Tag: City (page 3 of 10)

The Starlit Dancer: the magical new book by City copywriting tutor Maggie Richards

Author and City tutor Maggie Richards

In celebration of the publication of her new book, The Starlit Dancer, City writing short courses caught up with author Maggie Richards to find out more about the book and her writing career.

Short Courses (SC): Please tell us a bit about yourself and your role at City

Maggie Richards (MR): I’m a former Times, Sunday Times and Guardian journalist and author of ‘A Guide to Being a Better Being.’ At City teach a monthly sell-out masterclass on Zoom called ‘Introduction to Copywriting’. It’s a fun and practical distillation of inspiring insights, techniques and approaches I’ve learned over my 24-year career.

I love the diversity of international students that the course attracts, and witnessing their confidence and clarity grow over just six hours. Several have gone on to secure paid copywriting roles, which is great! I also teach City’s Writing for Business short course

SC: You’ve published The Starlit Dancer, a beautiful picture book for 3-7 year-olds about Mabel, a girl whose love lights up the world. It’s a really inspiring read and a great way to help children sleep better and introduce them to the idea of a loving inner voice they can trust. Meditation is a key part of your life and work. With Spiritual Adviser, Executive Producer – Christspiracy, Associate Producer – SLAY Film and Screenwriter Cher Chevalier, you co-wrote the 24 (8×3) meditations that launched Calm, iTunes App of the Year 2017. What made you turn towards writing a children’s book?

MR: Through Cher, also author of the Animals Actually A-Z of books, I’d already been guided to work spiritually with children, and had set up relaxation classes to teach them about kindness, positive thinking and meditation. Good books can change lives and perhaps it was a natural progression to uplift little ones through a something they can hold and keep.

 

SC:  Can you tell us about the process of writing and publishing the book?

MR: The Starlit Dancer is rare because it’s an inspired book – the story came flowing into my mind one day. I didn’t know it was coming! It’s always a special honour to be entrusted with words, especially when they’re so joyful.

It was important that only good energy went into our little book, which is why the author, advisers, translators and narrators are all successful veggie-vegan women.

The Spanish version was co-translated and narrated by Argentine actress, film producer and animal rights activist Liz Solari, while Australia-based voice over artist Natasha Beaumont narrates the English version, and a quick Google search for ‘vegan illustrators’ connected us with the talented Antonella Canavese from Italy.

For full control of the publishing process, I self-published with Amazon Kindle Direct Publishing. It was largely quick, simple and easy, and when I needed help, the Customer Service team responded within 24 hours. 

Formatting the manuscripts as a paperback and ebook was done by professionals on fiverr.com, while the audiobook files were prepared by recording studios, and I uploaded them for free to ACX.com. Teamwork makes the dream work!

SC: You’re a copywriter by profession. How different was it to write a story for children?

MR: Copywriting requires planning, researching, meeting the brief, and often aims to sell a product or service. The Starlit Dancer story required much less effort because it was given to me in its entirety largely as it’s written.

SC: Do you have any advice for anyone wanting to write their own children’s book?

MR: Three points come to mind:

1) Choose carefully your goal and make it good. We all have a responsibility to empower little ones by educating them in the steps to success: how to be kind, happy and harmless, for example.

2) Words (and thoughts) shape our world. It’s important to speak sweetly to children, choosing positive, loving words and phrases so as to feed their minds only ‘light’.

3) Use rhyme – it’s a great way of learning and fun to write. Repetition, too, helps very young children engage and learn.

Thanks so much, Maggie, and congratulations on the book.

You can buy Maggie’s book HERE. The Starlit Dancer is available in paperback, ebook and audiobook in English, Welsh and Spanish.

If you’re interested in taking her copywriting course, click HERE.

If you would like to try your hand at writing a children’s book, our Writing for Children short course, taught by author Bryony Pearce is HERE.

For all our short writing courses, go HERE. And for all our short course news, visit our blog HERE.

 

 

 

What Are the Most Useful Skills for Adapting to AI?

Intelligent life?

