Tag: novels (page 1 of 7)

City Writes Autumn 2024 – A Cracking way to Kick off the Festive Season

By Rebekah Lattin-Rawstrone

You know you’re on the way to a great festive season when it begins with a night of stories, and the City Writes Autumn 2024 event on the 11th December was a storytelling extravaganza. We had six brilliant competition winning stories, read by their authors, and a reading and Q&A with the wonderfully funny, Novel Studio alumna and debut author, Jo Cunningham. You can enjoy the whole event here, but do read on for further details.

We kicked off with Joanna Bawa’s ominous story about a death prediction app, ‘DeathDefy’. Joanna is an alumna of the Writing the Memoir course. Her story is a powerful reminder of human greed and laziness in the face of climate change and began a theme around predictions and algorithms that Jo Cunningham’s novel, Death By Numbers, would complete.

Writers’ Workshop alumna, Aditi Parekh, was next, reading from her novel, with the working title The Sabbatical. We were transported to The Netherlands following one woman’s attempts to find friends through a very different app. What she found was not a friend exactly, but the meeting was one that provoked much response from the audience. I think we all know someone who thinks a conversation is great when they’ve done all the talking…

We travelled to Northern Ireland next as Short Story Writing alumnus, Robin Sheeran read his story, ‘Summer Job’. A beautifully observed story set in a cemetery, with some very creative grave-digging, ‘Summer Job’ was a treat to listen to.

From fiction to non-fiction, we were in for another very different treat next as Doug Kessler shared an extract from his book-length project, Adam in 20 Snapshots. An alumnus of Narrative Non-Fiction, Doug’s moving reading about an absent brother with Downs Syndrome really captured the audience. Told, as the title suggests, through descriptions of photographs, the extract moved several listeners to tears. This is a book that has an eager audience awaiting its completion.

We were swept back into the world of fiction next with the surprising, shocking and funny story, ‘To Crazy Shane’ written and read by Tunde Oyebode. Tunde is a Writers’ Workshop alumnus, and veteran City Writes competition winner. This story is a riot of observation and action with incisive social commentary spread throughout.

This brilliant story was followed by our last competition winner, Audrey Madden, another Writers’ Workshop alumna. Audrey read an extract from her novel, Matriarchal Lines, taking us right into the heart of a family reunion with a feisty grandmother winning at cards, and two little toddlers running off with a set of pretty knives. We were gripped. It was a fabulous reading to end a series of incredibly inspired and inspiring writing from the competition winners. They definitely were showcasing the talent of City’s short creative writing courses.

Luckily, we had Jo Cunningham as our published guest to follow these wonderful tales with two brilliant and hilarious readings from her cosy crime novel, Death By Numbers.

Author and guest alumna Jo Cunningham

 

Death By Numbers is a wonderfully funny book about actuary Una whose numbers on predicted deaths in seaside resorts are all wrong. There are some unusual deaths that don’t fit her predictions. Imagine her worry when she discovers they are happening in her mum’s home town and to friends of her mum and her mum’s new boyfriend, soon to be husband… This is a must read for the festive season.

If you haven’t read it already, this is the novel you need to escape into after all that food and drink. Jo generously answered questions from host and audience on her writing journey, how to write comedy, how to research and plan (if not in the way you might expect), and the challenges of writing a series. The next one is out in August of 2025 and is set around the Supreme Cat Show (crufts for cats). I for one, can’t wait!

Thanks to all the readers, our wonderful guest Jo Cunningham and the audience. Click here for a video of the event, here for an interview with Jo, and do look out for further information on next term’s City Writes. City Writes Spring 2025 is going to be special. An in-person event with competition winners, the supremely talented alumna, Han Smith as our author guest, and readings from tutors. Watch this space for more.

Announcing the City Writes Autumn 2024 Competition Winners!

