Tag: Harriet Tyce

Novel Studio Scholarship Winner 2021

Winner of 2021 Novel Studio Scholarship Announced

by Emily Pedder

The third  Novel Studio scholarship, set up to support a talented writer from a low-income household, has been awarded to Hawa Maua.

Hawa is now part of  The Novel Studio 2021/22, alongside 14 other selected writers. Speaking of Hawa’s application,  Novel Studio course director Emily Pedder said: “This was an outstanding piece of writing. Distinctive and energetic, there was an urgency to the voice which was compelling.”

 

On winning the scholarship, Hawa said: “For a long time, I dreamt of being heard, giving voice to my thoughts, my hopes, my experiences and the things that I observed. I was dreaming of being a writer and thought someone like me could never get a chance. Now I have a chance to make something more concrete.”

Harriet’s new novel out in 2022.

 

Novel Studio alumna and crime writer Harriet Tyce set up the scholarship in 2019 as a way to help talented writers who might not otherwise be able to take up a place on the course. Lola Okolosie, the inaugural recipient of the scholarship, has said the opportunity was “life changing” while last year’s winner, Janice Okoh, said that without the scholarship she would not have been able to take the course.

Harriet was a student on the Novel Studio in 2009/10 and went on to gain a place on the MA Crime Fiction at UEA, where she received a distinction. In 2017 Wildfire pre-empted her debut psychological thriller, Blood Orange. It was subsequently sold in 19 territories worldwide and became a Sunday Time bestseller. Her second novel, The Lies You Told, described by Sophie Hannah as ‘totally addictive’, was published in August 2020 to rave reviews. Her third, It Ends At Midnight, will be published in 2022.

 

The Novel Studio has been running as part of City’s short courses programme since 2004 and has been instrumental in providing a foundation for emerging writers to go on to successful publishing careers. Taught by professional writers and editors, 15 selected students develop their novels over a year. The course has a  strong publication record, with many alumni publishing novels with major publishing houses, including, most recently, Deepa Anappara, Hannah Begbie and Harriet.

 

Congratulations, Hawa! We can’t wait to see your novel develop over the year.

For more on all our writing short courses, including The Novel Studio, visit.

Starry night: Novel Studio Showcase 2021

By Rebekah Lattin-Rawstrone

Tuesday 15th June was a beautiful summer evening, perfect for sharing the dazzling work of our 15 Novel Studio 2021 students via zoom. The Showcase is the culmination of a year’s work on their novels and with genres as varied as satire, sci-fi, procedural crime and literary fiction, this year’s cohort promised a varied and tantalising programme of extracts from their work-in-progress.

This is the first year of the Novel Studio which has been run entirely virtually and it has led to a wonderfully diverse group with students joining us from India, France and America as well as the UK. The students have forged a tight-knit group, challenging each other in an incredibly supportive and encouraging manner, leading to some truly fabulous work being produced as we soon heard.

After running through the amazing list of published alumni, that grows year on year with names like Kiare Ladner, Harriet Tyce, Deepa Anappara, Hannah Begbie, Elizabeth Chakrabarty, Attiya Khan, Anna Mazzola and Greg Keen, we heard from alumna Harriet Tyce who introduced and funded the Novel Studio Scholarship in 2019, which provides one successful applicant from a low-income household with a fully funded place. We are delighted the scholarship is running again for the third time this year.

Harriet spoke with fondness about her time on the Novel Studio and all that it offered her in terms of structure and support. She also spoke of her sense of anxiety waiting to share her work at the Showcase and wished all the students luck. Hopefully they will all go on to have writing careers as successful as Harriet’s.

Nana Wereko-Brobby

With some thank yous to all the tutors, Kiare Ladner, Emma Claire Sweeney and Rebekah Lattin-Rawstrone, alongside our director Emily Pedder and the Short Courses team, in particular Laura Bushell, Robert Lastman and Sathya Mathivanan, we were ready to be transported into the various fictional worlds of the students starting with Nana Wereko-Brobby whose novel, Dark Heart explores one British Ghanaian’s journey into boredom, excess and murder. Reading from the first chapter, Nana gave us an insight into her character’s acerbic attitude to his daily life and relationships that left us wondering what else might be in store.

