by Rebekah Lattin-Rawstrone
Temper those party blues by joining us on Zoom this Wednesday 9th December at 7pm for a fabulous evening of readings from competition winners and the brilliant Novel Studio alumna, Deepa Anappara whose debut novel, Djinn Patrol on the Purple Line, was a New York Times Editors’ Choice, a New York Times Notable Book, one of Washington Post’s Best Thrillers and Mystery Books, and one of Timemagazine’s 2020 must-reads. It won the Tata Literature Live! First Book Award for Fiction and was shortlisted for the JCB Prize for Literature 2020 and longlisted for the Women’s Prize and the Booker Prize.
You won’t want to miss out and can register here.
Deepa will be joined by the following fantastic competition winners:
kind, delving intricately into the bliss and anxiety of being human. When she’s not writing she works in recruitment with a tech company, reads about social science and gender studies, cooks, walks in Victoria Park and plays piano. She’ll be reading her story ‘Fine.’
City, University of London were proud to host our winter Open Evening on Tuesday 10th December 2019.
Our Open Evenings are a great opportunity to visit our campus and meet out tutors – and this December we had a great turnout of guests, looking to find out more about all the evening and weekend courses that we offer at City. We offer light refreshments and some free gifts to take away with you.
City Short Courses also offers a range of taster sessions – 40-minute classes to give you a flavour of what it is like to study at City. We are hosting our next Languages Taster Event on Wednesday 15th January 2020. We will be running taster sessions in seven languages – Arabic, Chinese Mandarin, French, Italian, Japanese, Russian and Spanish. Find out more and book your place on the webpage.
We have over 120 courses across subject areas – business, computing, creative industries, languages, law and writing. Next term starts Monday 20th January 2020, enrol online!
by Malcolm McLean
This October saw the release of a book I have been buried away writing and editing for the last three years: a memoir about my teenage years spent obsessing over pop stars, titled Freak Like Me: Confessions of a 90s pop groupie. It feels like an amazing achievement to have got to this point and have people reading the book that I put so much into during the last few years, and I am so proud of myself, but it wasn’t as simple as I naively thought it might be, back at the start of the project.
I’d thought about writing a book for a few years, but lacked the confidence. After tentatively starting the project, my sister suggested I look for a writing course to help give me more of the skills I needed to actually get the thing written and turn a series of anecdotes into a cohesive book. After looking around, I settled on the Narrative Non Fiction short course at City, University of London. The course outline was so detailed and seemed perfect for what I needed to write a memoir.
I assumed there would be an entire class of people writing memoirs like me, but there wasn’t: there were people working in media, wanting help with writing longer articles; company directors hoping to gain more confidence in business communications; and even someone writing a biography of her grandmother’s life in the 1930s. A huge mix. Peter Forbes, the course leader, was an incredible teacher. He gave us writing tools and tricks we so desperately wanted, seeing the strengths and weaknesses in our writing, and always giving such encouraging feedback. He also dispelled a lot of myths about the publishing industry and made it clear how different it is today compared to even ten years ago.
We worked on a variety of types of writing, each of which gave me a new perspective on how language can explain, explore and entertain. This allowed me to develop my book from being very fact and nostalgia-based, to having a more personal story that explored why I ended up doing ridiculous things like breaking into the BRIT Awards, or hanging out at Posh Spice’s mum’s house!
By the end of the course I was ready to submit my first three chapters and a detailed synopsis to try and secure a literary agent, and hopefully sign a book deal with one of the big publishers. I knew that my chances of getting one were slim and, despite some positive feedback, my emails to agents amounted to nothing.
For me, there was always a Plan B, as I knew that I wanted to release my book whatever happened. I researched a great deal into independent publishers, self-publishing, and ‘hybrid publishing’ – a model supposedly falling somewhere between doing it yourself and getting a deal with a big publisher. In the end, I settled on signing with RedDoor, who take on selective book projects that the author has to fund the production costs for. The team there are book lovers with lots of contacts, and I felt that they ‘got’ my idea for Freak Like Me more than anyone else. In hindsight, I feel that self-publishing may have been a better deal for me, financially, but it’s a gamble in finding the right person who can help you edit your book, and I can’t deny that the option I went with meant I was given huge amounts of freedom in producing the book that I wanted to.
