Tag: City (page 1 of 5)

Interview with Novel Studio alumna, Kiare Ladner

Kiare Ladner’s debut novel, Nightshift

Novel Studio alumna and tutor, Kiare Ladner, published her brilliant debut novel, Nightshift, in February 2021. Novel Studio Course Director, Emily Pedder, caught up with her to find out more about the book and her path to publication.

EP: ‘Your debut novel is set in a pre-pandemic London, in the nineties. Reading it now feels like entering a different country. How do you imagine London will recover in the years to come?’

KL: ‘London has so much kinetic urban energy. At its best, it’s a place where a person can have the freedom to be whoever they want to be (or are), and find others who are like them.  What I hope change will bring is a city with more realistic rents for its workers. With affordable space for creative endeavours. With the arts right there, accessible, at the heart of it. A city revitalised by new ways of thinking in culture, economics and politics. An urban landscape that holds the thrill of the avant-garde alongside home gardens created to give nature refuge. A place that builds on the sense of community some have felt more keenly recently. And that always welcomes the immigrants we rely on.  Even now, there’s a lot to appreciate about being here. The parks, the free art galleries, the brilliant hospitals, the possibilities for anonymity, the joys of simply wandering. . . When asked if I feel British or South African, my gut response is that I feel most like a Londoner.’

EP: ‘Meggie is a fascinating character, full of contradictions. She could so easily have been a passive character, with Sabine taking all the decisions, but it feels as if you’re showing us it’s Meggie who chooses what happens to her, and Meggie who has to deal with the consequences. Was this a deliberate choice from the beginning or did you need to consciously make her decisions more active?’

KL: ‘From the start, I was curious about the idea of wanting to escape the self, wanting to be other, and how far you can push it. During the writing process, I felt that Meggie was driven by this desire rather than acted upon. As a writer, I inhabited her in the way that an actor inhabits a character, and from there her decisions came intuitively. However there is one scene in the book in which she is less passive than I’d initially written her, thanks to an inspired suggestion from a beta reader. The changes were subtle but kept my narrative more in line with my vision for it. Beta readers are invaluable!’

Novel Studio alumna and tutor, Kiare Ladner

 

EP: ‘Sabine is one of those characters I feel everyone will recognise. That sophisticated, aloof person we all secretly aspire to be. How important was it to you to interrogate the personas people create and what lies beneath?’

KL: ‘This disparity is perhaps what first drew me to writing. Fiction allows us to investigate and express a less commonly portrayed sense of what lies beneath exteriors and dominant narratives. So I’ll probably be interrogating it forever…’

EP: ‘Where does a story usually start for you? With a character? A line of dialogue? A ‘what if’ plot question? A feeling?’

KL: ‘For me, it tends to start with a conundrum. Something that causes an itch in my brain, some question or situation I keep fiddling with. So the beginning is fairly abstract. Then if I give it time and space, scribbling and thinking, it tends to attach itself to a voice, and from there the story builds.’

EP: ‘I love how your novel taps into that complicated question of identity, particularly for those who live far from their native country. As a South African whose made London your home, is that an experience you relate to?

KL: ‘Definitely. I have gained a lot from being a stranger in a country, and the freedom to find my own tribe. But there are also aspects to leaving your country of origin that are painful, complex and irresolvable. Much to keep grappling with, in part through writing, I guess.’

EP: ‘You’ve studied creative writing at many levels, from short courses at City right up to PhD at Aberystwyth. What’s been the most important thing you’ve gained from that study?’

KL: ‘I’ve had some excellent tuition over the years. But I’ve also learned so much through other student writers. Not only from their brilliant and inspiring work – which has shown me the range and versatility of fictional prose – but also from their work ethic: their perseverance, resilience and determination.’

EP:  ‘Do you think creative writing can be taught?’

KL: ‘It certainly involves craft, and learning. And a course environment makes space for a particular quality of attention to the work. I like how George Saunders puts it when he says that even for those, “who don’t get something out there, the process is still a noble one – the process of trying to say something, of working through craft issues and the worldview issues and the ego issues – all of this is character-building and, God forbid, everything we do should have concrete career results. I’ve seen time and time again the way that the process of trying to say something dignifies and improves a person.”’

