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City Writes Autumn 2019 Competition Winners Announced

City Writes Autumn 2019 Competition Winners Announced
Congratulations to this term’s winners of the termly City Writes Competition, showcasing the best creative writing talent from alumni and students of City’s Short Creative Writing Courses. The winners are: Harriet Atkinson, Kathrine Bancroft, Helen Ferguson, Bren Gosling, Shabnam Grewal, Andrea Holck, Revati Kumar, Shibani Lal, Natasha Mirzoian and Angus Whitty.
This term we are running a flash fiction extravaganza event to celebrate the Story Cities anthology edited by alumna, Rosamund Davies and tutor, Cherry Potts, as well as Kam Rehal.
The City Writes Autumn Event is on Wednesday 11th December at 6.30pm in the City 125 Suite, City, University of London. Tickets are £10 and include wine/juice. Buy them here now. City Writes Autumn Event 2019 is going to be storytelling gold. There are lots of authors and lots of readings, but they are all short flashes of brilliance guaranteed to scintillate and mesmerise.
We’ll be journeying all over the globe and into childhood memory, falling in love with mattresses, finding a deceased father in the scribbled margins of their old library, seeing snow for the first time, rethinking bonfire night, trying to look after milk and so much more. Don’t miss out, book now.
In the meantime, meet this term’s wonderful, festively large list of competition winners below.
Harriet Atkinson is a historian of design and culture, based at University of Brighton. Currently, she is writing a book about the design of British propaganda in the 1930s and 40s. Her book The Festival of Britain: A Land and its People was published by I.B. Tauris in 2012. She has written for a range of academic and non-academic publications. Harriet studied Narrative Non Fiction with Peter Forbes. Find her on twitter at @HRAtkinson1

For more than 20 years, Kathrine Bancroft’s career has been at the forefront of broadcast journalism, political and not for profit communications. She is currently a Public Engagement Manager for UKRI. An alumnus of City’s workshop and creative writing courses, Kathrine is currently a 2019/20 Novel Studio student and a creative writing volunteer mentor with ‘The Ministry of Stories’.

Helen Ferguson is a translator of Russian and German and writer based in Ely. Her work has appeared in Lighthouse Literary Journal and she is currently working on a novel with City’s Novel Studio.

Bren Gosling’s writing has been performed at The Pleasance, Arcola, OSO Barnes, Rose and Crown E17, Bloomsbury Festival and Brighton Fringe. He is an award-winning short story writer – Exeter, London Short Story Prizes; Highly Commended 2017 Brighton Prize. His play Moment of Grace – inspired by Princess Diana’s handshake on Britain’s first AIDS Unit – sold out at 2018 Bloomsbury Festival. Bren is a Novel Studio alumnus @BrenGosling

Shabnam Grewal is a Londoner who makes Radio and TV programmes. She is also a parent, a partner, a friend and a reader. A big reader. Shabnam studied on Cherry Potts’ Approach to Creative Writing course.

Andrea Holck is an American-born writer and former English teacher. She is currently on the MA in Creative Writing and Publishing course at City. Her writing has been featured in Popshot, Kairos Literary Journal and Run Like the Wind, a literary magazine about running.

Revati Kumar is based in North London, and took the Approach to Creative Writing course in 2017. She currently works full time as a doctor in the NHS and continues to write (non-medical) fiction in her spare time. 

Shibani Lal is an alumna of Katy Darby’s Short Story Writing course. Shibani’s short stories have been longlisted for the Bristol Prize, Cambridge Short Story Prize and the Fish Short Story Prize. She was also runner-up in the Asian writer prize, and her work has been published in anthologies in the UK (Dahlia Press, Linen Press). Shibani holds an MPhil in Economics from Cambridge University, and is currently working on a short story collection.

Born in Russia and of Armenian origin, Natasha Mirzoian moved to London when she was a child. While working in book publishing, she completed the Novel Studio at City in 2005. She then went on to gain an MA in Creative and Life Writing at Goldsmiths University. She lives in Kent with her family and is working on a collection of short stories.