 By Rebekah Lattin-Rawstrone

Congratulations to Joanna Bawa, Doug Kessler, Audrey Madden, Tunde Oyebode, Aditi Parekh and Robin Sheeran, this term’s winners of the City Writes competition! From complex family histories, through childhood summer afternoons, airport queues, befriending apps and graveyards all the way to AI envisioned futures, this term’s selection of writing has it all. You can hear these fantastic stories being read by their authors alongside debut crime writer Jo Cunningham, at this term’s City Writes event on the 11th December at 7pm on Zoom. Register here to come along and read on for more information on our wonderful winners.

Joanna Bawa is a professional and creative writer, currently working as a ghostwriter. This complements her work as a cognitive behavioural therapist, combining an appreciation of the power of words and the complexity of human nature. She belongs to a local writing group where her fiction and poetry has won awards, and her first novel was longlisted in the 2019 Mslexia novel competition. She is working on a second novel, and her piece for City Writes, ‘DeathDefy’, may become a third. Joanna is an alumna of the Writing the Memoir course.

Doug Kessler is an expat Yank who’s lived and worked in London for the last 34 years.
He’s a marketing copywriter and agency founder but pretty new to narrative non-fiction, short stories, and poetry. Adam in 20 Snapshots is his first book-length project, of which he will be reading an extract. Doug is a Narrative Non-Fiction alumnus.

Audrey Madden is currently writing her first book while working in the not for profit arts and culture sector. She has a degree in English & Comparative Literature from Goldsmiths University. Her work is inspired by nature and the different environments that exist across the United States and the UK. A Writers’ Workshop alumna, Audrey will be reading an extract from her novel, Matriarchal Lines.

Aditi Parekh is an aspiring writer and student of Writers’ Workshop. She is interested in human psychology, particularly the dark triads and group dynamics. She is currently working on a novel, with the working title The Sabbatical, which describes a woman’s struggle with drug addiction and her descent into madness. She will be reading an extract from the novel.

Tunde Oyebode is a Nigerian-British architect and writer based in East London. Drawing inspiration from everyday life, his fiction explores human relationships and African diaspora experiences. His work has been featured in Stylist Magazine, Obsidian, and Solstice Literary Magazine. A finalist for the 2023 London Independent Story Prize and the 2024 Solstice Literary Magazine Prize, he was also nominated for Best of the Net. Tunde is currently looking to publish a collection of interconnected short stories. Outside writing, he enjoys cycling and photographing architecture. A Writers’ Workshop alumnus, Tunde will be reading ‘To Crazy Shane’.

Robin Sheeran is a native of Belfast. He studied Film and Literature at Warwick University and is a former BBC journalist. Robin is interested in producing stonking characters and crackling dialogue. His work uses dark humour to examine how we relate to each other. Robin is the current holder of the international Piazza Grande Religion Journalism Award for his writing for New Humanist. He ghostwrote Going the Distance, the autobiography of endurance cyclist Joe Barr, published by Gill Books in 2021. A Short Story Writing alumnus, Robin will be reading his story, ‘Summer Job’.

Just from reading their biographies you get a sense of the night of stories that awaits on Wednesday 11th December at 7pm over Zoom. Alongside these wonderful competition winners will be our cosy crime author and Novel Studio alumna, Jo Cunningham, whose novel Death By Numbers came out earlier this year. Register here to listen to all these authors on 11th December at 7pm. Can’t wait to see you there!

Guest alumna Jo Cunningham, author of Death by Numbers

Writing Short Course News Roundup 2024

Whether you’re taking a course with us this term or were a student in the past, we want to inspire your writing with the latest news from our short course alumni and tutors.

The Novel Studio 

Alan Gray (also alumnus of WW and SS) has been awarded the Sonny and Gita UK Scholarship to complete his MA in creative writing at UEA.

Kathrine Bancroft has had one of her poems longlisted for the 2024 Aurora Prize. She is also a London Independent Story Prize Poetry Finalist.