EP: ‘How are you finding teaching on the Novel Studio, a programme you took yourself?’

KL: ‘Years ago this course gave me an inroads to the nuts and bolts of writing a novel. Its structure was invaluable in maintaining momentum and providing a sense of progression. And some of the other writers’ novels had me in awe! Now, what I find most exciting is to see the growth of the students’ writing over the course of a year. How hard some of them work, and how much they can do and learn and change. Also, the ways they engage with each other’s texts, their generosity in terms of time, attention and encouragement, is very heartening.’

EP: ‘What are you reading right now?’

KL: ‘I always have lots on the go in different genres (poetry, short stories, biography, comfort-for-the-middle-of-the-night etc). I’ve just excitedly added Mary Ruefle’s lectures Madness, Rack and Honey to my pile. And the novel I’m reading is This Mournable Body by the wonderful Tsitsi Dangarembga.

EP: ‘What are you working on now?’

KL: ‘A new novel called Skylight. I dare say no more!’

 

Kiare Ladner

Kiare’s short stories have been published in anthologies, journals, commissioned for radio and shortlisted in competitions, including the BBC National Short Story Award 2018. She won funding from David Higham towards an MA (Prose Writing) at the University of East Anglia, and then received further funding for a PhD (Creative Writing) at Aberystwyth University. She was given Curtis Brown’s HW Fisher Scholarship in 2018. Her debut novel, Nightshift, was published by Picador last month and is available to buy now.

For information on the Novel Studio and how to apply, visit City’s website.

For those who want to hear Kiare read from her novel, she will be the guest at our next City Writes on 1 April.

Register for free attendance here.

City Writes Autumn 2020 Transports the Zoom-bound!

By Rebekah Lattin-Rawstrone
The sun is shining less hours in the day, we’re all straining under the impact of the pandemic, but City Writes Autumn 2020 was a perfect tonic for the blues. Held on Zoom, five fantastic competition winners joined prize-winning author and alumna, Deepa Anappara who read from her debut, Djinn Patrol on the Purple Line and discussed her work with City Writes host and Novel Studio Visiting Lecturer, Rebekah Lattin-Rawstrone.
We began in France with the opening of Nola d’Enis’s novel, Uhtcaere, a work-in-progress currently being written whilst Nola studies on the Novel Studio. Treated to the lingerie draw of a femme fatale, Nola enthralled us with her eloquent delivery and her sensory and sensual detail.
Emma Dooley, a recent alumna of Cherry Pott’s Approach to Creative Writing class, read next, giving us a terse, poignant account of two ex-lovers meeting outside Lidl during the lockdown with her story ‘Fine.’. The economy of her writing really plumbed the emotional depths and awkwardness of a chance encounter.
Novel Studio alumna, Marta Michalowska read her story ‘Grey Curtain’ next, immersing us in the muted tones of loss and longing, a sea landscape where water and sky blend and walking provides the only cure for despair. Such delicate and specific descriptions transported us into the world of her character.
Back to the pandemic, Richard Bowyer, an Approach to Creative Writing alumnus, was the next to read his story. ‘Return of Service’ is his first ever short story and what promise it shows. A hilarious account of a golf sale sign holder needing a new job, this gem of a story gets better with reacquaintance, and got the audience giggling.
We returned to France next with Novel Studio student, Lucy Blincoe, who read an extract from her first novel, We Are Young, called ‘Lessons in Aioli’. In France to improve her French, the main character visits an acquaintance to cheer her up after a break-up, and ends up being forced into an uncomfortable situation with her father. Filled with tension and sexual menace, this minutely observed story was painfully familiar for many.
Suzanne Farg, another alumna of Approach to Creative Writing, read her tense and complex story ‘Ruby’ next. Beginning in a courtroom, we follow Ruby’s perspective as she reveals what really happened to that boy her husband was accused of killing. That should be enough to whet your appetite!
With these wonderful readings from competition winners over, it was time to hear from our professional Deepa Anappara. Her novel Djinn Patrol on the Purple Line, set in a Basti – an overcrowded area on the outskirts of a big Indian city – explores child disappearances through the children’s perspectives, with a brilliantly buoyant and upbeat main narrator, Jai, whose positive exploration of difficult subjects lifts the dark subject matter and gives us an account of a marginalised community who lives are rich with hope and ambition despite their circumstances. It’s an overwhelming generous and thoughtful novel and if you haven’t read it yet, get a copy now.
After a reading from the novel, discussing the significance and power of the djinn, Deepa answered questions from Rebekah Lattin-Rawstrone and audience, contemplating the power and difficulties of the novel to speak from diverse voices and offering wonderful advice to budding writers. She suggested writers’ practice persistence, meticulous research and listen carefully to feedback.
The full interview can be viewed in the recording of the event with all the fabulous readings too. If you missed it, you don’t need to miss out!