We went from London to a village in Tamil Nadu next as Deepa S. read from her novel, Nivya, a coming of age novel in which twelve-year-old Nivya must come to terms with a more complex understanding of her world and heritage. Narrated by Nivya, Deepa read us a passage that introduced her uncle’s latest business venture, the tuk-tuk Henry.

Freya Sanders

Freya Sanders took us into a young woman’s mind next when reading from her literary anti-bildungsroman, out of the sky. We learnt about the tragic death of Peter Gilbraith, a popular, high achiever whose death is all over Facebook. What will this mean for the character, her friends and the wider social circle? What importance do external achievements have in the face of death?

Michael Lawson

From Cambridge to British Airspace next, Michael Lawson took us into the mind of Blanche, an undead agony aunt and political agitator who died choking on a custard cream in an airplane sitting next to her best friend, Cilla Black. A hilarious satire sending up the British and their political system, Michael’s extract from Biscuits with Blanchehad the audience giggling in delight.

Scholarship winner Janice Okoh

We were dropped right into the action in a large house in Nigeria next as Novel Studio Scholarship 2021 winner, Janice Okoh, read from the beginning of her novel, The Killing Season. Olori’s daughter is missing. She went out with the bosses new British Nigerian wife who Olori does not trust at all. Where is her daughter? Who will help her find her? Certainly not the police, or so it seems. Leaving us on tenterhooks, reeling from the pithy phrases of Olori’s mind, we were transported into an entirely different character’s mind next.

Stephan Schmidt

Delving into the head of a young man who wishes he’d already written the Next Great American Novel, Stephan Schmidt shared an extract from his novel Abscondia in which his second person narrator described meeting a woman at a cafe in France. Seeped in skepticism and nihilism, will this woman mean anything for the unnamed narrator, or will it just be one more in a catalogue of disappointingly mundane events?

Rhiana Gold

We were transported into the near future next as Rhiana Gold read from her speculative fiction novel, Under the Surface. We joined her character, Stevie, at the hospital, there for her dying father, a father no one like her – a lab-born – usually has. What is a lab-born and how is Stevie different? You’ll have to wait for the full novel to find out!

Seema Clear

Seema Clear took a different look at identity and belonging next, as she read from her multigenerational novel, The Refugees, that explores the life of Vidya and her father who were some of the many Asians expelled from Uganda in 1972. Seema read from the opening of her novel in which Vidya is back in the family home in West London, tending to her father on his deathbed.

Lucy Blincoe

From one set of emotional waters to another, we travelled to the Cornish coast with Lucy Blincoe next as she read from her novel, Kernow. Susie is a Met detective on leave, taking time out from London after the death of her colleague ostensibly to spend more time with her teenage daughter, Nancy. Then Nancy finds a dead body washed up on the beach. Susie thinks the young man won’t be her problem to solve, but the audience all knew better.

Grayson Anderson

We were blasted into the distant regions of an alternative galaxy next as Grayson Anderson read from the first in a trilogy of science fiction novels, Until Time Runs Out: The Awakening. We joined Aluz as she attempted to persuade her superiors to let her keep a perfectly preserved body found on a long-dead planet while mining. Drawn in by the sharp dialogue and Grayson’s fabulous voices, the audience was left wondering about Aluz’s discovery and what it might mean for her future.

Catherine Till

Time traveling into the past rather than the future next, Catherine Till took us on a train ride as her character attempted to travel illegally across the border and out of Soviet-controlled Hungary, as she read from her novel, Behind The Curtain. Leaving us with our hearts beating in our mouths, fear sounding loud in our ears, we were left to imagine whether her character made it or not.

Back to London and the world of environmental protest, government cover-ups and organised crime, James Mott read from his novel, The Holloway Men next. He introduced us to his main character, DI Robert Bramadisso, just back from a year’s suspension whose first job is to babysit City boys. How could that possibly go wrong?

Vasundhara Singh

We went back to India next with Vasundhara Singh whose novel, mistress, mother, explores the lives of three women: the wife and mother, the daughter and the mistress. Taking us into a scene of shared memory and food, we followed each bite with careful and lyrical attention.

Nola D’Enis

Continuing the lyricism, we journeyed to a small French town next as Nola d’Enis read from her novel Doulun. We joined her for the opening pages as one of her characters, Judith, explored the treasures of her underwear drawer and revealed a little of the steely femme fatale that lies beneath the frills.