 

Technology is advancing so rapidly, it can sometimes feel bewildering, especially when thinking about what the future jobs market might look like. How do we ensure we keep pace and equip ourselves to adapt to the change? Read on for the subjects that could help you future-proof your career in the AI frontier.

Become an Expert in Data Analysis

Data has become supremely valuable, not least for its importance in training AI. Gaining expertise in data analysis is a smart way to stand out in the jobs market, and stay relevant. City has a range of courses designed to help you gain knowledge of, and insight into, data analysis. From Introduction to Data Analytics and Machine Learning with Python to our new Spreadsheet Data Analysis and Automation with Python  or Introduction to R for Data Analysis, our short courses in data analysis will give you a head start in this rapidly changing landscape.

Codebreaking

Colour coded

Sometimes known as programming, coding is essential for anyone wanting to work effectively with AI. City has a great range of short coding courses in all the major programming languages. Take our courses in C/C++, or the ever-popular Python short courses. You can also learn JavaScript or Java, used by 42.9% and 37.8% of web developers respectively working in artificial intelligence or machine learning, according to a recent survey by Evans Data Corporation.

Softly, Softly

It’s not all about technical skills. Working with AI requires soft skills too, from communication to creativity. Our short courses in Presentation SkillsEffective Communication and Stoicism will improve your interpersonal skills, while our vibrant range of  writing courses will kickstart your creativity. Adaptability is also a key soft skill, vital for coping with the pace of technology change; our highly interactive Leadership and Management course will sharpen your team-leading skills and ensure you get the most from your teams.

Keep it Safe

AI systems often deal with sensitive data and are vulnerable to cyber attacks. It’s important for businesses and individuals to understand the risks involved, and learn how best to mitigate them. City’s Cybersecurity Fundamentals short course provides a great foundation in the cyber security domains of networking, security engineering, risk management, incident response, governance control and legal practicalities.

Get Developing

Web development is an important skill in working with AI. From visualising AI outputs, to integrating AI with other systems, being skilled in web development will ensure you can utilise AI models in the most powerful ways. City’s short course in web development will teach you how to install Bootstrap and how to use its key components most effectively. Our Building Websites short course will enable you to plan, design, develop and publish a website that adheres to current industry standards and best practices, while our PHP course is best suited for back-end web development and can be embedded into HTML.

Storytelling

Turn the Page

As technology advances, it becomes more important than ever to differentiate what makes us human. Storytelling is one of our oldest skills, and remains an integral part of our lives. City’s short creative writing courses are designed to help you understand how stories are built, how they’re written and how they can be edited. Try our introduction to creative writing course or learn how to craft non-fiction with our Narrative Non-Fiction or Memoir Writing course.  For our full range, visit our home page HERE.

 

For all City’s short courses visit our home page HERE.

City Writes Springs Into Its Seventh Year!

By Rebekah Latin-Rawstrone

Every term the City Writes event brings a sense of excitement at the prospect of listening to fantastic writers and alumni both new and established. This term was no different and remarkably, this Spring City Writes marked six years of the event. What a celebration of that landmark this event was, really showcasing the excellent writing coming out of the short courses here at City

We began with City Writes veteran and fantasy writer, Adam Zunker. An alumnus of An Approach to Creative Writing and Writers’ Workshop, Adam read an extract from his novel-in-progress, The Perfectation(loosely) based on the experiences of his Viennese grandmother as a refugee. He is pitching it as ‘Amadeus, but with alchemists’ and we were lucky enough to hear a moment of drama as one woman and her daughter, long in hiding, were captured but not by those they were expecting. The audience was left on tenterhooks wondering quite what this moment would bring for the characters. Bring on the rest of the book!

Next we took a completely different turn. Though staying with fiction inspired by real life, Angel Witney, alumna of Novel Writing and Longer Works, took us into the waiting room as her character played ‘a never-ending game of tag with the present moment’, time bending out of proportion and distorting her sense of wellbeing. Her extract ‘The Waiting Room’ was an excruciating but eloquent account of how our minds can alter reality, whetting our appetites for more of this work-in-progress.