Katy Darby’s Writers’ Workshop and Short Story Writing alumna Isabel Blake has been accepted on the Creative Writing MA at UEA, while Erica Buist has just completed her Cambridge MSt in Creative Writing, has been longlisted for the BBC’s annual callout for scripts and is now teaching Creative Writing at City Lit.

Peter Forbes’ Narrative Non Fiction alumna Melissa Cornet has had her firstEnglish piece published in July in the London Review of Books, about her work in Afghanistan on Gender apartheid. She is also confirmed to publish a piece in the Guardian this month.

Tutor News

Anna Wilson has two books out this autumn: Be Back Soon is a picture book about swallow migration, illustrated by Jenny Bloomfield and published by Andersen Press and A Story of the Seasons, a large-format non-fiction picture book about seven habitats throughout the seasons, illustrated by Carolina Rabei and published by Nosy Crow and the National Trust. Both books have been translated into other European languages including French, German and Danish.

One-day Courses

There are plenty of options for anyone keen on one-day writing courses: our ever-popular Introduction to Copywriting with Maggie Richards is available monthly; while our Writing the Memoir course is now taught by the brilliant Anna Wilson (see above). And the dynamic duo of Anna Tsekouras and Pete Austin, aka Anon Agency, run our Intro to Branding course. This term we are also introducing a brand new course, Content Writing, taught by the fabulous Tamsin Mackay.

Opportunities

City Writes

City Writes is City, University of London’s termly writing event, showcasing the best of City Short Courses writing talent.

Hosted by longstanding short courses tutor, Rebekah Lattin-Rawstrone, and into its seventh year, City Writes provides an opportunity for the best new writers from the City Short Courses community to read an extract of their work, sharing the stage with one of our published alumni or tutors reading from their new or award-winning publication.

This term’s guest alumna will be debut cosy crime author and Novel Studio alumna, Jo Cunningham. Jo’s novel, Death by Numbers, was published by Constable in August this year. This delicious crime has had rave reviews and who could resist a novel about an actuary investigating a spate of deaths in Eastbourne? Hilarious and gripping, this is the perfect novel to see you through the cold winter nights. Buy your copy ahead of the event here.

To join Jo on the virtual stage, all you need to do is submit your best 1,000 words of creative fiction or non-fiction (we do accept young adult fiction but don’t currently accept children’s fiction) on any subject to rebekah.lattin-rawstrone.2@city.ac.uk with details of the City short course you are taking or have taken by midnight on Friday 15th November. Competition and submission guidelines can be found here. 

We can’t wait to read your submissions and if you are keen to secure your place for the night, you can register for the event here. Good luck!

Key Dates:

Our Writing for Social Impact course continues to offer a scholarship for one young student (18-25) from an underrepresented background and/or facing financial difficulty. Please contact the tutor, Ciaran Thapar, for more information on this opportunity.

All current students of Introduction to CopywritingWriting for Business and Narrative Non-Fiction courses are eligible to submit an idea for a blog post for short courses. If the idea is accepted, and the written piece meets our standards, it will be professionally edited and published on our blog.

The annual Book Edit Writers’ Prize is open for submissions until 15 October 2024. Judged this year by Novel Studio alumna Lara Haworth and run in association with Legend Press, this is a fantastic (and free) opportunity for any unpublished novelist from a community currently underrepresented in UK publishing. What’s up for grabs? Chance to share your work with top agents. A mentoring session with a Legend Press Commissioning Editor. A supportive community of talented writers and tailored advice from industry experts. For more details please click HERE.

Open Evening

And finally, we are running an open evening with taster sessions on 11th December. Details will be available soon but watch this space or check the website for links to registration.

That’s all for now. Keep on writing and keep your stories coming into us. And huge congratulations to all our alumni and tutors.