Angus Whitty was brought up in South Africa towards the end of Apartheid, schooled in England, and spent his life moving between the two. He started writing at sixteen, and worked as a cub reporter for a newspaper at 19. He has studied journalism and film making and done a Masters in Anthropology. He works as a freelance journalist and invented a product for reading books called “Thumbthing”. Over the past 10 years he has used ocean plastic as a resource in design. Now living in Valencia, Spain, he is part of a weekly writing group who are trying to produce a booklet of language-exchange short stories. Angus studied at City ten years ago on a course called Towards Publication, now Writers’ Workshop. Find him on instagram/anguswhitty

With stories from the competition winners and from the Story Cities anthology, you’ll be getting more than £10 ticket worth. Sign up here while there’s still room.

How I wrote Freak Like Me: Confessions of a 90s pop groupie

by Malcolm McLean

This October saw the release of a book I have been buried away writing and editing for the last three years: a memoir about my teenage years spent obsessing over pop stars, titled Freak Like Me: Confessions of a 90s pop groupie. It feels like an amazing achievement to have got to this point and have people reading the book that I put so much into during the last few years, and I am so proud of myself, but it wasn’t as simple as I naively thought it might be, back at the start of the project.

Freak Like Me, the debut memoir by Malcolm McLean

Freak Like Me, the debut memoir by Malcolm McLean

I’d thought about writing a book for a few years, but lacked the confidence. After tentatively starting the project, my sister suggested I look for a writing course to help give me more of the skills I needed to actually get the thing written and turn a series of anecdotes into a cohesive book. After looking around, I settled on the Narrative Non Fiction short course at City, University of London. The course outline was so detailed and seemed perfect for what I needed to write a memoir.

I assumed there would be an entire class of people writing memoirs like me, but there wasn’t: there were people working in media, wanting help with writing longer articles; company directors hoping to gain more confidence in business communications; and even someone writing a biography of her grandmother’s life in the 1930s. A huge mix. Peter Forbes, the course leader, was an incredible teacher. He gave us writing tools and tricks we so desperately wanted, seeing the strengths and weaknesses in our writing, and always giving such encouraging feedback. He also dispelled a lot of myths about the publishing industry and made it clear how different it is today compared to even ten years ago.

We worked on a variety of types of writing, each of which gave me a new perspective on how language can explain, explore and entertain. This allowed me to develop my book from being very fact and nostalgia-based, to having a more personal story that explored why I ended up doing ridiculous things like breaking into the BRIT Awards, or hanging out at Posh Spice’s mum’s house!

By the end of the course I was ready to submit my first three chapters and a detailed synopsis to try and secure a literary agent, and hopefully sign a book deal with one of the big publishers. I knew that my chances of getting one were slim and, despite some positive feedback, my emails to agents amounted to nothing.

For me, there was always a Plan B, as I knew that I wanted to release my book whatever happened. I researched a great deal into independent publishers, self-publishing, and ‘hybrid publishing’ – a model supposedly falling somewhere between doing it yourself and getting a deal with a big publisher. In the end, I settled on signing with RedDoor, who take on selective book projects that the author has to fund the production costs for. The team there are book lovers with lots of contacts, and I felt that they ‘got’ my idea for Freak Like Me more than anyone else. In hindsight, I feel that self-publishing may have been a better deal for me, financially, but it’s a gamble in finding the right person who can help you edit your book, and I can’t deny that the option I went with meant I was given huge amounts of freedom in producing the book that I wanted to.

The process of actually writing a book is time consuming, and so often it is hard to keep the motivation up, or to see what does or doesn’t work with your writing. After the course, a group of us decided to continue meeting up more informally, to talk about or share some of our writing. These guys became both my most honest critics, and a really useful support network!

Freak Like Me, being such a nostalgic, fun book was always going to be a Christmas release, and so, although it was signed off in early 2019, there was a long wait until October for it to finally get released. I’m immensely happy with the finished book and still flick through it or just gaze at the cover in wonderment. Just reaching this point and receiving such positive feedback from friends, family, or random lovers of pop nostalgia has made the whole experience so worth it, and I’ve ended up with skills and confidence that I couldn’t have imagined three years ago.

Malcolm McLean is a part-time writer and full-time pop music obsessive. His debut memoir Freak Like Me was published by RedDoor in October 2019. To find out more about Malcolm, visit the Freak Like Me website Or to learn about the Narrative Non-Fiction course he took at City visit the City web page.