The process of actually writing a book is time consuming, and so often it is hard to keep the motivation up, or to see what does or doesn’t work with your writing. After the course, a group of us decided to continue meeting up more informally, to talk about or share some of our writing. These guys became both my most honest critics, and a really useful support network!
Freak Like Me, being such a nostalgic, fun book was always going to be a Christmas release, and so, although it was signed off in early 2019, there was a long wait until October for it to finally get released. I’m immensely happy with the finished book and still flick through it or just gaze at the cover in wonderment. Just reaching this point and receiving such positive feedback from friends, family, or random lovers of pop nostalgia has made the whole experience so worth it, and I’ve ended up with skills and confidence that I couldn’t have imagined three years ago.
Malcolm McLean is a part-time writer and full-time pop music obsessive. His debut memoir Freak Like Me was published by RedDoor in October 2019. To find out more about Malcolm, visit the Freak Like Me website Or to learn about the Narrative Non-Fiction course he took at City visit the City web page.
City, University of London proudly hosted our first ever open evening and taster sessions event on Thursday 11th July 2019. Thank you to everyone who made the evening such a success and to all of our attendees – we hope that you found it interesting.
Throughout the evening we offered a series of 30-minute taster sessions in a select number of our short course programmes to give students a feel for what it is like to study a short course with us.
We started the evening on a high with a taster session in one of our most popular courses, Introduction to Programming with Python. Lead by programming expert, Philip De Grouchy, this session was packed out with young professionals looking to try their hand at coding.
Our digital guru, Elliott King, ran a parallel session in Strategic Digital Marketing, combining theoretical knowledge with step-by-step guidance on delivering online marketing campaigns.
Feedback from our attendees was overwhelming positive, with the vast majority stating that their questions were answered adequately by our staff. Our taster classes were also well received, rating the quality of the sessions highly.
However, there is always room for learning and improvements! As a result of our feedback, we intend to replace the current format with two separate events. In December 2019, we will be hosting a ‘meet our tutors’ open evening, an excellent opportunity to speak to our experts one-to-one about the wide variety of courses we offer at City. In the summer of 2020, we will be continue to run a full evening of taster sessions, offering a glimpse of what is it like to learn at City.
We will also be extending out taster sessions from 30 to 45 minutes to allow more time for learning. See the Visit Us section of our blog to find out more about our visitor events or book your place on our December open evening.
By Emily Pedder
City’s short course alumni continue their literary ascent with two debut novels due out in 2018: Hannah Begbie’s Mother (HarperFiction) and Peng Shepherd’s The Book of M (HarperCollins).
Hannah studied on City’s Novel Studio where she also won the new writing competition. Her novel, Mother, developed while on the course, is a brilliant, and brutal, exploration of motherhood in the most complicated of circumstances.Hannah’s agent, Veronique Baxter has said that Mother “is a book you don’t forget in a hurry: unflinching, dark and deeply compelling, it moved me profoundly”.
Martha Ashby, editorial director at HarperFiction, said “Hannah’s writing grabbed me by the throat from the very first page and in her brutal examination of the roles that women play, her novel is at the same time both raw with emotion and deeply thought-provoking. I’m so thrilled to bring such a talented voice to HarperFiction.”
A former student of City’s Short Story Writing and Writers’ Workshop, Peng attended New York University’s MFA Creative Writing Program on a full scholarship, where she studied under Jonathan Safran Foer. Her fiction has appeared in Litro Magazine, Liars’ League, Cent Magazine, been broadcast on BBC Radio 4 and published in the Weird Lies anthology.
Last year, the Elizabeth George Foundation awarded Peng a major grant based on an early draft of her novel and she was also a finalist for the Asian American Writers’ Workshop’s The Margins 2016 fellowship. Peng’s debut novel, The Book of M, has been described by her UK agent at Curtis Brown as “a virtuoso debut by an unparalleled talent…Shepherd has created a world filled with big ideas about mortality and self but it is the small intimate moments that pierce and stay with you long after you’ve finished reading”.
The Book of M is due out in June 2018. Follow Peng on twitter.
Mother is due out August 2018. You can follow Hannah on twitter.
Find out more about our writing short courses at City or read other success stories from our writing community.