City Writes Winter 2020 Competition Deadline

By Rebekah Lattin-Rawstrone

The event that showcases City’s Short Course Creative Writing talent is back on Zoom. After our successful virtual City Writes in the Summer Term, we are delighted to be returning with another City Writes via Zoom this term on:

Wednesday 9th December 6.45-8pm.

Our professional writer this term will be the fabulous Novel Studio and Short Courses alumna Deepa Anappara, whose debut, Djinn Patrol on the Purple Line, was longlisted for the Booker Prize earlier this year. A wonderful novel about child disappearances from the outskirts of a large Indian city, Deepa will be reading a short extract and answering questions from host, Rebekah Lattin-Rawstrone and audience.

Guest author Deepa Anappara
For your chance to read alongside Deepa, you need only send your best 1,000 words of fiction or creative non-fiction by:
Friday 13th November.

Competition and submission guidelines can be found here.

If you’re keen to get ahead do register for the event on the 9th here.

Competition winners will be announced in week 9.

We look forward to receiving your submissions and seeing you in December!

City Novel Studio Agent Competition Winners

By Emily Pedder

We are  delighted to announce the winners of City’s Novel Studio Agent Competition 2020. In a rare opportunity to bypass the slush pile, all applications to the Novel Studio are automatically considered for our literary agent competition, run in conjunction with Christine Green Authors’ Agency.

Competition winner Nana Wereko-Brobby

This year’s winners are Janice Okoh, Freya Sanders and Nana Wereko-Brobby.

Novel Studio tutor Rebekah Lattin-Rawstrone said ‘The standard of submissions this year was really high and these three winners are writers with some serious promise. Alongside depth of character and enticing plot, their writing shines with eloquence. This is a group of writers to watch!’

Competition winner Janice Okoh

The Novel Studio is City’s flagship year-long course for aspiring novelists. Established for over a decade, the course has a strong track record of published alumni including bestselling authors Harriet Tyce and Hannah Begbie, and debut novelist Deepa Anappara.

Competition winner Freya Sanders

An early winner of the agent competition, Hannah Begbie has gone on to publish two award-winning novels, Mother and Blurred Lines. Another winner, Louise Beere, was shortlisted for the 2019 Lucy Cavendish Fiction Prize.

Congratulations to Janice, Freya and Nana! We can’t wait to see your writing careers develop over the coming months and years.

Novel Studio Scholarship Winner 2020

Winner of 2020 Novel Studio Scholarship Announced

By Emily Pedder

The second  Novel Studio scholarship, set up to support a talented writer from a low-income household, has been awarded to Janice Okoh.

Janice will now join The Novel Studio 2020/21, alongside 14 other selected writers. Speaking of Janice’s application,  Novel Studio tutor Rebekah Lattin-Rawstrone commented: “I was totally gripped by the story that Janice Okoh sent in with her application. Her work is filled with character, pace and a beautiful sense of place. There is an urgency to get across a British Nigerian experience that sings from the page.”

Janice Okoh, winner of Novel Studio Scholarship 2020

On winning the scholarship, Janice said she was “thrilled to be able to  further develop my novel writing skills on such a prestigious course.  I have so many ideas, I can’t wait to focus on one of them and interrogate it for an entire year. Like a lot of people, the effects of the pandemic meant that I lost a substantial part of my planned income so without the scholarship I would not have been able to attend the course. Thank you, Harriet Tyce.”