Taking a walk on the wild side of business

By Brenna Boyle

Brenna was working as a wildlife ranger in the Scottish Highlands before attending the Starting up in Business course at City, University of London. Brenna’s ambition was to make a successful business showing communities the diverse range of wildlife on their doorsteps.

An average day as a wildlife ranger would involve guiding groups of visitors around stunning scenery and viewing species including Golden Eagles and Bottle-nosed Dolphins. But I left the Highlands and returned to London, driven by a desire to prove that the wildlife of London, whilst perhaps not as iconic or dramatic as that of Scotland, is abundant, diverse and fascinating.

My goal was to set up a business delivering guided wildlife walks and nature discovery activities for groups of adults, families, communities and schools within London. And yes, lots of people thought I was nuts! I knew from previous experience that the wildlife of London really is surprising, rich and interesting, in that I had faith. What I didn’t have so much faith in was my ability to build and run a business. I had so many questions and doubts about everything from protecting my brand to tax, marketing, the law and hiring other people. My new business, Wild Capital, had officially begun before I enrolled on the course; it was very young but the website was operational, I was insured and I’d delivered a few programmes. However, I felt I was holding back on allowing the business to grow through uncertainty about how to proceed. My fear was that I would invest everything into the business and one day some scary bloke in a suit would appear and tell me I’d done something wrong and I owed thousands of pounds in fees or fines!

I chose to undertake an introduction to business course in order to deal with my concerns, and go forwards in business confidently. I did quite a lot of research into different options before settling on the Starting Up in Business course at City. The course was very appealing as it covered a wide array of business topics, but with a total duration of 20 hours over 10 weeks there was time to delve into each topic, rather than just scratch the surface. There was a choice of doing the course on either a Tuesday or a Thursday night, so I was able to select the night that most suited my schedule.

The course itself was a mixture of taught material delivered with PowerPoint presentations (all the slides were uploaded to an accessible website in advance of the class so you could print them and make notes on the hand-outs), class activities such as working in groups to review existing businesses and personal work done in our own time which cumulated in writing a full business plan that was read and reviewed. Kulan Mills, who delivered the course was extremely knowledgeable and helpful; you really felt you could ask him anything. Kulan obviously has a great deal of experience with a wide range of businesses. He would tell us anecdotes from his own experiences, which were insightful and interesting. Kulan took interest in everyone in the class; he made himself available before and after the sessions to answer questions and discuss ideas. He also put students in touch with people from his extensive network of useful contacts; I had a very helpful meeting with the manager of an outdoor activity centre, instigated through Kulan.

Several of the students, myself included, already knew what type of business we wanted to develop. Others knew they wanted to run a business but weren’t yet sure what kind. The course was very suitable for both groups of students, with many ideas thrown up for those looking to create a new service or product. For all these reasons and more, studying at City was a great experience. The nice coffee shop and free WiFi were also very welcome!

Since completing the course at City I have had the confidence to expand my business; I now work with both local councils and London based charities, providing wildlife discovery activities for communities. The numbers of new private bookings for adult wildlife walks and family adventures are increasing all the time, and I’m now looking at rolling out a selection of programmes for schools.

I wouldn’t hesitate to enrol on another course at City. Perhaps further down the line I’ll a need a course to develop my skills as the director of an expanding company!

To find out more about Wild Capital please visit the website www.wildcapital.co.uk, follow on Twitter or like on Facebook.

To find out more and enrol on City’s Starting Up in Business short courses visit the webpage.

A taste of learning with City

City, University of London proudly hosted our first ever open evening and taster sessions event on Thursday 11th July 2019. Thank you to everyone who made the evening such a success and to all of our attendees – we hope that you found it interesting.

Throughout the evening we offered a series of 30-minute taster sessions in a select number of our short course programmes to give students a feel for what it is like to study a short course with us.

We started the evening on a high with a taster session in one of our most popular courses, Introduction to Programming with Python. Lead by programming expert, Philip De Grouchy, this session was packed out with young professionals looking to try their hand at coding.

Our digital guru, Elliott King, ran a parallel session in Strategic Digital Marketing, combining theoretical knowledge with step-by-step guidance on delivering online marketing campaigns.

