Tag: writing (page 3 of 8)

Top Nine Courses to Help you Develop your Digital Skills

March 21, 2023 / / 0 Comments

The digital revolution is well and truly under way, and it’s transforming the way we live, and work. According to the World Economic Forum’s report on the future of jobs, 97 million high-skilled jobs will be created by 2025, and almost all will require strong digital skills. From reducing the digital skills gap, to fostering innovation and increasing productivity, it’s now more important than ever for employees to acquire digital skills, and for employers to invest in those skills for their teams. Read on for City’s top nine courses to help you develop your digital skills and remain competitive within today’s ever changing jobs market.

1.Introduction to Data Analytics and Machine Learning with Python

The fields of data analytics and machine learning are vast and fast expanding. By leveraging the most widely used Python libraries, this short online evening course will give you the foundations to enable you to get a junior position as a data analyst and/or machine learning engineer.

2.Creating Mobile Apps with Android

There’s An App For That

There’s an app for that. City’s Android app developer short course gives you a comprehensive understanding of the Android development platform and the skills required to develop and publish your own applications. By the end of thecourse you will have created your own Android app which you can publish in Google Play.

3.Digital Marketing Fundamentals

Spread The Word

Digital platforms have become the primary medium for marketing and it’s now essential for all marketers to have good digital knowledge. Our short course will equip you with the principle digital skills required to ensure you know how to maximise your marketing across websites, social media and digital advertising..

4.Writing for the Web and Digital Media

Being able to write effectively for digital will give you the edge so you can attract, and keep, the attention of your online audience and successfully present written content. The course also covers editing and proof-reading skills, best practice for titles and subheadings, blogging, editorial planning, content marketing and SEO.

5.Building Websites with HTML5 and CSS3

Having your own online presence is fast becoming an essential in today’s jobs market. City’s short course will teach you how to plan, design, develop and publish your own fully functional website which adheres to current industry standards and best practices.

6.Cybersecurity Fundamentals

Cybercrime is a growing global menace costing companies millions in lost revenue each year. This online short course will ground you in the essential cyber security practices, such as networking, security engineering, risk management, incident response, governance control and legal practicalities.

Securing Cyberspace?

7.Photoshop: An Introduction

Being able to create and manipulate a digital image can increase your productivity and enhance your workflow. On this short online courseyou’ll be given a comprehensive overview of Photoshop—the industry’s most flexible photo editing software—and learn the fundamentals of digital imaging, including how to make your own digital creations.

8.Digital Filmmaking: An Introduction

The digital revolution has transformed the way films can be made. On this short course, led by an award-winning film director, producer and screenwriter, you’ll be guided through the processes of making a short film. You’ll also develop a good understanding of the creative interconnection between writing, shooting and editing.

9.Introduction to Branding

Aimed at entrepreneurs, small business owners, communications and marketing professionals or anyone interested in learning how to communicate their brand more effectively, this short course will explore a full introduction to making your online brand a success—from online brand strategy to writing on-brand social media messaging and digital marketing.

For more on our short courses provision, visit our home page HERE.

On Brand

Or come along to our virtual Open Evening next week on 28 March to talk to one of our coordinators where you can also try out a free taster course.  Register HERE.

City Writes Spring 2023 Competition Winners Announced

March 16, 2023 / / 0 Comments

By Rebekah Lattin-Rawstrone

 

 

We’re delighted to announce the winners of this term’s City Writes Competition, who will be joining our fantastic author and alumna, Hannah Begbie, on the virtual stage at 7pm on the 29th March. You can book your tickets here.

This term’s winners will be taking us on a journey from a consultant’s waiting room, through two different explorations of love in London, a moment’s passion in a car, a kidnapping in a fantasy world, all the way through to a contemplation of the myth of German efficiency. There’s football, alcohol, sex, fighting, nostalgia and altered states of consciousness. What’s not to like?

The author biographies of these wonderful winning stories and extracts follow:

Grayson Anderson is a British born Jamaican author and poet. A graduate from City’s Novel Studio, Grayson was shortlisted for the Spread The Word emerging writers programme and long listed for the Book Edit Writers’ Prize. His catalogue of work contains songs, poetry, a science fiction trilogy, and an opinion-based non-fiction book relating to the idiosyncrasies of gender in society.

Grayson Anderson

Hailing from the East End of London, Bruce O’Brien is a fledgling but passionate writer. Having dabbled with minor success, Bruce enrolled on the Narrative Non-Fiction course, where he has found added confidence to pursue his love of writing. Colourful life experience provides a rich backdrop for Bruce’s writing. Despite such a tapestry, his story ‘The Eels of Wrath’ was discovered by digging around his roots, where he found a nostalgic yet topical socio-political love story.

Bruce O’Brien

Aaron Payne is a new writer and alumnus of City University’s Writer’s

Aaron Payne

Workshop. He is writing a novel and a short story collection. Last year Cranked Anvil shortlisted his flash piece, ‘Postcard’ and Flash 500 is considering another, ‘Flowers’. In Aaron’s novel-in-progress, Our Man in the Clouds, the climate is collapsing and global powers tussle for control of the weather. A disgruntled meteorologist tries, but fails, to stay out of it.

Narrative Non-Fiction alumnus, Philipp Sandmann

is a political journalist and commentator working for Germany’s broadcaster RTL. Philipp is based in Berlin and reports on international topics such as the war in Ukraine. Having lived and studied in the UK for six years, Philipp learnt about the unique relationship between Germans and Brits. He is working on a book for a UK audience about the modern German soul and the myth of German efficiency.

