Tag: Tania Tay

Writing Short Courses Summer News Roundup 2024

We hope you’re all having a great summer and continuing to write and create wonderful stories. Here’s our latest short writing course alumni and tutor news to spur you on…

The Novel Studio

Lara Haworth’s debut novel Monumenta was published earlier this month with Canongate and is already receiving rave reviews. You can read an interview with Lara on our blog here.

Jo Cunningham’s debut cosy crime novel Death by Numbers will be published in early August with Hachette. You can pre-order here.

Anna Mazzola’s latest novel, The Book of Secrets, was a Times Historical Novel of the Month in March. Anna’s previous novel, The House of Whispers, won the Historical Novel of the Year at the Fingerprint Awards 2024.

Marta Michalowska has a piece published in Strings Mag.

Darren Wimhurst, who has just graduated from The Novel Studio, was shortlisted for the Writers Rebel Flash Fiction competition 2024.

 

Other Writing Short Course Alumni

Caroline Green’s Crime Writing alumna Tania Tay has published her debut thriller, The Other Woman, with Headline Accent. You can buy a copy here.

Author Tania Tay

Tania is also the author of the Spellcasters middle grade series, in collaboration with Storymix Studio and has written a screenplay, developed with BBC Writersroom London Voices. You can read an interview with her on our blog here. And find out about the festival she’s organising in our opportunities section.

Katy Darby’s WW and SS writing alumni have been as prolific as ever. Bestselling alumna Natasha Brown’s second novel, Universality, has been sold to Faber in a six-way auction. The book will be published in 2025.

Peng Shepherd has published her fourth novel, All This And More, and has been on a whistle-stop book tour in the US appearing on national television. You can follow her travels here, and buy her book here.

Author Peng Shepherd

Fiona Keating’s debut Smoke and Silk has been sold to Mountain Leopard Press, an imprint of Headline Hachette. The hardback is scheduled for March 2025

 Han Smith published her debut novel Portraits at the Palace of Creativity & Wrecking with John Murray Originals this month. Richie Jones’s short story “Curriculum Vitae” was shortlisted and published in the Scratch Books Summer ’24 A4 Competition for 1000-word stories. Hugh Todd published his first book, a novel-in-stories/linked short story collection called It Happened in Clissold Park, in June 2024.

Peter Forbes’ Narrative Non Fiction alumnus Ed Morgan has sold his book: Chasing Mallory’s Dream – How 1930s British and German climbers competed to overcome the Himalayan Giants to Bodleian Library Publishing, due out in 2025. In a rather lovely virtuous circle, Ed’s editor will be Janet Phillips who was one of our Novel Studio graduates several years back. Another alumna Susanna Morton has been longlisted for the Observer/Burgess prize.

Holly Rigby’s Narrative Non Fiction  alumna Nicole Gleeson has had an article published in Shado Mag on the back of doing the course.

 

Martin Ouvry’s Novel Writing and Longer Works alumna Philippa Dunn has just signed a deal with children’s/YA super-agency Darley Anderson.

 

Jem Bartholomew’s Fact Based Storytelling student Pamela Welsh, was one of the winners of City Writes for a piece she wrote for the class.

 

Tutor News

Narrative Non Fiction  tutor Peter Forbes has a new book coming out in May called Thinking Small and Large: How Microbes Made and can Save our World, due to be published with Icon Books in May 2025.

Martin Ouvry’s article ‘How creative writing courses benefit a writer’ has been reprinted for a second time in the 2025 edition of the Writers’ & Artists’ Yearbook. (WAYB 2023, 2024, 2025)

 

One-day Courses

There are plenty of options for anyone keen on one-day writing courses: our ever-popular Introduction to Copywriting with Maggie Richards is available monthly; while our Writing the Memoir course is now taught by the brilliant Anna Wilson. And the dynamic duo of Anna Tsekouras and Pete Austin, aka Anon Agency, run our Intro to Branding course. Next term we will also introduce a brand new course, Content Writing, taught by the fabulous Tamsin Mackay.

 

Opportunities

Novel Studio alumna Flora Tonking has shared this opportunity for a writing residency in Paris which sounds amazing!

Our Writing for Social Impact course continues to offer a scholarship for one young student (18-25) from an underrepresented background and/or facing financial difficulty. Please contact the tutor, Ciaran Thapar, for more information on this opportunity.

All current students of Introduction to CopywritingWriting for Business and Narrative Non-Fiction courses are eligible to submit an idea for a blog post for short courses. If the idea is accepted, and the written piece meets our standards, it will be professionally edited and published on our blog.

Crime writing alumna Tania Tay is running an East and SE Asian author literature festival at SOAS on 14th September with some mentoring sessions and feedback sessions from agents and an editor. There is also a crowdfunding page for the festival for anyone who would like to support this great initiative.

Holly Rigby is running a writing retreat here with a 50% bursary for low income writers.

Open Evening

And finally, we are hosting a virtual open evening on Wednesday 11 September, 18:00 – 19:30 (BST) giving you the opportunity to take part in free taster sessions in writing courses such as:

Along with other sessions in other subject areas from business to computing, to graphic design and languages. You can register for the event here.

 

That’s all for now. Keep on writing and keep your stories coming into us. And huge congratulations to all our alumni and tutors.

