Tag: nonfiction (page 6 of 6)

City Writes summer showcase

by Rebekah Lattin-Rawstrone

Set up to showcase the wonderful creative writing talent coming from City’s Short Creative Writing courses, City Writes held its second event on the balmy evening of the 12th July to an intimate and attentive audience in City’s Convocation Suite.

Katy Darby, our first competition winner, City Short Courses VL and one of the founders of Liars’ League, began the evening with her story ‘Knock Knock’. A dark and disturbing voice-piece, ‘Knock Knock’ presented the audience with the terrible notion of a baby speaking to its mother in the womb through a series of intense and painful kicks.

Next, we had Bren Gosling reading ‘Meatballs’. An alumnus of The Novel Studio, Bren’s story took us onto a bed in A&E where the protagonist pondered his relationship with his boyfriend while getting his anal cyst lanced. It was as funny and uncomfortable as it sounds.

Our final competition winner was Becky Danks who had just completed the Children’s Fiction course with Caroline Green. Her story, ‘The Anniversary’ was inspired by the painting of the same name and dealt with a couple trying to heal after the stillbirth of their first child. Beautifully poised between the two viewpoints, ‘The Anniversary’ was thought-provoking and quiet in its contemplation of grief and the possibility of recovery.

Our headline act was the wonderful Luiza Sauma, a short courses alumna who was reading from her debut novel, Flesh and Bone and Water, published earlier this year to great acclaim. The novel is set in London and Brazil and explores, through memory, that intense period of early adulthood, lived with such abandon and without the knowledge of the lifelong effects it may have. Heady with Brazilian humidity and the lure of memory, Flesh and Bone and Water unravels the mysteries of Andre’s early youth to great effect, bringing the beauty and heat of Brazil to life.Luiza treated us to a wonderful reading before selling and signing some of her books.

Please do get involved in the next City Writes. If you are an alumni with a novel to promote, get in touch via rebekahlattinr@gmail.com or if you would like to enter the City Writes competition and stand alongside our next professional reader (to be announced in September), the deadline for the Autumn City Writes competition is 17th November. The next event will be held on Wednesday 13th December.

Down memoir lane

By Kamila Zahno

I recently retired from a very active life as a freelance public and voluntary sector consultant and decided to take part in  City’s Narrative Non-Fiction short course.

I had planned to write my memoirs and needed inspiration and structure. I could not find many non-fiction writing courses in London and was glad when I came across this one. The fact that it was offered by an established institution gave me confidence in the quality of education I would receive.

The best thing about the course was the logical structure employed by the tutor, Peter Forbes. He covered a lot of ground in just 10 two-hour classes.

Peter was very organised in his approach, yet there was room for comments by other students. The tutor would read and critique our work and put it up on the overhead so we could all discuss the points raised. He also sent us his slides after each session. These were invaluable as they included a plethora of reference material.

Even with limited time for student interaction due to the intensity of the course, I got to know some of the students quite well. We were all so different with a myriad of writing styles! I learned a lot from our sessions, particularly from the writing tips and examples from selected books.

The course exceeded my expectations. It was very practical and the notes were excellent. We had plenty of varied assignments. In addition, the tutor gave us information about further editing and mentoring help we could get as well as tips on publication.

Throughout the duration of the course, I was able to write my synopsis and book proposal, which was a great start to my memoir. I am now halfway through my manuscript and have submitted 2,000 words to an anthology of the ‘mixed race’ experience of families. This has now been accepted for publication.

This short course provided me with the skills to write my memoir as well as encouragement from both the tutor and fellow students that my story was interesting to a wider audience.

The next step for me is to finish writing my memoir and find a publisher!

Kamila did finish her memoir and has now published it as Chasing Ghosts.

Peter Forbes’ Narrative Non Fiction course runs termly as part of our non-fiction writing course offering.

Consultant on the road to re-invent himself as legal writer with a journalism short course

By Richard Firth

I took City’s short course in  Freelance writing: How to get published in print and online course.

I decided to do the course because, like most of us, I am a newspaper reader and was curious to know how journalists operate. I would like to reinvent myself as a legal writer. I felt that the course would buttress my ambition.

I chose City because I had previously attended an evening class here on public speaking and was impressed with it. But also, my father had been an engineering undergraduate at City between the World Wars so I liked the idea of visiting his alma mater!

It was, of course, important to me that City is a reputable institution. It also offered a valuable bonus – access to a good library.

What I enjoyed the most about the course was the ability to hear of the experiences of past and present students.