Grayson Anderson, Novel Studio graduate, author and poet (and another City Writes alumnus!), read for us next, taking us into the passionate and dangerous world of the extra-marital affair. Fast-paced and filled with deftly observed detail and dialogue, Grayson brought the initial fall out of an affair’s discovery to brilliant and gritty light. We can’t wait to find out more about ‘Wayne’s Night Out’, another extract from a longer piece the audience couldn’t wait to read.

Moving from one kind of love to another, we journeyed down nostalgia lane with  Narrative Non-Fiction alumnus, Bruce O’Brien, next. Bruce’s story ‘The Eels of Wrath’ mixed memory, narrative and poetry to moving effect, giving us an account of an old couple who used to live in the East End of London. There were some definite signs of eyes being wiped in the Zoom windows of our audience. We hope to hear more of these stories soon.

From fiction to elegant non-fiction, we slipped into a different kind of elegy with Philipp Sandmann, another  Narrative Non-Fiction alumnus, who read his article, ‘Germans No Longer Score Penalties and That’s a Problem Or: Why the Only Thing We’ve Got Left is Bloody Great bBread…’. There were so many comments in the chat through this piece, mostly worrying that Germany couldn’t really have similar problems to our own! Philipp joined us from Berlin and is busy working on a book for a UK audience about the modern German soul and the myth of German efficiency. Judging by the City Writes reception, he has a very ready audience waiting to read it.

Aaron Payne, a Writer’s Workshop alumnus, read for us next. Aaron gave us an extract from his novel-in-progress, Our Man in the Clouds, in which a disgruntled meteorologist tries, but fails, to stay out of the global tussle for climate control. His extract took us to a remembered journey to Provence in 2015 when the narrator and his colleague, Siobhan, visited Professor Merryweather to discuss the possibility of setting up a climate school. More about the sexual encounter between Tony and Siobhan than the disastrous visit with the Merryweathers, the extract had us hooked. Another novel to look out for.

After these fantastic competition winners, we had the joy of listening to Hannah Begbie read from the opening of her second, prize-winning novel, Blurred Lines (HarperCollins, 2020), which tackles the film industry’s darker truths and the difficulties of speaking out in a pre MeToo era. We followed Becky as she attempted to impress her boss with a gift of some expensive wine before a trip to Cannes. Once at his house, having always been encouraged just to come on in through the open door, she witnessed something she wished she hadn’t. Thankfully, this time, audience members could go right out and buy the novel to find out what happened next. You can do the same here!

Alumna of the Novel Studio, Hannah was very generous in her answers to questions and particularly eloquent on the importance of writing from the heart. She shared writing tips, emphasised the importance of maintaining your writing allies, and gave a sneaky insight into her next novel.

You can hear the whole City Writes event and listen to the full Q&A with Hannah Begbie, by watching the video of the event HERE.

Don’t forget to look out for details of next term’s City Writes event and competition. Our guest writer next term will be the wonderful, Emma Grae whose debut novel, Be Guid tae yer Mammy (Unbound, 2021), won the Scots Book of the Year 2022.

The top five computing languages – what they are and why you need to learn them

Computing languages are essential for anyone looking to work in today’s growing technology. But with new languages being developed every day it can be difficult to keep up to date and decide which to learn.

Read on for the top five computing languages you should be learning now, and why…

Speaking my language?

  1. Python – Python is still the number one computing language, and for good reason. It’s extremely versatile and can be used in many different fields, from machine learning to data science and web development. It’s also easier to learn than some of the other languages due to its unique structure and syntax. Plus there are a ton of resources for those new to the language.
  2. JavascriptJavascript is a front-end language used to create interactive web applications. If you are looking to work in web development or mobile app development, this is the language for you.
  3. JavaJava is a back-end language used in many large corporations. Employers value the versatility and security of Java and it’s an excellent language to learn to improve your job prospects.
  4. PHP/MySQLPHP/MySQL is a widely used open-source scripting language especially suited for back-end web development. It can be embedded into HTML and is very popular within the industry. PHP has been used to create many websites, including Facebook, Wikipedia, Slack, Etsy and WordPress.
  5. C and C++C and C++ are languages often used in game development and system programming. They are both very powerful and can be challenging to learn, but invaluable for anyone looking to progress within the technology industry.