Starry Night: The Novel Studio Showcase 2024

 

 

Alumna Anna Mazzola introducing the evening of readings

By Rebekah Lattin-Rawstrone

There’s nothing like a Showcase reading event filled to the brim with new creative writing talent and this year’s Novel Studio 2024 Showcase was a scintillating night to remember. Who needs the excitement of the election when you can listen to fourteen authors, just graduated from the year-long Novel Studio course, reading from their novels-in-progress? What a treat.

We began by celebrating the fabulous talent of the Novel Studio’s alumni. From long-term course supporter and founder of the Novel Studio Scholarship, Harriet Tyce, through Novel Studio tutor, Karia Ladner, Deepa Anappara, Elizabeth Chakrabarty, Hannah Begbie, Attiya Khan, Katharine Light, Greg Keen, all the way to Lara Haworth whose debut, Monumenta, came out the same night as the Showcase and Jo Cunningham whose debut, Death By Numbers, comes out next month. This wonderful list keeps growing and we were lucky enough to hear from another alumna, Anna Mazzola next. Having published her fifth historical thriller, The Book of Secrets, earlier this year, Anna has her first legal thriller, Notes on a Drowning, out next year with Orion. She gave a wonderful endorsement for the course, not only for the craft skills it nurtures but for the importance of creating links with other writers who can share your journey and for the connections to the industry that events like the Showcase and the Anthology can bring. Anna always lights up a room, virtual or in-person, with her vibrant energy. It was a great message of realistic but enthusiastic well-wishing to the students in the early days of their writing careers.

Before we heard from the students, we wanted to thank City academic George Politis for taking on the Novel Studio Scholarship scheme for the next five years. Now known as The Captain Tasos Politis Scholarship after George’s late father who was a passionate supporter of education, the scholarship provides a fully funded place for one successful applicant to the course from a low-income household. Thank you, George!

With all this good will behind them, we began the readings with Darinka Aleksic who read from the opening of her novel, Afterglow, as her protagonist Kay, a forty-something mother of three, takes her first exploratory trip with psychedelic drugs in an effort to cure her depression. The wry voice of Kay with its compelling dark humour left us all eager to find out what would happen next.

NOVEL STUDIO CLASS OF 2024

We went from Islington to Notting Hill next, dabbling our toes into the romance of MJ Hershaw’s novel, Terms of Agreement. Sitting with Charlotte in her flat, we were stunned to hear her grouchy neighbour Aiden ring her bell and ask a very unexpected favour. Would she be his girlfriend? It was hard to pick up our jaws and move on but we went from one surprise request to a futuristic hook up next with Darren Wimhurst, reading to us from his novel, Business as Usual.

Darren took us into the not-so-distant future of a sexercise class with haptic suits and sex bots. The awkwardness of the encounter for his character, Kurt, wasn’t virtual at all. What a sharply affecting and darkly funny extract from a spell-binding and politically sharp speculative novel.

From the near future to an alternative present, we delved into Ani Bazil’s Young Adult novel, Unravelling Reality, next where humans are not quite what they seem. Ani tantalised us with a prologue in which a body is left for dead – though we see their finger twitch – and an opening chapter in which some kind of trick is about to take place, putting a group of letchy, rowdy men in their place.

Left wondering what was about to happen, we went from a London pub to a charity piano recital next as Amanda Bolt read from her novel, A Life in the Past Tense. We listened as Caroline’s dreams of restarting her pianist career were interrupted by the news of the death of her parents in a car crash.

From the hush of loss, to the excitement of a teenage girl released into the world after lockdown, we were taken to Harrogate next as Margaret Rogerson read from her novel, I Came of Age, Twice. Margaret took us into the heat and confusion of those early days when lockdown was lifted. Her protagonist Charlotte made it halfway down the road with her dad, waylaid by a neighbour cleaning his car, his family visible behind him lounging in a large paddling pool and passing round a spliff. Eventually, Charlotte manages to march on to the park, her dad stumbling back to the house, defeated by it all.