Rhydian Wynn Davies

Finally, we were thrown into a scene of rich drama as Rhidian Davies read from his novel, Role of Lifetime, in which his two main characters, ex-actor Oliver Molyneux and solicitor-agent, August Avery, talk about Oliver’s impending divorce. Both narcissists, the extract from this tragi-comic novel introduced us to a world where these men and their impulsive actions might take them into deeper water than either of them expected.

 

 

 

The readings ended with a fantastic revelation, taking the death knoll high and our emotions higher. With final thanks and reminders about students’ contact details in the chat and in the anthology now available here, the Showcase for the Novel Studio students 2021 was concluded with a marvellous dramatic flourish. Watch this space for news of these students’ future successes. Congratulations Novel Studio Cohort 2021!

 

City Novel Studio Agent Competition Winners

By Emily Pedder

We are  delighted to announce the winners of City’s Novel Studio Agent Competition 2020. In a rare opportunity to bypass the slush pile, all applications to the Novel Studio are automatically considered for our literary agent competition, run in conjunction with Christine Green Authors’ Agency.

Competition winner Nana Wereko-Brobby

This year’s winners are Janice Okoh, Freya Sanders and Nana Wereko-Brobby.

Novel Studio tutor Rebekah Lattin-Rawstrone said ‘The standard of submissions this year was really high and these three winners are writers with some serious promise. Alongside depth of character and enticing plot, their writing shines with eloquence. This is a group of writers to watch!’

Competition winner Janice Okoh

The Novel Studio is City’s flagship year-long course for aspiring novelists. Established for over a decade, the course has a strong track record of published alumni including bestselling authors Harriet Tyce and Hannah Begbie, and debut novelist Deepa Anappara.

Competition winner Freya Sanders

An early winner of the agent competition, Hannah Begbie has gone on to publish two award-winning novels, Mother and Blurred Lines. Another winner, Louise Beere, was shortlisted for the 2019 Lucy Cavendish Fiction Prize.

Congratulations to Janice, Freya and Nana! We can’t wait to see your writing careers develop over the coming months and years.

Novel Studio Scholarship Winner 2020

Winner of 2020 Novel Studio Scholarship Announced

By Emily Pedder

The second  Novel Studio scholarship, set up to support a talented writer from a low-income household, has been awarded to Janice Okoh.

Janice will now join The Novel Studio 2020/21, alongside 14 other selected writers. Speaking of Janice’s application,  Novel Studio tutor Rebekah Lattin-Rawstrone commented: “I was totally gripped by the story that Janice Okoh sent in with her application. Her work is filled with character, pace and a beautiful sense of place. There is an urgency to get across a British Nigerian experience that sings from the page.”

Janice Okoh, winner of Novel Studio Scholarship 2020

On winning the scholarship, Janice said she was “thrilled to be able to  further develop my novel writing skills on such a prestigious course.  I have so many ideas, I can’t wait to focus on one of them and interrogate it for an entire year. Like a lot of people, the effects of the pandemic meant that I lost a substantial part of my planned income so without the scholarship I would not have been able to attend the course. Thank you, Harriet Tyce.”

Novel Studio alumna and crime writer Harriet Tyce set up the scholarship in 2019 as a way to help talented writers who might not otherwise be able to take up a place on the course. Lola Okolosie, the inaugural recipient of the scholarship, has said the opportunity was “life changing”.

The Lies You Told, Harriet Tyce’s second novel

Harriet was a student on the Novel Studio in 2009/10 and went on to gain a place on the MA Crime Fiction at UEA, where she received a distinction. In 2017 Wildfire pre-empted her debut psychological thriller, Blood Orange. It was subsequently sold in 19 territories worldwide and became a Sunday Time bestseller. Her second novel, The Lies You Told, described by Sophie Hannah as ‘totally addictive’, was published in August 2020 to rave reviews.

The Novel Studio has been running as part of City’s short courses programme since 2004 and has been instrumental in providing a foundation for emerging writers to go on to successful publishing careers. Taught by professional writers and editors, 15 selected students develop their novels over a year. The course has a  strong publication record, with many alumni publishing novels with major publishing houses, including, most recently, Deepa Anappara, Hannah Begbie and Harriet.

Congratulations, Janice! We are so looking forward to seeing your novel develop over the year.

For more on all our writing short courses, including The Novel Studio, visit.