Katy Darby lead an interactive session in Short Story Writing, for those looking to nurture their creative flare while Marian Wancio delivered a more practical course in Project Management.

Ping Chai, leading a Chinese Mandarin taster session

We also ran sessions in Immigration Law, Adobe InDesign, JavaScript Programming, Writing for Business, Writing for the Web, Curating & Exhibition Management, Japanese; and Chinese Mandarin.

Feedback from our attendees was overwhelming positive, with the vast majority stating that their questions were answered adequately by our staff. Our taster classes were also well received, rating the quality of the sessions highly.

However, there is always room for learning and improvements! As a result of our feedback, we intend to replace the current format with two separate events. In December 2019, we will be hosting a ‘meet our tutors’ open evening, an excellent opportunity to speak to our experts one-to-one about the wide variety of courses we offer at City. In the summer of 2020, we will be continue to run a full evening of taster sessions, offering a glimpse of what is it like to learn at City.

We will also be extending out taster sessions from 30 to 45 minutes to allow more time for learning. See the Visit Us section of our blog to find out more about our visitor events or book your place on our December open evening.

Short Courses Alumna, Luiza Sauma, on National Writing Day

By Emily Pedder

This year City’s Short Courses have partnered with National Writing Day, an initiative designed to  inspire people across the UK to get writing. To  celebrate we are bringing you an interview with one of our most successful alumni, the novelist Luiza Sauma.

Luiza took several short courses at City before she began her career as a novelist. Her first novel, Flesh and Bone and Water, was published in 2017 by Viking to great acclaim. Tomorrow sees the launch of her second novel, Everything You Ever Wanted. Set on a perfect parallel planet the book explores our ‘age of anxiety’. This interview was conducted by Emily Pedder, Course Director for the Novel Studio

EP: Luiza, thank you so much for being part of this year’s National Writing Day. We’re thrilled to be involved with such an important initiative which aims to inspire creative writing from the very earliest stages.

Can I start by asking whether there was a teacher or adult who you got you interested in storytelling at a young age?

LS: Sometimes I feel like I’m the only author who didn’t have an inspiring English teacher. I loved literature, but I didn’t thrive at school. Luckily I grew up in a house full of books and my parents encouraged me to read widely from an early age. They’re both psychoanalysts, so storytelling is central to their work – psychoanalysis is all about stories.

EP: What was the first book to make you cry?

LS: Books don’t often make me cry. I think I shed a tear when the dog died in Milan Kundera’s The Unbearable Lightness of Being, which I read when I was a teenager. I found that scene unbearably tender.

EP: Who were your favourite authors as a child?

LS: Roald Dahl, Enid Blyton, Louisa May Alcott, C S Lewis, Beatrix Potter, Mark Twain and Hans Christian Andersen. Dahl in particular. I used to re-read Matilda every couple of weeks.

EP: If you could tell your younger writing self anything, what would it be?

LS: I would say, ‘Believe in yourself,’ because I wasted too many years on anxiety and self-doubt. But believing in yourself is easier said than done when you’re surrounded by critical voices. Our society is very hard on young women.

EP: What is it about writing that motivates or inspires you?

LS: Sometimes it feels involuntary – I write in my head all the time. Both reading and writing are a comfort to me; they help me to understand the world.

EP: You recently became a mum. How has that experience affected your writing?

LS: I’m not able to write at the moment – my baby occupies all of my time. But I’m still writing in my head, like always. I’m very sleep-deprived, but the ideas are percolating. Motherhood has been so challenging, intense and joyful. I feel utterly changed. I’ve never had so many ideas.

EP: Your latest novel is a dystopian take on the modern world. What prompted you to set it in an imagined future?

LS: Everything You Ever Wanted is set in the near future – a world that everyone would recognise, apart from the fact that people are being sent to live on another planet. When I came up with the idea, I was writing my first novel, working full-time in an office and feeling quite trapped. This was before Brexit, before Donald Trump became president, but there was a sense of increasing anger and anxiety in the world, and social media seemed to be making it worse. I knew I wanted to explore these things.