Angel Witney, alumna of Novel Writing and Longer Works, is a writer, spoken word poet, actor and dancer based in London. Her writing is inspired by her personal experiences, looking particularly at topics like mental health, sexuality, and relationships. As well as longer-form fiction, Angel writes poetry and performs her pieces at open mic events. She is also an actor with professional credits in TV and film such as ‘In Bruges’, ‘Atonement’ and ‘Poirot’.

Angel Witney

Adam Zunker’s background is in journalism and politics and he’s had many articles published in national newspapers. He lives in London with his wife and daughter, though he is also fighting a losing battle restoring a thatched cottage in Dorset. His historical fantasy, The Perfectation, is (very loosely) based on the experiences of his Viennese grandmother as a refugee. Adam is an alumnus of An Approach to Creative Writing and the Writers’ Workshop.

Adam Zunker

For your chance to hear these exciting emerging authors alongside the award-winning Hannah Begbie, just register for the City Writes Spring 2023 event here. It’s at 7pm on the 29th March and we can’t wait to see you there.

 

Blue flower on green stem with blurred background

Spring is coming!

Writing Short Courses Newsletter Spring 2023

March 2, 2023 / / 0 Comments

The bluebells are here and the days are getting just that bit longer. Here to bring even more joy is the latest news from our wonderful writing short course alumni and tutors.

Alumni News

Novel Studio alumni news: Award-winning author Deepa Anappara will publish Letters to a Writer of Colour later this year. Edited with Taymour Soomro, it’s a collection of essays on fiction, race, and culture. Deepa has also recently joined the MA Creative Writing teaching team at City where she teaches Literary Journalism. There will be a launch for the book at City on March 13th. It’s free but you’ll need to register HERE.

Book cover of Letters to a Writer of Colour

Letters to a Writer of Colour, edited by Deepa Anappara

 

Book cover for The House of Whispers

The House of Whispers, Anna Mazzola’s new novel

Anna Mazzola’s new historical thriller, The House of Whispers, will launch in March 2023. Ian Rankin has described Anna’s work as ‘Historical fiction with a fantastical twist, done with verve and skill’.

Janet Philips has published her debut book, Great Literary Friendships, with Bodleian Library, described by Publisher’s Weekly as a ‘fun spin on literary analysis’.

Rachel Mann has published her short story, The Things We Grew, with Passengers Journal. She has also published a column in the Rumpus called Things I Wish I Could Workshop other than my Novel.

Katy Darby’s Writers’ Workshop and Short Story Writing students continue to shine. Emma Guinness (Grae) has won Scots book of the Year 2022 for her novel Be Guid Tae Yer Mammy. Her second novel, The tongue she speaks — 15k of which was workshopped on her City course — was published last year with Luath Press. Sue Hann has a publishing deal with Neem Tree Press for a non-fiction book due out in 2025.  Kate Gilby Smith has published two middle-grade children’s books with Hachette since taking the course in 2017, the first was The Astonishing Future of Alex Nobody and the second is Olive Jones and the Memory Thief, which came out in June 2022.

Book cover for OliverJones and the Memory Thief

Olive Jones and the Memory Thief by Kate Gilby Smith

Joe Gallard has won the Ilkley International 8x8x8 playwriting competition. His play, This is Not a Drill, will be performed at the Ilkley Playhouse this April. Tickets available here. Helen Harjak was shortlisted for the 2022 Willesden Herald Short Story Prize. Former Times literary editor Erica Wagner will publish a new book, The Vocal + Fiction Awards Anthology, with Unbound in February 2023. The anthology is a collection of stories chosen from over 13,000 entries submitted to the Vocal+ Fiction Awards. Roly Grant’s 500 word story ‘Dust’ was the Richmond borough winner in Spread the Word’s ‘City of Stories’ anthology, published in June 2022.

Martin Ouvry’s Novel Writing and Longer Works’ alumnus Conor Sneyd has published his debut novel, Future Fish, with Lightning Books. You can read more about Conor’s path to publication on our blog here. Two of Martin’s other students, Angelita Bradney and Kate Vine, have been taken on by top literaryn agents — Catherine Cho at Paper Literary, and Johnson & Alcock, respectively.

2023 looks like being a great year for Peter Forbes’ Narrative Non Fiction alumni. Dee Peyok brought her pitch for a book about Cambodian rock music in the 1960s to the

Author photo of Aniefiok Ekpoudom

Aniefiok Ekpoudom

course back in 2013. The book, Away from Beloved Lover, was published by Granta in January, to rave reviews. More recent alumni include Claire Martin’s (2021) Heirs of Ambition, a history of the Boleyn family before they became famous, which will be published by The History Press; and Aniefiok Ekpoudom’s (2015) Where We Come From: How Grime and Rap gave voice to a generation is due from Faber in August. In other news, Alice Kent has been longlisted for the Observer/Burgess Prize for Arts Journalism 2023.

Opportunities

The Novel Studio, our flagship year-long course for aspiring novelists, has opened for applications. For more details on the course and how to apply follow the link to our home page. To find out more about our extensive list of published alumni, take a look here.

If you want to talk to me in person about the Novel Studio or any other writing short course, I’ll be at the virtual Open Evening on 28 March. Sign up HERE.