I’d describe my course tutor, Susan Grossman, as energetic, dogmatic, kind-hearted… She made sure that all of us could contribute to the class. She was very skilful in teaching practical skills, something which, I know from my own practical experience as a teacher of legal drafting, is very difficult.

The course fully met my expectations – I learnt something new in every session.

As for relations with fellow students, my advanced years (67 and a quarter) were not an impediment!

Although I’ve not yet been able to apply what I learnt on my course directly, it helped me to formulate my arguments and win them!

Richard Firth is a lecturer, writer and consultant on derivatives. In the past he has held positions of Senior Consultant at Linklaters LLP, Hong Kong and Director-Legal at Barclays Capital.

Getting your book noticed online

by Emily Pedder

Last month short courses took part in a panel event on marketing your book online as part of 2014’s Inside Out Festival. Novel Studio Course Director Emily Pedder chaired a lively panel discussion to a sell out crowd.

The panel experts included Polly Courtney, author of six novels and a regular commentator on TV and radio. Polly is famous for walking out on Harper Collins in protest at the chick lit branding assigned to her books and has been successfully self-publishing ever since.

Also on the panel were Chris McCrudden, Head of Technology and New Media at Midas PR and author of the Guardian book Digital and Social Media for Authors; and City’s very own Novel Studio alumna Justine Solomons, founder of Byte the Book, CCO at Autharium and Publisher in Residence at Kingston University.

Tips for authors trying to market their book online included the following:

  • Make sure your cover design, title and blurb all reflect your book’s genre.
  • Target your readers: find out what readers of your particular kind of book listen to, like, follow online and start communicating with that audience.
  • Develop your author brand – talk about the issues you cover in your book, or whatever it is that makes you unique, and make it newsworthy so that journalists have an angle to write about.
  • Don’t write a press release about your book. The book’s publication is the least interesting thing about your book: find a particular peg to hang it on.
  • Use social media to be a reflection of yourself and your book.
  • Build your platform BEFORE you publish.
  • Set up your own website.
  • Curate yourself – readers don’t need to know everything about you, just the bits that are relevant to your author profile.
  • Write a blog. Keep it current. Follow up quickly and courteously on comments.
  • Keep a database of contacts. Add to it whenever you meet someone new. Follow up within 24 hours.
  • Hand out business cards: professionalize yourself as a writer.
  • Use marketing in its truest and most resonant form, i.e. sharing something you’re passionate about with other people who are passionate about the same thing

Afterwards several members of the audience expressed their gratitude for the event, while one tweeted ‘brilliantly useful panel discussion’. For more events like these don’t forget to follow our updates on twitter.

Getting Your Book Noticed Online

Last month short courses took part in a panel event on marketing your book online as part of 2014’s Inside Out Festival. Novel Studio Course Director Emily Pedder chaired a lively panel discussion to a sell out crowd.

The panel experts included Polly Courtney, author of six novels and a regular commentator on TV and radio. Polly is famous for walking out on Harper Collins in protest at the chick lit branding assigned to her books and has been successfully self-publishing ever since.

Also on the panel were Chris McCrudden, Head of Technology and New Media at Midas PR and author of the Guardian book Digital and Social Media for Authors; and City’s very own Novel Studio alumna Justine Solomons, founder of Byte the Book, CCO at Autharium and Publisher in Residence at Kingston University.

Tips for authors trying to market their book online included the following:

  • Make sure your cover design, title and blurb all reflect your book’s genre.
  • Target your readers: find out what readers of your particular kind of book listen to, like, follow online and start communicating with that audience.
  • Develop your author brand – talk about the issues you cover in your book, or whatever it is that makes you unique, and make it newsworthy so that journalists have an angle to write about.
  • Don’t write a press release about your book. The book’s publication is the least interesting thing about your book: find a particular peg to hang it on.
  • Use social media to be a reflection of yourself and your book.
  • Build your platform BEFORE you publish.
  • Set up your own website.
  • Curate yourself – readers don’t need to know everything about you, just the bits that are relevant to your author profile.
  • Write a blog. Keep it current. Follow up quickly and courteously on comments.
  • Keep a database of contacts. Add to it whenever you meet someone new. Follow up within 24 hours.
  • Hand out business cards: professionalize yourself as a writer.
  • Use marketing in its truest and most resonant form, i.e. sharing something you’re passionate about with other people who are passionate about the same thing

Afterwards several members of the audience expressed their gratitude for the event, while one tweeted ‘brilliantly useful panel discussion’. For more events like these don’t forget to follow our updates on @cityshortcourses or email us at shortcourses@city.ac.uk to be added to our mailing list.

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