Improve your prospects

If you’d like to find out more about learning a computing language and how it can open up your job prospects and ability to progress within the technology industry, come along to our Open Evening on March 28. It’s all online, so you can join from the comfort of your home. There are free tasters available for Python and Database Design, or you can simply speak to our Computing Coordinator to see which course would be the best fit for you. Register HERE.

Open Evening March 28th 2023

For our full range of Computing Courses, visit our home page HERE.

 

Or visit our main short course home page HERE for all the subject we offer.

 

 

Growth Spurt: Why It’s Never Too Late to Start Learning

Learning something new doesn’t have to stop when you leave school, or even university. Whether you choose a completely new path or up skill within your chosen field, more and more people are discovering the benefits – and joys – of lifelong learning.

Read on for the impact a City Short Course has had on these students’ lives…

Nathaniel Ashley took City’s Short Story Writing course, led by Katy Darby. As he puts it ‘I had tried numerous times to write a novel, and had often found myself developing ideas for sequels in my head long before I got anywhere near finishing the book. The short story course gave me the opportunity to create a finished piece of work, and gave me a better sense of story structure.’

‘Katy gave us exercises that really helped us experiment with a variety of different formats, all the while building up the skills that would help write a completed short story. It was also lovely to meet a group of like-minded people, and get more comfortable giving and receiving feedback.

‘The course made me much more confident showing my work to other people. For instance, I submitted an extract from my short story to the City Writes competition, and was lucky enough to win. This was the first time I ever read my creative writing to an audience, and it gave me

Author photo of Nathaniel Ashley

Nathaniel Ashley

a huge boost.’

Nathaniel thinks these kind of courses are really important in a writer’s evolution. ‘They’re so useful… Not only do they improve your writing skills, but they also broaden your understanding of the wider publishing industry and how to build a career in it.’ His advice to others starting out on their writing journeys? ‘Don’t be afraid to show others your work. It will only make you a better writer.’

Nathaniel works as a freelance journalist and can be found on twitter @NateAshley10

David Thornton took City’s Immigration and Asylum Law short course with Nasreen Choudhury. He was attracted to the course as he already worked in this field and ‘wanted a broader knowledge than I could acquire in my work. I also wanted to be able to explain to others.

Author photo of David Thornton

David Thornton

‘The course gave us the opportunity to ask questions as we went along. The tutor took time to answer our questions…My knowledge and understanding of this topic was greatly developed with instruction on how to self-learn in this field in future.’

David says the course has had a very positive impact on his life: ‘I am much happier and motivated at work and have received praise for my knowledge and diligence recently. I learned what I don’t want to do career-wise and was set on a future quest for knowledge by my tutor who sign posted me to my next steps.’

Abimbola Fashola was a student on City’s Writing for Children short course in 2020 (then taught by Sophia Bennett, now by Bryony Pearce). ‘I was attracted to this course because it was in the evening, which worked for me as I am working full time,’ says Abimbola. ‘I also liked that it was a short course and the price was affordable.’

‘The course was incredibly helpful as it taught me the importance of things like “Voice” and “Showing and Telling”. We also did peer feedback which was incredibly useful.’

Author photo of Abimbola Fashola

Abimbola Fashola

The course had a big impact on Abimbola’s writing. ‘It gave me the confidence to start my manuscript and I worked on the manuscript whilst on the course.’ Since leaving the course she has been chosen as one of the seven mentees on 2021/2022 Megaphone Writer Development Scheme and was commended for the 2022 FAB Prize. Most recently signed Abimbola has signed with Ash Literary agency and is currently working on her first book. As Abimbola puts it ‘Courses like this are extremely important, especially for writers who are brand new to novel writing.’ Her advice for anyone starting out writing for children? ‘It is difficult working full time and writing so it is important to set time aside to work on your manuscript even if it is a couple of hours on a Saturday. I would also advise new writers to apply for development schemes such as Megaphone or All Stories as they give new writers invaluable time and support.