Novel Studio Showcase 2020

Readers and guests from The Novel Studio Showcase

Harriet Tyce introducing the night

Last Wednesday the Novel Studio showcase took place on Zoom for the very first time. And what a night it was. Hosted brilliantly by tutor Rebekah Lattin-Rawstrone, with an introduction by Novel Studio alumna and scholarship sponsor, Harriet Tyce, the event was attended by over 100 guests.

With 12 students reading 4 minute extracts from their novels-in-progress it was a chance for friends, family and industry attendees to hear the astonishing talent on display, and owing to Zoom’s chat facility, feedback was instantaneous and uniformly glowing. Any fears over a lack of atmosphere online were soon dispelled by the unexpected intimacy afforded by hearing the work on Zoom. As one observer commented, ‘It was like being read to in your own room.” A resounding success, one agent said it was her ‘favourite Zoom event by far this year.”

Thank you to the students, our tutors, all our guests and to our fantastic short course team who helped make the night possible.

For those who didn’t get a chance to be there on the night, the whole evening is available to view again here.

Congratulations class of 2020!!

For more information about the Novel Studio visit our course page here.

Novel Studio alumna and bestselling crime writer Harriet Tyce supports second year of Novel Studio Scholarship

By Emily Pedder

We are delighted to announce a second year of sponsorship for the Novel Studio scholarship, generously supported by Novel Studio alumna and bestselling crime author Harriet Tyce.

Lola Okolosie

The scholarship provides a fully-funded place for one successful applicant to the course from a low-income household and aims to support a student of talent and potential who might not otherwise be able to accept an offer of a place on The Novel Studio.

Last year’s winner, Lola Okolosie, said she was ‘deeply honoured… to receive The Novel Studio Scholarship from City.  It is a huge help; without the financial assistance, I would be unable to embark on a course that I know will develop my skills as a fiction writer.’

Applicants to the scholarship go through the same process as all other applicants but will need to also include a personal statement and provide evidence of financial need. The top three applications will be shortlisted and a final winner chosen by a panel, including the course director, course tutors and Harriet Tyce. For more information on our critieria, please visit the Novel Studio scholarship page.

General applications to the Novel Studio will also open on 1st February 2020. For anyone interested in applying, please see our submissions process here.

It’s been a phenomenal start to the year for graduates of the Novel Studio. Scholarship sponsor Harriet Tyce published her debut crime novel Blood Orange in 2019 to critical acclaim, with The Observer calling it ‘Complex and menacing…a very impressive debut.’

Blood Orange was shortlisted for the Dead Good Reader’s Award and selected for Richard and Judy’s bookclub choice in December 2019. Her second novel, Lies You Told – think Motherland meets noir – is due out in July 2020.

Kiare Ladner

Kiare Ladner, also a Novel Studio alumna, will publish her debut novel, Nightshift, in July 2020 with Picador. Associate publisher Ravi Mirchandani described the novel as “an immensely exciting debut.”

Kiare’s short stories have been published in anthologies, journals, commissioned for radio and shortlisted in competitions, including the BBC National Short Story Award 2018. She won funding from David Higham towards an MA (Prose Writing) at the University of East Anglia, and then received further funding for a PhD (Creative Writing) at Aberystwyth University. She was given Curtis Brown’s HW Fisher Scholarship in 2018.

Kiare recently joined The Novel Studio teaching team, bringing a unique blend of experience as a student of the course and as a published writer of serious talent.

Deepa Anappara

Another Novel Studio alumna, Deepa Anappara, will also publish this year. Her debut novel, Djinn Patrol on the Purple Line, has won the Lucy Cavendish Fiction Prize, the Deborah Rogers Foundation Writers Award, and the Bridport/Peggy Chapman-Andrews Award for a First Novel.  It is now being translated into 17 languages.

Deepa’s short fiction has won the Dastaan Award, the Asian Writer Short Story Prize, the second prize in the Bristol Short Story awards, the third prize in the Asham awards, and has been broadcast on BBC Radio 4. She has an MA in Creative Writing from the University of East Anglia, Norwich, where she is currently studying for a Creative-Critical Writing PhD on a CHASE doctoral fellowship.

Last but not least, Novel Studio alumna Hannah Begbie will publish her second novel, Blurred Lines, in June 2020. Hannah developed her debut novel, Mother, on the Novel Studio and won that year’s prize for new writing.