We took a turn back to Surrey in 1995 next with Lesley-Jane Easles-Reynolds who read from her novel, It Could Happen to You. We listened in on a conversation between Sam and her brother as they discussed the strangeness of their small inheritance from recently deceased cousins who had promised to leave them all their wealth. Burdened by debt, Sam is both desperate for the money and desperately upset at the deaths of her cousins. What has gone on?

From fishy, underhand, financial dealings to a ship on the Nile, we jetted off to Egypt next with S Ross and a moment of shipbound contemplation as she read from her novel, Emmy. Such a lyrical piece, her character Emmy sits listening to the call to prayer and contemplating her late marriage, suddenly ended when Emmy discovered John had been cheating on her for years. Could she still pray after all that had happened?

Taking a moment to soak up the emotional complexity, we went from the Nile to Reading with Joe Gallard as he read from his comic novel, Alan and the AI. Alan is late for work and despite being disarmed by the charm of his new neighbour Nat, who had inspired him to write poetry it was probably best he never shared, he struggles to say anything meaningful and heads out into the rain.

Giggling away, we were transported to fantasy land of magic and mayhem next with Deliliah Miller’s middle grade fantasy novel, Between Wind and Water. We listened as Atha’s magic was somehow released and enhanced to devastating effect by a book that falls from the shelf of a wonderful library in the land of Draoidheil. What evil has Atha unwittingly released?

Caught in the drama, we had to tear ourselves away from the magic of fantasy to a child’s fantastic interpretation of a nighttime car journey next as W H Marie read from his novel, My Shadow, My Brother. The motorway drive turns lamplight into starlight and the car into a rocket hurtling through space. Will’s reading was tender and heartfelt, the mother of the story a figure whose eyes flash different colours to reflect her mood.

We went up to Scotland next for some timely comedic relief with Emma Warrick’s novel, The Husband Freezer. Emma showed us a typical morning at the charity as her protagonist, Margaret went about cleaning the loos and contemplating the sorry state of her sex life. She couldn’t even find the time or place for a fiddle with her rampant rabbit.

Next up, Jill Craig took us to Northern Ireland with a reading from her novel, The Weight of the World. We were gripped by a painfully raw and intimate scene in which Jill’s characters, Rory and Camille argue over implications of bringing children into a flooding, burning world. Desire and anger, exhaustion and bitterness left both the characters and the audience in a state of longing.

Our emotions heightened we were off to France next with our last reader, Flora Tonking, reading from her mystery novel, Chosen Family. Set in a beautiful countryside chateau, Alex is woken on Christmas morning by a shriek coming from the bathroom. What has happened? Who is on the bathroom floor? As with all the wonderful novels of the evening, you’ll have to wait for the novel to be published to find out!

Ending on a hook was the perfect conclusion to an evening of fantastic readings. With some further words of thanks to the Novel Studio team, Emily Pedder and Kiare Ladner; to the wider City University staff, particularly Robert Lastman and Laura Bushell; to George Politis again for his support of the Captain Tasos Politis Scholarship; to brilliant Novel Studio students; and to the audience, we ended on a note of congratulation. Go Novel Studio 2024, we can’t wait to hear of your future success.

These students are writers to watch, but don’t just take my word for it, you can watch a recording of the night, here, and read the wonderful extracts in the Novel Studio Anthology 2024. Congratulations Novel Studio 2024 cohort on a wonderful evening!

Here’s a Novel Idea

Apply to the Novel Studio and join our growing list of published alumni.

The Novel Studio is City’s flagship novel writing programme which supports 15 selected students to work on their novels for a year.

The course has been the starting point for many successful novelists. From bestselling crime writer Harriet Tyce, whose fourth novel, A Lesson in Cruelty, was published with Wildfire earlier this month—and who generously initiated and funded our Novel Studio scholarship for four years—to debut novelist Lara Haworth, whose first novel, Monumenta, will be published with Canongate this summer, the Novel Studio has become recognised as a place to develop and grow as a writer.