Then I heard an episode of the podcast Love + Radio about a woman who wanted to take part in the Mars One mission – which would involve leaving Earth, never to return – and suddenly there was my idea. A lot of people have been joking, lately, about leaving Earth, because things are so awful right now – but what would it take to actually do it? I was feeling stuck, so I thought I might as well try and write something completely wild. At the very least, I thought it would be fun.

EP: Do you see your novels as completely separate or is there a thread that links them for you?

LS: One of the things that excited me about Everything You Ever Wanted was that it felt completely different to my first novel, which was deeply rooted in Brazilian culture, the immigrant experience and the real world. But when I finished writing it, I realised I had written another novel about immigration – just on a larger, cosmic scale. I was born in Brazil and I come from a long line of immigrants from various countries. It’s the defining story of my family, and quite hard to shake off.

EP: Finally, if your daughter grows up and says she wants to be a writer, what would your advice be?!

LS: I would tell her to find a day job that doesn’t eat up all her time and energy, to be ambitious in her work, but also to look after herself – both mentally and physically. Writing is an unstable career, so it’s important to find stability elsewhere.

EP: Thank you so much for taking the time to do this, Luiza, and so much luck with the next novel!

Everything You Ever Wanted is published by Viking on 27th June 2019.

For more about the short courses Luiza took at City, visit our short course writing home page.

Luiza Sauma, image by Tim Goalem

 

 

Novel Studio alumnus Remy Salters wins International Rubery Award for fiction and Chill With A Book Reader’s Award

By Emily Pedder

A few years back I was lucky enough to teach a young writer called Remy Salters, then a student on the Novel Studio at City. Remy was clearly a talented writer with a fascinating story to tell so when I heard he’d secured an agent, I wasn’t surprised. A publishing deal was just a matter of time, or so I thought.

But for Remy, as for so many talented first-time authors out there, this didn’t happen. The book was rejected by traditional publishers leaving him with some tough choices. Rather than give up, Remy began investigating alternative routes to publications:

“I began my novel, Butterfly Ranch, as part of City’s Novel Studio a few years ago. After several full drafts and lots of workshops with fellow writers, I got to a stage where I was able to secure an agent. This was invaluable, as the book underwent a couple more crucial rewrites with her advice. In the end, though, we failed to place the book with the agent‘s targeted imprints, and so I moved on to other projects. However, as time passed, I realised that I had unfinished business. Butterfly Ranch needed to ‘live’ regardless. This is when I decided to self-publish.

“My first idea was to get the book typeset and a cover done by a designer friend, then publish on Amazon CreateSpace as an e-book and paperback on demand; and promote via social media. CreateSpace is a convenient system and the design was the easy part. Now for the promotion. Without releasing the book, I became more active on Facebook and Twitter for several months, but I eventually concluded that converting social media interaction into meaningful readership, as a complete unknown, required more investment in time than I could spare and a long-term active role in a multitude of online communities. In my case, social media could help and enhance, but not be the only channel.

“So I searched for a publicist. I was in touch with several, but always came away with a feeling that there is little interest in self-published authors (or rather interest in their cash, not their title). That was until I came across Matador, who describe themselves as a ‘partner publisher‘ – i.e. you finance the design, production and/or marketing/PR of your book, but they advise, project-manage and promote. I have been impressed by this solution. I have had freedom in choosing the level of support I want, while feeling safe in the knowledge that whatever I choose will be delivered professionally and I can reach out for a real publisher‘s advice.”

Remy’s choice seems to have paid off. After a successful book blog tour this summer, Butterfly Ranch won the International Rubery Award for fiction 2018 and Chill With A Book Reader’s award 2018. Congratulations, Remy!

For more information on The Novel Studio please visit.

To view our full range of writing courses, please visit.

In the mood for City Writes

by Rebekah Lattin-Rawstrone

City Writes, our termly writing competition open to all current and former short course alumni, hit new heights this summer term as one of its previous competition winners, C. G. Menon, came back as a professional reader to celebrate the launch of her debut short story collection, Subjunctive Moods, (Dahlia Publishing). Hot off the heels of her launch party, Catherine was an inspiration to us all.

C. G. Menon, author of Subjunctive Moods

Before we were treated to a story from her collection, we had four readings from this term’s competition winners.

In another first for City Writes, two of the readers, Jacob Bigio and Su Yin Yap, submitted creative non-fiction through travel and memoir writing, widening our horizons on the world geographically and psychologically. Both had recently completed the Narrative Non-Fiction course taught by Peter Forbes.