City Writes

Our termly writing competition open to all writing short course students, past and present, is seeking submissions for its spring event. This term’s guest alumna will be award-winning author Hannah Begbie, author of two Mother and Blurred Lines, both published by HarperCollins. For your chance to join Hannah on the virtual stage, you need only send in your best 1,000 words of creative fiction or nonfiction (no young children’s fiction or poetry please) by midnight on March 3rd to rebekah.lattin-rawstrone.2@city.ac.uk . You can find full submission details here.

Hannah Begbie

Or just come along to hear some fantastic new writing on the night itself, 29th March. It’s all on Zoom and you can register here.

Scholarships

We continue to offer a fully funded place for a young adult (18-25) from an underrepresented background and/or facing financial difficulty on our Writing for Social Impact course. To apply, please contact the tutor Ciaran Thapar explaining why you’d like to attend. This course is now offered monthly to reflect the increased demand.

Please see below for more information on our Novel Studio scholarship.

New Courses

Pete Austin and Anna Tsekouras, aka Anon agency, have hit the ground running on our new Branding 101 course for small businesses, creatives, entrepreneurs or anyone who wants to know more about how to create and foster their own brand. Feedback so far has been very positive with one student describing it as ‘the perfect blend of foundational theory and tangible takeaways.’

Tutor News

Holly Rigby joins the teaching team as Thursday night’s Narrative Non Fiction tutor. A former student on Peter Forbes’ course, she is a passionate advocate for the course and a brilliant writer and teacher in her own right. Holly worked as an English teacher in inner London schools for almost a decade, and is currently working on a book about the UK education system, published by Repeater Books in early 2024. Welcome, Holly!

Writing for Social Impact tutor, author and youth worker Ciaran Thapar has launched his own newsletter, ALL CITY, through Substack. Pitched as the ‘diary of a youth worker, with the pen of an author’, the newsletter will be a weekly dive into the challenges of inner city youth work and education. You can sign up and find out more here.

Anna Wilson is now teaching our Writing the Memoir course. Most of Anna’s books have been for children and teens, but more recently she has turned her hand to writing for adults. Her memoir A Place for Everything – my mother, autism and me has been reviewed as “a seminal work in this area” by the world expert in autism in women, Professor Tony Attwood. Welcome back, Anna!

Paris writing retreat, 12-16 April 2023. Former Novel Studio tutor and award-winning author Dr Emma Claire Sweeney and literary agent Jonathan Ruppin will host five days of mentoring and group writing sessions in a stunning private residence a short walk from the Eiffel Tower. Planning and follow-up sessions on Zoom. Quote CITY10 for 10% discount for bookings made by 13th March 2023.

Paris Writing Retreat

And finally…

We wanted to say a huge thank you to Harriet Tyce. Harriet has funded and supported our Novel Studio scholarship for the past four years. A former barrister and Novel Studio alumna, Harriet is now a Sunday Times best-selling crime novelist. Her three novels, all published by Wildfire, have been runaway successes and her reputation as a leading crime writer is now firmly established. We have been so lucky to have Harriet’s backing for the Novel Studio, not only through the scholarship program — a program she initiated — but also through her ongoing mentoring support for the scholarship recipients and her generous introductions to the annual showcase. We very much hope to keep the scholarship alive — so do watch this space for more on this — but in the meantime, thank you so much, Harriet!

That’s all for this term. Congratulations and thanks to all our wonderful students and tutors.

To find out more about all our creative writing short courses visit our home page HERE.

And for more on all City’s short courses, look HERE.

City Writes Winter Warmer 2022

December 19, 2022 / / 0 Comments

City Writes, our termly showcase event for the fantastic writing coming from City’s Short Courses, was a great way to begin the festive season this year. And don’t worry, if you missed it, you can read about it and see the recording, just scroll on.

This term we were incredibly lucky to have the brilliant writer and alumna, Elizabeth Chakrabarty with us to share her astounding, genre-busting debut, Lessons in Love and Other Crimes. But let’s not get ahead of ourselves. First up were the wonderful readings from our talented competition winners, students and alumni of multiple short courses.

Nathaniel Ashley

Kicking us off, quite literally, we entered the world of animation with Nathaniel Ashley’s story, ‘Captain Proton vs. the Deviator’. An alumnus of the Short Story Writing course, Nathaniel offered some masterful shifts between imagined onscreen action and the humdrum of the day job that made for some great contrast as the protagonist tried to manipulate his action heroes in a dramatic fight scene.

Hugo Cox

We took a non-fiction turn next with Hugo Cox, alumnus of the Narrative Non-Fiction course. He took us on a half marathon with his piece, ‘Half Over’. Filled with all the circumspection and reflection one might hope from the sensory and mental overload that comes with the distance run, Hugo’s story is a journey well worth celebrating.

Isabelle Mouttet, joining us all the way from Trinidad and Tobago, and an alumna of An Approach to Creative Writing, took us on a mythical journey next. Her story, ‘The Myth Finder’, is a spell-binding account of researcher and adventurer, Miss Marks who goes looking for, and finds, Borges’ Aleph. Nothing is quite as you imagine it might be and even over Zoom the atmosphere was altered by Isabelle’s reading.

Tunde Oyebode

We went from myth to romance next as we listened to Writers’ Workshop alumnus, Tunde Oyebode read his sultry story of holiday desire, ‘Wants’. Set in the warmth of Positano, the longing of the protagonist, written in a tantalising second person, charmed the audience, leaving them longing to jump on a plane.