From researching your ideas, plotting and planning to writing, editing and familiarising yourself with the publishing industry, the programme will guide you through the tricky terrain of novel writing.

Taught by established writers and editors, with opportunities to meet literary agents and publishing professionals, if you’re ready to take your novel writing to the next level, this course is for you.

As if that wasn’t enough, we offer a Literary Agent Competition for all successful applicants to the course, run in association with leading agent Lucy Luck at C&W Agency.

And for one talented writer from a low-income household, we have a fully-funded scholarship – The Captain Tasos Politis Scholarship.

Full details on all these opportunities and information on the course are available here.

Or you can apply directly with 2000 words of your fiction and a CV to Emily.Pedder.1@city.ac.uk

Deadline 30th June 5pm.

We look forward to reading your applications!

Summer Term 2024 at City Short Courses

 

Thank you to all who attended our Short Courses Open Evening last week. We had a great time meeting new students and introducing them to what we do here at City Short Courses. Many students took advantage of our free  taster sessions, which ranged across our six subject strands:  Business and Management; Computing; Creative Writing; Creative Industries; Languages; and Law. There were tasters in everything from Learning Python to Italian, Business Writing to Major Event Management.

If you didn’t have a chance to join us, never fear! There’s still time to browse our full range of 120 courses and book on for the summer term. Why not try Presentation Skills, or brush up on your French in time for holidays. Or you could consider applying for our year-long Novel Studio programme and finish that novel you’ve always wanted to write! Whether it’s personal development or adding a new skill to your CV, we have something for everyone here at City Short Courses.

If you’d like further information before making your decision, just email our team at shortcourses@city.ac.uk. If they can’t answer your questions, they’ll contact the relevant tutors and make sure you get the answer you need.

Your short course journey starts HERE. We can’t wait to welcome you.

 

Novel Studio alumna Katharine Light’s path to the publication of her debut novel, Like Me

Katharine Light’s debut novel, Like Me

When I was a young girl, my dad used to make me little books of paper and I would love to write in them. In my teens these became stories I wrote for my younger sister about a girl who falls in love with the bass player of a pop group. Absolutely not based on John Taylor from Duran Duran.

Later on I tried my hand at writing a Mills & Boons. At around 50,000 words it was great practice, but not quite the right genre. When my children were small, I did a year long creative writing course with the Open University. Two years later I did the advanced version. Then, working full-time and a busy family life meant I kept writing only sporadically until 2018 when I started The Novel Studio at City, University of London. It was a brilliant year with excellent tutors in Emma Sweeney, Rebekah Lattin-Rawstrone and Kirstan Hawkins. Fourteen of us completed the course, meeting twice a week and sharing our lives through writing. They are a very supportive and talented bunch.

At the end of the year, I had interest from three agents, and signed with one at A M Heath. This is it, I (naively) thought, on my way to publication… Sadly, during lockdown, having worked on this first novel, Like Me, (her suggestions definitely improved it), she said she wasn’t the right person to take it forward. This was followed by a dispiriting lack of response from several agents she recommended as well as the two who had previously shown interest.

Throughout the pandemic, the Novel Studio cohort kept in touch, via a WhatsApp group. Before covid, about half of us carried on meeting in person, and carried over onto zoom. Laurence Kershook published The Broygus to Amazon in March 2022. Fellow alumna Lara Haworth’s book Monumenta will be published by Canongate in 2024.

On publication, I bought Laurence’s book in paperback and was very impressed. It’s a high quality, professionally produced book, as well as a terrific read, and I began to think maybe I could do that too. Independent publishing seeks to emulate the traditional publishing route, with a professional book edit from the wonderfully talented Emily Pedder at The Book Edit, and a great book cover from designer Simon Avery of Nice Graphic Design. Caroline Goldsmith of Goldsmith Publishing Consultancy ensured the manuscript was print and eBook ready, and Philippa Makepeace of Studio Makepeace created the website. My advice is to surround yourself with people who know that they’re doing!