First to read was Jacob Bigio who took us to Quebec in an extract, ‘On Northern Roads’, from his work-in-progress travel book.

Having just hitchhiked from the Alaskan Arctic to the south of Chile, in a journey of three parts spread over three years, Jacob transported us to an out-of-the-way town in Quebec, where we were taken into a circus tent, waiting with the locals for the arrival of a spiritual leader.

Jane Clancy Reid, a recent Novel Studio graduate, then read an extract from her novel, Take Five, which looks at how differences matter but our common humanity matters most. In a Sydney suburb, Kevin gets up to mow the lawn despite his hangover.

He looks over at Sydney harbour and thinks about when he was first dating his wife, now deceased.Following Jane we heard a harrowing tale, ‘Did He Buy A Single Or A Return?’ by K. L. Jefford, a former Approach to Creative Writing short course student, in which a character travels down to Beachy Head, following her brother’s suicide journey.An extract from her novel, Dr Di, left the audience very quiet, ready to be shaken up by our next reader, Su Yin Yap.

Su Yin Yap

Su Yin read ‘The Unsaid’ a story about how difficult we find it to talk about sex. We laughed as a nun refused to read aloud a passage from Shakespeare’s Macbeth to her students. She didn’t want to say ‘unsex me here’.

We then heard that memory of adult embarrassment flow over into a clinic room where a patient didn’t want to talk about his erectile dysfunction.

With an amused audience ready to hear more, Catherine then read ‘Watermelon Seeds’, one of the stories in her Subjunctive Moods collection. We heard of a childhood friendship that began in a love of drama, that explored the nuances of social and cultural difference, and ended in a world of make-believe that carefully uncovered the truth of early love and its consequent shame and embarrassment.

Beautifully evocative of the collection as a whole, the story embraces the slippages between real and imagined, and had the whole audience holding its breath.

With time to buy books, get them signed by Catherine and drink a little wine, the audience, comprised of teachers, students, editors and friends, discussed writing, publication and the different short courses available at City.

A warm and supportive environment to share stories and successes, City Writes is a great place to be if you love creative writing.

Ones to watch for 2018: Rising literary stars

By Emily Pedder

City’s short course alumni continue their literary ascent with two debut novels due out in 2018: Hannah Begbie’s Mother (HarperFiction) and Peng Shepherd’s The Book of M (HarperCollins).

Hannah Begbie

Hannah Begbie

Hannah studied on City’s Novel Studio where she also won the new writing competition. Her novel, Mother, developed while on the course, is a brilliant, and brutal, exploration of motherhood in the most complicated of circumstances.Hannah’s agent, Veronique Baxter has said that Mother “is a book you don’t forget in a hurry: unflinching, dark and deeply compelling, it moved me profoundly”.

Martha Ashby, editorial director at HarperFiction, said “Hannah’s writing grabbed me by the throat from the very first page and in her brutal examination of the roles that women play, her novel is at the same time both raw with emotion and deeply thought-provoking. I’m so thrilled to bring such a talented voice to HarperFiction.”

Peng Shepherd

Peng Shepherd

A former student of City’s Short Story Writing and Writers’ Workshop, Peng attended New York University’s MFA Creative Writing Program on a full scholarship, where she studied under Jonathan Safran Foer. Her fiction has appeared in Litro Magazine, Liars’ League, Cent Magazine, been broadcast on BBC Radio 4 and published in the Weird Lies anthology.

Last year, the Elizabeth George Foundation awarded Peng a major grant based on an early draft of her novel and she was also a finalist for the Asian American Writers’ Workshop’s The Margins 2016 fellowship. Peng’s debut novel, The Book of M, has been described by her UK agent  at Curtis Brown as “a virtuoso debut by an unparalleled talent…Shepherd has created a world filled with big ideas about mortality and self but it is the small intimate moments that pierce and stay with you long after you’ve finished reading”.

The Book of M is due out in June 2018. Follow Peng on twitter.

Mother is due out August 2018. You can follow Hannah on twitter.

Find out more about our writing short courses at City or read other success stories from our writing community.

Pre-order a copy of Mother

Pre-order a copy of The Book of M.