Hannah Begbie

Published by HarperCollins in 2018, Mother went on to win the Romantic Novelists’ Association Joan Hessayon Award for new writing and was made Book of the Month on Mumsnet and a pick for Fern Britton’s inaugural Book Club for Tesco. Mother has since been optioned by the BAFTA-winning Clerkenwell Films for adaptation into a television drama.

Ready to join them? Find out more about our The Novel Studio Submissions process. Applications open on 1st February 2020.

City Writes Spring 2019 event

by Rebekah Lattin-Rawstrone

City Writes Spring 2019 Event was busier than ever, the room filled with writers and their friends sharing conversation and blood orange gin cocktails, all to suit the theme of our professional writer, Harriet Tyce, whose debut thriller Blood Orange has taken the publishing world by storm.

Before we heard from Harriet, the City Writes competition winners treated us to five short creative pieces that took us from distributing ashes, through war zones, lazy summers and an imagined meat-free future, to the humble garden trampoline.

Competition winners

Harriet Pavey

We began with Harriet Pavey’s story ‘Dad’, telling the history of her character’s relationship with her father as she distributed his ashes. A recent graduate of An Approach to Creative Writing, Harriet Pavey filled her story with poignant detail from both present and past that set a contemplative tone for the night.

Next up, we heard from Ursula Hirschkorn, a current Novel Studio student whose story ‘Summer Time’ took us through three characters’ experiences of one summer: the adolescent on summer holidays, desperate to avoid her set texts and talk up foreign encounters with boys; the working mother exhausted by the efforts to manage a holiday with her family; the patient, adept at understanding the terminal nature of their illness.

Not quite ready to dispel the sombre mood, Jake Leyland, an alumnus of Peter Forbes’ brilliantNarrative Non-Fiction course, took us into a war zone in his character study, ‘Portrait of the Technician in a War Zone’. Hidden beneath their desks, the writer considers the technician he is meant to be managing as gun-fire rattles outside their thin walls.

Stephanie Pride

Taking a different turn, Stephanie Pride, who had just finished Cherry Pott’s Approach to Creative Writing course, took us to the future in her story ‘The best way to a man’s mind is through his stomach’. The story asked more questions than it answered as the narrator walked above the grids of groaning meateaters. I’ll just leave you to imagine this one.

Our final competition winner was Ben O’Donnell Bourke, most recently an alumnus of Katy Darby’s Short Story Writing course, whose ‘Negative Habits’ told of another father and child relationship spun around the demise of the garden trampoline. Like the tip of an iceberg, the trampoline gives us access to the depths of the family relationships stretched deep below the surface.

The audience, their minds already filled with the fascinating tales of our competition winners, were then eager to hear from Harriet Tyce, Novel Studio alumna and fierce supporter of the creative writing short courses at City.

Harriet Tyce on Blood Orange

Fresh from a whirlwind book tour for her debut psychological thriller, Blood Orange, that took her through England, Scotland and into America, Harriet decided to side step the opening bang of the novel to give us the morning after when her heroine, Alison, is woken by her husband and daughter as she sleeps slumped in her office chair.

As well as whetting our appetites for the rest of the book which explores what it means to have it and risk it all, Harriet gave us an insight into what it was like to bring a novel into the world and happily shared stories and answered questions afterwards as the audience queued to buy signed copies of Blood Orange. It was a fantastic night. A real example of what City Writes was set up to be: a supportive space for writers from City’s Creative Short Courses to share their experience and success.

Now well into its second year of events, City Writes is a termly event that hosts readings from alumni, students and tutors. One reader offers a professional perspective, reading from a new or award-winning publication, and the other readers are selected on the basis of a 1,000 word submission to a termly fiction writing competition open to all current and previous students of a City Creative Writing Short Course. Out guest reader for next term’s City Writes, which on the 17th July, is Anna Mazzola. Anna is a Novel Studio alumna whose debut novel, The Unseeing, won the Edgar Award in the US, and whose second novel, The Story Keeper, has recently been longlisted for the Highland Book Prize. Watch this space for this term’s entry details.

The Novel Studio Scholarship

For full details on the incredibly generous Novel Studio scholarship set up by Harriet Tyce to support a talented writer from a low-income household; the deadline for the scholarship is 30th May 2019.

Read more about The Novel Studio Scholarship

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