Alison Halsey

Alison Halsey, a current Novel Studio student, followed Tunde with an extract from her novel-in-progress, Agnes Gets a Lift. We went headlong into the mind of octogenarian Maureen, watching for the body of her recently deceased friend to be removed from her over-seventies residence home. There’s nothing like a bit of bleak comedy and the faces of the zoom crowd were creased in amusement.

Katharine Light

Our last competition winner was Novel Studio alumna, Katharine Light, whose story ‘My Arms Are Empty’ threw us into an intense encounter between old friends that prompts a discussion about motherhood and fulfilment. An extract from her novel, Me Too, the sequel to her debut, Like Me, which is planned for publication in 2023, the story lit up the chat with admiration.

After such excellent readings by our competition winners we were nonetheless eager to hear from Elizabeth Chakrabarty whose debut novel, Lessons in Love and Other Crimes, inspired by experience of race hate crime, was published in 2021 by The Indigo Press. Shortlisted for the Polari First Book Prize and longlisted for the Desmond Elliott Prize, the work is an incredibly rich and hybrid creation.

 

Elizabeth, alumna of the Novel Studio (Certificate in Novel Writing as it was), introduced the book and gave us a short reading examining the complexities of approaching a novel based on real experience of ongoing race hate crime in the workplace. The reading was powerful and moving and it was a real honour to hear Elizabeth share her work and then go on to answer questions from host and City Short Courses’ Tutor, Rebekah Lattin-Rawstrone, and the audience.

Together we explored how Elizabeth developed the hybrid approach to the novel, her publishing journey, tips for writers and the merest hint of the work to come. The discussion was wide-ranging and fascinating. Thank you so much, Elizabeth for joining us!

What a way to end the term and the year. Thanks were extended to all the scintillating competition winners, to Elizabeth again, the audience, and of course to Emily Pedder, head of Creative Writing Short Courses.  Don’t forget to look out for City Writes next term. The competition will open again in the new year and watch this space for news on our next published alumni. As always, the display of talent at City Writes is a joy to witness. Merry Christmas everyone, and roll on more events in 2023!

City Writes Summer 2022 Competition Winners Announced

June 22, 2022 / / 0 Comments

We’re delighted to announce the competition winners for 2022 summer term’s City Writes event showcasing the fabulous talent coming from City’s Short Courses. These wonderful winners will be joining debut writers and alumni of the Novel Studio, Attiya Khan and Simon Culleton. You can register for the Zoom event on Thursday 7th July at 7pm here.

Our winners this term are:

Richard Bowyer

Richard Bowyer for his extract, ‘The Manton Ultimatum’.

Richard Bowyer is just completing City University’s Novel Studio course. The characters and setting in ‘The Manton Ultimatum’ are drawn from The White House, his novel in development. He likes to write about the nature of community and belonging, friendship and obligation, everyday heroes, inclusion and exclusion, and how decisions get made. Richard was born and brought up in Essex and now lives in West London with his demanding cat and understanding wife.

Jonathan Gallard

Jonathan Gallard for his story, ‘We Didn’t Start the Fire’.

Alumnus of the Short Story Writing course, Jonathan Gallard is a writer whose style and approach defies categorisation.  Mostly because he hasn’t written much, yet.

 

Orsolya Kiss-Toth for her extract from Nadi Leaves. 

Originally from Hungary, Orsolya moved to Leeds about 15 years ago where she lives with her partner. She is an HR professional and whilst she loves the challenges of her role, writing is something she’s passionate about.

Orsolya Kiss-Toth

She first joined a writing group in November 2020, is an alumna of the Writers’ Workshop, and her first novel, 24 Windows, was long listed in the Stylist Prize for Feminist Fiction 2021. She’s currently working on her second novel, Nadi Leaves.

Jordan McGarry for her creative piece, ‘The First Spring’.

Jordan McGarry

Jordan McGarry has worked in the screen industries for 20 years, initially as a journalist covering the industry, and then as a programmer, a producer and now as an executive. Jordan is endlessly interested in story, but more used to helping other people write theirs than telling her own. She is trying to be braver in 2022 (though will never be comfortable with writing about herself in the third person). She is just completing the Narrative Non-Fiction course.

Lia Martin for her story, ‘Church Bells’.

Lia Martin

Lia Martin is a Londoner completing her Creative Writing MA at Birkbeck University and was enrolled on City’s Short Story Writing course back in 2014. She started her career in the media but became a secondary teacher in 2015, working in both London and Norfolk-based schools. She now leads on English for a national network of schools and is currently working on a short story collection.

 

Su Yin Yap for her creative piece, ‘Notes on a Pregnancy’.

Su Yin Yap

​​Su Yin Yap is a psychologist and writer. Her work has been published in literary magazines and websites such as Popshot Quarterly and Litro Online, as well as various anthologies of flash fiction and creative non-fiction. She has written for the psychology section of the award winning Arts and Culture website Headstuff.org. She is currently working on a collection of essays. She is an alumna of the Short Story Writing course.

These fantastic authors will be reading online at City Writes alongside Attiya Khan and Simon Culleton on Thursday 7th July at 7pm. From village referendums through lost loves and historical feuds to the anticipation of life to come, City Writes Summer 2022 will be a night of readings to remember. You can register here. We look forward to seeing you there.