There was one major hiccough. The book has always been on the long side, and when it was first uploaded to KDP Amazon, although author royalties sounded generous, the print costs on the paperback version were so high, they were almost entirely swallowed up. After a drastic re-think, I cut fifty pages of the book, and added those onto the beginning of book two, which has now become two books. The manuscript for book two has just gone to the editor. The hope is to publish both that and book three in 2024.

There was a point at which I began to feel that the traditional publishing route was becoming less and less likely. Now I’m in my 50s, I developed a sense of urgency, fostered by reading Harry Bingham, founder of Jericho Writers, who is enthusiastic about indy publishing. It has been wonderful to hold the actual book in my hand. We held in person launches where I live in London, and in Altrincham, the fictional Millingham of the series. Lots of kind and lovely people came. As the book is about a group of teenage friends who meet up again twenty years later in their late thirties, the events have been the perfect excuse to reconnect with old friends from the past. As we said, life is now imitating art. We’re doing the fictional reunion for real, just many years later…

Katharine Light took City’s Novel Studio course, a year-long programme for aspiring novelists.

Katharine’s debut novel, Like Me, is available HERE.

Author Katharine Light, photography by Alexandra Vanotti

For more on all City’s writing short courses, visit HERE.

 

 

City Writes Autumn 2023 Winners Announced

By Rebekah Lattin-Rawstrone

As the showcase creative writing short courses event approaches, we’re delighted to announce the competition winners who will be reading their work at 7pm on the 13th December with the brilliant tutor and author, Caroline Green. With stories of mystery, murder, mayhem, the complexities of identity and the disappearance of all women, this will be a night you won’t want to miss. You can register for the event here.

This term’s winners are: Mike Clarke, Martin Corteel, Cathie Mullen, Emma O’Driscoll, Tunde Oyebode and Vasundhara Singh. Read on to find out more about these brilliant short creative writing class alumni.

Mike Clarke studied the Novel Studio (when it was the Certificate in Novel Writing), Writers’ Workshop and Caroline Green’s Crime and Thriller Writing Course at City University. He also has an MA in Creative Writing from Manchester Metropolitan University. Several of his short stories have been read in different parts of the world by the renowned Liars League. His non-fiction writing on pubs is regularly featured in the national press. He also dabbles in performing stand-up comedy and is just finishing a novel.

Martin Corteel worked as an editor in London book publishing houses for more years than he would care to mention, and during this time he wrote and anonymously had published a number of books of very little substance. The novel he’s writing, entitled Dover Souls, recounts apocryphal family tales of skullduggery set amongst battling publicans at the outset of the First World War. He recently completed several creative writing courses at City University, including the Writers’ Workshop, and lives in North West London.

Cathie Mullen is from Ireland but has lived in Germany for many years. Until recently she was head of an international school. Her writing has been published by The Educational Company of IrelandWriter’s Forum and The Mersey Review. She’s currently working on a memoir. Authors whose work has recently inspired her include Octavia Bright, Claire Keegan and Sinéad Gleeson. Her passions include theatre and swimming (in all seasons). Cathie is an alumna of the Approach to Creative Writing course.

Originally from Dorset, Emma O’Driscoll lives in Brussels where she works as a press officer for the EU. She is currently writing a crime novel inspired by her love of golden-age detective fiction from the 1920s and 1930s. Emma is an alumna of the Crime and Thriller Writing Summer School and a student on the Novel Writing and Longer Works course. Aside from writing, she enjoys running, painting, and walking her border terrier, Karenin.

Writers’ Workshop alumnus Tunde Oyebode is a London-based architect and writer who explores the intricacies of everyday societal dynamics and relationships in his fiction. His work has appeared in Stylist Magazine, Obsidian Issue 48.1 and the 2021 Michael Terrence Anthology and also pending publication in LISP Anthology 2023. Some of his other stories have been shortlisted and longlisted in competitions like Chester B Himes Memorial Fiction Contest, Exeter Short Story Prize and the Bristol Short Story Prize. He aspires to publish a collection of his short stories.