Jazz Lintott took City’s Screenwriting: First Steps short course with Maeve Murphy in 2021. Jazz says ‘The course was invaluable to me. It helped me structure my idea the correct way, giving it tension and a heartbeat. It has since been aired on TV and we have just finished writing the play for the next stage of this journey. That’s the final step before converting it into a feature film!’

Author photo of Jazz Lintott

Jazz Lintott

Jazz’s short film, Going for Gold, was broadcast on London Live in 2022 and has appeared at various film festivals. The film follows three imagined conversations based on the career of Frankie Lucas, a black British Boxer from 1970s London. Jazz is now writing a longer screenplay using tools from the work he did on the course. Speaking of his tutor, he says ‘Maeve’s leadership was thorough and informative and she was always available for advice.’

Justine Solomons is the founder of digital publishing network Byte the Book. She started studying at City because she wanted to try and improve her writing skills. She was also interested in getting involved in the publishing industry. ‘I thought that if I did a course at City – which has an excellent reputation – it might help me make useful contacts.’

‘The first course I took was Novel Writing and Longer Works, which got me started on a draft of a novel. I then attended several other short courses just one night a week, which helped me finish a draft of my novel. I eventually applied to The Novel Studio, an intensive year-long programme for aspiring novelists. It was there I learned to redraft my novel.

‘In total I studied at City for three years. The courses were great, the teaching excellent and the standard of my fellow students was particularly high. I loved working with them all and still retain the strong friendships I made during my year on The Novel Studio.

‘City was a fantastic experience for me. Not only did it help me improve my writing, but I met some great people and got inspired by the courses to get more involved in the publishing industry… After working on the end-of-term reading event for The Novel Studio, I had the idea to set up Byte the Book. When asked, I always say Byte was born at City!

Author photo of Justine Solomons

Justine Solomons

Justine originally  set up Byte the Book to help her fellow students get published and also for them to make connections in the publishing world. She has developed the business into an an established membership organization now with 400 members, 5000 subscribers, and three main aims: to help authors get published; to educate publishers and authors on technology; and to connect people within publishing and to other industries. She continues to be in touch with her fellow coursemates, some of whom have guest blogged for Byte, or written articles and book reviews on the site. Many more attend their vibrant events programme. You can find out more about Byte the Book on their site, or email justine@bytethebook.com.

 

 

Inspired? See where a short course could take you. Visit our website for full details of all our courses. Or come along to our Open Evening in March where you can take a free taster course, or talk to one of our friendly coordinators about anything from computing, business and creative industries to languages or writing courses.

New Year, New Writing Goals with City Writes – City Writes Competition Open

By Rebekah Lattin-Rawstrone

City Writes, the showcase event for new writing coming from City’s Creative Writing Short Courses, is delighted to announce that Hannah Begbie will be its published alumna this term at our City Writes Spring 2023 online event on Wednesday 29th March at 7pm.

 Novel Studio alumna, Hannah Begbie is the author of two award-winning novels, Mother and Blurred Lines, both published by HarperCollins. For your chance to join Hannah on the virtual stage, you need only send in your best 1,000 words of creative fiction or nonfiction (no young children’s fiction or poetry please) by midnight on March 3rd to rebekah.lattin-rawstrone.2@city.ac.uk . You can find full submission details here.

Photo of author Hannah Begbie

Novel Studio alumna and City Writes guest author Hannah Begbie

There is no theme, just your most sparkling prose, and the competition is open to all current students and alumni of Creative Writing short courses at City. If your piece is chosen, you will be asked to read your work at our City Writes Spring 2023 event at 7pm on Wednesday 29th March on Zoom. You will be reading alongside the fantastic Hannah to a supportive audience of students, alumni, friends and a few industry members. Don’t miss your chance, submit now!

 For those of you keen to sign up in advance, you can register for the event here.

We can’t wait to read your submissions!

Controlling the Narrative Non-Fiction

Peter Forbes on the success of City’s Narrative Non-Fiction short course

Author photograph of writer and editor Peter Forbes

Tutor, science writer and editor, Peter Forbes

For over fifteen years, City has run its Narrative Non-Fiction short course. For almost a decade, one tutor has been at the helm.  Peter Forbes is a science writer with a special interest in the relationship between art and science. He initially trained as a chemist and worked in pharmaceutical and popular natural history publishing, whilst writing poems and articles for magazines such as New Scientist and World Medicine.