Novel Studio alumna and crime writer Harriet Tyce set up the scholarship in 2019 as a way to help talented writers who might not otherwise be able to take up a place on the course. Lola Okolosie, the inaugural recipient of the scholarship, has said the opportunity was “life changing”.

The Lies You Told, Harriet Tyce’s second novel

Harriet was a student on the Novel Studio in 2009/10 and went on to gain a place on the MA Crime Fiction at UEA, where she received a distinction. In 2017 Wildfire pre-empted her debut psychological thriller, Blood Orange. It was subsequently sold in 19 territories worldwide and became a Sunday Time bestseller. Her second novel, The Lies You Told, described by Sophie Hannah as ‘totally addictive’, was published in August 2020 to rave reviews.

The Novel Studio has been running as part of City’s short courses programme since 2004 and has been instrumental in providing a foundation for emerging writers to go on to successful publishing careers. Taught by professional writers and editors, 15 selected students develop their novels over a year. The course has a  strong publication record, with many alumni publishing novels with major publishing houses, including, most recently, Deepa Anappara, Hannah Begbie and Harriet.

Congratulations, Janice! We are so looking forward to seeing your novel develop over the year.

For more on all our writing short courses, including The Novel Studio, visit.

Novel Studio Literary Agent Competition 2020

Calling all applicants to the Novel Studio 2020!

In a rare opportunity to bypass the slush pile, all applications to the Novel Studio will automatically be considered for our literary agent competition, run in conjunction with Christine Green Authors’ Agency.

The Novel Studio is City’s flagship year-long course for aspiring novelists. Established for over a decade, the course has a formidable track record of published alumni including bestselling crime author Harriet Tyce and debut novelist Deepa Anappara.

Previous winners of the competition include Hannah Begbie, award-winning author of Mother, and the hotly anticipated,  Blurred Lines; and Louise Beere, shortlisted for the Lucy Cavendish Fiction Prize 2019.

The deadline for applications is 30 June 2020.

For full details on criteria and how to apply, visit our competition page.

We look forward to reading your entries!

Novel Studio alumna Ali Thurm publishes debut novel

Novel Studio alumna Ali Thurm on the enduring group of friends she made while on the course, and her path to publication.

“In 2012 I’d been working on One Scheme of Happiness for about a year; I could tell a story with a beginning, middle and end but what I had wasn’t a novel. I’ve always read a lot and studied literature at university so I knew what a novel could be like. I knew I could write but I didn’t know how to structure a novel, how to write effective dialogue and many things I didn’t even know I didn’t know (voice, point of view, first person or third person…)

Then I saw an open evening for the Novel Studio (arts council website). By the end of the course I not only had a structure I was happy with, I also knew how to write a letter to an agent and how to submit my work. I also had a group of friends who would give valuable, objective feedback on my work. Seven years later we still meet regularly to write, share work and celebrate successes. Even in this time of self-isolation we’re Zooming together. It’s been amazing to be friends with other writers who are also balancing writing with work and childcare.

After the course I kept going until I had a draft of my novel that I was happy with, then started:

  1. Choosing agents and sending the first few chapters out.
  2. Enrolling on short courses.
  3. Entering novel competitions.
  4. Building up an author profile on Twitter.

It’s a lot of work and a lot of rejection and costs money (some courses and competitions have subsidised places).

But it all helps, and in 2015 I was taken on by Emily Sweet Associates; it was wonderful for a professional to ‘get’ my novel and to validate my writing. Emily suggested editing and redrafting – more work – but the new draft led to some long and short-listing in national competitions. To minimise the angst of waiting for more rejection from publishers (easier if your agent can soften the blow!) I drafted a new novel and set up a WordPress blog to review new books. I also signed up to NetGalley – a brilliant way of reading new books as digital ‘galley proofs’ before they’re published. For free. All you have to do is write a review after you’ve read them. I’ve read books by Kamila Shamsie, Linda Grant, Kit de Waal and many more. Reading is vital for any writer.

Finally in 2018 an indie publisher, Retreat West Books, wanted to publish my novel. Again I had more work to do on the novel itself as well as promoting it on social media, but Amanda Saint has been a great editor. On 27 Feb 2020 my debut, One Scheme of Happiness was published. Just before lock down, I had a launch and signed copies of my book like a proper author!