Novel Studio to Broygus: a bumpy but worthwhile journey

April 8, 2022 / / 0 Comments

By Laurence Kershook

 

Thursday 11th October 2018: the first session of City, University of London’s 2018-19 Novel Studio course. Fourteen would-be novelists seated side-by-side around a table back in those distant days when people used to sit side-by-side around tables and not think anything of it: no masks, no social distancing, no worries; just a shared eagerness to take the first tentative steps that would eventually lead to us writing our novels and fulfilling our ambition to see them published.

 

Fast forward to Thursday 24 March 2022. The date when my debut novel, The Broygus, finally went on sale on Amazon in both paperback and e-book formats. Between those two dates there’d been seven re-drafts, three editorial assessments, a global pandemic and around forty submissions to agents.

 

In common with so many people, I’d long thought about writing a novel, and had mulled over various ideas – in my head and occasionally on paper – about what sort of story I’d like to tell. But it wasn’t until my friend Jane, herself a Novel Studio alumna, told me about her experiences on this course that I thought, maybe this is the time. So, after submitting a sample of my writing and being invited to come along for an interview, I was in.

 

The things I learned in that year were a total revelation to me: the three-act structure, the character arc, the inciting incident… plot, sub-plot, synopsis … a whole new language to learn, and most importantly a powerful set of tools to acquire. I’m happy to say that ours was a friendly, supportive group; we all felt that we could safely share our writing efforts with each other in the workshop sessions, and give and receive feedback with openness and confidence.

 

What I remember most vividly is the week when it was the moment for our newly-developed plot synopses to be evaluated in one-to-one tutorials. When it came to my turn, my tutor Emma Claire Sweeney amazed and impressed me by going straight to the heart of my plot, putting her finger decisively on its weakest point and offering me an inspired suggestion that gave me the key to making the whole thing work. True, it meant I’d have to demolish the entire structure and start all over again, but she’d given me such a good idea that I was only too happy to take that on. And looking back, if I hadn’t been on that course, if Emma hadn’t made that suggestion, The Broygus simply wouldn’t have come to life.

 

By the end of the course my novel had pretty well taken shape, and after a second re-draft prompted by a meticulous line-by-line edit from Rebekah Lattin-Rawstrone – an optional extra and totally worthwhile – I prepared my introductory letter and sent out the first of my forty submissions to agents.

 

Here’s where I have to admit that not one of my submissions was successful. There eventually came a point where I had to come to terms with the fact that, whatever its reasons, the publishing industry simply didn’t seem to want The Broygus. But after going through the stage, well-known to writers, where I thought about throwing my manuscript into the trash and taking up pottery or knitting, I regained my belief in The Broygus, together with a renewed determination to see it published.

 

In the third term of the course, the one that focused on the business aspects of the writer’s journey, I’d learned some facts about the publishing industry that had left me, frankly, uncomfortable. Top of the list: your novel must fit into an identifiable genre category. Is it a romance? A thriller? A family history? Is it YA, or speculative, or maybe post-apocalyptic? I learned that you need this clear genre identity so that an agent will consider taking you on, a publisher will know how to market your book and a bookseller will know which shelf to put it on. And then, publishers want readers to be able to identify your book with recent successful ones they may have read. Example:  “A love story for the young and free –– think Eleanor Olliphant crossed with Where the Crawdads Sing.”

 

None of this sat comfortably with me, and I found myself, whether rightly or wrongly, coming more and more to think of agents and publishers as the unassailable gatekeepers and arbiters of readers’ tastes. And I could see that my novel was doomed to failure because I was incapable of fitting it into any of those required categories. Or maybe there was another reason: maybe I should accept that it just wasn’t good enough. But that wasn’t the message I was getting back from the few carefully chosen, plain-speaking people I’d invited to read it.

 

What finally got me where I wanted to be was my introduction to self-publishing. Once considered very much the poor relation of the publishing industry – and sadly it hasn’t altogether shaken off that stigma – it’s now accounting for a steadily-growing segment of the industry’s output. Acting on the advice of other writers who’d successfully gone down that path, I did some research and met with some industry people who had the necessary know-how. It’s via that route that The Broygus was eventually published, and so far it’s working out very well.

 

Of course, self-publishing isn’t entirely straightforward; in fact, there are definite drawbacks in contrast to the conventional agent-publisher route. But counter-balancing all of those is the very liberating feeling you get of being in the driver’s seat and in control of your own destiny –– and above all, knowing that it’s only on the judgement of readers that your novel will stand or fall. All I can say is, it’s working for me. And thanks, Novel Studio, for the essential part you played in enabling me to bring The Broygus to life.

 

 

About the author

Previously a teacher, education consultant and gigging jazz musician, Laurence  Kershook grew up and went to school in Hackney, East London. He completed his first novel, The Broygus, after graduating from City’s  Novel Studio.

Charting the history of a Jewish East End family torn apart by events spanning three-quarters of the twentieth century, his novel follows one family member’s determination to see the hurts healed and the conflicts laid to rest.

You can buy The Broygus in paperback or e-book.

If you are interested in applying to the Novel Studio, applications are now open for 2022/23 with a deadline of 29th April 2022.

 

Spring 2022 City Writes Journeys Into The Clouds with Author, Michael Mann

March 31, 2022 / / 0 Comments

by Rebekah Lattin-Rawstrone

City Writes is the showcase event for all the wonderful creative writing coming from City’s Creative Writing Short Courses. Combining the new voices of students and alumni with the work of published alumni, the event always brings excitement and intrigue and this term’s event had everything from healers through dealers, to feminist and Polish heroes, fabulous chickens, hallucinogenic frogs and of course a twelve-year-old boy working to escape a Victorian style workhouse in an alternative smog-filled London, the protagonist of published guest, Michael Mann’s middle grade debut, Ghostcloud.