He has written numerous articles and reviews – many specialising in the relationship between the arts and science – for the GuardianIndependentThe TimesDaily MailFinancial TimesScientific AmericanNew ScientistWorld MedicineModern PaintersNew Statesman and many others.

Peter is also an editor. As editor of the Poetry Society’s Poetry Review from 1986-2002, he played a major role in the rise of the New Generation Poets. He has edited three anthologies: Scanning the Century: The Penguin Book of the Twentieth Century in Poetry (Viking, 1999), We Have Come Through (Bloodaxe, 2003) and The Picador Book of Wedding Poems (Picador, 2012). His book, The Gecko’s Foot, about the new science of bio-inspired materials, was published by Fourth Estate in 2005 and was long-listed for the Royal Society Prize. Dazzled and Deceived: Mimicry and Camouflage (Yale University Press, 2009) won the 2011 Warwick Prize for Writing. He was Royal Literary Fund Fellow at Queen Mary University of London (2004-7) and at St George’s, University of London (2010-12).

“I loved science as a child,” Peter explains. “But fell out of love with it at university, so poetry took over for a long time. What thrills me about science now is that all of the naive questions I used to ask as a student – about the origin of life; about the development of form in living creatures – are well on the way to being answered, if they haven’t been already. I can’t resist trying to tell the world about all these discoveries.

“I owe my entree into teaching to the Royal Literary Fund (RLF). The RLF scheme involves one-to-one tutoring of university students and I discovered that I enjoyed this very much. It was through the RLF that I came to City. I then discovered that I enjoy teaching a class even more than one-to-one.

“Teaching is an animated, sociable activity, unlike the solitariness of a writer’s work. I enjoy seeing people grow in confidence. As everyone gets to know each other, our classes develop into a lively discussion group from which everyone learns from each other.

“The standard at City is high and many of the students have the potential to publish successfully. Success, though, requires more than talent and I try to inculcate the attitude necessary to cope with the frustrations and setbacks that dog any published writer’s life.”

Cover picture of Dee Peyok's book Away from Beloved Lover

Away from Beloved Lover by Dee Peyok

It would seem Peter’s advice has paid off. Alumni from the course have been phenomenally successful. This year alone sees the publication of three alumni books: Dee Peyok’s Away From Beloved Lover (Granta); Claire Martin’s Heirs of Ambition (The History Press); and Aniefiok Ekpoudom’s Where We Come From (Faber). (As Dee herself tweeted recently in response to Peter’s message of congratulation on her book: “Your class really set me on my path. I can’t recommend Peter and the course enough to anyone considering it.”) Other notable alumni successes include Ciaran Thapar’s acclaimed Cut Short (Penguin) (Ciaran now teaches his own course for City: Writing for Social Impact); Deidre Finnerty’s book Bessborough (Hachette); and Jack Price’s book on Stem Cell Therapy, The Future of Brain Repair (MIT).

Cover picture of Deidre Finnerty's book

Bessborough by Deidre Finnerty

So what’s the key to the course’s success? Peter explains: “In the first half of the course we work mainly with set topics and in the second half with the students’ own work. Besides the class sessions, every student gets individual written feedback on several assignments during the course. This is professional, hands-on editing that is hard to come by elsewhere.

“The 10-week course is an ideal format in which to develop your writing skills. The friendly, enabling environment of the class takes the sting out of the anxiety of offering up your thoughts for scrutiny. It is, in fact, a milieu that many writers, at a computer or alone in a library, pine for.”

Since the pandemic the course has been delivered online and can be joined remotely from anywhere in the world. Students have been known to log in from the UK, USA, India, Germany, France, Spain, Italy, Ethiopia, Haiti, Uganda, and Malaysia. And from this term City are offering the course on two nights – Tuesdays with Peter and Thursdays with acclaimed writer and teacher Holly Rigby.

For more on the course visit the home page.

For more on our other writing short courses visit our page here.

The next course starts on 17 or 19 January.