I’m now working on my next novel: The River Brings the Sea (third in the First Novel Award, 2019).

Congratulations, Ali!

You can follow her on Twitter @alithurm

Or her blog on WordPress https://alithurm.com

For anyone interested in The Novel Studio, applications are now open for entry in October 2020. Further details here.

 

All you need is love

By Emily Pedder

From Jane Austen’s Pride and Prejudice to Haruki Murakami’s Norwegian Wood, the question of love has long fascinated writers and readers across the world.

The American editor Shawn Coyne has a theory about this: ‘Love stories are so popular because people not only go to them for the entertainment value but subconsciously they’re watching a love story and they’re trying to track ways that they can become more lovable and form bonds and relationships…People don’t want to be alone.” Love stories, Coyne argues, like all stories, are ‘metaphors that help us know how to behave.’

Our creative writing short course alumni are no slouches in this ‘story’ department and also happen to know a thing or two about love. In celebration of Valentine’s Day this year, we pay tribute to some of their novels which explore the eternal quest for love.

Rachael’s Gift by Alexandra Cameron

A skillfully plotted, continent-crossing literary thriller which explores a mother’s love for her troubled daughter and the lengths she will go to protect her.

Dona Nicanora’s Hat Shop by Kirstan Hawkins

Doña Nicanora has her heart set on turning Don Bosco’s barbers into a hat shop, but Don Bosco has his heart set on her. A wonderfully warm-hearted comedy of errors set in a backwoods South American town.

Foolish Lessons in Life and Love by Penny Rudge

Join Taras, the hapless hero stuck in a futile job and still living with his overbearing mother, as he tries to win back the enchanting Katya. Brilliantly observed and very funny.

Butterfly Ranch by Remy Salters

In a remote jungle lodge in Southern Belize, a local policeman investigates the mysterious disappearance of a world-famous reclusive author. A masterful tale of obsessive love, self-destruction and unexpected redemption.

Flesh and Bone and Water by Luiza Sauma

A letter delivered to Dr Andre Cabal in London catapults him back to his 17 year-old self in 1980s Brazil and begins the devastating and mesmerizing story of one man’s secret infatuation for the daughter of his family’s maid.

Creative Writing short courses at City

City runs short courses on everything from novel writing to writing for children.

Many of our students have gone on to publish books after completing one of our creative writing short courses. Deepa Anappara published her debut novel, Djinn Patrol on the Purple Line, last month after completing our one-year course, The Novel Studio.

 

Short Story Alumna Wins Costa Short Story Award 2019

A former student of City’s Short Story Writing course has won the 2019 Costa Short Story Award. Anna Dempsey, an American-born writer and teacher based in south-east London, won the £3,500 prize for her story, The Dedicated Dancers of The Greater Oaks Retirement Community.

It’s been a meteoric rise for Anna, whose winning story is her very first piece of short fiction and was written and workshopped in 2019, while she was on the course.

“Several friends from my writing group told me about the course,” Anna said. “I was feeling a bit down about my focus and output so taking the class excited me since I knew I would have homework, deadlines and feedback …”

Course tutor Katy Darby said

“Anna’s piece stood out to me at once for its clear, characterful voice, the world-weary wit and humour, her pin-sharp observation and the compassion and depth she brought to her highly memorable characters. I encouraged her to expand it and submit it once it was redrafted – and I’m delighted she did!”

Short Story Writing Tutor Katy Darby

Novelist, editor and short story writer Katy, who also runs award-winning short story event Liars’ League, teaches two of City’s short writing courses, Short Story Writing and Writers’ Workshop, and has had phenomenal success with her former students. From Sunday Times bestselling author Imogen Hermes Gowar to prize-winning novelists Peng Shepherd and Luiza Sauma, many of her students have gone on to publication and critical acclaim.

“One of my favourite things about teaching the short story course,” said Katy “is the variety of students, who range widely in age, background and writing experience, and the abundance of ideas and approaches they bring to their work … I encourage every student to read their own and each other’s writing closely, paying attention not just to the strong points, but to where there might be room for improvement and the potential to polish a rough diamond to a brilliant shine.”