We began the night with James Baxter reading an extract from his story, ‘The Drop’. James is an alumnus of the Short Story Writing course at City and he took us into the busy, chaotic streets of a foreign city alongside his English protagonist whose bag was filled with cocaine, wrapped in coffee paste to hide the smell. Leaving us tense and anxious, we were eager to find out what would happen next. It didn’t feel like it would be anything good.

Emma Bielecki, alumna of the fantastic Narrative Non-Fiction course, read next, remaking the familiar Ealing, into her father’s Polish ‘Eh-ALL-ing’. She tantalised our taste buds with Polish cuisine, giving us a picture of her father most at ease peeling a sausage, before expertly navigating us away from food towards the histories of her father and his Polish friends who had fled to London years before. The most topical piece of the night, Emma’s creative non-fiction was a brilliant example of how to take listeners and readers on a sensory and emotional journey to highlight different perspectives of the past that go on to alter our understanding in the present.

We took a fictional turn next, diving into the world of a young girl making money with her friend, in Sini Downing’s extract, ‘The Stink of Money’, taken from her novel. A Short Story Writing and Towards Publication alumna, Sini’s reading was an engrossing immersion into her character. We began by wondering how young girls could make so much money, and feared something darker than the unusual turn Sini introduced. Her protagonist is exhausted from healing people, her sister included. We were all hooked by the end of Sini’s reading.

Following on from Sini was Adam Zunker, another reader who, like Sini, was making his second appearance at City Writes. Adam has taken several short courses in creative writing at City University and he read another extract from his wonderful novel – just completed this week! – in which a young boy attempts to step into the Afterworld using the pus from the back of a sacred frog, a special stone, a fire and two circles. Revolting and transporting, Adam’s reading left us wanting to find out if his young character would be successful.

From frogs to chickens, we joined Alison Halsey next as she read from her novel, Minta Gets Everything Wrong.  Alison has just completed An approach to Creative Writing and she took us to the funeral of her character’s sister, to which the bereaved daughter with disabilities insisted upon bringing her chicken and slapping her half-brother round the head. A black comedy with a warm and informal narrative voice, Alison’s story had us all giggling and looking forward to hearing more.

Our final competition winner, Stephanie Donowho, alumna of Novel Writing and Longer Works, read us her story ‘Once a daughter of Eve’ next. Stephanie’s story took us into the mind of a child growing up in a Christian household, surrounded by Bible geeks, whose self-motivated exploration into less well read parts of the Bible led to finding two stories of women called Tamar, one of whom had to cheat a man into bed. A fascinating story of growing feminist awakening, Stephanie’s piece was a fabulous segue from competition winner to published author.

Our headline act, Michael Mann, read next. Michael is an alumnus of the Writers’ Workshop at City and began his debut, Ghostcloud, in that very class. A winner of Undiscovered Voices 2020 and the 2019 London Writers Award, Michael’s middle grade novel is set in the smoky, dark underworld of Battersea Power Station in an alternative smog-filled London. Michael read the opening of the book in which we met twelve-year-old Luke, struggling to shovel coal, trying to work hard enough to earn his escape back into the light of London and his family from which he was kidnapped. We met his kidnapper, Tabitha, and two of the other children suffering under her regime. You’ll have to read the book to find out what happens next. Click here to get your copy.

Michael then took part in a Q&A with Novel Studio tutor and City Writes host, Rebekah Lattin-Rawstrone, followed by questions from the audience. Michael helped us understand his inspirations, the development of the novel and how publication and the expectations of publishers has changed his writing practice. Generous in his sharing of tips and ideas for budding children’s authors, you can follow the whole discussion and catch up with our competition winners’ readings, by watching the recording of the event here. Michael was keen to remind the audience that he loves visiting schools. If you do have connections to a Primary School near you, you can contact Michael on mbmann@gmail.com

City Writes is a great space for sharing the creative writing talent that abounds from City’s short creative writing courses. Look out for the Summer event and if you are an alumni or current student, don’t forget to enter next term’s competition. We have two published alumni reading for us next term: Simon Culleton and Attiya Khan, both Novel Studio alumni, whose novels respectively are, Shadows of Fathers about a father’s battle for child custody across national borders and Ten Steps to Us that follows a young Muslim girl’s struggle to maintain her faith in her quest for love. Watch this space for further details of the event and the competition.

Watch the full event here.

Sumo: A world of dedication and focus that epitomises Japanese business

March 15, 2022 / / 0 Comments

The centuries-old world of traditional Japanese wrestling provides many insights for our rough-and-tumble world of business.

By Raju Thakrar

You might be surprised to learn that Japanese executives have always been huge fans of sumo. Not only is this because the sport is quintessentially Japanese, but it’s also due to the similarities between the sumo ring and the office. From the perspective of these high-level “salarymen”, the world of sumo and any single bout has the potential to teach them things that they can implement in their everyday work lives. These include dedication, the rewards for loyalty, thorough preparation, knowing your opponent, and treating others with respect. But Japanese executives are not the only people who can learn how sumo can improve their work lives – anyone working in a company can as well.

Keeping it in the family

Most recruits to a “sumo stable” – the name for the group where wrestlers live and train together – are on average 15 years old. Each stable is headed by a stable master and his wife, both of whom act as parental guides for the young sumo trainee.