Vasundhara Singh is a graduate of Journalism from Kamala Nehru college, Delhi University. Alumina of City University of London’s Novel Studio programme, she is one of the winners of City Writes Spring 2021.

With writers of this quality reading alongside tutor and writer extraordinaire, Caroline Green, City Writes Autumn 2023 promises to be an evening you won’t want to miss. Register for the event at 7pm on the 13th December on Zoom here. See you there!

Final Call for Submissions to City Writes Autumn 2023 – DEADLINE THIS FRIDAY, 17th NOVEMBER

Deadline 17 November 2023
Want to join brilliant author and tutor, Caroline Green on the virtual stage of City Writes, the showcase for the best creative writing coming from City’s Short Creative Writing Courses, on Wednesday 13th December? All you need to do is submit your best 1,000 words of fiction or creative non-fiction (we accept YA but sadly NOT poetry, drama or children’s fiction) to rebekah.lattin-rawstrone.2@city.ac.uk by midnight on Friday 17th November. Please check the full submission details here. That’s just 5 days away!

You will get to read your work in front of a supportive audience alongside Caroline who writes wonderful fiction for young people and adults and is the fantastically acclaimed teacher of the Crime and Thriller Writing short course and Crime and Thriller Writing Summer School here at City. From YA, through psychological thriller, to supernatural detective fiction, Caroline Green is an inspirational powerhouse. Register here now to save your spot for the night.

City Writes guest, author and tutor Caroline Green

To share the virtual stage with Caroline on the 13th December, don’t for get to submit your best 1,000 words of fiction or creative non-fiction to rebekah.lattin-rawstrone.2@city.ac.uk  Please check the full submission details here.

Don’t forget to sign up for the event on the 13th December here.

Get submitting and good luck!

Novel Studio Literary Agent Competition Winners 2023/24

Jill Craig

We are delighted to announce the winners of 2023/4’s Novel Studio Literary Agent Competition are Jill Craig, Shere Ross and Linda Wystemp.

The competition is a key feature of City’s flagship short course the Novel Studio, which offers a select group of 15 aspiring novelists the dedicated time and support to hone their craft. The competition is a rare opportunity to bypass the slush pile of manuscript submissions to literary agents, and is run in  conjunction with Lucy Luck, literary agent at C&W Agency.

Jill Craig works as a secondary English teacher in the North West where literature is a constant presence. She loves fiction which investigates and reflects dynamics which are often the foundation of our lives: romantic, friendship, familial. Although she’s studied and now teaches literature, actually writing it is a relatively new – daunting, but exciting- experience. 

Shere Ross is a writer of short stories and other works of fiction. Her work has been shortlisted for several prizes including the Wasafiri New Writing Prize. She is a winner of the BlackInk New Writing Prize.

Linda Wystemp was born and raised in the heart of Germany’s Black Forest before crossing the Channel to study in Oxford and London. She enjoys writing screenplays and short stories and has dabbled in fencing and the violin. Linda is currently working on her contemporary literary fiction novel which explores the moral complexities of parent-child relationships.

Emily Pedder, Course Director of the Novel Studio said: “We were very excited by these three writers; their submissions were strong and distinctive, and we can’t wait to see their novels progress over this coming year. ”

The Novel Studio was established over a decade ago and has a very strong track record of published alumni. Recent bestselling and award-winning novels include Deepa Anappara’s Djinn Patrol on the Purple Line, Anna Mazzola’s  The Unseeing, The Story Keeper, The Clockwork Girl,  and The House of Whispers, and Harriet Tyce’s Blood Orange, The Lies You Told and It Ends At Midnight.

 

Congratulations to Jill, Shere and Linda! We can’t wait to see their novels develop over the coming year!

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