What ‘The Rest is Politics’ taught us about learning a foreign language

The Rest is Politics is having a bit of a moment.

The odd-but-good pairing of Alastair Campbell — Tony Blair’s former Head of Communications — and Rory Stewart — former Conservative MP and London Mayoral candidate — exchanging views on their weekly current affairs podcast has proved an unexpected hit, with worldwide audience numbers now into six figures and a million downloads per episode.

photo of hand holding words hashtag study in blue sign against backdrop of tree-lined road

Always Be Learning

Photograph of Eiffel Tower in Paris

Parlez-vous francais?

As avid fans of the benefits of learning a language here at City, we were delighted to hear last week’s podcast in which Campbell pointed to the importance of mastering influential languages such as Mandarin and Arabic, and also to the value of learning any language for the process alone.

Both podcast hosts speak from experience. While Campbell is fluent in French and German, Stewart speaks eleven languages, including French, Latin, Greek, Dari (a form of Farsi), Nepali, Urdu, Indonesian and Serbo-Croat.

If after listening to their podcast you’re still in any doubt about why you should learn a language, here are five more reasons:

  1. Learning a language can increase your confidence and mental alertness

A 2019 Italian study, looking at the effects of language learning on adults between 59-79, found that it improves “global cognitive and re-organizes functional connectivity.”

  1. Learning a language can protect against Alzheimer’s and other forms of dementia

Several studies have found that language learning engages parts of the brain’s network that overlap with regions which can be negatively impacted by ageing.

  1. Learning a language can broaden your horizons

A 2021 UK government report recognised the value of learning a language to protect against ‘insularity and provide an opening to other cultures’.  And by being able to talk to more people, you’ll also be able to express yourself in a more diverse range of ways. A win-win!

Photo of Chinese lantern hanging inside a room

Chinese Whispers

4. Learning a language can make you more compassionate

A recent study found that bilingual children were ‘better at grasping other perspectives,’ something we could all do with more of in our increasingly polarised world.

  1. And if nothing else, learning a language is a useful exercise in humility

There’s nothing like learning a language to remind you of your fallibility! But being in a position of uncertainty can actually help you recognise the steps you need to close those knowledge gaps. No bad thing for any learner, or any human being for that matter!

For all City’s short online language courses, visit our languages home page.  We cover everything from Arabic to French, German, Korean and Japanese all taught by qualified, native speakers using the recognised framework of languages such as CEFR (for European languages), JLPT (for Japanese), or HSK (for Mandarin).

To learn from our students how they found learning with us, read our blog post here.

And if you’d like to talk through your options, just email our friendly team on shortcourses@city.ac.uk and they’ll be happy to help.

For all our other courses, visit our home page here.

City Writes Autumn 2022 Competition Winners Announced

By Rebekah Lattin-Rawstrone

We’re delighted to introduce our fabulous City Writes Autumn 2022 Competition Winners, who will be reading their work alongside renowned author and alumna, Elizabeth Chakrabarty, on Wednesday 14th December at 7pm. Register to join us here.

This term’s winners, chosen from our usual weight of entries are:
Author photo of Nathaniel Ashley

Nathaniel Ashley

Short Story Writing alumnus, Nathaniel Ashley is an author and freelance journalist who has written for Neon Books Literary Magazine, The Skinny and Massive Cinema. He runs the film and television blog Natflix and you can find him on Twitter @NateAshley10. Nathaniel will be reading his story ‘Captain Proton vs. the Deviator’.

Author photo of Hugo Cox

Hugo Cox

Hugo Cox. For fifteen years Hugo has been a freelance journalist covering property, housing and investment, mainly for the Financial Times; before that he was a mediocre actor. Encouraged by the Narrative Non-Fiction course, which he has just completed, he hopes to continue bumbling around after interesting topics beyond his day job, as well as kookier ways (or outlets) in which to tell his property stories. He is fairly useless without a looming deadline and very keen for tips on writing groups or classes to help maintain his newfound momentum. Hugo will be reading his piece, ‘Half Over’.