Wrestlers belong to one stable their whole career. The stable repays their loyalty by investing a huge amount of time and money into ensuring they succeed as far as they can in the sport. Not only are the wrestlers given a roof over their heads and fed, but they are also provided with one-on-one instruction and welcomed into a system that looks after them throughout their career. Each wrestler, for example, is provided with a mentor who cares for them like a “big brother”.

It’s not an easy life being a sumo wrestler. But those young men who decide to dedicate their lives to it know that with hard work and determination, they could be rewarded with fame and glory – just like with business. This is the reason why young Japanese boys from poor, rural areas join: they want to better themselves. More recently, teenagers from Mongolia, a much poorer country than Japan with its own form of wrestling, have chosen to try their luck in the sumo world. Some of them have made it to the upper echelons of the sport.

Sharing the fruits of your success

No matter how successful a wrestler becomes, he never forgets that he belongs to a stable. Top-ranking wrestlers who are paid a monthly stipend have to share part of that with their stable. What’s more, whenever a wrestler wins prize money offered at a bout by sponsors – on occasion this can amount to thousands of pounds – the wrestler has to share the money with the rest of his stable.

When wrestlers reach the top ranks, it’s great PR for the stable, as it attracts wannabe wrestlers who believe that by joining the stable they too can one day become rich and famous. Talent is organically attracted to a successful stable. For example, Kokonoe stable, whose stable master was Chiyonofuji – one of the most famous wrestlers in recent years – now boasts more highly ranked wrestlers than any other stable in the sumo association.

A mindset of focus and mutual respect

Many sumo bouts only last for a few seconds. That means wrestlers prepare all day to be in the ring for a match that could be over in a blink of an eye. Preparation is thus key. In fact, wrestlers spend most mornings training all out so that they can win in tournaments and rise through the ranks. Chiyonofuji had these words of wisdom for wannabe sumo stars: “You must train to get stronger now but also to be stronger in three years from now”.

Even when they enter the ring, the bout does not immediately start. As part of a centuries-old ritual, the wrestlers normally face off four times before they actually charge full throttle at each other. This run-up period is where mind games are usually played, so much so that it’s often said that a bout’s outcome is decided at this stage. That’s why, as with business, keeping your cool is key in sumo. After the bout is over, win or lose, you are not allowed to show your feelings, out of respect for your opponent.

Sumo may have been around for hundreds of years, but some of the things that it can teach people are very much relevant to today’s corporate world: how companies can care for and reward their employees; how working hard on a daily basis can bring about long-lasting results; how business negotiations can change in an instant; and how, win or lose, respecting others is so important.

Which sport do you think best represents what an office environment is like?

Raju Thakrar is a consultant working at GR Japan, Japan’s leading government relations consultancy. He can be contacted via  his LinkedIn page.

Raju is a current student on City’s short Writing for Business course taught by Jenny Stallard. For more on our short writing courses, from novel writing to copywriting, please visit.

City Writes celebrates its first non-fiction guest: Ciaran Thapar

December 20, 2021 / / 0 Comments

by Rebekah Lattin-Rawstrone

City Writes is such a brilliant showcase for all the fabulous writing talent coming from City’s Creative Writing Short Courses and this Autumn’s Event was no different. There are always fascinating submissions from the Narrative Non-Fiction course run by Peter Forbes and this term we were able to celebrate some of the fruit of his teaching labours by sharing the work of Narrative Non-Fiction alumnus Ciaran Thapar whose book Cut Short: Youth Violence, Loss and Hope in the City is an insightful, honest and eye-opening exploration of knife crime and youth violence in London.

As always we began with the competition winners. We went from an exploration of infidelity and class in ‘Salesman of the Year’ by Laurence Kershook all the way to a drunken groom in Grayson Anderson-Brown’s ‘Mum’s Yard’.

Laurence is an alumnus of The Novel Studio and his story set a sinister tone for the evening. As is often the case, a theme seemed to emerge across the winners’ pieces and this time it was an exploration of relationships from people at the end of their relationship journey, through those at the start, towards those whose more intimate relationships are with their art.

We hope Laurence will come back and share his novel, The Broygus, which is due out in mid-2022.

From a jail cell (you read correctly) to a house call, we heard from Pasca Lane next as she read her story, ‘Creature of Habit’. Her main character was desperate to get rid of a fox, to rid his home of the remnants of his ex-wife. A hilariously unself-aware character, Pasca delivered his perspective with aplomb.

Alan Gray, alumnus of the Short Story Writing course, took us on a first date, expertly navigating us through the complications of desire and that human need for connection in his story ‘Nice Meeting You’. There were some great moments of dialogue and a weighty, uncertain end on a sofa.

Another Short Story Writing alumnus, Stephen Kehoe, chilled us with the opening of his novel-in-progress, Defence Mechanism next. A speculative near-future in which the protagonist exploits public officials for some unspecified end, left us all reeling and eager to find out more.

Emily Shammar took us into the world of a blind woman at a picnic next. An alumna of An Approach to Creative Writing this extract from her longer work, ‘The Complicit’ was a thrilling and unnerving ride into uncertainty.

Novel Studio alumnus, Grayson Anderson-Brown gave us some sharply drawn characters next, in his extract ‘Mum’s Yard’ in which two brothers and a cousin try to salvage a wedding day currently not going to plan. They fail to keep the groom’s hung-over dishelvement from Mum, all summoned to her flat for a dressing down.