 

Interview with City short course alumna and debut novelist Tania Tay

Tania Tay is the debut author of The Other Woman, published in May 2024 with Headline Accent.

Tania first wrote stories and plays on her mum’s old typewriter in the school holidays. She worked as an advertising copywriter in agencies from Singapore to London – which was great training in writing commercial fiction. One day at a job interview, she was asked if she was a “brave writer”. It triggered her join a short story class at the City Lit, with Leone Ross where she wrote a few weird, dark tales. Her writing explores female friendship, and the relationship between mothers and daughters. Occasionally there’s a supernatural twist. Tania is the author of the Spellcasters middle grade series, in collaboration with Storymix Studio. She has written a screenplay, developed with BBC Writersroom London Voices. Tania is second generation British Malaysian Chinese. She studied History of Art at the University of Edinburgh and lives with her family in East London.

  1. What inspired you to write your novel and how did the idea for the story come about?

 

The idea came from a writing exercise where I had to imagine if I lost everything in my life. At the time, my children were younger and I was a stay-at-home mum. I imagined what would have to happen for me to lose my husband and children.

 

  1. Why did you choose to write in the thriller genre? What is it about this genre that interests you most?

 

I’ve always enjoyed reading psychological thrillers where the suspense is more in the mind than in spilling blood and guts. The threat of danger to ordinary people going about their everyday lives is terrifying, as what if…. these things happened to me?

 

  1. When did you first think you wanted to be a writer?

 

I’m first and foremost a reader. I’ve always been a book worm and started writing plays as a child, inspired by fairy tales and stories I loved. I worked as a copywriter in advertising, but I never thought I could be a proper writer of fiction until I did a short story writing class at the City Lit.

 

  1. You took our Crime Writing short course at City, how helpful was it in the development of your debut thriller?

 

The course was invaluable. At the time I’d mainly been writing for children. Caroline Green was so inspiring with her personal journey about how she’d made the change from writing YA to writing adult crime. She introduced us to some brilliant crime fiction excerpts, many of which I’d never read. She set short writing exercises, and we teamed up with people in the class to discuss ideas. The course really got my imagination going. Soon after taking the course, I started writing the novel that’s now my debut.

 

  1. How important do you think feedback from writing groups and creative writing courses is?

 

Trusted feedback has been really important for me. I’ve been a member of various critique groups over the years. But I’m very careful about who I choose to trust to give me feedback. I only work with creative writing tutors and peers who enjoy reading and writing similar genres to my own. I don’t see my work as literary, but commercial so I surround myself by other writers who enjoy reading and writing commercial fiction. Before I signed up for Caroline Green’s course, I’d read her books and knew that I enjoyed her work and that she would be a great teacher for me.

 

  1. What were some of the biggest challenges you faced while writing your novel?

 

To keep going, even when I got stuck. I knew I needed some big twists but I didn’t know what they could be. I had to draft and redraft until I found them.

 

  1. What has the route to publication been like for you?

 

It’s taken me a LONG time… years! I had short stories published in 2002 but could never finish a whole novel. I kept trying different genres including children’s and YA. I queried my first YA novel in 2018 and had some nice rejections. My debut adult suspense novel was started in 2018. I worked on it for over a year with the help of a tutor. Then I re-drafted it again. In April 2022 I was shortlisted for an open submissions competition with Headline and had to finish another draft by August. In September, I won a publishing contract, and it was finally published May 2024.

 

  1. Which writers inspired you as a younger author, and who inspires you now?

 

I’ve always loved mysteries – As a child and teenager, I read Agatha Christie, Daphne Du Maurier, Georgette Heyer. I’ve always enjoyed psychological thrillers, like Zoe Heller’s Notes on a Scandal, Gillian Flynn’s Gone Girl, Damage by Josephine Hart, Ian McEwan and Margaret Atwood. Currently, my favourite authors are Lisa Jewell, Louise Candlish, Lucy Foley, Ellery Lloyd, Sabine Durrant, Lucie Whitehouse, Araminta Hall, Lauren North, BP Walter.

 

  1. What advice would you give to other aspiring writers who are thinking about publishing a novel?

 

Read a lot in the genre you enjoy, and analyse your favourites. Take a short course or do some writing workshops to inspire you. Surround yourself with writers and get involved in the writing community, whether on social media – Instagram and twitter – or by going to festivals. Be nice to people and tell other authors when you enjoy their work. Write them nice reviews! It’s a long and can be lonely path to publication, so you need to find your writing tribe to share the ups and downs with. When you’re finally agented and have a publishing deal, these will be the people who will happily give you endorsements, reviews and shout about your books to everyone.

 

  1. What are you working on now?

 

A destination thriller set on a luxury resort on a Malaysian island. A group of colleagues from an advertising agency re-unite for a party, but there are secrets from the past casting a toxic shade over the festivities. And then a dead body is found.

Thank you so much, Tania! We wish you every success with your debut novel and all the many novels to come. We can’t wait to read the book!

To order Tania’s novel, visit HERE.

For more information about Tania and her writing, visit HERE.

To sign up to an intensive week-long summer school version of the course Tania took at City, visit HERE.

For all information on our writing short courses, visit HERE. Or for all our other short courses, please visit HERE.

© 2024 City Short Courses

Theme by Anders NorenUp ↑

Skip to toolbar