Author phot of Alison Halsey

Alison Halsey

Alison Halsey is a fiction writer and a former financial services professional, with a career lasting over 45 years. She has also served in many roles supporting charities with a focus on young people with disabilities. A student of The Novel Studio, Alison is currently writing her second novel, Agnes Gets a Lift, from which she will be reading the first chapter. She is currently also still editing her first novel, Minta Gets Everything Wrong, for which process The Novel Studio course is proving invaluable.

Author photo of Katharine Light

Katharine Light

Katharine Light. During her year on The Novel Studio at City, University of London, Katharine worked on her novel Like Me, which she plans to publish in 2023. It is the first of a series of novels about a group of teenage friends who meet up again in their late thirties. The short story ‘My arms are empty’, to be read at City Writes, is based on an episode in the sequel, Me Too. Katharine lives in London and fits writing around a full-time job and busy family life.

An Approach to Creative Writing alumna, Isabelle Mouttet. Isabelle was born and raised in Trinidad & Tobago and has been living in London getting her Master’s in Entrepreneurship. She is an avid reader and a hopeful writer who plans to pursue a career in book publishing. Isabelle will be reading ‘The Myth Finder’.

Author photo of Tunde Oyobode

Tunde Oyebode

Writers’ Workshop alumnus, Tunde Oyebode is a London-born Nigerian, based in East London. Working primarily as an Architect in North London, he is committed to delivering inclusive projects with high social and aesthetic value. Writing is a passion that he has developed in parallel with Architecture. His creative and essay writings explore human relationships and society and have been published in anthologies and magazines. Some of these writings include ‘Explosions,’ which was published in print in the 2021 Michael Terrence Anthology, ‘Wants’ published online in Stylist Magazine and ‘Riot,’ which is pending print publication in Obsidian Magazine in December 2022. Tunde will be reading his story, ‘Wants’.

After listening to tales of magic, wonder, romance, desire, film, work, running and death, you’ll be thoroughly warmed up to hear from our guest author, the wonderful Elizabeth Chakrabarty whose novel Lessons in Love and Other Crimes is a gripping and vital novel.

Don’t miss your chance to hear all of these authors and get in the mood for the festive season. Register here for City Writes Autumn 2022 at 7pm on Zoom. See you there!

Portrait of author Elizabeth Chakrabarty by Jason Keith

Guest alumna Elizabeth Chakrabarty, photo by Jason Keith

City Writes Deadline Tomorrow 18 November!

Got 1,000 words of fantastic fiction or non-fiction ready to share? This is your chance to join award-winning writer and alumna, Elizabeth Chakrabarty on the online stage of City Writes! Send your 1,000 words (no poetry, scripts or picture books) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on Friday 18th November along with details of your current or past City Short Creative Writing Course.

City Writes is a termly event showcasing the best of City’s Short Courses Creative Writing talent and this term, alongside the readers from the termly competition (this could be you!), we are extremely excited to welcome Elizabeth Chakrabarty as our alumna guest author.

Alumna of the Novel Studio, Elizabeth Chakrabarty is an interdisciplinary writer using creative and critical writing, besides performance, to explore themes of race, gender and sexuality. Her debut novel, Lessons in Love and Other Crimesinspired by experience of race hate crime, was published in 2021 by the Indigo Press, along with her essay, On Closure and Crime. In 2022 Lessons in Love and Other Crimes was longlisted for the Desmond Elliott Prize, and also shortlisted for the Polari First Book Prize.

Portrait of author Elizabeth Chakrabarty by Jason Keith

Author photo of Elizabeth Chakrabarty by Jason Keith

For your chance to read your work alongside this ground-breaking author, you need only send your best 1,000 words of fiction or creative non-fiction (no poetry, scripts or picture books) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on Friday 18th November along with details of your current or past City Short Creative Writing Course.

Registration for City Writes Autumn 2022 event on the 14th of December at 7pm on Zoom is open now. Simply follow this link to sign up to hear Elizabeth Chakrabarty read from her fantastic debut, Lessons in Love and Other Crimes, alongside the competition winners (possibly you?!) to be announced in just a few weeks’ time.

Full submission details can be found here.

 

We can’t wait to read your work – submit now! – and see you on the 14th December.

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