Mike Clarke was the last of the competition winners to read. A self-confessed City writing course junkie, he read ‘Spray Can Angel’, an extract from his novel-in-progress, Burnt Fingers, in which a female graffiti artist risked serious injury dangling from a fire escape to repair her artwork. Left dangling alongside the protagonist, the audience were hoping to see that novel in print soon.

The evening then took a turn towards non-fiction and the brilliant blend of narrative and sharp political commentary in Ciaran Thapar’s work, Cut Short: Youth Violence, Loss and Hope in the City which was published by Viking UK (Penguin) in June 2021. Told through a mixture of character journeys based on real people and considered research and argument, the book draws a reader into the lives of those living with youth violence, gaining their empathy and understanding in order to help them see a path towards change.

Ciaran gave a short reading from Chapter Five in which Carl, a young school boy, is sitting in an isolation session at school and feeling worthless and depressed. In a Q&A with host, Rebekah Lattin-Rawstrone, Ciaran then spoke further about the themes of the book and his hopes for building more supportive communities for young people. He was an inspirational guest and speaker, providing much food for thought among the audience who were also keen to ask questions. If you haven’t read it, buy it here. Ciaran will also be running a short course at City on Writing for Social Impact, which if his book is anything to go by, will instigate further fascinating and thought-provoking writing.

To experience the event for yourself, watch the full recording now. What a great way to start the festive season with fabulous fireside stories and provocation to think of others.

City Writes Competition Winners Autumn 2021 Announced!

December 2, 2021 / / 0 Comments
By Rebekah Lattin-Rawstrone

You may have already booked your tickets to hear Ciaran Thapar read from his critically acclaimed book, Cut Short: Youth Violence, Loss and Hope in the City at City Writes on the 15th December 2021, if not you can register for the zoom event here. Now you have even more reasons to come to the event as we announce our wonderful creative writing student and alumni competition winners for autumn 2021. This term’s winners are:

Grayson Anderson

Grayson Anderson-Brown is a British born Jamaican author and poet. Raised in South London, he has spent most of his life writing. His catalogue of work contains songs, poetry, a science fiction trilogy, and an opinion-based non-fiction book relating to the idiosyncrasies of gender in society. He considers himself a student of humanity, culture, and nature. An alumnus of the Novel Studio, he’ll be reading ‘Mum’s Yard’.

 

Mike Clarke

Mike Clarke is a City writing course junkie, having studied on several, including the Novel Studio (when it was the Certificate in Novel Writing) and Writers’ Workshop and also graduated with an MA in Creative Writing from Manchester Metropolitan University. Mike’s short stories have been performed by the renowned Liars League. He occasionally dabbles in stand-up and BBC Radio 4 has broadcast some of his allegedly amusing material. He’s been making final edits to two novels for far longer than he’d like to remember. He’ll be reading ‘Spray Can Angel’.

Alan Gray

 

Alan Gray is a writer/psychologist born in Horden, County Durham. He holds an MSc in experimental psychology from the University of Oxford and lives in London. A Short Story Writing alumnus, he’ll be reading ‘Nice Meeting You’.

 

Stephen Kehoe

Stephen Kehoe is a recovered drug addict from Preston and splits his time between London and the Northwest. His degree in English is from Goldsmiths and he studied creative writing at City, University of London. His work has been performed live at Liars’ League. Defence Mechanism, his novel-in-progress, from which he’ll be reading, is a dystopian thriller and the opening scene is the first thing he ever wrote. He’s an alumnus of the City Short Story Writing course.

 

Laurence Kershook

Laurence Kershook is based in Hackney, East London. He’s been a teacher of languages and a jazz musician, but now he devotes most of his time to writing. While attending the Novel Studio course in 2018-19 he started working on his novel The Broygus, a mystery story set in the 1970’s that chronicles a young man’s quest to find meaning in his life by unearthing the long-buried secrets of his East End Jewish family. The Broygus will be self-published in mid-2022. He’ll be reading his story ‘Salesman of the Year’.

Pasca Lane

Pasca Lane is a professional storyteller working in the not-for-profit sector. She has won numerous awards for her work – bringing stories to life through compelling words and creative multimedia content – and currently heads up the Media team at the British Red Cross. She loves to travel, and has contributed to a number of travel publications including Lonely Planet. Pasca lives in North London and is proud of her family’s long-standing roots in the capital. She hopes one day to tell the story of previous generations on her mother’s side, who served as Thames Watermen in the East End. Pasca is an alumna of our Feature Writing course ( which no longer runs but we hope to bring it back soon!) She’ll be reading ‘Creature of Habit’.

 

Emily Shamma

Emily Shamma is a City periodical journalism graduate. She started her career as a fashion journalist, before moving into business journalism. Emma then spent time as a retail analyst in the City, before working as a Director at Tesco for 17 years. She lives in Islington with her husband and 11-year-old daughter Estella. Emma now writes creatively for pleasure, and her other interests include modern art, cookery and the theatre. An Approach to Creative Writingalumna, she’ll be reading her story ‘The Complicit’.

As you can tell, City Writes Autumn 2021 is going to be a fantastic showcase of the creative writing talent coming from City’s creative writing short courses, with readings and a Q&A with Ciaran Thapar. Don’t miss out and register now for your link to the zoom event on the 15th December at 7pm. We look forward to seeing you there!

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