Her approach has clearly paid dividends for Anna: “The course helped build my confidence,” said Anna. “Katy always gave us feedback on what to improve or what she loved. Having an established writer give clear, concise and honest feedback is what I felt like I was missing. I remember Katy saying that she would read more stories with my main character and she also said to send it to loads of places before putting it in the drawer. So, I took her advice … I received many rejections until Costa! I was truly shocked, and even more shocked when I won. What a ride it’s been!”

Congratulations, Anna!

For further information on our short writing courses visit the website.

Read Anna’s winning story here.

Novel Studio alumna and bestselling crime writer Harriet Tyce supports second year of Novel Studio Scholarship

By Emily Pedder

We are delighted to announce a second year of sponsorship for the Novel Studio scholarship, generously supported by Novel Studio alumna and bestselling crime author Harriet Tyce.

Lola Okolosie

The scholarship provides a fully-funded place for one successful applicant to the course from a low-income household and aims to support a student of talent and potential who might not otherwise be able to accept an offer of a place on The Novel Studio.

Last year’s winner, Lola Okolosie, said she was ‘deeply honoured… to receive The Novel Studio Scholarship from City.  It is a huge help; without the financial assistance, I would be unable to embark on a course that I know will develop my skills as a fiction writer.’

Applicants to the scholarship go through the same process as all other applicants but will need to also include a personal statement and provide evidence of financial need. The top three applications will be shortlisted and a final winner chosen by a panel, including the course director, course tutors and Harriet Tyce. For more information on our critieria, please visit the Novel Studio scholarship page.

General applications to the Novel Studio will also open on 1st February 2020. For anyone interested in applying, please see our submissions process here.

It’s been a phenomenal start to the year for graduates of the Novel Studio. Scholarship sponsor Harriet Tyce published her debut crime novel Blood Orange in 2019 to critical acclaim, with The Observer calling it ‘Complex and menacing…a very impressive debut.’

Blood Orange was shortlisted for the Dead Good Reader’s Award and selected for Richard and Judy’s bookclub choice in December 2019. Her second novel, Lies You Told – think Motherland meets noir – is due out in July 2020.

Kiare Ladner

Kiare Ladner, also a Novel Studio alumna, will publish her debut novel, Nightshift, in July 2020 with Picador. Associate publisher Ravi Mirchandani described the novel as “an immensely exciting debut.”

Kiare’s short stories have been published in anthologies, journals, commissioned for radio and shortlisted in competitions, including the BBC National Short Story Award 2018. She won funding from David Higham towards an MA (Prose Writing) at the University of East Anglia, and then received further funding for a PhD (Creative Writing) at Aberystwyth University. She was given Curtis Brown’s HW Fisher Scholarship in 2018.

Kiare recently joined The Novel Studio teaching team, bringing a unique blend of experience as a student of the course and as a published writer of serious talent.

Deepa Anappara

Another Novel Studio alumna, Deepa Anappara, will also publish this year. Her debut novel, Djinn Patrol on the Purple Line, has won the Lucy Cavendish Fiction Prize, the Deborah Rogers Foundation Writers Award, and the Bridport/Peggy Chapman-Andrews Award for a First Novel.  It is now being translated into 17 languages.

Deepa’s short fiction has won the Dastaan Award, the Asian Writer Short Story Prize, the second prize in the Bristol Short Story awards, the third prize in the Asham awards, and has been broadcast on BBC Radio 4. She has an MA in Creative Writing from the University of East Anglia, Norwich, where she is currently studying for a Creative-Critical Writing PhD on a CHASE doctoral fellowship.

Last but not least, Novel Studio alumna Hannah Begbie will publish her second novel, Blurred Lines, in June 2020. Hannah developed her debut novel, Mother, on the Novel Studio and won that year’s prize for new writing.

Hannah Begbie

Published by HarperCollins in 2018, Mother went on to win the Romantic Novelists’ Association Joan Hessayon Award for new writing and was made Book of the Month on Mumsnet and a pick for Fern Britton’s inaugural Book Club for Tesco. Mother has since been optioned by the BAFTA-winning Clerkenwell Films for adaptation into a television drama.

Ready to join them? Find out more about our The Novel Studio Submissions process. Applications open on 1st February 2020.

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