City Writes autumn event success

by Rebekah Lattin-Rawstrone

With our headline act, CWA Debut Dagger Award Winner Greg Keen to look forward to, a wonderful crowd of people braved the cold and rain to listen to and support City’s showcase of its short creative writing course talent. And what talent there was.

Campaspe Lloyd-Jacob

Amidst a buzz of audience excitement, we were treated to four readings from the City Writes Competition winners. Campaspe Lloyd-Jacob, Novel Studio alumna, was first, reading from her novel in progress The Fall. Taking us into the world of reality television gone wrong, a boy’s life was left hanging in the balance, sending a ripple of anxiety and silence through the listeners.

 

Second, we heard Elena Alston’s wonderful short story, ‘The Cuckoo Broadcast’. Having just finished the Short Story Writing course with Katy Darby, Elena’s story cast its spell over us all. We laughed as the clever young character fought to be creative despite the difficulties of her family life and the constraints of her conformist school.

Elena Alston

Following Elena, another talented Novel Studio alumna Angela Dove took to the stage reading from her novel For One Night Only. A mysterious package arrived at the character’s door. How did they find her address? Could she remember how to process celluloid? When a woman appeared in one of the photographs, against a backdrop of 1940s Amsterdam, closer inspection revealed her own face.

Our last competition winner to read was Sophia Rainbow Haddad who had just completed the Novel Writing and Longer Works course with Martin Ouvry. Sophia read her story ‘Heart on your sleeve’ taking us on a journey with her father’s denim jacket, originally bought for her brother. As her parents split up and her father moved away back to Algeria, the jacket became the warm hug of her father now so far away.

Sophia Rainbow Haddad

Emotionally charged from these fantastic competition winning pieces, the audience was now ready to hear from Greg Keen whose novel, Soho Dead, won the CWA Debut Dagger Award in 2015 and who is already working on edits for the third novel in the Kenny Gabriel crime series. Another Novel Studio alumnus, Greg read from part way through the novel where his main character questions a nightclub owner about a young murdered girl. We were treated to some witty and illuminating dialogue between Kenny and the owner who has cancer, swaps between cigarettes and her oxygen tubes and talks freely about her sexual desires and the development of her club. She offers him information in exchange for something you’ll need to read the book to find out about.

After the readings, there was lots of discussion about the stories and extracts, about writing, reading and City’s short creative writing courses over drinks and mince pies.You can find out more about City Writes and the termly competition here.

Our event next term is on the 28th March. Put the date in your diaries now.

Working with writing: the art of collaboration

by Rebekah Lattin-Rawstrone

It’s often a challenge to move writing out of the silent room and into the shared space of publication and readership. The Novel Studio’s Working with Writing event was all about helping writers to think about how and who to collaborate with in order to enhance their creative practice and reach more readers.

Emily Midorikawa and Emma Claire Sweeney, both tutors on the City’s Novel Studio course, started the evening off by introducing us to the little-known literary friendships of two sets of famous female authors.

We learned that George Eliot and Harriet Beecher Stowe critiqued and supported each other despite their geographical and spiritual distance; and that Virginia Woolf and Katherine Mansfield had a passionate friendship that far surpassed the vitriol commonly used to summarise their relationship.

Through the continued development of their website Something Rhymed, Emily and Emma have learned of many more female literary friendships, inspiring writers to look to their peers for creative development.

Having heard of how to work with other writers, the author Heidi James and her editor at Bluemoose Books Hetha Duffy took to the stage to give us a masterclass in how to develop a creative and productive editorial relationship.

Hetha and Heidi worked closely together to edit Heidi’s novel, Wounding, which follows one woman’s search for identity, redemption and truth. This was a rare opportunity to see how an unpublished manuscript is developed and polished.

Heidi read compelling extracts from the manuscript and the published novel opening the floor to Hetha for explanations behind her reasons for, and ways of, requesting change. We learned that trusting in a shared vision for the end product, being receptive to criticism, ready to ask questions and try things out were all essential tools in a successful editorial relationship.

The evening ended in an exciting and in-depth panel discussion in which professionals and audience members explored the how, why and wherefore of collaborative writing practice. An inspiring and lively evening was enjoyed by all.

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