guest, Michael Mann’s middle grade debut, Ghostcloud.

We began the night with James Baxter reading an extract from his story, ‘The Drop’. James is an alumnus of the Short Story Writing course at City and he took us into the busy, chaotic streets of a foreign city alongside his English protagonist whose bag was filled with cocaine, wrapped in coffee paste to hide the smell. Leaving us tense and anxious, we were eager to find out what would happen next. It didn’t feel like it would be anything good.

Emma Bielecki, alumna of the fantastic Narrative Non-Fiction course, read next, remaking the familiar Ealing, into her father’s Polish ‘Eh-ALL-ing’. She tantalised our taste buds with Polish cuisine, giving us a picture of her father most at ease peeling a sausage, before expertly navigating us away from food towards the histories of her father and his Polish friends who had fled to London years before. The most topical piece of the night, Emma’s creative non-fiction was a brilliant example of how to take listeners and readers on a sensory and emotional journey to highlight different perspectives of the past that go on to alter our understanding in the present.

We took a fictional turn next, diving into the world of a young girl making money with her friend, in Sini Downing’s extract, ‘The Stink of Money’, taken from her novel. A Short Story Writing and Towards Publication alumna, Sini’s reading was an engrossing immersion into her character. We began by wondering how young girls could make so much money, and feared something darker than the unusual turn Sini introduced. Her protagonist is exhausted from healing people, her sister included. We were all hooked by the end of Sini’s reading.

Following on from Sini was Adam Zunker, another reader who, like Sini, was making his second appearance at City Writes. Adam has taken several short courses in creative writing at City University and he read another extract from his wonderful novel – just completed this week! – in which a young boy attempts to step into the Afterworld using the pus from the back of a sacred frog, a special stone, a fire and two circles. Revolting and transporting, Adam’s reading left us wanting to find out if his young character would be successful.

From frogs to chickens, we joined Alison Halsey next as she read from her novel, Minta Gets Everything Wrong.  Alison has just completed An approach to Creative Writing and she took us to the funeral of her character’s sister, to which the bereaved daughter with disabilities insisted upon bringing her chicken and slapping her half-brother round the head. A black comedy with a warm and informal narrative voice, Alison’s story had us all giggling and looking forward to hearing more.

Our final competition winner, Stephanie Donowho, alumna of Novel Writing and Longer Works, read us her story ‘Once a daughter of Eve’ next. Stephanie’s story took us into the mind of a child growing up in a Christian household, surrounded by Bible geeks, whose self-motivated exploration into less well read parts of the Bible led to finding two stories of women called Tamar, one of whom had to cheat a man into bed. A fascinating story of growing feminist awakening, Stephanie’s piece was a fabulous segue from competition winner to published author.

Our headline act, Michael Mann, read next. Michael is an alumnus of the Writers’ Workshop at City and began his debut, Ghostcloud, in that very class. A winner of Undiscovered Voices 2020 and the 2019 London Writers Award, Michael’s middle grade novel is set in the smoky, dark underworld of Battersea Power Station in an alternative smog-filled London. Michael read the opening of the book in which we met twelve-year-old Luke, struggling to shovel coal, trying to work hard enough to earn his escape back into the light of London and his family from which he was kidnapped. We met his kidnapper, Tabitha, and two of the other children suffering under her regime. You’ll have to read the book to find out what happens next. Click here to get your copy.

Michael then took part in a Q&A with Novel Studio tutor and City Writes host, Rebekah Lattin-Rawstrone, followed by questions from the audience. Michael helped us understand his inspirations, the development of the novel and how publication and the expectations of publishers has changed his writing practice. Generous in his sharing of tips and ideas for budding children’s authors, you can follow the whole discussion and catch up with our competition winners’ readings, by watching the recording of the event here. Michael was keen to remind the audience that he loves visiting schools. If you do have connections to a Primary School near you, you can contact Michael on mbmann@gmail.com

City Writes is a great space for sharing the creative writing talent that abounds from City’s short creative writing courses. Look out for the Summer event and if you are an alumni or current student, don’t forget to enter next term’s competition. We have two published alumni reading for us next term: Simon Culleton and Attiya Khan, both Novel Studio alumni, whose novels respectively are, Shadows of Fathers about a father’s battle for child custody across national borders and Ten Steps to Us that follows a young Muslim girl’s struggle to maintain her faith in her quest for love. Watch this space for further details of the event and the competition.

Watch the full event here.

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